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A Continental Silver Lidded Bowl, of circular form, the pull-off cover with beaded rim and cast foliate finial, to a demi-lune body with chased foliate borders and base, with further lion’s mask and ring supports terminating in paw feet on a trefoil base, height 6 5/8”, and marked with a bell only
A 3rd quarter of the 19th Century Lacquered Brass Carriage Clock, with push repeat, Aubert & Klaftenberger of Geneve, the silvered levered platform escapement with bi-metallic cut compensated balance and blued steel hairspring and screws, with strike on a bell, to signed Roman enamel dial with outside minute track and blued steel moon hands, in a gorge case, with push repeat and large top glazed aperture, height 5 ½”
A 20th Century Reproduction Dutch Wall Clock, the shaped backboard with arched canopy and cast and applied finals, to a burr and ebonised arched cased with cast brass pediment, to a 4 ½” arched brass dial with moon phases, Roman and Arabic chapter ring and black painted hands to an 8-day weight-driven movement with strike on a bell, height 24”
A late 19th Century American Walnut and Mahogany Wall Clock, the arched case with further arched and glazed door with carved frieze, and waisted base with inverted finial, to an 8” painted Roman dial with outside minute track and blued steel trefoil hands, to a spring-driven movement with anchor escapement and strike on a bell
A late 19th Century Walnut and Crossbanded 30-hour Weight-Driven Wall Clock, the octagonal surround with crossbanded and rosette detail, to a spun brass bezel with convex glass enclosing an 8” painted convex wooden dial with Roman numerals and outside minute track and gilt centre, with further cast brass hands to wooden weight-driven movement, with strike on a bell, width 13”
An early 19th Century Mahogany and Brass Inlaid Single Pad Top Bracket Clock, Honeybone of Brentford, the arched case with single pad and cast carry handle, over fish-scale sound frets, to ebonised canted corners and recessed frieze panel, to a further fluted border and plain plinth base, raised on brass ball feet, to a spun brass bezel and convex glass enclosing an 8” painted Roman dial signed to the centre, with outside minute track and pierced and blued steel moon hands, to a movement with engraved and shouldered plates united by four knopped pillars, with anchor escapement and strike on a bell, height 20”
An early 20th Century Lacquered Brass Mantel Clock, modelled in the form of a lantern clock with strapwork frame and bell support, over pierced and engraved pediments, and oversize Roman chapter ring with half-hour markers, inside quarters, to a further floral engraved centre, and raised on cast ball feet, to a spring-driven movement with rectangular plates united by four plain pillars and with anchor escapement and strike on the bell, height 15”
A late 19th Century Black and Variegated Green Marble Mounted Mantel Clock, the serpentine plinth case to a brass bezel with bevelled glass enclosing a 5” two-part Roman enamel chapter ring, with outside minute track (hairlines) to a visible Brocot escapement to the centre, and blued steel moon hands, to a circular brass movement with strike on a bell, height 15”
A 19th Century Porcelain Clock Garniture Set, the waisted case surmounted by an urn of spring flowers over further floral garlands and putti depicting the four seasons, and further detail of courting couples, with gilt highlights and raised on scrolling feet, to a cast brass bezel enclosing a 3” porcelain dial with gilt Roman numerals and outside minute track with pierced gilt hands, to a circular brass movement with anchor escapement and strike on a bell, height 16 ½”; and flanked by a pair of matching Candelabrum, each with four lights on scrolling arms, and with gilt highlighted and painted floral detail, also with seasonal putti, height 20” (losses and restoration throughout) (3)
An early 20th Century patinated Spelter and Alabaster mounted Mantel Clock, modelled in the form of a well head, and with Corinthian column capital, surmounted by a dove over scrolling mounts, and compressed circular drum case, to a shaped baluster reservoir flanked by a bare-breasted young lady holding an amphora with a further dove, to cast and beaded bezel with bevelled glass enclosing a 3 ½” Arabic chapter ring with outside minute track and matted centre to blued steel hands, and fitted with a circular brass movement with platform escapement and strike on a bell, height 28”
