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Bell (Mary Hayley). Whistle Down the Wind, 1st ed., pub. Boardman, 1958, illustrations by Oven Edwards, one or two light spots, original cloth, a little rubbed, d.j., losses at spine ends, rubbed with a few tears and stains, 8vo. A film based on the book was directed by Bryan Forbes in 1961, starring the author's daughter Hayley Mills. (1)
AN OAK LONGCASE CLOCK by Samuel North, Leconfield, the eight day movement with anchor escapement striking on a bell, arched dial gilded with foliate scrolls and name in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the case with scrolled pediment on turned columns, arched door, panel base on plinth, 86 1/2" high
A MAHOGANY BRACKET TIME PIECE signed Priest, London, 19th century, the twin barrel movement with shaped plates striking on a bell, 8" white dial painted with Roman numerals, the arched case with square finial, brass lion mask carrying handles and pierced scaled sound frets, the fascia inlaid with stringing, oblong base and brass ball feet, 20 1/2" high (Illustrated)
A MAHOGANY CASED GRANDMOTHER CLOCK, 20th century, the two train movement with anchor escapement striking on a bell, 7" arched brass dial chased with flowers and foliage, silvered chapter ring with Roman and Arabic numerals, roundel to arch inscribed Tempus Fugit, the case with arched hood, cushion frieze, arched leaf carved door with ebony stringing, canted base and ogee bracket feet, 65 1/2" high (Illustrated)
A FRENCH ART DECO ONYX CASED MANTEL CLOCK, the twin barrel movement with outside count wheel striking on a bell, stamped Pierre Megnin Seloncourt and No.2702, 6" silvered lozenge shaped dial with Roman numerals, the black and green case with painted spelter and ivorine figure of a seated young woman holding a rose and flanked by feeding birds, on oblong base, signed Menneville, 25 1/4" wide
(L.I) AN EARLY VICTORIAN SCHOOLMASTER`S ACCOUNT BOOK maintained by George Hartley, schoolmaster of Braithwaite School near Keswick (January to July 1840) and Little Edinburgh School, Ambleside, (July 1840 to March 1844) giving the fees charged to parents or guardians of pupils for schooling and including names at Braithwaite (figures in brackets indicating separate entries): Bewsher, (Wood End [Bassenthwaite]), Bell, (Bogg), Fletcher, Fearon, Gatey, Henderson, Hunter, Hodgson, Kirby, Lowden, Pearson, Scott, Stamper, Vickers, Wren, Henry (Vicker`s Island), Couperthwaite Hardisty, Dixon, and names at Ambleside: Cousins,(2), Cousins, (of Howe Head),(2), German, Stainton, Tyson,(3), Woodburn,(6), Wilkinson, Clerk, Green, Coward,(5), Jackson,(2), Lancaster, Hayes,(2), Hayes, (of Little Edinburgh),(2), Airey,(4), Preston, (2), Preston (of Mill Brow), Preston, (of Market Place), Peill, Allinson, (2), Donaldson, Mackereth,(2), Clark, (Ambleside), Clark, (Loughrigg), Clark, (Fox Howe), Harrison,(3), Harrison, (of The Green),(3), Atkinson,(6), Atkinson (of Little Edinburgh), Townson, Birkett, Birkett, (of Little Edinburgh), Backhouse,(Ambleside), Backhouse, (Rydal), Backhouse (of The Nook), Roberts, Bell, Thompson,(2), Thompson, (of Walton Cottage),(2), Thompson, (of Waterhead), Rigg,(2), Richards,(7), Dove, (of Foxgill, Nr Ambleside), Hunter,(2), Dobson,(2), Higgins,(2), Cousins (of Howe Head),(2), Green, (of Howe Head),(5), Newton,(5), Whitfield Stainton, Sproat, (7), Rev. H. Hill, (Rydal), Watson Banks, (of Little Edinburgh),(3), Fleming,(3), Faber,(2), (of Green Bank),(2), Stalker,(5), Newby & Bell, (3), Satterthwaite, (of Rydal),(2), Birkett, (of Little Edinburgh),(2), Banks, (of Little Edinburgh),(3), Creighton,(2), Creighton, (of Park), Taylor (of Skelwith Bridge), Ward, Thwaite,(2), Briggs,(4), Hartley, (of Little Edinburgh),(3), Rawes, Usher, (of Little Edinburgh),(2), Hawkrigg, (of The Green),(2), Davey, (of Oaks),(2), Horrax, (of Little Edinburgh),(2), Mason, Mayson, Written in a fine copperplate hand throughout with two calligraphic title pages in blackletter, marbled end-papers, with bookseller`s label of Thomas Bailey, Cockermouth, in full vellum binding with calligraphic title, brass clasp, c. 360 pps, mostly inscribed with accounts, 8vo.
A group of crinolines and a horsehair jupon underskirt, 1870s, comprising: black and white horsehair jupon with flounced and wired hem, wired panier crinoline c.1870; wired crinolette c.1873 with inbuilt bustle; two bell-shaped crinolines and a bustle frame which has been recovered in calico, (6)
A George II silver straight-tapered coffee pot by Edward Feline, London 1732, with a bell finial, a domed cover and an ivory double scroll handle, engraved with a crest of a chained lion within a cartouche, 23cm (9in) high, 808g (25.75 oz) gross (the cover unmarked). Visit www.dnfa.com for condition reports.
