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Bearnes Hampton & Littlewood
Lot 986

Francois Moreau, a French spelter mantel clock:, the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the trademark of the blanc roulant maker, Vincenti et Cie, the white enamel dial having black Arabic numerals with decorative floral swags between and decorative engraved brass hands, the spelter case depicting a cherub holding a garland of flowers, all standing on a marble base with decorative gilt-metal feet, the case marked Francois Moreau, Salon des Beaux Arts, a France with a brass plaque to the front engraved Amour Brulantses Armes, with repeat signature, height: 35cm. * Biography For details of Vincenti see lot no. 985.

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Bearnes Hampton & Littlewood
Lot 987

A mid-Victorian French mantel clock: the eight-day duration movement striking the hours and half hours on a bell, the backplate stamped with the trademark of the retailer, the Army & Navy Stores, the blue porcelain dial painted with a decorative scene to the centre depicting a cherub riding a mythical sea creature, with black Roman numerals and blued steel hands, the tapered scroll-shaped cast brass case with floral decoration, female Indian-head masks to the sides, a shaped decorative porcelain panel to the front depicting a couple walking beside a river with a castle behind, surmounted by a blue porcelain urn, height: 47 cm.

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Bearnes Hampton & Littlewood
Lot 989

Johnson, London, a Regency mahogany bracket clock:, the earlier eight-day duration, double fusee movement striking the hours on a bell with an anchor escapement and a fully engraved backplate of floral & rococo decoration, the round convex painted dial having black Roman numerals, blued steel moon hands and signed Johnson, London, the associated mahogany case having cut brass inlay and applied carved decoration to the front, brass fretwork and carrying handles to the sides with a `dutch barn` top, height: 44cm.

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Bearnes Hampton & Littlewood
Lot 992

George Grove, London, a mahogany bracket clock:, the eight-day duration, five pillar double-fusee movement striking the hours and half hours on a bell, the backplate with engraved border decoration and signed Geor. Grove, London, the eight-inch round convex painted dial with black Roman numerals, blued steel tulip hands and signed George Grove, Wood St, Cheapside, London, the dome topped mahogany case with inlaid stringing to the front, brass fishscale frets to the sides and standing on brass ball feet, height: 42 cm. * Biography George Grove is recorded as working in Wood Street from circa 1809 until his death in 1814. He was the son of the maker Richard Grove of the same address, a Freeman of the Clockmaker`s Company from 1760 until 1817.

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Bearnes Hampton & Littlewood
Lot 993

Benjamin Jonas, Plymouth, a William IV mahogany bracket clock:, the eight-day duration, double fusee, five-pillar movement striking the hours on a bell, with border engraving to the backplate and pendulum bob, the painted eight-inch round convex dial with black Roman numerals, decorative blued steel hands and signed B. Jonas, Plymouth, the mahogany case with gadrooned pediment top surmounted by a wood and brass ball finial, with further ribbed moulding to the top, bottom and corners of the case, with cast brass floral and ring handles to the sides and brass fishscale frets, standing on gadrooned ball feet, height: 48cm. * Biography Benjamin Jonas is recorded as working in James Street, Plymouth Dock from circa 1812 and married Ann Ezekiel, sister of the Exeter engraver E.A. Ezekiel of whom he was named as a trustee of his will in September 1806. Interestingly a Philip Ezekiel is known to be working in Plymouth Dock in the same period.

