There are 123939 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeGood English mahogany double fusee bracket clock, the 8" convex white dial signed Tupling, London, the movement back plate also signed, striking on a large bell and with locking pendulum, within a rounded arched case inlaid with brass lines and surmounted by a carrying handle, 19" high (pendulum and key)
French ormolu and bronze two train elephant mantel clock, the 4.25" white enamelled dial signed Gille Laine, Paris, the movement with outside countwheel striking on a bell, within a drumhead casing surmounted by cupid and supported upon the back of an elephant and organic foliate gilt cast base, 16" high (pendulum)
French ormolu figural two train mantel clock, the movement with outside count wheel striking on a bell, the 3.5" gilt chapter ring enclosing a foliate embossed centre set in to a rocky pedestal surmounted by a seated classical robed lady holding a horn, upon a stepped base cast to the front with shepherds and animals over an egg and dart cast frieze, 22.25" high (pendulum and key)
French ormolu figural two train mantel clock, the S Marti movement with silk suspension, outside countwheel and striking on a bell, the 3" silvered dial inset into a square pedestal surmounted by a seated classical lady playing a harp, over a stepped base applied with scrolling foliage, 19.25" high (pendulum and key)
French white marble and gilt metal mounted portico two train mantel clock, the Vincenti movement with outside countwheel striking on a bell, the 5" white painted dial supported upon two tapering fluted columns and a breakfront rectangular base, surmounted by a classical urn and flaming finial, 23.5" high (pendulum and key)
Good German blue and white porcelain figural mantel clock bearing the cross swords mark, the 2.5" white dial signed 'examined by Lund & Brockley, 42 Pall Mall, London, the Pons movement striking on a bell, the case modelled with three street vendors beneath the dial and surmounted by a seated figure of the boy above, encrusted overall with flowers and upon a separate rococo scrolling base, 18.5" high (pendulum and key)
19th century Chinese porcelain vase clock, the French movement with outside countwheel striking on a bell, the 3" gilt dial signed J . Van Villigen, within a compressed baluster shaped vase decorated with panels of figures, rural scenes and flowerheads, upon an oval base and lobed top, 15.25" high (pendulum)
Giant French brass four glass mantel clock, the S. Marti movement stamped with the maker's trademark logo C.R within a double banded oval, striking on a bell, the 5.25" white chapter ring enclosing a recessed visible escapement, within a bevel glazed stepped case, 17.25" high (pendulum and key)
Good French black slate two train drumhead calendar mantel clock, the Japy Freres movement with outside countwheel striking on a bell, the 5" white chapter ring enclosing a recessed centre signed Henry Marc, Paris, with subsidiary date of the month and days of the week dials over a moon phase aperture, within a stepped case with bevelled glazed pendulum window, 17.75" high (pendulum and keys)
French ormolu two train figural mantel clock, the Japy Freres movement with outside countwheel striking on a bell, the 3.5" repousse gilt dial with Roman cartouche enamel numerals, surmounted by a mother seated with her child, supported upon an ornate swept breakfront case applied with foliate cast mounts, 15.5" high, also upon a serpentine shaped gilded wooden base, 17.5" high overall (pendulum)
French ormolu two train mantel clock, the 2.75" white dial signed Pepin á Paris below six o'clock, the Vincenti movement with outside countwheel, silk suspension and striking on a bell also signed Pepin á Paris, within a rococo style case pierced with scrolling foliage and upon a fixed stand, 13.25" high (pendulum)
French two train mantel clock movement, the 4" white enamel dial with Roman and Arabic numerals signed Valery á Paris, the Japy Freres movement with outside countwheel striking on a bell, with bezel and glass; also two other incomplete two train French clock movements, two incomplete drumhead cased clocks and a contemporary torsion clock etc
French ormolu figural two train mantel clock, the 2.75" gilt chapter ring enclosing an engine turned centre, signed Steffenoni, Paris, also signed on the movement backplate and stamped Guyerdet, no. 2556, with silk suspension, outside countwheel and striking on a bell, inset into a rounded arched pillar surmounted by a seated robed figure playing a flute, upon a stepped base with cast egg and dart border, 15.75" high (no pendulum)
