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Lot 1087
Mappenwerk. „ars viva 98/99 - INSTALLATIONEN“. 1998/99Original-Kartonschachtel, typografisch bedruckt, mit 5 Werken in verschiedenen Techniken, jeweils auf Papier, von unterschiedlichen Künstlern und mit einem Impressum. Schachtel: 62,2 × 44,4 × 2,7 cm (24 ½ × 17 ½ × 1 ⅛ in.). Jeweils signiert, eines datiert.Eines von 30 nummerierten Exemplaren. Köln/Berlin, Kulturkreis der deutschen Wirtschaft im Bundesverband der deutschen Industrie e.V., Köln.Mit Werken von Kai Althoff, Lothar Hempel, Manfred Pernice, Torsten Slama und Sean Snyder. [3023]Zustandsbericht: Ex. 8/30. Alle Werke in gutem Zustand. Die Blattkanten jedes Werkes ohne Einrisse oder Fehlstellen. Harmonischer Gesamteindruck. Kai Althoff. "Ohne Titel". Farboffset auf Papier. Unterhalb der Oberkante links eine schwache, horizontale linienförmige Druckstelle (8 cm). Lothar Hempel. "Ohne Titel." Fotografie. Nummeriert 8/10. Die untere rechte Ecke minimalst bestoßen und leicht nach oben gebogen. Im Randbereich vereinzelt schwache Fingerflecken. Manfred Pernice. "Bell". Collage: Farbfotografie, ausgeschnitten, montiert auf Papier. Das Papier technikbedingt an den Seitenrändern leicht gewellt. Torsten Slama. "Flaschenförmige Vase mit Mutationsglasur". Farboffset auf Papier. Mit vereinzelten kleinen schwachen Dellen.Sean Snyder. "Ohne Titel" (project notes for berlin biennale). Heft. In gutem Zustand.Die Schachtel mit leichten Gebrauchsspuren.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 216
Ca. 400 BC A red figure ware Apulian Krater with pedestal foot, cylindrical stem, inverted bell-shaped body and two lug handles protruding from the sides. The painted scenes show (side A): a seated female, holding a fan and a wreath; (side B): a standing, winged figure of goddess Nike sacrificing over an altar, holding a patera and a branch. The scenes are framed by an upper and lower geometric border and flanked by vegetal motifs. Kraters such as this would have been used for mixing wine at drinking parties.This piece has been precisely dated having undergone Thermo Luminescence analysis by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. Its TL certificate with full report will also accompany this lot.Size: L:240mm / W:245mm ; 1.25kgProvenance: From the private collection of a Kent gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
Lot 316
Ca. 100 AD A beautiful glass candlestick unguentarium with an out-turned rim, long cylindrical neck, and a bell-shaped body. Excellent condition, beautiful iridescence.For a similar see Noth Carolina Museum of Art, Object number: 92.7.6.Size: L:125mm / W:35mm ; 21gProvenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market formed in the 1980s
Lot 5
Qing Dynasty. Early 20th Century. Bearing an apocryphal mark for the Qianlong Emperor. on the upper rim in red on a gilt ground. En suite with the previous lot, in two parts, the upper a tapering cylinder, with circular rim and a galleried dish, the lower part of bell-form; each decorated with iron red five-claw dragons, amidst clouds, in pursuit of a flaming pearl, the upper border of stylized lappets, the lower with green waves. Size: 7 x 16 3/8 in.
Lot 3117
19th century French white marble mantel clock, the cuboid body surmounted by a gilt bronze figure of Napoleon, over a white enamel dial with Roman numerals, inscribed Rossi Norwich, enclosing a French brass eight-day movement striking on a bell; stepped base with gilded beaded and bobbin-turned edges H44cmCondition Report:Looks to be in reasonably good condition with a number of small chips around base edge/corners.Bobbin turned edging a little loose.Rod in Napoleon's hand looks to be a replacement.Working condition unknown.Lacking back door panel.
