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Click here to subscribeEarly 19th century mahogany longcase clock, swan neck pediment, enamel painted moon phase dial with subsidiary date aperture and seconds dial, eight day movement striking on bell, H222cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Early 20th century gilt metal and pink marble portico clock garniture, urn shaped pediment above circular Arabic dial, floral swag, twin train movement striking on bell, numbered on back plate '3197', H42cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Mid 20th century vintage Steiff and other teddy bears to include Steiff recumbent lamb, cream ribbon with cow bell attached, Steiff chest tag, length approximately 16cm, tabby kitten with red ribbon, length approximately 16cm, lion toy with leg outstretched, length approximately 30cm, small tabby kitten, standing, length approximately 14cm together with a grey kitten with raised tail, length approximately 15cm, in very worn and worn condition (5)
Collection of twelve boxed & complete Matchbox plastic model kits to include A-4M Skyhawk, Humber Mk.II , PK-108 Westland Lynx, De Havilland Twin Otter, Hunter FGA MK.9, HS Buccaneer SMk.2B, Harrier HS.MK-1, Sd-Kfz124 WESPE, Fairey Seafox, Provost T.Mk.1/52, Bell OH-58D Aeroscout & Westland Lysander.
A 19th century oak and mahogany longcase clock by Adams, Middlewich. With swan-neck pediment, painted dial with floral motifs and Roman numerals. The case has crossbanding and fluted engaged columns. Eight-day, two-train movement. 219 x 58cm. (Please be advised there are no weights or bell with this clock). Condition reports are not available for the Interiors Sale.
A Mixed Collection Of Costume Jewellery A varied lot to include Indian white metal beaded bell bracelet with attached bead tassel, white metal and chain strap fashion watch, white metal Trinidad coin bracelet, faux amethyst and seed pearl pendant, pink crystal set brooch and a small collection of stud earrings. Together with a marcasite set tulip posy brooch, malachite fringe necklace and malachite tribal style pendant - please see image.
Japy Freres Louis XVI Style - Fine Quality and Stunning Gilt Bronze Cartel Wall Clock and Companion Barometer. c.1890. The Wall Clock Movement Marked for Japy Freres, The Classical Case with Acanthus Swags with Large Two Handle Urn to Top of Clock. The Dial Is Enamel on Copper, Lettered In Blue with Separate Minute and Half Rings. Runs for 8 Days and Strikes The Hours and Halves on a Bell, Japy Freres Clock Makers Mark on The Movement Back Plate, Pendulum Driven. The Barometer Marked Holosterique G. Pluie P. Vent. Height of Clock 18 Inches - 45 cm. Height of Barometer 18 Inches - 45 cm. Both Wall Clock and Barometer Wonderful Condition. Working at time of Cataloging.
French - 19th Century Impressive Gilt Metal and Marble 8 Day Striking Mantel Clock, Pendulum Driven, Strikes on a Bell, Floral Decorated Enamel Dial with Twin Train Movement and Sun Mask Pendulum. c.1870. Signed to Dial S. Bentejal Bordeaux, Excellent Condition In All Aspects. Height 15.5 Inches - 38 cm High. Please See Photo, Working at time of Cataloging.
