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Lot 336
Synthetic opal, marcasite and black onyx white metal ring, central oval cabochon cut synthetic opal collet set with three row marcasite surround with four black onyx spokes to corners, unmarked but probably silver, ring size S together with Clock in the form of a teddy bear, musical bell, silver teaspoon with openwork Celtic style stem, makers initials V&FP, hallmarked Birmingham 1994, white metal money box in the form of a knitted boot, fishbone earrings and necklace set, Past Times purse mirror etc and a Model of a Bicycle
Lot 348
A good mixed box of photographic equipment, binoculars to include a pair of Telstar 35 x 60 in protective case, a Miranda 10 x 50 pair of binoculars, a Kodak EK160 Instant camera in protective case,a boxed Brownie, a Kodak Brownie 127, Bell & Howell One Nine 8 mm camera with leather protective case and other
Lot 473
dating: 19th Century provenance: Ottoman Empire, Wooden arrow with no tip, the base with remains of plumage, gold-inlaid decorations and Arabic inscriptions that indicate when, where and at which distance the target was hit. The target was a bronze bell that was pierced with this arrow. Extremely scarce. length 57.5 cm.
Lot 86
dating: Mid 19th Century provenance: France, Smooth, octagonal, slightly bell-mouthed, 16.5 mm cal. barrels, decorated with gold at the edges, one with a stamp on a side; sighted tangs; percussion locks with forward spring, wooden stocks with checkered butts and smooth, steel mounts. length 28 cm.
Lot 66
dating: Mid 19th Century provenance: Italy, Smooth-bore, two-stage, bronze barrel, with strongly, oval bell-mouthed nozzle; iron, engraved tang; backward spring lock signed 'Agostino' and engraved at the ends so as the cock. Wooden stock, slightly embossed at the fore-end and checkered at the butt, white metal mounts, engraved with floral motifs. With ramrod. length 29 cm.
Lot 809
dating: First half of the 19th Century provenance: England, Smooth-bore, bronze, round barrel, divided by the rings, provided with stamps at the base and with strongly bell-mouthed nozzle. Flintlock engraved with floral motifs. Wooden, full stock with brass mounts. Brass-tipped wooden ramrod. length 80.5 cm.
Lot 762
dating: last quarter of the 18th Century provenance: France, Smooth-bore, three-stage barrels, first octagonal, then of sixteen facets and finally round and with bell-mouthed nozzle; flintlocks. Full stocks with iron mounts, butt-plates decorated with filigree and with a big, silver lion's head, iron-tipped wooden ramrods. length 25.5 cm.
Lot 89
dating: Mid 19th Century provenance: Naples, Fine, smooth, two-stage, 17 mm cal. barrels, first octagonal with gold stamps of the Real Fabbrica of Naples between cross, lilies and flowers, then round, with rings and acanthus leaves at the girdle, slightly bell-mouthed nozzle, incomplete fore-sight; sighted tangs; forward spring locks signed 'ANTONIO RUSSO PALERMO' on the flat, blued plate; three-quarters, briar-root stocks, checkered butt, with blued, iron mounts, trigger-guards with finger-support, butt-plates with primer case; brass-tipped iron ramrods. length 37.5 cm.
Lot 796
dating: Mid 19th Century provenance: Belgium, Octagonal, smooth-bore, 14 mm cal. barrels, slightly bell-mouthed at the nozzle, with fore-sight and Liege test-bed stamp; outlined tangs. Forward spring locks, outlined. Wooden, three-quarters stocks with checkered grip. Iron mounts. Trigger-guards with small engravings (one with small part missing at the back tang). Iron ramrods. length 33,5 cm.
Lot 488
dating: circa 1800 provenance: Ottoman Empire, Smooth-bore, round barrel, with square base, provided with a frame, rib signed by an Italian artisan 'Giuseppe...' (barely readable name), strongly, circularly bell-mouthed nozzle; engraved tang; flintlock with safety lock. Wooden, full stock with silver mounts, richly decorated with silver-inlaid crescents, star, floral motifs and filigree. Wide, silver barrel bracket band, embossed with floral motifs. Silver-tipped wooden ramrod. Small defects and parts missing. Very scarce. length 96 cm.
