A George III eight-day ebonised musical bracket clock circa 1790, the twin fusee back-wound movement with verge escapement and playing a choice of three airs on eight bells, the backplate engraved with fleur de lys within an oval cartouche and foliate borders, the 8 inch break-arch single sheet silvered Roman numeral dial with foliate engraved spandrels and signed 'George Howard, London' to centre, the arch with blued steel tune selection hand for 'Song', 'Minuet' and 'Jigg' with urn and foliate scroll engraved infill, in an ebonised bell-top case with brass carrying handle, arched side windows and on block feet, 49cm high excluding handle.
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A George II dark green lacquered eight-day longcase clock circa 1730, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes, fleur de lys half hour markers and female head pattern spandrels, the matted centre with subsidiary seconds dial and foliate engraved calendar aperture, the arch signed 'Joseph Dudds, London' to central silvered boss flanked by gilt dolphin mounts, in a break-arch pedimented case with square-top trunk door decorated in gilt with figures within Oriental landscape with pagodas, with brass lenticle, on plinth base with conforming decoration, case with some re-touching, 219cm high.
A Swiss Neuchatel style eight-day bracket clock in the Louis XV taste with bracket en suite, 20th century, the bell-striking movement with white Roman numeral enamel dial, with ball finial and gilt mouldings to the floral painted ebonised waisted case with glazed aperture beneath dial, on scroll feet, with ogee wall bracket en suite, 68cm high overall.
A Plymouth oak eight-day longcase clock, with rocking figure to arch circa 1785, the four-pillar rack and bell striking movement with 12 inch brass dial applied with Roman numeral silvered chapter ring with Arabic minutes and leafy scroll cast spandrels, the centre with subsidiary seconds dial and arch calendar aperture within engraved scene of a square rigged sailing vessel passing the Barbican, the arch with a rocking figure of Fortuna and signed 'William Pearce, Plymouth' along upper edge, in a caddy-top case with break-arch cornice and Corinthian pilasters to hood, over shaped-top trunk door and on plinth base, 212cm high.
A fine George III London figured mahogany eight-day longcase clock, circa 1770, the substantial five-pillar rack and bell striking movement with anchor escapement and 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and gilt castle gateway pattern spandrels, the matted centre with subsidiary seconds dial, calendar aperture and signed 'Dan'l De St. Leu, London' to a silvered arched plate, the arch with Strike/Silent dial between Hoho bird and scroll cast gilt mounts, the case with pagoda shaped pediment and brass flambeau finials over break-arch cornice and frieze and stop-fluted brass pilasters to hood, with flame figured break-arch trunk door over conforming raised panel plinth base, 253cm high.
A Dorset crossbanded oak eight-day longcase clock circa 1770, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring signed 'Roger Startudge, Christchurch' to lower edge and cockleshell pattern spandrels around a foliate scroll and Hoho bird engraved centre with subsidiary seconds dial and arched calendar aperture, the arch with silvered eagle engraved boss flanked by dolphin mounts, in break-arch pedimented case with integral hood columns, break-arch trunk door and reduced plinth base with double skirt, 208cm high.
A French ormolu eight-day mantel clock in the Greek Revival taste, circa 1880, the bell-striking movement with rosette centred gilt Roman numeral dial, in cylindrical plinth form case with young girl and lovebird bust surmount over lion mask mounted foliate pierced side scrolls and leafy bezel, on black and red marble shaped canted base with stylised paw feet, 47cm high.
A Paris Porcelain eight-day mantel clock, circa 1840, the bell-striking movement with silk suspension and signed 'Leroi a Paris, 1110' to backplate, with similarly signed blue on white Roman numeral enamel dial, with foliate cast gilt bezel, in waisted plinth form case with polychrome floral painted front panel within a gilt foliate scroll blue ground, with scroll borders and on outswept feet, repairs to porcelain, 21cm high.
A rare Venetian gilt metal mounted tortoiseshell basket-top table clock, circa 1700, the later French bell-striking movement with original rectangular gilt brass dial applied with silvered Roman numeral chapter ring with Arabic minutes and annotations for quarter striking, within fine repousse scroll and cherub head mask, the rosette engraved matt centre signed 'Matties Gughi, Venice', the case with foliate pierced repousse basket top over parcel gilt cornice and swollen frieze, over cushion-moulded surround applied with foliate mounts, the sides with rectangular windows, on scroll mounted cavetto moulded base with cast gilt paw feet, 42cm high.
A good Queen Anne figured walnut eight-day longcase clock by 'Windmills, London' circa 1710, the rack and bell striking movement with five finned pillars and anchor escapement, with 12 inch square brass dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers, Arabic minutes and signed to lower edge, with female mask and scroll spandrels, the matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, in flat-top case with moulded cornice over integral pilasters to hood and square-top trunk door with book-matched veneers and lenticle, on plinth base, case with some restorations, 222cm high.
A Somerset mahogany cased thirty-hour longcase clock circa 1725, the two handed four-pillar outside countwheel bell-striking movement with 10.75 inch square brass dial applied with Roman numeral chapter ring with Arabic minutes and cruciform half hour markers, London Cherub head pattern spandrels, the matted centre with square calendar aperture beneath bridge signature plaque 'William Cuff, Wells', in a later swan neck pedimented case with wavy edge hood door, square trunk door and plain base with bracket feet, distressed, 208cm high.