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Bearnes Hampton & Littlewood
Lot 995

W.F. Evans of Handsworth, a striking skeleton clock based on the Scott Memorial:, the eight-day duration, double fusee movement striking the hours on a gong, with a half-dead beat escapement, skeletonised barrel caps and five-spoke wheelwork, the pierced silvered chapter ring engraved with black Roman numerals and with decorative blued steel hands, the shaped plates in the form of the Scott memorial sitting on a rectangular marble base with a further mahogany base, height: 64cm. (inc. base) * Biography Evans of Handsworth were one of the top makers of skeleton clocks in the Victorian period. John Houghton, formerly the foreman of Boulton & Watt at the Soho factory, took over their clock making business in 1805 after the decision of the firm to discontinue clock manufacture, calling it The Soho Clock Factory. Houghton was joined by his son-in-law William Frederick Evans and when the former decided to retire in 1843 Evans continued as W.F. Evans & Son. They made many different styles and types of clocks but they are primarily known for the selection of skeleton clocks that included a number modelled on various ecclesiastical buildings, those of York and Westminster cathedrals, with three-train eight-bell chiming movements, being the most spectacular. Evans also produced a clock based on the Scott Memorial in Edinburgh to show at the Great Exhibition in Hyde Park in 1851. He went on to make various differing designs of the clock for retail of which this is one.

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Bearnes Hampton & Littlewood
Lot 997

Thos. Smith, London, a bell-top bracket clock: having an eight-day duration, five pillar, double fusee movement with a verge escapement, fully engraved backplate with c-scroll decoration and striking the hours on a bell, the arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings, a matted centre with a subsidiary seconds dial and date aperture, with an inset silvered nameplate engraved Thos. Smith, London, with cast brass c-scroll spandrels to the four corners and blued steel hands, the arch with a subsidiary dial for strike/silent and further c-scroll spandrels, the fruitwood bell-top case with traces of ebonising, wood fretwork to the top corners, glazed side panels, surmounted by a brass carrying handle and standing on brass bracket feet, height: 51cm (handle up) Complete with wall bracket. * Biography There are a number of maker`s named Thomas Smith working in London during this period with the maker of this clock possibly the Thomas working in Princes Street, Aldgate having been apprenticed in 1763, or the Thomas known working in Kirby Street circa 1774.

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Bearnes Hampton & Littlewood
Lot 1004

Kent, Saffron Walden, a lacquer longcase clock:, the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings fleur-de-lys half-hour decoration and with an arcaded minute ring, the silvered dial centre with a subsidiary seconds dial, date aperture and engraved with a seascape scene, the arch having a silvered boss engraved with the name Kent, Saffron Walden, the black lacquer case with raised chinoiserie decoration, three-quarter columns to the hood, a shallow caddy top, a break-arch trunk door and giltwood finials, height: 223cm. * Biography The Kent family of Clockmakers were working in Saffron Walden, Essex starting with Henry who was apprenticed in 1699 with this clock probably made by John Kent Snr who was married in 1764 and had a clockmaking son, also John, who was born in 1765. A William Kent had moved to Saffron Walden from Lynton in Cambridgeshire by 1753 and died there in 1783, a maker who numbered his clocks.

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Bearnes Hampton & Littlewood
Lot 1005

Henry Beard, Bristol, a mahogany longcase clock:, the eight-day duration movement striking on a bell, with the twelve-inch painted arched dial, with black Roman numerals, floral decoration painted to the four corners, a subsidiary seconds dial and date aperture to the centre, blued steel hands and a moonphase disc set within the arch, signed by the maker Beard, Bristol`, the false plate to the dial is signed by the dialmakers `Walker & Hughes, Birmingham`, the mahogany case of typical Bristol form, with a swan-neck pediment and fluted pillars to the hood, wavy moulding to the inner aspect of the hood door, canted corners to the trunk, inlaid stringing decoration to the base and trunk door, standing on bracket feet. Height: 220cm. * Biography Henry Beard, born 1795, is recorded as working at 5, St John Street, Bristol from before 1836, and known to have been living at this address in 1851. He was the son of the carpenter William Beard and apprenticed to Thomas Palmer, jeweller on the 29th of August 1805, so presumably was free seven years later in 1812. Walker & Hughes were well-known makers of painted clock dials working in Birmingham from 1812 until 1835 when the partnership ended.

