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Aylmor Stopes, London, a George III green lacquer longcase clock, the break arch hood with 12 inch dial having strike/silent to the arch, seconds dial and date aperture, eagle and urn spandrels, signed to a curved plaque, the 8 day 5 pillar movement with extended plates for an added twin bell quarter striking train, replacement seat board and some repainting and restoration to the chinoiserie and gilt decorated case, 226cm high
Stuart Henry Bell, dated 1858, oil on canvas, `The Port of Sunderland, Tide time during a gale`, in ornate gilt frame, 75cm x 121cm. The artist who was singled out for praise by Queen Victoria for his marine paintings was born in Newcastle in 1823 and later moved to Sunderland where he became a lessee of Sunderland`s Theatre Royal and Drury Lane Theatre. He was not as capable a theatre manager as a painter however and lost his money on various stage productions and died in poverty in Gateshead in 1896.
A Victorian ship`s bell from the SS Ben - Alder, 1899, Aberdeen, with iron ring and iron and brass strike with later rope handle, 21.5cm diameter, 22cm high Note: The steam trawler `Ben Alder` is listed as being owned by the North British Steam Fishing Company Limited, Aberdeen. Built by Hall Russell, gross tonnage 151 tonnes, the trawler was later owned by R. Irvin and Sons Ltd. in 1908. Subsequently by A. Walker, 1914. The trawler was then requisitioned in June 1915 and conver
A late George III oak thirty hour movement longcase clock, with eight day face with false winding holes, the 12 inch square painted dial signed 'Owen Davies, Llanidloes', the unrestored movement lacking its bell, the face lacking subsidiary seconds hand, the square hood with turned front corner hood pilasters over a crossbanded trunk door with canted corners to the top, between quarter reeded front corner trunk pilasters, on a box base and wavy cut-out plinth, 209cm high
A 19thC French rosewood portico clock, the enamelled eight-day movement striking on a bell, the enamelled dial with blue Roman numerals, pierced hands, signed Troup A Paris within a cast gilt metal bezel, the case with gadroon moulded borders and inlaid with shell and floral detail, the movement supported on four barley twist columns with gilt metal capitols, 19¼" high
An early 20thC German gilt brass clock garniture, of eight day movement striking on a bell, the cartouche dial with Roman numerals, with a porcelain brass surmount painted with a romancing couple, similar panel below dial in an ornate cast case, together with a pair of four light candelabra, one branch detached, the clock 52 cm high.
A 19th century French onyx and alabaster clock garniture, dial signed Schnerb, Paris, dial with painted garlands, architectural case with brass mounts, columnar underframe, eight day movement, count-wheel striking on a bell, sunburst pendulum, accompanying urns on square bases, clock 20in. high
A French gilt metal and alabaster figural mantel clock. Indistinctly signed, late 19th century. The eight-day bell- striking movement with circular white enamel Roman numeral dial in a case with surmount of a seated female figure in classical robes holding a munuscript, on a gilt panel outlined shaped alabaster plinth base with tapered feet, 31cm high. Visit www.dnfa.com for condition reports.
A Small French Louis XV style boulle mantel clock, Vincenti & Cie, late 19th century. The eight-day bell-striking movement with stamped trademark for Vincenti & Cie... to backplate, the foliate cast gilt brass dial applied with blue on white Roman numeral enamel cartouche numerals in a waisted engraved brass and faux red tortoishell marquetry case with foliate finial above winged cherub head crest and scroll outline edge mounts surrounding dial and shaped glazed pendulum aperture, on foliate cast feet with conforming apron between, 31cm high. Visit www.dnfa.com for condition reports.
A French Louis XV style gilt metal mounted Vernis Martin mantel clock, E. Coeur, Paris, late 19th century. The eight day bell-striking movement stamped E. COEUR, A PARIS to backplate and with blue-on-white enamel Roman numeral dial in a waisted case applied with scrolll cast mounts to edges and polychrome painted with a courting couple, musical trophies and floral sprays on a mid-green ground, on scroll cast feet with shaped apron between, 39cm high. Visit www.dnfa.com for condition reports.
A French Empire ormolu figural mantel clock, Unsigned, early 19th century. The eight-day bell striking movement with silk suspension and white enamel Roman numeral dial set in an arch shaped case beside a figure cast as a classical female with a lyre, on a rectangular plinth base applied with musical trophy to apron and on turned feet, 30cm high. Visit www.dnfa.com for condition reports.
A French patinated and gilt bronze mounted Belge noir and rouge marble mantel clock. Unsigned, late 19th century. The eight-day bell-striking movement with rosette centred gilt on black Roman numeral dial in an arch top case with drapery mounted ball finial to the shaped upstand above Corinthian pilasters flanking dial and bevel glazed panel revealing the unusual marble pendulum beneath, on shaped base with parcel gilt foliate cast feet, 55cm high. Visit www.dnfa.com for condition reports.
A George III maogany bracket clock, Edward Tiddeman, Canterbury circa 1790. The five-pillar twin fusee rack and bell striking movement with anchor escapement and foliate-border engraved backplate, the 8 inch single- sheet silvered brass Roman numeral break-arch dial signed Edward Tiddeman, CANTERBURY to centre with brass sweep calendar hand, Arabic five minutes and foliate engraved spandrels, the arch with STRIKE/SILENT dial flanked by engraved husk swag decoration, the break arch case with brass carrying handle, pierced arched frets to sides and brass slip moulding to front door, on moulded base with brass bracket feet, 43cm hgh excluding handle. Edward Tiddeman is recorded in Baillie, G. H. WATCMAKERS AND CLOCKMAKERS OF THE WORLD as working in Canterbury 1789-1801. Visit www.dnfa.com for condition reports.
