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Lot 725
COLIN BELL ENGLAND SHIRT Framed, glazed England shirt worn by Colin Bell whilst playing for England. White long-sleeved Umbro airtex style shirt with 3 Lions badge on front left breast and number 8 on reverse. Comes with auction house letter of authenticity signed by Colin Bell. Metal frame with inscription "Colin Bell Manchester City and England"and is mounted against a sky blue background. Measures 74cm x 83cm. Good
Lot 451
BLACKBURN Collection of Blackburn Programmes 1949-2015 inc Bury Reserves v Blackburn Reserves 49/50, Blackburn v Notts Co, Middlesbrough 55/56, Fulham 61/62. Plus 27 programmes and 35 Team sheets from matches in recent seasons covering mainly Friendlies and some League matches. Also inc 3 News Chronicle player cards Tommy Briggs, Eddie Crossan and Eric Bell. Some faults. Generally good
Lot 726
MANCHESTER CITY Framed print "The Maine Men" signed by Colin Bell, Francis Lee and Mike Summerbee. The print shows the three England and Manchester City players in City kit against a background of Maine Road and Joe Mercer and Malcolm Allison behind them. Comes mounted in a black frame with a sly blue mount and measures 98cm x 67cm. Nice item Good
Lot 724
COLIN BELL A collection of ephemera mostly relating to Colin Bell of Manchester City and England, a pennant from the 1970 World Cup group stage Romania, England, Czechoslovakia and Brazil. Along with 2 b/w photos one featuring Colin Bell, Bobby Charlton, passes, letter, programme etc. Generally good
Lot 208
SET OF VINTAGE 'THE SILVER FOX XMAS DECORATION LIGHTS' comprising fourteen glass Chinese style hanging lanterns, a set of sixteen period Osram Christmas candle lights, a set of Pifico Fairy Lights comprising twelve plastic bell shaped lanterns and three sets of Osram Christmas tree lights, all in original boxes
Lot 442
§ Duncan Grant (British, 1885-1978) The White Coffee Pot signed lower right "D Grant", inscribed with title on the reverse, and with a sketch of a girl on the reverse oil on board, in a green and gold painted frame 81 x 60cm (32 x 23in) Provenance: The Bloomsbury Workshop, 12 Galen Place, London, WC1. Born in 1885, Duncan Grant spent his early life in India, returning to Britain in 1893. Grant was encouraged by the French painter Simon Bussy, who later introduced Grant to Matisse in 1909. Grant, along with Maynard Keynes, Roger Fry and Vanessa Bell (whom Grant had a daughter with, Angelica Garnett), was a central figure of the organisation of artists and writers called Bloomsbury. Perhaps a little dirty but fine.
Lot 443
§ Vanessa Bell (British, 1879-1961) The Kitchen Table, Charleston, 1948 signed lower right with initials "VB" oil on canvas 70 x 51cm (27 x 20in) Provenance: The Bloomsbury Workshop, 12 Galen Place, London, WC1. Vanessa Bell, born in 1879, was a member of the Bloomsbury Group and sister of Virginia Woolf. Studying at the Slade School of Art in 1901, she was said by her family to have been excellent at portraiture but she chose to specialise in still lifes, landscapes and interiors with figures. Vanessa Bell was inspired by Roger Fry's Post-Impressionist exhibitions to use more colour and bold arrangements, later in 1914 turning to abstraction. Sadly in 1941, after the death of Virginia, Bell withdrew to isolation, only keeping in contact with close family and artist Duncan Grant. However she continued to paint until she died in 1961. A little craquelure above the mussel pot, otherwise appears fine.
Lot 444
§ Vanessa Bell (British, 1879-1961) Iris and White Columbine and an embroidered screen, 1953 signed lower left with initials "VB" oil on canvas 60 x 50cm (23 x 20in) Provenance: Angelica Garnett; Sandra Lummis Fine Art, 17 Haslemere Road, London, N8; Private collection, London. Old stretcher (?) mark runing vertically across the middle. Perhaps a little dirty but fine. Quite coarse canvas.