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Bearnes Hampton & Littlewood
Lot 1006

John Mends, Plymouth, a late 18th Century oak longcase clock:, the eight-day duration movement striking the hours on a bell, with the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and outer Arabic five minute markings, the matted centre with a large date aperture and a shaped plaque engraved with the maker`s name John Mends, Plymouth, with blued steel hands and shell cast brass spandrels to the four corners, the arch with a round convex boss engraved with a depiction of an eagle with dolphin spandrels either side, the oak and mahogany case having quartered fluted columns to the trunk with brass capitals, mahogany crossbanding to the door and base, further mahogany panels above and below the door, the hood having fluted columns with cast brass capitals and a swan neck pediment, all standing on bracket feet, height: 223cm. * Biography John Mends is recorded working as both a clock and watchmaker in Plymouth, Devon. He took out a licence on the 7th of May 1767 to marry Mary Clements of Stoke Damerel.

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Bearnes Hampton & Littlewood
Lot 1007

John Bower, Blerefedon, an oak longcase clock:, the eight-day duration movement striking the hours on a bell, the eleven-inch arched brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings, the silvered dial centre engraved with c-scroll decoration, with a subsidiary seconds dial, date aperture and alarm disc and decorative blued steel hands, the arch with a silvered boss engraved with the maker`s name John Bower, Blerefedon with cast brass c-scroll spandrels to the four corners and arch, the oak case with a break-arch door to the trunk, a swan neck pediment to the hood with inset fretwork, brass eagle centre finial and ball & spire side finials, the three-quarter columns to the hood with brass capitals, height: 202 cms

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Bearnes Hampton & Littlewood
Lot 1009

John Martin, Bristol a moonphase longcase clock:, the eight-day duration movement striking the hours on a bell, the twelve-inch arched brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, diamond half-quarter markings and signed either side of VI o`clock John Martin, Bristol, the matted centre having a subsidiary seconds dial, date aperture with wheatear border engraving, the moonphase aperture to the arch with a silvered plate above engraved High water at Bristol Key, with cast brass urn spandrels to the four corners and arch, the blued steel hands now painted gold, the mahogany case with barley twist columns to the trunk and hood, a wavy moulding to the hood door, cresting to the hood and an inset panel with moulded edges to the base, standing on bracket feet, height: 214cm. * Biography John Martin is recorded as working in St Ewans Parish, Bristol becoming a Burgess in 1714 and voting in the Parliamentary elections of both 1722 and 1734. He had a number of apprentices, including Henry Hellier of Chipping Sodbury who joined him in February of 1719 and Thomas Bayley in May 1724 at a premium of ten guineas.

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Bearnes Hampton & Littlewood
Lot 1010

I Plumly, Godshill, an early 18th century oak longcase clock:, the thirty-hour duration, plated movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, with rococo style cast brass spandrels to the four corners, the centre engraved with a scene depicting a traveller with his horse alongside a river with a windmill beyond, with blued steel hands, the oak flat-topped case with three-quarter columns to the hood and a plain base, height, 200cm.

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Dreweatts Donnington Priory Salerooms
Lot 165

A French Sevres style porcelain inset gilt metal mantel clock garniture, retailed by Steel and Sons Limited, Belfast, late 19th century, the eight-day bell striking movement with blue ground porcelain Roman numeral cartouche dial decorated with cherub in flight beneath retail signature STEEL & SONS, BELFAST to centre, the case with gilt husk festoon decorated urn surmount above shaped panel painted with a couple in eighteenth century dress conversing flanked by column projections adorned with further husk festoons to sides, the shaped plinth base with further panel to front and curved side sections raised on foliate cast toupe feet, 38cm (15ins) high excluding giltwood stand, 42.5cm (16.75ins) high overall; with pair of matching ovoid urn side pieces each with gilt grotesque mask handles above figural panel painted blue ground oval porcelain body raised on conforming shaped base, 27cm (10.5ins) high excluding giltwood stands, 32cm (12.5ins) high overall.

