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Lot 276
MODERN ROYAL CROWN DERBY 'OLD IMARI' PATTERN CHINA MANTEL CLOCK, WITH QUARTZ MOVEMENT, 5" WIDE, PAIR OF SMALL CLOISONNE ENAMEL SMALL FLORAL PATTERN VASES ON HARDWOOD STANDS, 5" HIGH, TWO MINIATURE MINERS SAFETY LAMPS, THE LARGE WITH LABEL 'POINT OF AYR COLLIERY' 5" MINIATURE, PLATED METAL MANTEL CLOCK AND MINIATURE POLICEMAN'S HELMET TABLE BELL (7)
Lot 154
Early 20th century French lacquered brass carriage alarm clock, the silvered lever platform escapement and strike on a base mounted bell to a Roman enamel dial with outside minute track (corner chips) and with an Arabic alarm subsidiary at 6 in a lacquered case with presentation inscription dated March 9th 1911, height 14 1/2 cms
Lot 160
Early 20th century French lacquered brass carriage clock, EM & Co, 321, the movement (lacking platform) with strike on a back mounted bell to a Roman enamel dial with outside minute track, blued steel moon hands and alarm subsidiary at 6 in a lacquered brass case (carry handle detached) (losses and damage throughout), height 14cms
Lot 185
Late 19th century gold painted spelter figural mantel clock, drum shaped case flanked by a sword wielding scholar with foliate background and pierced and scrolling base to a beaded bezel enclosing 19cms Roman enamel dial (multiple hairlines and repairs) with outside minute track and blued steel moon hands, to a circular brass movement with back mount count wheel and anchor escapement, strike on a bell, height 31cms
Lot 188
Late 19th/early 20th century gilt metal mounted alabaster mantel clock, the drum case with spherical finial and scrolling side pieces (one repair) and break front base on bladed feet to an engraved gilt brass dial with applied Roman numerals and blued steel trefoil hands, to a circular brass movement with anchor escapement, strike on a bell, height 38cms
Lot 189
Late 19th century French gilt spelter figural mantel clock, the drum shaped case flanked by a classical figure and further musical instruments and open books on a shaped base with applied floral and foliate detail on splayed feet to a 8cms Roman enamel dial (hairlines) with outside minute track and blued steel moon hands to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 27cms
Lot 190
Late 19th century porcelain mounted gilt spelter mantel clock garniture, the case with overhanging cornice surmounted by a lidded urn with applied side mounts on a plinth base to a mid-blue 8cms porcelain dial with outside minute track and floral decorated centre and with blued steel spade hands to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, together with a pair of non-matching urn shaped side pieces, height of clock 35cms (3)
Lot 248
First half of 20th century cast ship's bell, of typical form and marked with the crows foot broad arrow and signed "Narcissus", height 26cms, together with a removable painted iron and brass clapper with later knotted nylon and wool handle, Note: six ships of the Royal Navy have been named HMS Narcissus
Lot 106
A VICTORIAN SILVER AND GUILLOCHE ENAMEL DESK CLOCK, London 1886, retailed by Clark, 20 Old Bond Street, London, the dial set with Arabic numerals and contained within a border of gold rosettes, supported on articulate stand. 8cm diameter; together with a Victorian silver combination desk bell and ink well, Birmingham 1887, mark of George Unite & Sons. 12.5cm high. (2)Provenance: Captain HCP Hamilton, Moyne, Durrow, Co. Laois; thence by descent.