Lot 223
Very rare glossy, arty publication given to invited guests only at the launch of their 2006 Gentleman's clothing range. Signed by Derek Bell, Jack Sears, Arturo Merzario, Kevin Schwantz, John Surtees, Henri Pescarolo and Max Chilton.In excellent condition with a matching slip case. These were never sold, simply offered to VIP customers. Great present for someone who already has everything!Click here for more details and images
Lot 416
This superbly presented, Ford 1600 Crossflow-powered, 3rd-generation Turner Sports is one of only 70 examples from the final chapter of Jack Turner's amazing story.For those of us who have been involved in Club Motorsport for over half a century, the mention of racing Turners is nearly always followed immediately by someone mentioning ‘Tatty Turner’. ‘Tatty’ was a seriously quick Mark 1 Climax (678 ERC) that was raced in the early 1960s by Pat Fergusson and Warwick Banks with great success and became known for epic ‘David and Goliath’ battles around Mallory and Brands.As I recall, the epithet ‘Tatty’ was singularly well deserved at the time but the car did scrub up well in later years, however, the word could never be used to describe the immaculate Mk3 on offer here. “Tidy Turner” would be far more appropriate.This superb example is a Turner Ford 1600 Crossflow Mk3. right-hand drive, 2-seater Sports that was first registered on 1st June 1964. It features original GRP bodywork painted in white with a reconditioned inner tub in aluminium and Turner seats trimmed in Jaguar Mulberry leather. Manufactured by Turner Sports Cars at Pendeford Airport, Wolverhampton, it was treated to a no-expense-spared rebuild in 2010/2012 at 64,226 miles in Wolverhampton by Turner-guru, John Cullis, the third of five owners.It’s formally identified by a V5C registration document issued on 27 May 2021, recording its original Turner tubular-chassis number #64/615 and Ford 711-block engine number UP00325 (originally S367981). It’s fitted with a big-valve head, Cortina GT cam and inlet with a single-choke Weber carburettor, lightened and balanced crankshaft with ARP bolts, large-core radiator and fan, Pertronix electronic distributor, Facet fuel pump, alternator and a custom stainless steel exhaust.Further aspects of the car’s current spec include Cortina GT 4-forward speed gearbox with Lotus Cortina aluminium bell-housing, original Turner 5-link rear axle with 8ins brakes, Peter May halfshafts, twin bearing hubs, 3.5:1 differential, GT6 front suspension, adjustable-camber top wishbones, Wilwood front discs and calipers, gas coil-over shocks and 5.5 x 14 Minilite alloys all round, 5/8 ins MG Midget anti-roll bar, renewed fuel tank, wiring loom, electric instrumentation indicating 3,500 miles (since restoration), fused and relayed with master battery switch and a fitted tonneau cover.Historic Vehicle Road Tax exempt (last renewed 5th May 2022 for 12 months), scissor jack and spare Minilite in the boot along with hood and frame. Included, too, is the most comprehensive September 2016 compiled Turner cuttings file, recording marque history through 84 magazine features from July 1951 to September 2012, together with production and technical info, including sources of parts employed in the manufacture of all models and chassis. A complete run of Fairthorpe Sports Car Club newsletters are full of essential Turner Register intel within the ‘Turner Tattle’ section from the March 2016 to and including July 2022 issues.Several hundred Turners were built prior to the company’s demise in 1966 and there are a good few in regular daily use but we can’t ever recall seeing one that sits so well and just looks ‘right’. In immaculate condition with good provenance and lots of Turner-based history, this seems an excellent opportunity.SpecificationMake: TURNERModel: FORD MKIII 1600Year: 1964Chassis Number: 64-615Registration Number: BAX 500BTransmission: ManualEngine Number: UP00325Drive Side: Right-hand DriveMake: RHDClick here for more details and images
Lot 190
Actor, Zoë Bell signed 10x8 black and white photograph. Bell (born November 17, 1978) is a New Zealand stuntwoman and actress. Some of her most notable stunt-work includes doubling for Lucy Lawless in Xena: Warrior Princess and for Uma Thurman in Kill Bill.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 241
Joseph Durward, Edinburgh, a Scottish George III 8 day oak longcase clock, late 18th/early 19th century, the 12" silvered dial with subsidiary seconds dial and date aperture, signed, the movement striking on a bell, the hood with broken swan neck pediment and plain columns, the long case with a shaped door flanked by fluted quarter columns, 49cm wide, 222cm high, key, pendulum, two weights.Durward is recorded both Baillie's Watchmakers and Clockmakers of the World and John Smith's book, Old Scottish Clockmakers. He was made a member of the Clockmakers Company in 1775 after writing a paper on "Balance wheel and pinion". He worked for 40 years at 29 Leith Street Edinburgh and retired in 1819.Sold with a receipt from Robert Morrison of York for £180 in 1974 and another by the same for restoration work for £133 in 1979, including resilvering the dial.
Lot 236
J. Richardson, Bubwith, an early 19th century oak and mahogany 8 day longcase clock, the painted dial with subsidiary seconds dial and date aperture, the movement with cast iron false plate by F? & MORE, striking on a bell, key, broken pendulum, 2 x weights, 225cm. The Richardson family of clockmakers started with John Richardson, d.1805, had two sons, John and William Richardson. Both were watchmakers, William's (d.1840) son was John Richardson, the shop was run by Trustees when William, until his son, came of age.
Lot 216
Franklin Mint for the V & A Museum, a cobalt blue and gilt Marie Antoinette 18th century style lyre mantle clock, the 8cm dial with Zodiac symbols and Roman numerals crystal set bezel, eight-day key wound movement by Franz Hermle of Germany, two tone striking on a bell on the hour and half, 39cm
Lot 233
An early 20th century French brass wall clock, the dial with porcelain Roman numerals, cast lyre and swag body, the movement striking on a bell, no pendulum, 73 x 32cm. One porcelain numeral (11) is loose, top fret is loose, case & dial good condition, movement appears complete, although it is fully wound it is not ticking?No pendulum or key
Lot 237
Francis Moore, Ferrybridge, a George III oak 8 day longcase clock, the 12" brass dial with subsidiary seconds dial and date aperture, the chapter ring with Roman numerals and Arabic minutes, cast brass spandrels, the movement striking on a bell, plain arched hood and trunk, door with plaque "August 21, 1755", 2 x weights, no pendulum, 202cm. Moore is listed in Brittens Clockmakers as working in Ferrybridge c.1775.
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123896 item(s)/page