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19th Century Aesthetic School oak writing table, the rectangular top with moulded edge fitted two drawers with brass handles, standing on two pairs of end supports with turned decoration, the scroll feet united with a central stretcher- oval brass makers label 'Bell & Coupland, Cabinet Makers and Upholsterers, Lancaster', 116cm wide
William IV rosewood cased bracket clock having a turned finial and fluted pediment, inlaid brass fillets to the canted corners, brass ring drop side handles and pierced brass side panels, the silvered dial signed James Howden & Co, Edinburgh, the twin fusee movement striking on a bell, the back plate signed James Howden & Co, Edinburgh, 49cm high
A mahogany longcase clock, the arched brass 30cm dial with dolphin and urn spandrels, Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial and calendar aperture, the arch with Strike-Silent dial, eight day movement, striking on a bell, the hood with moulded barrel cornice beneath a bell shaped top with fretwork panel and brass finials, brass mounted fluted pillars, arched moulded door to trunk, shaped skirted base, 236cm high excluding finials
An oak and mahogany longcase clock, the square enamelled 35cm dial with Roman chapter ring and floral spandrels, subsidiary seconds and calendar dials, inscribed 'N. Dumvile, Wilmslow', eight day movement, striking on a bell, the square hood with brass mounted swan neck pediment and fluted freestanding pillars, shaped ovolo moulded trunk door flanked by reeded and strung pilasters, the canted moulded base with planted re-entrant panel, 213cm high .
An oak longcase clock, the square brass 30cm dial with Roman and Arabic chapter ring and pierced floral spandrels, the leaf engraved centre with subsidiary seconds dial and silvered calendar sector, inscribed 'Joseph Marshall, Leicester', eight day movement, striking on a bell, the square hood with blind fretwork frieze and flared cornice, brass mounted plain freestanding pillars, arched ovolo moulded trunk door, 200cm high
An oak longcase clock, the circular enamelled 32cm dial painted flower sprays, Roman and Arabic chapter ring, inscribed 'Mason, Chesterfield', thirty hour movement, striking on a bell, the hood with brass mounted swan neck pediment and tapering fluted keystone above brass mounted reeded pillars, arched door to trunk flanked by reeded quadrant pilasters, outlined with mahogany crossbands, skirted base, 214cm high
An oak longcase clock, the arched enamelled 32cm dial painted with Mediterranean lake scene and cottage spandrels, Roman chapter ring, calendar aperture, inscribed 'Sulley, Nottingham', thirty hour movement, striking on a bell, the arched hood with draught moulded swan neck pediment, arched door to trunk flanked by plain quadrant pilasters, the base with planted panel and chamfered angles, outlined with mahogany and rosewood crossbands, on bracket feet, 218cm high
An oak longcase clock, the square brass 28cm dial with mask spandrels, Roman and Arabic chapter ring, calendar aperture, inscribed 'James Cotton, Tamworth', thirty hour movement, striking on a bell, square hood with swan neck cresting and brass mounted plain pillars, arched door to trunk, outlined with mahogany crossbands, skirted base, 205cm (composite)
Chelsea and Worcester porcelain 1750-1760 to include: a Chelsea red anchor teabowl painted with flora, a squat Chelsea beaker enamelled with a green castle landscape, a Worcester teabowl with similar decoration, possibly Giles, and a Worcester bell shaped mug painted with floral sprays, (some damages) (4)
A pair of Spode botanical dessert plates, each painted with a titled floral sprig within relief-moulded foliate borders and gilt-lined rims, the reverse with inscriptions Carpatian Bell, Flower, Spode and Dwarf-Narcifsus, Spode, 23cm diameter, (one with restored chip); and two undecorated Nantgarw plates, 24cm diameter, impressed marks, (chips), various dates, first quarter 19th century
A small Rock pattern covered cream jug, of Hollins type, with tall fluted body and sparrow beak spout, the cover with fluted ball knop, printed in blue with the main scene from the Rock pattern on one side and an enlarged detail of a bell-shaped summer house on the reverse, beneath a typical chinoiserie border, overall height 13.6cm, printed leaf spray mark, circa 1790-1800 (hair crack in rim, restoration to cover). See Copeland, "Spode's Willow Pattern", plate 20, page 52, for this pattern on a similarly marked dessert plate; also Holdaway, "Hollins Blue & White Printed Earthenware", plate 3.7, for a similar jug without cover
A late 19th century French brass mantel clock, the caddy top surmounted by a pineapple finial, above a circular brass bezel, on a stepped plinth base, the 9.5cm pale blue enamel dial with Roman hour numerals, the French twin train brass movement with anchor escapement and outside count wheel, striking on a bell, 33.5cm high
A late 19th century French onyx and ormolu mounted mantel clock, the three quarter balustraded gallery above canted corners with winged cherub monopodia supports, on a stepped apron and stepped bracket feet, the circular dial with engine turned gilt metal centre, visible Brocot escapement, within an electric blue chapter ring with gilt Roman hour numerals, the French brass drum movement with outside count wheel, striking half hourly on a bell, 41.5cm high, 30.5cm wide
A George III and later dark blue japanned musical longcase clock, the arched hood surmounted by three gilt ball finials above an arched glazed door flanked by three quarter columns, the chinoiserie decorated trunk with arched door and central coloured mezzotint panel, on a conforming panelled box base and stepped plinth, the later 12 inch brass dial with subsidiary seconds dial, silvered chapter ring and subsidiary chime/silent and Whittington/Westminster dials to the arch, the three train brass movement with anchor escapement playing chimes on eight bells, striking hourly on a separate bell, 230cm high
A George III oak and mahogany banded longcase clock, the hood with broken swan neck pediment above an arched glazed door flanked to each side by a turned column, the triple arched trunk door flanked by conforming columns, above a panelled box base with canted corners, the 14 inch white enamel dial with subsidiary seconds dial and date aperture, painted to the spandrels with flowers, the arch with moon phase, the twin train movement with anchor escapement, and 'Walker Hughes, Birmingham' false plate, striking on a bell, 220cm high
A mid 19th century French rosewood and marquetry inlaid mantel clock, surmounted by a leaf cast gilt brass swing handle, the white painted dial bearing Roman hour numerals, the brass drum twin train movement signed 'Le Roy a Paris', with anchor escapement and outside count wheel, striking on a bell, 21.5cm high
A George III oak longcase clock, the broken swan neck pediment above an arch glazed door flanked to each side by a column with gilt capitals, the shaped trunk drawer above a box base with moulded plinth, the 12 inch brass dial engraved with chinoiserie decoration around a subsidiary seconds dial and date aperture, with acanthus leaf flower and urn pattern spandrels, the arch applied with a convex roundel inscribed 'Thos. Sutton, Maidstone', the twin train movement with anchor escapement striking on a bell, 205cm high
DEIGHTON (LEN) The Ipcress File, 1st edition, fine cloth in chipped, stained dustwr., price present, no inscriptions but stain to top edge of front f.e.p., foxing to fore-edge, Hodder & Stoughton, 1962--FLEMING (IAN) You Only Live Twice, 1st ed., some wear and staining to dustwr, price present, edges foxed, Jonathan Cape, 1964--BELL (JOSEPHINE) A Flat Tyre In Fulham, 1st ed, chipped stained dustwr, staining to first few ll., 1963 LOCATION D
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123939 item(s)/page