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Dreweatts Donnington Priory Salerooms
Lot 190

A Regency brass inlaid ebonised bracket clock, Wyatt, London, early 19th century, the five pillar twin fusee movement with anchor escapement, shouldered plates and striking the hour on a bell mounted on the backplate, the 5.75 inch square single sheet silvered brass Roman numeral dial signed WYATT, South Audley Street, London to centre, with fine heart pierced blued steel hands and foliate scroll engraved decoration to spandrels, the case with brass basket of flowers cast finial to the shallow gadroon carved cushion caddy resting on shallow stepped upstand above front with silvered brass angled fillet to glazed front door flanked by brass strip inset canted angles over apron now inlaid with foliate scroll motif, the sides with cast lions mask ring handles above rectangular brass sound frets, on moulded skirt base with compressed bun feet, 38cm (15ins) high. Henry Wyatt is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London in 1839, other records indicate that he was 55 years old in 1841 and shared the premises in South Audley Street with his family including his successor, John aged 19 years.

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Dreweatts Donnington Priory Salerooms
Lot 204

A French Belge noir marble and bronze figural mantel clock garniture, late 19th century, the eight-day bell striking movement with gilt on black circular Roman numeral dial within a bevel glazed cast brass bezel, the case with cast bronze figural surmount modelled as a seated Classical scholar above bound waisted side sections flanking projecting gilt scroll incised dial surround, on conforming skirt base, 48cm (19ins) high; the garniture side pieces formed as five light candelabra each with central sconce and four scroll cast branches hung with fine chains above conforming waisted black marble plinth base with gilt incised decoration, 59cm (23.25ins) high.

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Dreweatts Donnington Priory Salerooms
Lot 212

A French Louis XV style gilt brass mounted “vernis martin” decorated mantel clock, unsigned, late 19th century, the eight-day bell striking movement with circular cream enamel Roman numeral dial, the waisted case with scroll finial to the ogee outline surmount applied with foliate mounts to angles above floral garland painted decoration over dial and Watteauesque scene of a lady and gallant in eighteenth century dress beneath, flanked by conforming scroll chased mounts to angles and painted with floral sprays to sides, on integral cast feet with conforming mount to apron between, 38cm (15ins) high.

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Dreweatts Donnington Priory Salerooms
Lot 226

A French porcelain inset ormolu mantel clock, Unsigned, circa 1870, the eight-day bell striking movement with gilt dial cast with cherub in flight to centre and with white on dark blue shield-shaped cartouche numerals within foliate cast bezel, the case with female bust surmount issuing fruiting vines above dial and concave sided support fronted with a cobalt ground porcelain panel painted with a seated cherub behind a cast reclining putto flanked by floral garlands and a pair of goats standing on hind legs, the skirt base with central curved section inset with musical tropy panted apron panel flanked by small subsidiary panels, on turned toupe feet, 30cm (12ins) high.

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Dreweatts Donnington Priory Salerooms
Lot 247

Two weighted brass door porters, second quarter 19th century, one with base cast as a hairy par with iron insert within, the foliate cast stem rising to a loop handle, 36.5cm high; the second with base cast as a bell, with lead insert within, beneath a knopped shaft and loop handle, 33.5cm high

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Dreweatts Donnington Priory Salerooms
Lot 285

A George III mahogany eight-day longcase clock with moonphase, the four pillar rack and bell striking movement with 14 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the mythological beast decorated engraved centre within Roman numeral chapter ring and scroll cast spandrels beneath rolling moonphase to arch signed Jamieson, Kilbride to lunettes, in a swan neck pedimented case with an inlaid oval urn motif to the shaped-top trunk door, 210cm high. Provenance: Widgenton House, Buckinghamshire

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Dreweatts Donnington Priory Salerooms
Lot 288