An early 20th Century Lacquered Brass Alarm Clock, the drum-shaped case with ring suspension and peg feet, to a bevelled glass enclosing a 3 ½” Roman enamel dial, signed Payne & Son of Oxford and Tunbridge Wells, with outside minute track and alarm subsidiary at 6, with blued steel hands, to a brass spring-driven movement by R & Co Paris, with platform escapement and strike on a bell, height 5”
A late 19th Century French pink Onyx Mantel Clock, the architectural case with overhanging cornice, to three quarter columns and large plinth base, to a cast Brass bezel set with bevelled glass enclosing a 3 ½” Roman enamel chapter ring (hairline), to a further enamelled centre and visible Brocot escapement, with blued steel moon hands, to a circular Brass movement, with anchor escapement, strike on a bell (bell lacking), height 12”
A late 19th Century White Alabaster Mantel Timepiece, the drum-shaped case raised on scrolling supports to a breakfront plinth base on bladed and lacquered brass feet, to a 4” dial with applied gilt Roman numerals and further gilt moon hands, to a circular brass movement with backmounted count wheel and anchor escapement, strike on a bell, height 14”
A late 19th Century Gilt Painted Spelter and Porcelain Mounted Mantel Clock, the breakfront case surmounted a lidded urn with floral swags and further ribbon detail, and inset with musical trophy and putti panels on cobalt blue background, to a 3 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 16”
A late 19th Century black and variegated rouge marble mounted Mantel Clock, the plinth-shaped case with overhanging cornice and stepped base, to a cast brass bezel enclosing a black 3 ½” Roman dial, with gilt numerals and fleur-de-lys hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 11 ½”
A late 19th Century black Marble and Gilt metal mounted Mantel Clock, the plinth shaped case with break front pediment, raised on four columns, to a plinth base and raised on paw feet, to a cast Brass bezel with bevelled glass enclosing a 3 ½” Roman enamel dial with blued steel moon hands, to a circular Brass movement, with back mounted count wheel and anchor escapement, strike on a bell, width 18”
A mid-19th Century Mahogany and crossbanded 8-day Long Case Clock, Roberts of Downham, the arched hood with shaped pediment over freestanding reeded column, to an ogee throat and long arched trunk door flanked by canted corners to a plinth base, to a 12” arched and painted 3rd period dial, and painted with ruinous buildings to the spandrels, enclosing Roman chapter ring with outside minute track and further subsidiary seconds with pierced black painted hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
An early 19th Century Mahogany Cased 8-day Long Case Clock, B N Russell of Norwich, the arched hood with shaped pediment and globe and spike finials over freestanding columns to an ogee throat and long arched trunk door, raised on a plinth base, to a 12” arched and painted 2nd period dial, with moon roller, and gilt spandrels enclosing a Roman chapter ring with Arabic quarters and subsidiary seconds, and date sector with black painted pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, and with anchor escapement and strike on a bell (associated), height 83”
An early 19th Century Mahogany and Boxwood line inlaid 8-day Long Case Clock, Andrew Crawshaw of Rotherham, the plain drum head case on scrolling mount to an ogee throat and long shaped trunk door flanked by canted corners to a panelled and plinth base, to a spun brass bezel enclosing a 14” painted Roman dial with outside minute track, subsidiary seconds, pierced steel hands, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell (requiring full restoration), height 76 ½”
An early 19th Century Oak cased 8 Day Long Case Clock, Swaine of Woodbridge, the oak case with applied pediment with a single brass finial, to an overhanging cornice and freestanding brass capped columns, to a moulded throat and long arched trunk door, and raised on a stepped plinth base, to a signed and silvered arched 12” dial, with engraved floral and foliate spandrels enclosing a Roman and Arabic chapter ring, and further engraved centre with subsidiaries for seconds and date, and fitted with pierced and blued steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 87” (associated)