Lot 814
dating: First half of the 19th Century provenance: England, Smooth-bore, two-stage barrel, octagonal first part with stamps, then round and with bell-mouthed nozzle, provided with a ring and safety lock (fore-sight) for a bayonet. Lock marked 'Spencer'; wooden, full stock with brass mounts. Iron bayonet with safety lock above the tang. Wooden ramrod. length 73 cm.
Lot 812
dating: Early 19th Century provenance: England, Iron, round barrel, with Birmingham test-bed stamps, with brass, bell-mouthed nozzle, with rings at the ends. Lock with slightly roundish plate, with remains of engraved crown, surmounting the mark 'Y 2', tang marked 'TOWER'. Pitting on the iron parts. In working order. Wooden, full stock (repairs on the grip and restored butt side), marked 'Y 2' on the grip. Smooth, brass mounts, iron ramrod. length 80,5 cm.
Lot 487
dating: circa 1800 provenance: India, Heavy, iron, 17 mm cal. barrel, with octagonal breech, with gold-inlaid floral drawings, thick moulding at the girdle, then round through all the length, inlaid first with a floral decor, then with lozenges to imitate snake's scales; octagonal nozzle, slightly bell-mouthed, with rings at the base and floral inlays. Copper fore-sight. Iron barrel's tang, without inlays and with inscription in Arabic letters. Iron lock of English production signed 'GRIFFIN & TOW', with crowned stamp 'W', date '1782' and badge of the East India Company at the tang. Wooden, full stock (defects and some restoration). Smooth, copper mounts. Iron ramrod. length 132,5 cm.
Lot 816
dating: 1782 provenance: Spain, Brass, smooth-bore barrel of a big caliber, with iron base and strongly bell-mouthed nozzle; big flintlock with brass mark 'L LOPENS DOP'. Wooden, full stock with brass mounts and iron ramrod. An oval, brass escutcheon on the side, with inscription 'Mahon - Al vittorioso Senor Louis de Berton des Balbes de Quiers Duque de Carillon - Ano 1782'. length 90 cm.
Lot 90
dating: Mid 19th Century provenance: France, Octagonal, micro-rifled, 15 mm cal. barrels, in fine damask, with fore-sight, stamped 'P' below, with smooth, finished base and slightly bell-mouthed nozzle; engraved, finished tangs, provided with rear sight; forward spring locks with remains of finishing, engraved with floral motifs; wooden, three-quarters stocks, fore-end caps embossed with a shell, butt checkered with binds and butt-plates embossed with palmettes; iron mounts decorated en suite, trigger-guards with finger support, triggers with set trigger. In a wooden case, lined with green velvet, provided with irrelevant tools. Label of 'Le Page Frères'. length 37 cm.
Lot 1251
Ten Stuart Delvin silver gilt Christmas boxes Each numbered 192 of an edition of 500Comprising: Good King Wenceslas, London 1971, the matted rectangular cover with applied bow and ribbon lifting to reveal King Wenceslas looking out with a pile of logs at his feet, God Rest Ye Merry Gentlemen, London 1972, bark-like textured cylindrical cover with applied holly sprig, lifting to reveal two animated figures under a lamp post, textured ground, Christmas is Coming, London 1973, linear satin finished cylindrical cover with bow and star detail lifting to reveal an oxidised figure holding a top hat with a goose under his arm, Hark! The Herald Angels Sing, London 1974, cross-hatched satin finished rectangular cover with applied holly sprig, lifting to reveal a herald angel, The Holly and the Ivy, London 1975, linear satin-finished rectangular cover with applied string tie detail, lifting to reveal a man dressed in a top hat and tails holding a sprig of holly and ivy in each hand, Kings of Orient, London 1976, satin finished cylindrical cover surmounted with enamel holly detail, lifting to reveal three gilded kings under a green enamelled palm tree, on an oxidised ground, I Saw Three Ships, London 1977, rectangular cover with over-lapping engine-turned circles surmounted with a flower, lifting to reveal two silver-gilt ships flanking a larger silver ship, on a translucent blue enamelled ground, Ding Dong Merrily on High, London 1978, textured cylindrical cover surmounted by a silvered bow, lifting to reveal a scene with carol singers, a fur tree and bell tower with swinging bell, on a cream enamelled ground, While Shepherds Watched, London 1979, machine turned cylindrical cover with polished top and tie rope detail, lifting to reveal the angel Gabriel appearing to four seated shepherds, translucent yellow enamelled ground, Away in a Manger, London 1980, linear-finished cylindrical cover lifting to reveal Mary and Joseph watching over Jesus in the manger, translucent enamelled ground, all in original boxes. (10
Lot 15
VANESSA BELL / DUNCAN GRANT / CAROLINE LUCAS / H E du PLESSIS portfolio-set of unframed limited edition (18/250) lithographs - titled as follows: (i) Amaryllis by Vanessa Bell (ii) Girl Reading by Vanessa Bell (iii) Window in Toledo by Dunan Grant (iv) Partridge and Grouse by Duncan Grant (v) Fruit and Flowers by Caroline Lucas (vi) Brittany Peasant by Caroline Lucas (vii) Hospital at Tossa by H E du Plessis (viii) Country Lane by H E du Plessis Published by Miller's of Lewes, dated 1945, each 45 x 36cms
Lot 53
CHINESE EXPORT PORCELAIN BLUE & WHITE BELL SHAPED TANKARD with loop handle, depicting pine tree & flowers within garden, unmarked, 16cms high Condition Report: good overall condition with no obvious serious damage or losses, firing flaw to underside of handle & to base rim, surface wear but otherwise appears okay.