Lot 62
Quentin Bell, a Fulham Pottery figural lamp base and painted shade, the central column with two Spanish women standing back to back on either side, the cylindrical base divided into panels, each with central Bull mask, the hand painted shade initialled internally, 66cm high including shade Provenance: From the collection of Elisabeth Luard, Brynmeheryn. Quentin Bell was the son of Clive and Vanessa Bell and nephew of Virginia Woolf. He moved to Charleston in Lewes, East Sussex, when he was six years old. There he grew up within the heart of the Bloomsbury Group. Quentin Bell initially trained in fine art but moved to Stoke on Trent at the age of 25 to study pottery. He continued to work with clay for the rest of his life alongside his writing and painting. He created the pottery at Charleston during the Second World War. His work is in the Victoria and Albert Museum, London.
Lot 63
Quentin Bell, a Fulham Pottery figural lamp base and painted shade, the central column with a King and Queen to either side with restrained mermaids and mermen between, around the base reads 'Her Pacific Majesty rules the Children of Anger, He rules hers', the hand painted shade initialled internally, 78cm high including shade Provenance: From the collection of Elisabeth Luard, Brynmeheryn.
Lot 66
Quentin Bell, a Fulham Pottery plate, centrally incised with a woman reading or singing from a book to a banded blue border, incised to verso "Fulham Pottery, Quentin Bell" 23½cm (9in) Provenance: From the collection of Elisabeth Luard, Brynmeheryn. Quentin Bell was the son of Clive and Vanessa Bell and nephew of Virginia Woolf. He moved to Charleston in Lewes, East Sussex, when he was six years old. There he grew up within the heart of the Bloomsbury Group. Quentin Bell initially trained in fine art but moved to Stoke on Trent at the age of 25 to study pottery. He continued to work with clay for the rest of his life alongside his writing and painting. He created the pottery at Charleston during the Second World War. His work is in the Victoria and Albert Museum, London.
Lot 88
A Tiffany Studios patinated bronze floor bell lamp with Favrile glass shade, the knopped stem cast with foliate buds, the flaring foot on eight scroll feet, the blue Damascene Favrile shade decorated with blue petrol lustre finish and etched with butterfly and dragonflies, over opaque glass, shade signed LCT Favrile, cracked, the base with stamped Tiffany Studios New York 425, 141cm. high Literature Tiffany : Innovation in America Design, Christie's New York, 7th December 2001 page 64 lot 522 for this lamp design illustrated.
Lot 1001
GLENFIDDICH SPECIAL OLD RESERVE Pure Malt Scotch Whisky. 75cl, 40% volume, in tube. DEWAR'S 12 YEAR OLD DOUBLE AGED Blended Scotch Whisky. JOHNNIE WALKER BLACK LABEL Blended Scotch Whisky, aged 12 Years. 1 L, 43% volume, in carton. BELL'S CERAMIC BELL Blended Scotch Whisky in cream and brown Wade decanter. 13 1/3 fl ozs/37.8cl, 70° Proof. DEWAR'S SPECIAL RESERVE Blended Scotch Whisky, aged 12 Years. 1 L, 43% volume, in carton. BELL'S CERAMIC BELL Blended Scotch Whisky in cream and brown Wade decanter. 13 1/3 fl ozs/37.8cl, 70° Proof. 6 bottles CONDITION REPORT: Good. Some wear to one Bell's label.
Lot 599
A late Victorian oval satinwood and marquetry inlaid writing desk, by Maple & Co, the shaped top with projecting bow ends inset with gilt tooled green leather writing skiver, profusely inlaid all over with scrolling leaves, bell flowers, urns and other classical motifs, each bowed end with a central oval marquetry reserve depicting classical females, including Leda and the swan and Diana the Huntress, fitted with an arrangement of seven drawers around an arched kneehole, on stiff leaf carved and gadrooned tapering supports and castor feet, top right drawer stamped Maple & Co Ltd, W.4ft 3in.
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123509 item(s)/page