A Mahogany cased 8 day Long Case Clock, unsigned, the associated case with overhanging and stepped cornice, to a glazed door and moulded throat, with short trunk door and panelled plinth base, to a repainted third period Roman dial, with outside minute track and enclosing subsidiary seconds and date sector, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80”
A Mahogany Cased Floor Standing Clock, the case with shaped pediment and moulded detail on a plinth base, to an associated cast brass bezel with bevelled glass enclosing a 5 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with anchor escapement and strike on a bell, height 48 ½”
An early 19th Century Oak Cased 30-hour Long Case Clock, ? of Heacham, the overhanging cornice to a plain frieze and freestanding columns to an ogee throat, and long arched trunk door flanked by quarter columns to a plinth base, to a 12” arched 3rd period painted dial with floral spandrels and shipping scene to the arch, with Roman chapter ring and pierced and stamped brass hands, to a movement with plates united by a four knopped pillars, and anchor escapement with strike on a bell, height 82”
A late 18th Century Oak Cased 8 Day Long Case Clock, unsigned, the case with overhanging cornice and shaped pediment to freestanding columns and moulded throat to a long square trunk door and plinth base, associated 12” first period painted square dial with fruiting spandrels within gilt highlighted gesso borders and enclosing a Roman and Arabic chapter ring with outside minute track and subsidiary seconds, with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (associated), height 83”
A Mahogany Cased 8 Day Long Case Clock, Nevill of Norwich, the associated mahogany case with overhanging cornice to a pierced pediment with ring turned finials, over freestanding columns, to an ogee throat and long arched trunk door with reeded edging, and raised on a plinth base, to a 12” arched brass dial with subsidiary for strike/silent to the arch, and cast floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track to matted centre with subsidiary seconds, date sector and applied nameplate, with later black steel hands, with a plain false plate and movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (case, dial and movement associated), height 87”
19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by Furtwengler of Llanelly, having broken swan neck pediment above arched aperture, crossbanded and shell inlaid door to the waist with canted angles on a panel base with bracket feet. Arch painted face with seconds dial and date aperture, Roman numerals and foliate spandrels, painted portrait of a farm girl to the arch. Eight day two train movement striking on one bell. The face 17.5" x 13". 88" High overall.
A LATE 19TH CENTURY FRENCH GILT BRASS FOUR GLASS TWO TRAIN MANTEL CLOCK, having enamel face with Roman numerals and exposed escapement, French brass drum movement striking on one bell and with mercury compensated pendulum. The movement marked L initial Marti & Co. 11.5" High x 6.5" Wide x 5.5" Deep.
19TH CENTURY MAHOGANY TWO TRAIN EIGHT DAY LONGCASE CLOCK, the arched hood with circular aperture, cross banded and strung inlaid waist with rectangular door on panelled feet. Painted face with seconds dial and date indicator. Two train movement lacking bell. Possibly Scottish. Face 15.5" Diameter x 84" High overall.
Oak and mahogany longcase clock, the hood with a broken swan-neck pediment, turned and fluted supports, long door, plinth base, the case overall with mahogany banding and boxwood stringing, square brass dial with cast spandrels, the chapter ring with Roman numerals, the face engraved with an eagle and sand-timer and a scene of cottages by a river, inscribed, "Rice Jones, Monmouth", thirty-hour movement, striking on a bell.
A small quantity of interesting Railway Signal Box instruments. 5 brass circular dials, 4 marked S.R.ly on the face with an arrow indicating ‘ON’ ‘OFF’ and ‘WRONG’. Also a platform bell activator and a second indicator. Plus an early electric telephone with metal plates bearing the legends ‘to call exchange’ ‘for code ringing’ and ‘challenge before calling’. With a 3 position switch. 5 of the instruments are attached to a wooden back board, with a brass plate bearing the numbers ’53-57’. AF-GC two dials without glass. Telephone wooden front fractured.
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123939 item(s)/page