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A C19th French gilt metal mantel clock surmounted with a boy and his dog with a white enamel dial, Roman numeral markers housing an eight day movement chiming on a bell. Condition Report. To be used as a guide only. Not running. Right hand spring broken. Case and dial in good order. With key and pendulum.
Two motor racing programmes from 1962, comprising The RAC British Grand Prix at Aintree, 21st July, signed by John Surtees, Graham Hill, Jack Bell, Richie Ginther and Ian Burgess and a Goodwood International Motor Racing meet, Monday 23rd April 1962, signed by Stirling Moss, Graham Hill and John Surtees. (2)
A 19th century French white marble and gilt metal mantel clock garniture, the barrel movement striking on a bell, stamped 'AD. Mougin', the white enamel face with black Arabic numerals, minute markers, and decorated with floral swags, raised on six Corinthian columns, with an urn surmount, on a kidney shaped base with six brass feet, with sun ray mask pendulum and key, 26 by 12.5 by 40cm high, flanked by a pair of twin branch candelabra, 20.5 by 7.5 by 22cm high. (3)
A 19th century ebonised and inlaid portico clock, with white enamel face and black Roman numerals, minute markers, with foliate gilt brass surround, twin train movement striking on a bell, with ornate floral decorated and sunburst pendulum, 22 by 11.5 by 42cm high, together with a matching ebonised and inlaid stand and glass dome cover, and with key, overall 26.5 by 17 by 56cm high.
An early Victorian mahogany octagonal cased drop dial wall clock, circa 1860, with dual fusee movement, anchor escapement, chiming on a bell on the hour, 12 inch curved dial with black Roman numerals and minute band, shaped steel hands, signed (with losses to some letters) 'J. Briscall, Birmingham', with curved glass, carved fan shaped decoration, glass window to the trunk and hinged door below, with pendulum and two keys, 41 by 17 by 67cm.
An early 19th century mahogany and crossbanded long case clock, twin train movement chiming on a bell, white painted arched dial, black Arabic numerals and minute markers, gilt hands, decorated to the arch with a young lady and a lion, with further young ladies to the spandrels, signature to dial barely visible due to paint loss, possibly Newark, the hood with broken swan neck pediment and brass fittings and flanking turned columns, full length trunk door, plinth base with small feet, with pendulum and two weights, 45 by 22 by 222cm high.
Published 1904 and 1977 AD. Forrer, L., Biographical Dictionary of Medallists, Coin-, Gem- and Seal-Engravers, Mint-Masters, &c, Ancient and Modern, volume I, Spink, London, revised edition; publisher's half calf, with bookplate of J. S. Vogelaar. Linecar, H. W. A., British Coin Designs and Designers, Bell, London; publisher's brown cloth with dustwrapper, inscribed and signed by author with signed typescript letter. 2.26 kg total, largest 25 x 20cm (10 x 8"). Ex libris Lord Stewartby (Ian Stewart"). [No Reserve, 2, No Reserve]. Fine condition.
20th century AD. A mixed group comprising: a handmade iron sconce with scroll detailing to the bracket, stem with socket and dish and knop lower finial; a bell and bracket surmounted by an imp brandishing a fork; one similar surmounted by a black cat. 4.2 kg total, 18-58cm (7 - 22 3/4"). Property of an Essex collector; acquired 1990-2010. [3, No Reserve]. Fine condition.
19th century AD. A brass lamp comprising: a domed base with three discoid feet attached to supporting straps with knop details; tubular stand with dished finial; bell-shaped fuel reservoir and burner with controlling key, double wick, clear glass chimney and outer white glass mantle; regulator marked 'Hinks's No.2 Duplex' and 'Benetfink & Co.', collar stamped 'Hinks and Son's patent'. 14 kg, 168cm (66"). Property of an Essex gentleman; acquired 1960s-1980s. [No Reserve]. Fine condition.
3rd-2nd millennium BC. A mixed terracotta groups comprising: a bell-shaped cup with polychrome bird and fish; a bowlwith running band of lozenges to the sidewall; a squat jar with polychrome geometric band to the sidewall, rosette to the shoulder; a vase with frieze of advancing birds. See Satyawadi, S. Proto-Historic Pottery of Indus Valley Civilisation: Study of Painted Motifs, Perspectives in Indian Art and Archaeology, vol.2, New Delhi, 1994. 482 grams total, 6.5-11cm (2 1/2 - 4 1/4"). From an important London collection of Bronze Age pottery; formed 1970s-1980. [4, No Reserve]. Fine condition.
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123896 item(s)/page