A walnut and floral inlaid longcase clock, with eight-day bell striking movement, the 12inch dial with Roman numeral chapter ring signed Richard Houton, Oversley Green, and with subsidiary seconds and date wheel, in a walnut and Dutch marquetry inlaid case surmounted by an associated finial 213cm high
A collection of electro-plated items, mostly 21st century, to include: a book shaped envelope and card box by Ralph Lauren, 25cm high; a rectangular box, the hinged cover opening to a blue suede interior, 33cm long; a bell shaped decanter, 27cm high; a cocktail shaker modelled as a penguin, 24cm high; a padlock shaped box and cover; a gilt metal and glass bird decanter; and other metal items
A mahogany bracket clock , incorporating various associated elements, the English double fusee bell striking movement attached to an embossed gilt metal comtoise type mask and silvered Roman numeral dial, the whole in a typical mahogany case, 54cm high, and with a mahogany wall bracket in Regency style, 24cm high
Charles Dickens, the works in 17 volumes, Chapman & Hall, 1882, with engraved illustrations, including frontis with tissue guard, in fine qtr binding, gilt with marbled edges; Charles Kingsley, six volumes, MacMillanand Co, 1900-1903, qtr bound, gilt tooled; W.S Gilbert, the Bab Ballads, MacMillan and Co, 1910, full leather bound, gilt edges; and Samuel Pepys, the Diary, in 8 volumes, George Bell and Sons, 1904, qtr bound, gilt tooled; and a small quantity of other leather bound volumes
GEORGE IV MAHOGANY DRUMHEAD LONGCASE CLOCKEARLY 19TH CENTURY the gold enamelled dial with Roman number chapter ring and subsidiary seconds and date dials, against a foliate scroll filled ground, in a moulded hood above a tapered case with panel door flanked by quarter columns, on a crossbanded plinth with short bracket feet, the eight day movement striking a bell46cm wide, 203cm high, 23cm deep
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JAMES PATERSON, BANFFLATE 18TH CENTURY the broken arch pediment above a brass dial with silvered chapter ring with Roman and Arabic numbers, subsidiary seconds dial and date aperture, the arch boss inscribed 'Ja Paterson/ Bannff, above an arched trunk door and plinth with short bracket feet, the eight-day movement striking a bell55cm wide, 211cm high, 28cm deepProvenance: Property from Hatton Castle, Aberdeenshire
THREE GEORGIAN TWIST STEM WINE GLASSESMID-18TH CENTURY all with flared trumpet or bell bowls, comprising an example raised on a tapered double mercury twist stem and flat foot, 17.5cm high; a wine glass with a baluster air twist stem and conical foot, 17cm high; and a taller glass, of similar design, 19cm high (3)Provenance: The Late Michael Buckingham Collection of Glass
LARGE GROUP OF BARREL BOWLED GLASS RUMMERSLATE 18TH/ EARLY 19TH CENTURY comprising sixteen examples, of varying sizes, some with annular or cushion knops to stems, including one with engraved initials W+P, largest 16cm high; together with a SMALL GLASS RUMMER, with ogee cup bowl and cushion knopped stem, 9cm high; a BELL BOWLED GLASS RUMMER, also with a cushion knopped stem, 13.5cm high; and a LARGE OVOID BOWLED GLASS RUMMER, on a plain stem, 15.5cm high (19)Provenance: The Late Michael Buckingham Collection of Glass
FRENCH GILT BRONZE FIGURAL MANTEL CLOCK19TH CENTURY surmounted by a seated lady in classical dress leaning on a column capital with a lyre at her feet, above the gilt dial with Roman numerals, signed L. S. MALLET HR. DE MGR. LE DUC D'ORLÈANS, above the inscription LE MOMENT OU JE PARLE EST DEJA LOIN DE MOI, with an acanthus cast border and rectangular set feet, striking a bell, in a matched glass domeClock 39cm wide, 47cm high; dome 57.5cm high
REGENCY MAHOGANY BRACKET CLOCK, EVILL, BATHEARLY 19TH CENTURY the pitched pediment surmounted by a gilt metal urn, all above twin handles flanking a cream dial with Roman numerals and rubbed inscription EVILL/ BATH, with reeded floral spandrels on a brass mounted plinth base, the engraved back plate also signed, striking a bell33cm wide, 51cm high, 17cm deep
FOUR GEORGIAN TWIST STEM WINE GLASSESMID-18TH CENTURY comprising a bell bowled glass with a mixed metal twist stem, 18.5cm high; an ogee bowled glass, a bucket bowled glass and a round funnel bowled glass with moulding, all on single series opaque twist stems, 16cm and 15cm high; together with a DUTCH MIXED METAL TWIST STEM WINE GLASS, 19th century, with a bell-shaped bowl, 16cm high (5)Provenance: The Late Michael Buckingham Collection of Glass