Attractive Arts and Crafts style black slate and coloured mosaic inlaid two train mantel clock striking on a bell, the 4.75" black dial enclosing a mosaic floral centre, within a stepped case inset with further floral panels and surmounted by a gallery top with four brass turned finials, 15" high (pendulum and key)
Small English single fusee mantel clock, within a later painted stepped case, 9.75" high (pendulum); also a French black slate two train drumhead mantel clock striking on a bell, the 3.75" white chapter ring enclosing a recessed centre with visible escapement, upon a scrolling stepped base, 9" high (pendulum) (2)
Arts & Crafts style two train mahogany mantel clock striking on a gong, mounted with blue and white tiles indicating signs of the zodiac, within a carved case surmounted by a gallery top, 14.25" high (pendulum and key); also another ebonised Arts & Crafts style two train mantel clock striking on a bell, within a scratch carved pillared case mounted with blue and white panels, 12.25" high (pendulum) (both in need of some restoration)
Contemporary carriage clock timepiece with alarm sounding on a bell beneath the base, the dial signed Henry Berthoud, within a corniche brass case, 5.75" high; also another contemporary carriage clock timepiece, the dial signed Winegartens, within a corniche brass case, 6" high (two keys) (2)
A Group of Scottish notes, comprising Royal Bank of Scotland, £1 6), 1927,1935, 1949,1955,1959,1966, £5, 1957, £1 (2), 1967,1969, Royal Bank of Scotland Limited, £1 (3),1970, 1972, 1977, £5 (4), 1966, 1969, 1970, 1972, also £10, 1969, Royal Bank of Scotland plc., £1 (10), 1983, 1986, 1987, 1988, 1994, 1996, Stevenson commemorative £1 (2), EEC £1 (2), Scottish Parliament £1 and Alexander Graham Bell £1, £5 (5), 1988, 1997, 2002, 2005 (2), £10, 1987, £10 ‘Diamond Jubilee’, £20, 1982 and a £20, 2000, the Queen Mother 100th birthday issue, generally very fine, several better (39 notes) PMS RB 53g, Pick 316e £200-£260
A late 19th-century Vincenti et Cie gilt metal and "Pompadour" pink porcelain three-piece clock garniture, the clock of urn mounted rococo form the porcelain panels painted with figures and the dial porcelain similarly painted and marked for the retailer J. Delaye of Grenoble. Accompanied by a pair of six sconce candelabra on suite. 32 cm wide x 16 cm deep x 60 cm overall height.No pendulum presentPorcelain panels seem free of cracks or chipsOne candelabra has the thread broken from the top central candle sconce No bell is present.Both the going and chiming train wind freely.
A French gilt metal and champleve enamel mantel clock, 19th century, with turned finials and columns, with white onyx dial and base, on turned feet, the eight day movement chiming on a bell, struck 10590 CH les MT, 32cmA private Bedfordshire collector.The gilding partially rubbed throughout. A slight blemish to a very small area of enamel on the side panel see imagesThe clock does not have its key.The going train and chiming train both wind freely and when the pendulum is moved the clock runs and chimes, however, the chime is out of sync with the indicated hour. The winding and running is no guarantee of accuracy or reliability but does indicate that no major sections are missing from the movement.The clock chimes the hours and the half-hour as a passing single strike.The pendulum is presentThe dial is alabaster with applied gilt metal indices and the surface requires cleaning.
A royal blue Chinese robe, medium sized, from the early to mid 1930's, the back of the robe is embellished in a gold dragon design, the Chinese designed sleeves are of a slit design, fully lined in duck egg blue design, together with a claret designed opera coat by Harrods, from the 1930's, the rich brocade has a pleated design down the front and two patch pockets, fully lined, taffeta / grosgrain, size slightly bell shaped sleeves
An immaculate circa 1920's blouse, embellished in colourful bead working, in an Art Deco design, the front has a scalloped design waist, it has a Greek key design, along with the neckline, the floral design is a cornucopia of colour in a monocratic colour scheme, the sleeves form a slight bell shape and run into a taped wrist, the elbows are of a beaded trim to match the neckline and waist, and on silk chiffon fabric in black
A group of three 19th Century Bristol green drinking glasses to comprise a barrel form example above a medial knopped plain stem with a further basal knop, a bell form bowl above a baluster form stem, a slice cut round funnel bowl above a hollow diamond facet cut, together with a deep golden amber example with bell form bowl above slender small knopped stem, tallest 14cm. (4)
Loading...
