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Click here to subscribeLate 19th century French gilt spelter figural mantel clock, the drum shaped case flanked by a classical figure and further musical instruments and open books on a shaped base with applied floral and foliate detail on splayed feet to a 8cms Roman enamel dial (hairlines) with outside minute track and blued steel moon hands to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 27cms
Late 19th century porcelain mounted gilt spelter mantel clock garniture, the case with overhanging cornice surmounted by a lidded urn with applied side mounts on a plinth base to a mid-blue 8cms porcelain dial with outside minute track and floral decorated centre and with blued steel spade hands to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, together with a pair of non-matching urn shaped side pieces, height of clock 35cms (3)
First half of 20th century cast ship's bell, of typical form and marked with the crows foot broad arrow and signed "Narcissus", height 26cms, together with a removable painted iron and brass clapper with later knotted nylon and wool handle, Note: six ships of the Royal Navy have been named HMS Narcissus
A VICTORIAN SILVER AND GUILLOCHE ENAMEL DESK CLOCK, London 1886, retailed by Clark, 20 Old Bond Street, London, the dial set with Arabic numerals and contained within a border of gold rosettes, supported on articulate stand. 8cm diameter; together with a Victorian silver combination desk bell and ink well, Birmingham 1887, mark of George Unite & Sons. 12.5cm high. (2)Provenance: Captain HCP Hamilton, Moyne, Durrow, Co. Laois; thence by descent.
AN IRISH LATE 18TH CENTURY CUT GLASS CELERY VASE, the bell shaped body with milled rim over a broad band of diamonds, steps and facets, on a short waisted stem and flattened disk foot. 20.5cm high; together with an Irish cut glass sucrier and cover, with fluted disk finial and fan cut serrated border over a row of facets, hobnail and slices, on a flattened circular foot with star cut base. 15cm high. (2)
Mick Abrahams band, Bell and Arc Thames Poly poster Original vintage poster for an event at Thames Poly on Friday 15 October, 1971. Graham Thomas Bell (17 April 1948, Blyth, Northumberland — 2 May 2008, London) was an English pop and rock singer.Bell's father, Jimmy, who died in 2010, was a well-known local singer, and his late mother, Leonora Rogers, was in show business prior to marriage, after which she was heavily involved in local music and dance. Graham made a solo single in 1966 and one year later replaced Alan Hull as the singer of psychedelic rock band Skip Bifferty (later renamed Heavy Jelly). In 1969 he was singer in another psychedelic rock band Griffin. In 1970 he began his stint with Charisma Records, joining Every Which Way, a band formed by Brian Davison formerly of The Nice, as singer and principal writer. Musical style was jazzy progressive rock with guitar from John Hedley (who was later part of Last Exit, with Sting) playing call and response with Bell's blues shout vocals. Bell then rejoined his old mates from Skip Bifferty, now known as Arc, to form Bell & Arc in July 1971, with John Turnbull, Mick Gallagher, Bud Beadle, Kenny Craddock, Steve Gregory, Tom Duffy and Alan White. Bell was then tempted to leave the group to record an album as a solo artist in 1972. Featuring Tim Hinkley, Mel Collins and Ian Wallace, it was produced by Bob Dylan associate Bob Johnston. Michael Timothy 'Mick' Abrahams (born 7 April 1943) is a guitarist and band leader, best known as being the original guitarist for Jethro Tull. Abrahams was born in Luton, Bedfordshire. He played on the album This Was recorded by Jethro Tull in 1968, but conflicts between Abrahams and Ian Anderson over the musical direction of the band led Abrahams to leave once the album was finished. Abrahams wanted to pursue a more blues/rock direction, while Anderson wanted to incorporate more overt folk and jazz influences. He was replaced first by Tony Iommi who would leave Tull after only a few weeks and would later go on to form Black Sabbath, and then by Martin Barre who remained with Jethro Tull until the band ceased in 2011. Good condition, tears and tape marks. Country:UK Year:1971. Designer: Unknown Size: 75x50.5
A circa 1900 French brass carriage clock, with alarm and push button hour repeat, having visible platform escapement, unsigned white enamel dial with subsidiary alarm dial, twin barrel going eight day movement striking the hours and half-hours on a gong, the alarm striking with single hammer on a bell, unsigned backplate, h.16cm (handle down), together with a leather case (case in very poor condition) and winding key Condition Report / Extra Information In running and striking order.