Lot 361
AN IRISH LATE 18TH CENTURY CUT GLASS CELERY VASE, the bell shaped body with milled rim over a broad band of diamonds, steps and facets, on a short waisted stem and flattened disk foot. 20.5cm high; together with an Irish cut glass sucrier and cover, with fluted disk finial and fan cut serrated border over a row of facets, hobnail and slices, on a flattened circular foot with star cut base. 15cm high. (2)
Lot 1711
Mick Abrahams band, Bell and Arc Thames Poly poster Original vintage poster for an event at Thames Poly on Friday 15 October, 1971. Graham Thomas Bell (17 April 1948, Blyth, Northumberland — 2 May 2008, London) was an English pop and rock singer.Bell's father, Jimmy, who died in 2010, was a well-known local singer, and his late mother, Leonora Rogers, was in show business prior to marriage, after which she was heavily involved in local music and dance. Graham made a solo single in 1966 and one year later replaced Alan Hull as the singer of psychedelic rock band Skip Bifferty (later renamed Heavy Jelly). In 1969 he was singer in another psychedelic rock band Griffin. In 1970 he began his stint with Charisma Records, joining Every Which Way, a band formed by Brian Davison formerly of The Nice, as singer and principal writer. Musical style was jazzy progressive rock with guitar from John Hedley (who was later part of Last Exit, with Sting) playing call and response with Bell's blues shout vocals. Bell then rejoined his old mates from Skip Bifferty, now known as Arc, to form Bell & Arc in July 1971, with John Turnbull, Mick Gallagher, Bud Beadle, Kenny Craddock, Steve Gregory, Tom Duffy and Alan White. Bell was then tempted to leave the group to record an album as a solo artist in 1972. Featuring Tim Hinkley, Mel Collins and Ian Wallace, it was produced by Bob Dylan associate Bob Johnston. Michael Timothy 'Mick' Abrahams (born 7 April 1943) is a guitarist and band leader, best known as being the original guitarist for Jethro Tull. Abrahams was born in Luton, Bedfordshire. He played on the album This Was recorded by Jethro Tull in 1968, but conflicts between Abrahams and Ian Anderson over the musical direction of the band led Abrahams to leave once the album was finished. Abrahams wanted to pursue a more blues/rock direction, while Anderson wanted to incorporate more overt folk and jazz influences. He was replaced first by Tony Iommi who would leave Tull after only a few weeks and would later go on to form Black Sabbath, and then by Martin Barre who remained with Jethro Tull until the band ceased in 2011. Good condition, tears and tape marks. Country:UK Year:1971. Designer: Unknown Size: 75x50.5
Lot 481
A circa 1900 French brass carriage clock, with alarm and push button hour repeat, having visible platform escapement, unsigned white enamel dial with subsidiary alarm dial, twin barrel going eight day movement striking the hours and half-hours on a gong, the alarm striking with single hammer on a bell, unsigned backplate, h.16cm (handle down), together with a leather case (case in very poor condition) and winding key Condition Report / Extra Information In running and striking order.
Lot 67
A late 19th century French porcelain cased mantel clock, having enamelled dial with Roman and Arabic numerals, eight day movement striking on a bell, the whole surmounted by a seated girl, h.40cm Condition Report / Extra Information Has pendulum, no key.Wear to gilt decoration throughout, losses to floral bouquet. Dial: no glass, hairline cracks, some rust.
Lot 303
GEDENKTASSEBöhmen, Schlaggenwald, Lippert & Haas,1830Glockentasse mit Henkel, auf niedrigem Fuß, mit Untertasse, Weißporzellan, Schauseite mit buntgemaltem Blumendekor mit Schriftband: „Andenken Marienbad“, Goldbordüren, Goldstaffierung mit Floramotiv und Anker.H. (Tasse) 8 cm, Ø (Untertasse) 14,5 cm.Pressmarke mit 2-zahligem Jahreszahl „S30“.Zustand A.COMMEMORATIVE CUP WITH SAUCERBohemia, Schlaggenwald, Lippert & Haas,1830Bell-shaped cup with handle, on low base, with saucer. White porcelain, color-painted floral motif with inscription „Andenken Marienbad“, gilded rims and floral staffage under the handle.Height of cup 8 cm, Ø of saucer 14,5 cm.Impressed mark with year „S30“.Condition A.
Lot 406
DECKELPOKALBöhmen, 2. Drittel 19. Jh.Glockenpokal von außergewöhnlicher Dimension, Klar-Glas, formgeblasen und geschliffen, hoher Schaft, Fuß und gewölbter Deckel großem Knauf 8kantig facettiert, Außenwand der mächtigen Kuppe geteilt in 3 Horizontalreihen von konkavgeschliffenen Linsen, dekoriert mit Miniaturmalerei von Blumenmotiven in Buntemail und Gold, dasselbe Dekor auch am Fuß mit bodenseitigem Sternschliff.H. 39 cm.Zustand restauriert.GOBLET WITH COVERBohemia, 2nd third of the 19th centuryBell-shaped goblet, colorless glass, mold blown and cut, high stem, foot and lid with distinctive finial faceted into octahedron, bowl decorated with three horizontal rows of concave cut lenses, decorated with color enamel and gold painting of floral motifs which continue on the foot, decorated also with an underside engraved star.Height 39 cm.Condition restored.
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