A Scottish William IV figured mahogany eight-day longcase clock, circa 1830, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and bearing signature W. ROBERTSON, FORFAR to centre, the case with ball finials to the shaped pediment above circular cushion moulded hinged glazed bezel flanked by rounded angles to hood, the trunk with shallow-arch crossbanded caddy-moulded doors flanked by conforming canted angles, on plain plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

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Dreweatts Donnington Priory Salerooms
Lot 294

A French brass inlaid ebonised portico clock, late 19th century, the eight-day countwheel bell striking movement with “gridiron” pendulum and circular white enamel Roman numeral dial with blued steel moon hands and ogee moulded gilt bezel, in a case with double-line bordered tablet upstand, gadroon moulded cornice and conforming panel inlaid frieze above dial set between pairs of brass strung columns with cast caps and bases, on stepped plinth base with conforming gadroon moulded tall skirt and block feet, 51cm (20ins) high.

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Dreweatts Donnington Priory Salerooms
Lot 325

A pair of Victorian mahogany framed and upholstered armchairs, circa 1880, overscrolling back, open arms with beading and trailing bell flowers, on fluted tapered legs, approximately 88cm high, 65cm wide, 70cm deep

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Dreweatts Donnington Priory Salerooms
Lot 330

A Scottish Victorian figured mahogany eight-day longcase clock, Willocks, Brechin, mid 19th century, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Willocks, Brechin to centre, the case with ball finials to the shaped pediment above circular cavetto moulded hinged glazed brass bezel flanked by slender turned columns to hood, the trunk with shaped-top bowfronted flame figured door flanked by conforming columns standing on a swollen frieze, on panel outline plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.

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Dreweatts Donnington Priory Salerooms
Lot 333

A French Empire ormolu figural mantel clock, Lepaute, Paris, early 19th century, the eight-day outside countwheel bell striking movement with silk suspension and circular white enamel Roman numeral dial signed LEPAUTE A PARIS to centre within engine-turned guilloche bezel, the plinth-form case with resting bow and quiver beside lovebird handled tazza surmount above ogee cornice and fine foliate cast infill around dial, to the left a standing figure of cupid holding a butterfly and flaming torch opposing staff applied with floral wreath bordered panel inscribed Fidelite, Constance, set on a plinth base adorned with ribbon tied floral swags interspersed with flaming torches to front, on lotus leaf cast skirt base with engine-turned bun feet, 37cm 14.5ins high; with giltwood plinth 42cm (16.5ins) high overall.

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Dreweatts Donnington Priory Salerooms
Lot 386

A French brass mounted onyx mantel clock garniture, late 19th century, the eight-day bell striking movement with circular cream Arabic numeral enamel dial within bevel glazed cast brass bezel, the case with twin handled urn surmount above foliate scroll cast pierced mounts to crest and flanking dial, the sides with projecting gilt scroll decoration, on plinth base with brass paw feet, 44.5cm (17ins) high, the garniture side pieces formed as five light candelabra each with central sconce flanked by four scroll cast branches above twin handled urn upright and stepped plinth base with paw feet, 54cm (21.25ins) high.

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Richard Winterton Auctioneers
Lot 183

FIVE ITEMS OF SMALL SILVER AND PLATE, to include a miniature sterling pot, ladle, bell and two plated animal bottle stoppers (5)

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Richard Winterton Auctioneers
Lot 193

A MINIATURE STERLING SILVER HAND BELL, and a coin insert dish (2)

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Richard Winterton Auctioneers
Lot 352

BELL, A.M, `Locomotives`, (two volumes), and six other railway/aircraft books (8)

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Gorringes
Lot 209

A Royal Doulton Stoneware novelty inkwell, modelled as a baby, c.1908, of bell form, impressed marks and RD no.537199, 3.5in. damage to hinge

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Gorringes
Lot 234

Four items of Minton Secessionist pottery, c.1900-10, comprising a pair of bell shaped vases with ivory decoration, a small bowl with stylised leaves and a bulbous vase with ochre and turquoise glaze, printed and impressed marks, 5in. - 6in.