Lot 167
20th CENTURY CHINESE PORCELAIN BELL-SHAPED PLANTER raised on associated Chinese stand, the planter overall decorated with birds within landscape, 24.5cms high overall (2) Condition Report: planter may have been later drilled to base, both pieces otherwise appear in good overall condition, surface wear and scratches as expected.
Lot 685
POSTCARDS - TOPOGRAPHICAL & OTHER Approximately 105 cards, including real photographic views of 'Wrecked Pilot Grace Darling, Abbotsham Cliffs'; A.M.B. Camp, Alton; a flooded street (postmarked Bideford, 1912); Bell Street, Henley; High Street, Alton; Bulmershe Court, Reading; Cox's Walk, Sydenham; and Weymouth Pavilion; with views of St. Ann's Gate, Salisbury; North Wanborough Village; The Convalescent Home, Hale, Surrey; School Hill, Lewes; Chapel of Ease and Square, formerly the Market Place, Hartland; Railway Station, Seaford; two Goss advertising; and others, (loose).
Lot 711
POSTCARDS - WILTSHIRE Approximately seventy-four cards, including real photographic views of destruction at Gasper Hill, Stourton following the bursting of New Lake; Sutton Veny; The Crossroads, Sutton Veny; Bell Hill & Christ Church, Warminster; Sidmouth Street, Devizes; New Park Street, Devizes; The Market Place, Westbury; and The Square, Mere under snow, 1908; with views of a Thunder Storm at Mere, 1906; High Street, Heytesbury; The Ship Inn, Upavon, Salisbury Plain; and others, (loose).
Lot 1035
Football Colin Bell signed 12x14 mounted colour photo pictured in action for Manchester City. Colin Bell MBE (born 26 February 1946) is an English former football player who was born in Hesleden, County Durham, England. Nicknamed "The King of the Kippax" (after Manchester City's Kippax Street terraced stand renowned for its singing) and Nijinsky (after the famous racehorse, due to his renowned stamina), Bell played as a midfielder, and is widely regarded as Manchester City's best ever player. The Colin Bell Stand at the City of Manchester Stadium is named in his honour. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Lot 1049
Football Manchester City pennant signed by four City legends Mike Summerbee, Colin Bell, Dennis Tueart and Tony Book. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Lot 876
A 1970s Bus Stop matching two-piece ensemble, comprising blouse and skirt, in a 1930s inspired print, incorporating blue forget-me-nots and peach bell flower clusters sprigged between curvilinear bands, the blouse having smocked shoulders, a pointed collar, button down front and bishop sleeves, above a panelled skirt, together with an early 1970s Jean Allen sheer copper and gold banded evening dress, having gigot sleeves, scooped neck and a darted bodice, above a maxi skirt, together with matching belt
Lot 1084
A Polish white-metal Secessionist period five-branch candelbrum, having a central inverted bell-form socket above four cascading curvilinear supports and four square-section candle brackets incorporating the Greek key device, on a conforming square-section stem terminating in a stepped circular foot with incised and punched 'bat wing' decoration, and square section plinth, 800 standard Polish silver marks, 56 cm high, 1476g / 52 oz
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123896 item(s)/page