A late 19th century French porcelain cased mantel clock, having enamelled dial with Roman and Arabic numerals, eight day movement striking on a bell, the whole surmounted by a seated girl, h.40cm Condition Report / Extra Information Has pendulum, no key.Wear to gilt decoration throughout, losses to floral bouquet. Dial: no glass, hairline cracks, some rust.
GEDENKTASSEBöhmen, Schlaggenwald, Lippert & Haas,1830Glockentasse mit Henkel, auf niedrigem Fuß, mit Untertasse, Weißporzellan, Schauseite mit buntgemaltem Blumendekor mit Schriftband: „Andenken Marienbad“, Goldbordüren, Goldstaffierung mit Floramotiv und Anker.H. (Tasse) 8 cm, Ø (Untertasse) 14,5 cm.Pressmarke mit 2-zahligem Jahreszahl „S30“.Zustand A.COMMEMORATIVE CUP WITH SAUCERBohemia, Schlaggenwald, Lippert & Haas,1830Bell-shaped cup with handle, on low base, with saucer. White porcelain, color-painted floral motif with inscription „Andenken Marienbad“, gilded rims and floral staffage under the handle.Height of cup 8 cm, Ø of saucer 14,5 cm.Impressed mark with year „S30“.Condition A.
DECKELPOKALBöhmen, 2. Drittel 19. Jh.Glockenpokal von außergewöhnlicher Dimension, Klar-Glas, formgeblasen und geschliffen, hoher Schaft, Fuß und gewölbter Deckel großem Knauf 8kantig facettiert, Außenwand der mächtigen Kuppe geteilt in 3 Horizontalreihen von konkavgeschliffenen Linsen, dekoriert mit Miniaturmalerei von Blumenmotiven in Buntemail und Gold, dasselbe Dekor auch am Fuß mit bodenseitigem Sternschliff.H. 39 cm.Zustand restauriert.GOBLET WITH COVERBohemia, 2nd third of the 19th centuryBell-shaped goblet, colorless glass, mold blown and cut, high stem, foot and lid with distinctive finial faceted into octahedron, bowl decorated with three horizontal rows of concave cut lenses, decorated with color enamel and gold painting of floral motifs which continue on the foot, decorated also with an underside engraved star.Height 39 cm.Condition restored.
KARAFFEBöhmen, Harrach’sche Glashütte, Neuwelt, 2. Drittel 19. Jh.6kantige Karaffe aus blauem Bein-Glas, geschliffen, abgesetzter Lippenrand mit langem Ausguss und aufgeschmolzenem S-förmigem Henkel und Glockenstöpsel, auf der Wandung und Hals plastische Silbermalerei mit vegetabilen Ornamenten, mit Vergoldung ergänzt.H. 20 cm.Boden mit weißemailgeschriebener Nr. „4.“.Zustand A/B.CARAFEBohemia, Harrachov Glassworks, Nový Svět v Krkonoších, 2nd third of the 19th centuryHexagonal carafe made of blue bone glass, cut, neck with long spout, S-shaped handle and bell-shaped stopper, decorated with relief silver floral painting, complemented with gilding.Height 20 cm.Underside white enamel No. „4.“.Condition A/B.
TASSE MIT UNTERTASSESüdböhmen, Buquoy’sche Glashütte, 1820–1840Glockentasse auf höherem Fuß, mit hochgezogenem Bandhenkel und Untertasse, schwarzes Hyalit-Glas, geschliffen, auf der Wandung beider Stücke feine Chinoiserie-Motive mit reicher Vegetation, Pavillon, Vögeln, Insekten und menschlichen Figuren in Goldmalerei ausgeführt. Interieur und Henkel der Tasse reich vergoldet.H. (Tasse) 9 cm, Ø (Untertasse) 14,4 cm.Zustand A/B.CUP WITH SAUCERSouth Bohemia, Buquoy Glassworks, 1820–1840Bell-shaped cup on higher foot with high strip handle and saucer, black hyalite glass, cut, matt and polished gold painted Chinoiserie motifs of plants, a gazebo, birds, insects and figures. Gilded interior and handle.Height of cup 9 cm, Ø of saucer 14,4 cm.Condition A/B.