LARGE AND IMPRESSIVE GOTHIC REVIVAL CHIMING CLOCK BY BENJAMIN LEWIS VULLIAMY, LONDONCIRCA 1840 the fire-gilt brass architectural case with a gable surmounted by scrolling foliate cresting, the sloping sides with simulated slate tiles, above a leaf cast frieze mounted below with five red glass cabochons, enclosing trefoil reserves mounted with roundels painted with views of Greenwich, including Flamstead House, Greenwich Hospital and Queen's House, and an oblique view of Greenwich Hospital with ships on the Thames, above a triple arch silvered dial with a Roman number chapter and subsidiary Strike/Silent, seconds, and 8 Bells [Westminster]/Cambridge chimes dials, signed above the XII ''VULLIAMY/ LONDON', flanked by pairs of plain Corinthian columns with further columns to the rear corners, on a deep plinth; the triple fusee movement striking a bell and chiming on eight bells, the backplate signed above the pendulum clamp 'VULLIAMY/LONDON'; on a modern oak stand with Gothic pointed arches flanked by columns.clock 60cm wide, 114cm high, 40.5cm deep; with stand 206cm highNote: Benjamin Lewis Vulliamy (1780-1854), third generation of the renowned 18th and 19th century Vulliamy clock making family, was Clockmaker of the Crown and elected Master of the Worshipful Company of Clockmakers five times, more than any other member. He studied horology from an early age, eventually taking over the family business in 1811 from his father Benjamin. In addition to being a skilled craftsman, Vulliamy was known for his refined taste and extensive knowledge of art, literature, and architecture. This monumental clock, with its imposing case in the Gothic taste, represents the very best work produced by the Vulliamy workshop during the 1840s. Undoubtedly a special commission, the scale of the clock, and the quality of the workmanship, indicate it was intended for an important client and location. The Gothic influences incorporated in the case, with its architectural form, details, and embellishments, is characteristic of Gothic Revival design, expounded by Auguste Pugin and his son Augustus Welby Pugin, architect and designer of the interiors of the new Palace of Westminster. The clock's history is unfortunately unclear. The movement, though clearly signed Vulliamy, is not numbered, an omission that makes dating the piece difficult. The Vulliamy Archive, at the British Horological Institute, contains incomplete records from the firm, and offers few insights into the potential original owner. Some tantalising clues can be taken from the three painted roundels depicting landmarks in Greenwich, which could indicate a private commission with links to the Royal Hospital, or a governmental commission, as Vulliamy supplied an increasing number of public funded works in the 1840s and 50s. By repute, the clock was removed from a private house in Greenwich for safekeeping in 1939, eventually finding its way into the possession of a judge whose family referred to it as the 'Pugin Clock', more a statement on its design than on any substantive connection with Pugin. It then passed into another private collection where it has remained for the past fifteen years.
EDWARDIAN PAINTED SATINWOOD VITRINEEARLY 20TH CENTURY of rectangular form with an arched top, the frame painted with flower sprays and trailing bell flowers, on a mirrored base, raised on square tapered legs ending in block feet51cm wide, 139cm high, 53cm deepProvenance: The late Countess of Lanesborough Previously at Swithland Hall, Leicestershire
GROUP OF FOUR ITALIAN MAIOLICA DRUG JARS (ALBARELLI)18TH CENTURY of dumb-bell form, comprising a small pair and a larger example, ensuite, all with inscriptions enclosed by polychrome floral borders, 18.5cm and 14cm high; and a further example painted with blue and white foliage, 18cm high (4)Provenance: An English Collection of Works of Art
SCOTTISH GEORGIAN OAK LONGCASE CLOCK, ALEXANDER DICKIE, EDINBURGH18TH CENTURY the broken swan neck pediment with a brass finial, above a fret carved frieze, the arched silvered dial with Roman chapter with subsidiary seconds dial and date aperture, the foliate engraved arch with a Strike/Silent, above a shaped arch trunk door and plinth base, the eight-day movement striking a bell50cm wide, 218cm high, 24cm deep
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