An impressive French gilt metal mounted boulle 'Religieuse' bracket clock, circa 1680, now with substantial English eight-day seven-pillar triple fusee verge bracket clock movement circa 1780, chiming the quarters on six bells and striking the hour on a larger bell, with gilt brass full-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes, diamond half hour markers and London Cherub head spandrels, the matted centre with calendar aperture and the arch with rise/fall regulation dial flanked by dolphin mounts, with fine original engraved gilt brass hands, in inverted bell-top case with finely chased gilt brass figure of Minerva between two tiers of finials with openwork baluster gallery beneath, the front with Corinthian pilasters and shaped apron, the sides with tall rectangular windows, the whole with fine premier-parti pewter and brass foliate scroll decoration on a mottled real shell ground and fine ebony mouldings, on four gilt hairy lion paw feet, 79cm high.
A fine Bristol mahogany eight-day longcase clock with 'High Water at Bristol Key', circa 1750, the four-pillar rack and bell striking movement with 12 inch brass break-arch dial applied with silvered Roman numeral chapter ring with Arabic minutes and signed 'Isaac Hewlett, Bristol' along lower edge, with rococo scroll and cockleshell spandrels, the matted centre with subsidiary seconds ring and calendar aperture, with moonphase to arch calibrated for tidal times to upper edge, the fine case with ogee moulded caddy and cornice over integral hood pilasters and shaped-top parquetry line inlaid trunk door, on conforming plinth base with bracket feet, 245cm high. A regulator by his son, William, is also offered in this sale as 291.
A Wiltshire inlaid figured mahogany eight-day longcase clock, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted Roman numeral break-arch dial, the centre with subsidiary seconds dial, arch calendar aperture and signed 'Morse, Malmesbury', with polychrome painted Four Seasons spandrels and young girl asleep with bale of wheat to arch, in shaped pediment break-arch case with three turned wood finials and shaped Corinthian pilasters to hood, the trunk with panel inlaid door flanked by conforming quarter pilasters on similarly inlaid plinth base, 225cm high.
A Welsh oak and mahogany eight-day longcase clock with moonphase, circa 1830, the four-pillar rack and bell striking movement with 13 inch white painted break-arch Roman numeral dial, the convex centre with subsidiary seconds dial, arched calendar aperture and signed 'J. Moseley, Swansea', with polychrome floral painted spandrels and moonphase to arch, in shaped outline arch pedimented case, with wavy edge door and reeded pilasters to hood, over rectangular trunk door flanked by conforming quarter columns, on plinth base, 218cm high.
A MID 18TH CENTURY WALNUT LONG CASE CLOCK, with eight day movement striking on a bell, the arched brass dial with mechanical phases of the moon, gilt metal spandrels, roman hour and arabic minute numerals, second dial and calendar aperture, inscribed "Benj. Stretch Bristol" on a brass label, with arched hood, the trunk with long arched stringing inlaid doors inlaid with oval mother of pearl label and key plate of a later date, the base now with shaped skirting. Dial Width 13". Width 14.5". Height 96".
An oak, mahogany and rosewood crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment above a square hood door flanked by turned half columns enclosing a 14" circular white painted enamel dial with roman numerals and subsidiary seconds dial, marked indistinctly 'Hay, Shrewsbury', eight-day movement striking on a bell above rosewood crossbanded and mahogany tablet and pointed arched top crossbanded lozenge centre three-quarter length trunk door flanked by turned half columns over a further tablet and ogive moulding and conforming base board with canted corners, distressed, 81" high.
A Victorian mahogany crossbanded longcase clock, circa 1870 the broken scroll pediment centred by a pyramid finial above an arched glazed door flanked by wrythen reeded columns and enclosing 14" white painted arched enamel dial with roman numerals, subsidiary seconds dial and moon phase in the arch, and marked 'E Lashmore, Oswestry', painted with rustic housing and castle ruins to the corners and arch, eight-day movement striking on a bell above a three-quarter length shaped arched top crossbanded trunk door, flanked by wrythen reeded columns over a crossbanded panel, canted border and crossbanded base board and raised on ogee bracket feet, 90" high.
A French variegated red marble clock, mid 19th century, the domed case with bevelled circular glass door enclosing a 4" machine engraved silvered dial with roman numerals and marked 'Wagner a Paris', eight-day movement striking the hour and half hour on a bell and raised on a stepped plinth, 19.5" high
An Art Deco grey and white marble three piece clock garniture, the clock with a square dial with black Arabic numerals, the movement striking on a bell, the case of architectural form with pairs of pillars to the sides and with a bird finial, the urns with oval motifs to the fronts, with a mercury pendulum.
A Victorian gilt metal cased bell striking mantel clock, of Gothic architectural form, the movement signed to the backplate Harvey & Co. Regent St. London, 1029, the gilt dial with black Roman hour numerals, the case with a gilt dome and corner pinnacles, the sides with scrolled decoration and on a stepped square base.
An Art Deco grey and white marble three piece clock garniture, the clock with a square dial with black Arabic numerals, the movement striking on a bell, the case of architectural form with pairs of pillars to the sides and with a bird finial, the urns with oval motifs to the fronts, with a mercury pendulum.
A Victorian gilt metal cased bell striking mantel clock, of Gothic architectural form, the movement signed to the backplate Harvey & Co. Regent St. London, 1029, the gilt dial with black Roman hour numerals, the case with a gilt dome and corner pinnacles, the sides with scrolled decoration and on a stepped square base.
An early 19th century mahogany longcase clock, the 8 day movement striking on a bell to a painted arch dial, decorated an oval depicting Hebe, subsidiary seconds dial and date aperture, inscribed 'Thos Noon, Burton', the veneered case with crossbanding and inlaid stringing, the base reduced, 6ft 10.5in (209cm) h.
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123939 item(s)/page