A set of three early George II silver casters by Thomas Cooke II & Richard Gurney, London 1729, with bell finials, scroll and trellis pierced cover panels, central girdles and on moulded bases, engraved with a crest17.5cm (7in) and 14.5cm (5.75in) high, 538g (17.25 oz). The crest recorded for ARGALL, BRANDON, CHALMERS, DENHAM, EDGEWORTH and very many other families. Visit www.dnfa.com for condition reports.
Bates (Thomas). The History of the Improved Short-Horn or Durham Cattle, and of the Kirklevington Herd, from the Notes of the Late Thomas Bates. With a Memoir, by Thomas Bell, pub. Newcastle-upon-Tyne, 1871, port. frontis. and seven tinted litho. plts. of cattle, orig. cloth gilt, rubbed, together with Elliot (Robert H.), The Agricultural Changes Required by these Times, and Laying down Land to Grass, 3rd ed., Kelso: J. & J.H. Rutherfurd, 1905, b & w ports. from photos, folding plan, plus a 4th ed. of the same work, London & Kelso, 1908, both orig. cloth gilt, a little rubbed, and Sinclair (James), History of Shorthorn Cattle, 1st ed., 1907, port. frontis. of Edward VII, num. b & w illusts., contemp. half calf gilt, thick 8vo, and others of agricultural interest, etc. (26)
Bindings. Memoires du General Bon de Marbot..., 3 vols., 29th ed., Paris, [1891], b & w frontis. to each, folding plt. of facsimile manuscript, t.e.g., remainder untrimmed, contemp dark green straight grain half morocco, gilt dec. spines with gilt initial "N" (Napoleon), crown and bees to each panel, slightly rubbed to extrems., 8vo, together with Sinai and Palestine in Connection with their History, by Arthur Penrhyn Stanley, new ed., 1868, chromo map frontis., folding maps and plans, contemp. tree calf by Riviere, elaborate gilt dec. spine, extrems. slightly rubbed, 8vo, with Poems by Percy Bysshe Shelley, pub. George Bell & Sons, 1902, b & w illusts., t.e.g., remainder untrimmed, silk endpapers, contemp. dark blue morocco by Zaehnsdorf (dated 1914), gilt dec. spine, 8vo, plus other 18th-20th c. bindings (29)
Bloomsbury School, early 20th century- Portrait of a lady seated half-length with a red scarf and black coat in an interior; oil on canvas, 23.5x15.5cm., (unframed). Note: The sitter depicted in this portrait bears some family resemblance to the sisters Vanessa Bell 1879-1961 and Virginia Woolf, 1882-1941
Charles Conway Plumbe b.1881 exh 1926-1927- Landscape; oil on canvas board, signed and dated 1934, bears label for he Medeci Society Ltd., London attached to the reverse, 34x49.5cm: Percy Robertson RE 1869-1934- Beached vessels; etching, signed within the plate, signed in pencil: Frederick Marriott ARE 1860-1941- "A Court Yard, France`, publ by Alfred Bell & Co 1918; etching printed in colours, signed and titled in pencil: together with other etchings including: E Mary Shelly, (2), Frederick Marriott ARE 1860-1941, (3), and others, (3), (10)
A George III silver christening tankard, London 1807, of cylindrical form with ribbed decoration, John Emes, height 8.5 cm, together with a George III silver handle bell, London 1808, the trumpet bowl with ribbed decoration, makers mark IE AH and a George III silver wine funnel, London 1807, of typical form, John Emes, approx gross weight 15.81 oz, (3).
William Satchwell Leney 1769-1831- "Mr Blanchard in the Character of Ralph", after de Wilde, , publ J Bell, British Library, London May 29th 1792; hand-coloured stipple engraving, 29x20.5cm: After Théophile Alexandre Stienlen 1859-1923- "Gil Blas Illustré", editions from 1892-1898; journals with lithographs to front page, (12): After Gustave Doré 1832-1883- Biblical scenes; engravings: together with a further mixed quantity of prints, 19th century and later, (part unframed), (a lot)
A large Orrefors pedestal vase designed by Simon Gate circa 1925, the swept circular foot set with a bell form bowl rising to everted rim engraved with three classical style nude female figures over a floral sprigged ground between panel cut borders, engraved to the foot rim "Gate 153 Orrefors 1925 E.R", height 26.5cm.
A 19th Century oak longcase clock with an eight day movement striking on a bell, the hood with twin swan-neck pediment and pillar supports enclosing the painted broken arch dial detailed with a lakeside folly and with subsidiary seconds dial and date aperture, indistinctly signed Joseph Taylor Wolverhampton, S/D, 229cm high.
A Large Illuminated Tinplate Model of a Church, with stained glass windows, some painted with religious scenes, the clock tower with removable steeple enclosing a bell operated by dropping a coin through a slot in the steeple, with an amazing inaccessible fitted interior viewed through the front door, set on a wooden base with drawer, metal fence, bark lined grounds and gravestone, with electric plug for the lighting, length 85cm.
A Triang Minic Clockwork Tinplate Mechanical Horse and "Minic Brewery" Trailer, in red and green with eight wooden barrels; a four wheel trailer, with barrels; a Triang Minic Clockwork Tinplate Fire Engine, in red with black mudguards, plastic ladder and bell; a Triang Minic Clockwork Tinplate Ambulance, in white with Red Cross decal and two hinged rear doors, containing a lead patient on stretcher. (4) See illustration-group
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123896 item(s)/page