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Gorringes
Lot 264

A Galle cameo glass bottle-shaped vase, decorated bell-flowers, etched signature, 4.4in.

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Gorringes
Lot 287

A Wedgwood Grecian revival black basalt and rosso antico `kantharos` bough pot, 19th century, with figure, bell-husk and palmette sprigging, impressed mark `WEDGWOOD`, 10.1in., lacking cover

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Gorringes
Lot 1259

An Edwardian mahogany and satinwood inlaid display cabinet, with broken swan neck pediment and single astragal glazed door over two cupboard doors and an arrangement of seven drawers, on bracket feet, decorated with musical trophies, bell flowers, floral motifs and acanthus scrolls, H.7ft 1in.

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Gorringes
Lot 1317

WELLS (H.G.), THE WAR IN THE AIR, 1st edition, 1st printing, Chiswick Press, George Bell & Sons, London 1908

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Gorringes
Lot 1525

An early 19th century Hanau novelty silver table bell, modelled as a young lady, wearing a bonnet and carrying a basket, with date inscription, L. Neresheimer & Sohne, with London import marks for Berthold Hermann Muller, 1911, 4.5in.

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High Road Auctions
Lot 2

A George III mahogany longcase clock. The case with shaped pediment over a pair of fluted column supports and an arch topped tomb door, box plinth base. The broken-arch painted dial decorated with a shepherdess amongst a pastoral landscape, above an Arabic and Roman chapter with second and date subsidiary dials, inscribed John Bridges, Ipswich, the eight day two train movement with anchor escapement striking bell.

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High Road Auctions
Lot 66

A Chinese bronze bell, relief decorated with Zodiac animals.

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High Road Auctions
Lot 129

A hardbound volume 'Polish Up Your Mathematics', by R.C.Fawdry, published by G. Bell Ltd. 1942.

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High Road Auctions
Lot 441

A Victorian black slate and rouge marble mantle clock of architectural form, the Roman enamelled dial with outer minute track, set 8 day cylinder movement, striking bell and stamped 'Japy Freres'.

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Chiswick Auctions
Lot 415

U.S.A, L.A., 1984, Olympic coin silver dollar in presentation case, Italy, L. 20, 1943, U.S.A. dollar, 1971, Liberty Bell, 1893 Crown, 1873 five line coin.

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Brettells Auctioneers & Valuers
Lot 122

A 19th Century Continental Porcelain Mantel Clock on Stand Decorated with Flowers in Relief. Gilt Dial with Eight Day Movement having Silk Suspension and Bell Strike. Underglazed Blue Mark to Stand JP for Jacob Petit. 29.5 cm High

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Brettells Auctioneers & Valuers
Lot 178

An Omega 'Crystal Ball' Watch Pendant with Bell Hanger

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Mossgreen Auctions
Lot 219

ALLAN C GREEN (1878–1954) Sophocles Watercolour Signed lower left Titled lower right Title and provenance information on reverse 41 x 51cm Provenance Young’s Auctions, sale #896 lot 884 From the Collection of Mr E.B. Bell past president Ship lovers’ Society VIC Allan C Green was a prolific maritime artist as well as one of Australia’s great ship photographers. Sophocles, 1176 tons, was a small iron clipper, built in 1879 by Walter Hood & Co. in Belfast for the Aberdeen White Star Line (George Thompson & Co). In 1910 she was sold to Italian owners and was rigged to a Barque.

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Bolton Auction Rooms
Lot 313

Heavy brass cased reproduction mantle clock with German "Ting Tang" movement striking on a bell, lions paw feet to case. 25 x 13cm

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Bolton Auction Rooms
Lot 145

3 wade Bell`s old Scotch Whiskey decanter. Princess Beatrice, Princess Eugenie and The Queen Mother. All factory sealed

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P.F. Windibank Auctioneers
Lot 641

A Pair Leather Bound Binoculars, a camera case, a pair candle snuffers (a/f), a bell, a figure of a dragon and a horse brass (6)

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Arthur Johnson & Sons
Lot 679

Four del Prado trinket pots, a Lladro bell and a Goss Lincoln Imp, etc.