VASE FAËTHONModernes böhmisches Kunstglas, Jan Šimek, Brünn, 1944Entwurf erhielt Auszeichnung auf der Weltausstellung in Chicago 1933Glockenvase aus Klar-Glas auf niedrigem Fuß, geschliffen, mit dynamischer Gravur von mythologischer Szene dekoriert: Phaethon mit Dreigespann und 2 Najaden in Meereswellen.H. 24Zustand A.Zustand A. Dazu: Kaufbeleg und 2 Foto-Karten mit Anweisungen für den Verkauf des Werkes.VASE PHAETHONMoravia, Brno, Jan Šimek, České moderní umělecké sklo, 1944The design was awarded at the International Exposition “A Century of Progress” in Chicago in 1933.Bell-shaped vase made of colorless glass on low foot, cut, decorated with dynamic engraving of a mythological scene of Phaethon with two naiads in waves.Height 24 cm.Condition A.Comes with: proof of purchase and a pair of photo cards with instructions for selling the piece.
SCHÜSSEL „SCHNEEFLOCKEN“Böhmen, Klostermühle, Johann Lötz Witwe, ca. 1935Glockenförmige Schüssel mit breitem Horizontalrand, auf niedrigem Fuß, Klar-Glas – in optische Form geblasen, Dekor „Ausführung C - Schneeflocken“ (http://www.loetz.com/decors-a-z/ausfuehrung/ausfuehrung-c) mit opakweißen Flecken aus Glaspulver in Vertiefungen und zittrigen Rotlinien auf der Oberfläche.H. 10 cm, Ø 17,8 cm.Zustand A.Literatur: H. Ricke (Hrsg.), Lötz, Böhmisches Glas 1980-1940, Band 1 - Werkmonographie, S. 315, Nr. 400.BOWL LOETZ „SNOW FLAKES“Bohemia, Klášterský Mlýn, Johann Lötz Witwe, ca 1935Bell-shaped bowl with wide horizontal rim, on low foot, colorless glass mold blown, décor „Ausfuehrung C - Schneeflocken“ with opaque white stains of glass dust and trembling red lines on the surface.Height 10 cm, Ø 17,8 cm.Condition A.Lit.: H. Ricke (Ed.), Loetz, Böhmisches Glas 1980-1940, vol. 1 - Werkmonographie, p. 315, No. 400. http://www.loetz.com/decors-a-z/ausfuehrung/ausfuehrung-c
SILBERNER KERZENHALTERÖsterreichisches Kaisertum, Brünn,1824-1866Silberner Biedermeier-Kerzenständer, hohes Balusterschaft mit vasenförmiger Schüssel geendet, Glockenbasis na 4 Dekorativfüssen, reliefiertes und gehämmertes Dekor von Akanthus, Festons und Maskarons. H. 31 cm, B. 26,5 cm, Gesamtgewicht (brutto) 682 g. Ö-U Punzzeichen für Fremdwaren S-32 (seit 1868), Meisterzeichen „TB“, 2-armiger Aufsatz mit Brünner 13-Lot-Punze S-27.Zustand B.SILVER CANDELABRUMAustrian Empire, Brno1824-1866Silver Biedermeier candelabrum with high baluster shaft with vase-shaped bowl, bell-shaped base on four decorative feet, relief and wrought décor of acanthus, festoons and mascarons. 42 cm, width 26,5 cm, Gross weight 682 g. A-H hallmark for foreign goods S-32 (from 1868), master’s mark „TB“, Brno 13lot hallmark S-27.Condition B.
GEWÜRZSTÄNDERRussland, Moskau,18623 glockenförmige Gewürzbüchsen auf höheren Füßen, mit Deckeln und Löffeln, im Ständer mit Griff gesetzt, in klassizisierender Morphologie mit appliziertem und gehämmertem Dekor gestaltet. Silber, tlw. vergoldet, gesetzt mit geschliffenen Lilasteinen. Gesamtgewicht (brutto) 490,26 g, H. 15 cm. Kontrollmarke „B. C / 1862“ (V. V. Savinsky) und Feingehaltsnummer. Ag 84 Zolotniki (875/1000).Zustand A/B.Punzamt-Zertifikat.SPICE BOWLSRussia, Moscow,1862Set of 3 spice bowls in shape of bell-shaped cups on higher foot, with lids and spoons, in a stand with a handle, classicist forms, with applied finely wrought décor. Silver, partially gilded, with cut purple gemstones. Gross weight 490,26 g, height 15 cm. Inspection mark „B. C / 1862“ (V. V. Savinsky) and fineness No. Ag 84 zolotnik (875/1000).Condition A/B.Assay Office certificate.
CHINOISERIE LONGCASE CLOCK, the 11" chapter ring with subsidiary seconds dial and date aperture beneath a moon phase dial to the arch, inscribed John Burges, Gosport, on a brass eight day movement hourly striking to a bell, the case, probably later decorated, with Chinoiserie scenes of figures amongst buildings, height 210cm
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