A Victorian figured oak bracket clock. Barwise, London, mid 19th century. The five-pillar twin-fusee bell striking movement with anchor escapement and pendulum holdfast to the shaped backplate, the 8 inch circular silvered Roman numeral dial signed Barwise, London to centre, in a shallow pointed arch shaped case with brass carrying handle and moulded base, 41 cm high excluding handle. Visit www.dnfa.com for condition reports.
A Queen Anne walnut eight-day longcase clock. David Lestourgeon, London, early 18th century. The five finned -pillar inside countwheel bell-striking movement with 12 inch brass break-arch dial with calendar aperture, ringed winding holes and subsidiary seconds dial to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur-de-lys half hour markers, the angles applied with twin cherub and crown pattern spandrels beneath shallow arch with oval boss signed David Lestourgeon, London within foliate engraved infill and herringbone upper border, the case with moulded cornice above blind fret infill and integral pilasters to hood, long trunk door and on plinth base with moulded skirt, case with some restoration, 231cm high. David Lestourgeon is recorded in Baillie, G. H.Watchmakers & Clockmakers of the World as working in London 1698- 1731 and is described as a fine maker. Visit www.dnfa.com for condition reports.
A fine George III mahogany eight-day longcase clock. Wilmshurst, Reading, circa 1780. The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with recessed seconds dial, sweep calendar hand and signed Wilmshurst, Reading to the foliate scroll engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with foliate-scroll cast spandrels beneath Strike/Sillent dial flanked by conforming mounts to arch, The case with pagoda pediment above reeded pilasters to hood, break- arch trunk door and raised panel fronted plinth base with double moulded skirt incorporating shaped apron and block feet, 249cm high. Visit www.dnfa.com for condition reports.
A George II green japanned eight-day longcase clock. Robert Bray, London, circa 1740. The five-pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes and signed Robert Bray, LONDON to lower edge, with mask and scroll spandrels to angles beneath Strike/Silent dial flanked by dolphin cast mounts to arch, the break-arch case with integral pilasters to hood above break-arch trunk door polychrome and gilt relief decorated with chinoiseries above a man-o-war on a dark green ground, on a reduced plinth base with moulded skirt (pedimnet lacking, case generally distressed), 208cm high. Robert Bray is recorded in Baillie, G.H.Watchmakers & Clockmakers of the World as working in London 1728-43. Visit www.dnfa.com for condition reports.
An oak eight-day longcase clock with moonphase and Masonic dial. James Thomas, Chester, late 18th century and later. The four-pillar rack and bell striking movement with 13 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Jam's Thomas, Chester to the figural Masonic engraved centre within an applied Roman numeral chapter ring with Arabic five minutes, the angles with foliate-scroll cast spandrels beneath rolling moonphase to arch, now in a swan-neck pedimented case with twist turned pilasters to hood above short shaped-top trunk door flanked by conforming columns and a recessed panel-fronted plinth base with squat cabriole feet, 225cm high. Visit www.dnfa.com for condition reports.
An Irish George III inlaid mahogany eight-day longcase clock. Alexander Christie, Dublin, late 18th century. The four-pillar rack and bell striking movement with 13.5 inch square brass dial with subsidiary seconds dial and calendar aperture to the foliate-scroll engraved centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and signed Alex'r Christie, DUBLIN to lower edge, the angles with angel-head and foliate-scroll cast spandrels, the case with broken triangular pediment above reeded frieze and conforming pilasters flanking the parquetry banded hood door, the trunk with vase and fan inlaid shaped-top door flanked by quarter columns, the plinth base with large oval cartouche and canted corners, on bracket feet, (some damage to case), 232cm high. Alexander Christie is recorded in Loomes, Brian Watchmakers & Clockmakers of the World Vol. 2 as working in Dublin 1758-1801. Visit www.dnfa.com for condition reports.
A mahogany eight-day longcase clock with Adam and Eve automaton. Unsigned, early 19th century. The four- pillar rack and bell striking movement with anchor escapement and 13 inch white painted Roman numeral break- arch dial with subsidiary seconds dial and arched calendar aperture to centre, polychrome and gilt decorated spandrels and arch with raised figure of Eve gesturing with an apple in her right hand towards Adam with the motion of the pendulum, the background painted as the Garden of Eden, the swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and plinth base with bracket feet, 206cm high. Visit www.dnfa.com for condition reports.
A William IV parquetry banded eight day longcase clock. John Latham, Macclesfield, circa 1830. The four-pillar rack and bell striking movement with 13 inch square cream painted Roman numeral dial with subsidiary seconds dial, arched calendar aperture and signed John Latham, Macclesfield to the ho-ho bird decorated centre, the spandrels painted with floral motifs, the swan-neck pedimented case with line inlaid square section pilasters to hood above shaped-top trunk door flanked by reeded uprights, on geometric banded panel-fronted plinth base with canted angles and ogee bracket feet, 209cm high. Visit www.dnfa.com for condition reports.
A Continental gilt and patinated metal and green serpentine marble mounted striking mantel clock, in the Louis XVI style, of recent manufacture, with Roman dial and strike on bell, 61cm high; and a gilt and patinated metal and marble mounted seven light candelabrum, en suite, 69cm high. Visit www.dnfa.com for condition reports.
A Fine Quality Louis Philippe Porcelain Mantel Clock, the case finely painted with cherubs and foliage, the reverse similarly painted, all upon a powder blue ground highlighted with gilt, the enamel dial with Roman and Arabic numerals and two train movement striking on a bell, 35.5cms high See illustration
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123939 item(s)/page