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Kent Auction Galleries Ltd.
Lot 149

Early C18th Oak Case 30 Hour Long Case Clock, moulded rectangular door, hood with turned columns, square capitals, plain plinth under small cornice, brass caged movement with bell, lead weight & small counter weight, single hand movement, 10`` brass dial, scrolled corners, movement marked George Blagden Chichester

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Horners Valuers & Auctioneers
Lot 21

FOUR PIECES OF CRANBERRY GLASS, OIL LAMP WITH CLEAR GLASS SHADE, VASE, BELL WITH ETCHED DECORATION AND FLASK

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Horners Valuers & Auctioneers
Lot 240

19TH CENTURY FRENCH BOULLE AND GILT METAL MANTLE CLOCK, THE FINIAL AS A CHERUB MUSICIAN, THE CASE IN ROCOCO STYLE. CIRCULAR DIAL WITH WHITE AND BLUE ENAMEL, ROMAN NUMERALS, THE FUSEE MOVEMENT STRIKING ON A BELL, 44CM

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Horners Valuers & Auctioneers
Lot 327

THREE EARLY VESTA BOXES, ALL COMPLETE WITH CONTENTS; HARGREAVES & CLEGG LTD WAX VESTA; R BELL & CO. NO. 12 WIND VESTAS AND PALMER & SONS BRAIDED FIXED STARS

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Horners Valuers & Auctioneers
Lot 500

THREE BRONZE BELL WEIGHTS 56LB AVOIR, 28LB AND 14LB, AVOIR, ENGRAVED COUNTY OF DEVON, DE GRAVE & CO, LONDON, HOUSED IN TWO FITTED WOODEN CASES S.N. 2511, E.V. 1901

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Horners Valuers & Auctioneers
Lot 501

SEVEN GRADUATED BRONZE BELL WEIGHTS, AVOIR 56LB >1LB, ENGRAVED COUNTY OF DEVON, NICHOLL & FOWLER, LONDON, S.N. 831, PORTCULLIS EVD 1892 (56LB SIMILAR DESIGN TO REST OF SET WITH SAME S.N. 831)

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Horners Valuers & Auctioneers
Lot 502

SET OF SEVEN GRADUATED BRASS BELL WEIGHTS, AVOIR 56LB > 1LB, ENGRAVED COUNTY OF DEVON, NO MAKERS NAME, S.N. 177, PORTCULLIS EVD. 1898

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Horners Valuers & Auctioneers
Lot 503

SET OF SEVEN GRADUATED BRONZE BELL WEIGHTS, AVOIR 56LB > 1LB, ENGRAVED COUNTY OF DEVON, NICHOLL & FOWLER, LONDON, S.N. 1536, E.V. 1898

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Horners Valuers & Auctioneers
Lot 504

SET OF SEVEN GRADUATED BRASS BELL WEIGHTS, 56LB > 1LBENGRAVED COUNTY OF DEVON, NO MAKERS NAME, S.N. 136, PORTCULLIS LS E.V. 1898

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Horners Valuers & Auctioneers
Lot 505

SET OF SEVEN BRASS BELL WEIGHTS, 56LB > 1LB, ENGRAVED COUNTY OF DEVON, NO MAKERS NAME NO. 9, AVOIR, PORTCULLIS, LS EVD 1895 S.N. 972

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Horners Valuers & Auctioneers
Lot 506

SET OF SEVEN BRONZE BELL WEIGHTS, 56LB > 1LB, ENGRAVED COUNTY OF DEVON, NO MAKERS NAME, PORTCULLIS EVD 1902 S.N. 2681

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