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Lot 178
A group of modern Chinese cloisonne enamels comprising a boxed set of ten miniature vases with cloud/flower motifs and lacquered rosewood stands (each h- 6cm excluding stand), six more miniature vases (three with stand), two small cloisonne vases (white and blue) (largest h- 10.5cm), two thimbles, and cloisonne bell and striker housed in a carved wood frame/stand (h- 23cm) (21)
Lot 17
Newspaper and Magazine Clippings Total 10. Signed by Tony Kay. Peter Swan. Bobby Murdoch. Pat Jennings. Tommy Docherty. Colin Bell. Derek Dooley. Raich Carter and others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Lot 87
VARIOUS CASED SETS OF MEASURES, comprising one set brass 200g-20g, one set brass Arnold & Sons Apothecary measures, 4oz-120grains, one set brass measures 100g-100mg, one set J&J Siddons brass measures, 40z-1grain, one set grain measures, 190gr-1gr, set bell measures 500g-5g (uncased), one set brass measures 1kg-50g, one set brass measures 2kg-gm, one set Avery cat iron measures 5kg-100g (9)
Lot 27
A quantity of assorted volumes including: Waugh (Evelyn) Unconditional Surrender, with dust jacket; Caldecott (R) Picture Book Number 2; Browning (Robert) The Pied Piper of Hamelin; Bell (Charles) The People of Tibet; Hawthorne (Nathaniel) Tanglewood Tales, illustrated by Edmund Dulac; and other similar volumes.
Lot 626
A longcase clock, the 30cm painted square arch dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with the four seasons, signed 'Barrett, Blandford', fitted with an eight day movement and striking on a bell, in a mahogany and crossbanded case, approx 212cm high. Condition ReportThe clock has pendulum and weights
Lot 20
Helen Fay Trees, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 11
Paul Hawdon Floating Drawing, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 10
Paul Hawdon Conversation Piece, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 22
Helen Fay Moon, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 21
Helen Fay Tangle, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 19
Helen Fay Night, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 358
An Egyptian bronze Bes head bell Ptolemaic Period, circa 332-30 B.C.5.5cm high Footnotes:Provenance:J.P. collection, formed in the 1960s.Private collection, London, acquired in London from the above in the 1980s.It is thought that such bells, which became popular from 8th Century B.C. onwards, may have performed an amuletic function for the deceased. The above lot is cast in relief with a lizard, and the heads of a ram, a Horus falcon head, Sekhmet and a jackal. There is a Bes head bell with lizards in the Metropolitan Museum, New York, acc. no. 1985.73, and another with various animal heads including a ram and a jackal, acc. no. 23.6.34.; and a Bes head bell in the British Museum, London, dated to the Roman Period, acc. no. EA6374.For further information on this lot please visit Bonhams.com
Lot 62
A Lucanian red-figure bell-krater Attributed to the Anabates Painter, circa 400-375 B.C.23cm highFootnotes:Provenance:with Mythes et Legendes, Paris, March 1999.with Charles Ede Ltd, London. Private collection, Herefordshire, acquired from the above on the 15 June 2000.The Anabates painter was a successor of the Amykos Painter, who had an established workshop in Metaponto, South Italy. His namesake vase in the British Museum (acc. no. 1978,0615.1) shows a victorious youth jumping off his horse in front of Nike. The youth has just participated in the anabates race, where the riders dismount their horses before the finish and run alongside them holding the bridle. Other stylistic features of this painter's vases include sports and symposia, as well as a penchant for depicting draped males on the reverse of his kraters, like the vase shown above. For further discussion on the Anabates painter see A.D. Trendall, Red Figures Vases of South Italy and Sicily, London, 1989, pp. 55-56; cf. the Silenus head of this vase to that on a bell-krater from Bari, pl. 47.3.For further information on this lot please visit Bonhams.com
Lot 72
A South Italian red-figure bell-krater Attributed to the Workshop of the Cassandra Painter, circa 370-350 B.C.20cm highFootnotes:Provenance:Derek Wright (1927-2022) collection, Fritham Grange, Hampshire.This bell krater is attributed to the Workshop of the Cassandra Painter, among the head-vases near the Seated Nike Painter. The Cassandra Painter's characteristic style in female heads included a close-fitting sakkos patterned with dotted stripes and dotted clusters. The above krater can be compared with A. Trendall, The Red-Figure Vases of Lucania, Campania and Sicily, vol. II, Oxford, 1967, pl. 92: 6 & 7.For further information on this lot please visit Bonhams.com
Lot 38
* VICKI GOLDEN (BRITISH b. 1970), UNTITLED oil on canvas, initialled, signed and dated 2017 versoframed image size 60cm x 74cm, overall size 63cm x 77cm Note: Vicki was born in East Boldre in the New Forest in 1970. She gained a diploma in Fine Art from Byam Shaw School of Art in 1992, and then studied for a BA Hons at Solent University, Southampton. Her lifelong love of nature is at the heart of her paintings: landscapes, seascapes and imaginative compositions featuring wild and domestic animals, often accompanied by a female figure who is an alter ego. Colour is a very important aspect to the work, heightened and expressive in nature. Vicki is influenced by naïve and surrealist art, with Frida Kahlo, Henri Rousseau, Stanley Spencer and the Swiss artist Balthus among many important figures in the development of her style, described as 'naïve yet sophisticated' by her tutors. Her paintings have a similar style as that of the early Bloomsbury School, Vanessa Bell and Duncan Grant in particular.
Lot 43
* VICKI GOLDEN (BRITISH b. 1970), PATCHWORK FIELDS & CHURCH oil on canvas, initialled, signed, titled and dated 2015 versoframedimage size 61cm x 51cm, overall size 67cm x 57cm Note: Vicki was born in East Boldre in the New Forest in 1970. She gained a diploma in Fine Art from Byam Shaw School of Art in 1992, and then studied for a BA Hons at Solent University, Southampton. Her lifelong love of nature is at the heart of her paintings: landscapes, seascapes and imaginative compositions featuring wild and domestic animals, often accompanied by a female figure who is an alter ego. Colour is a very important aspect to the work, heightened and expressive in nature. Vicki is influenced by naïve and surrealist art, with Frida Kahlo, Henri Rousseau, Stanley Spencer and the Swiss artist Balthus among many important figures in the development of her style, described as 'naïve yet sophisticated' by her tutors. Her paintings have a similar style as that of the early Bloomsbury School, Vanessa Bell and Duncan Grant in particular.
Lot 48
* VICKI GOLDEN (BRITISH b. 1970), UNTITLED oil on board, signed and dated 2018 versoframedimage size 35cm x 37cm, overall size 43cm x 44cm Note: Vicki was born in East Boldre in the New Forest in 1970. She gained a diploma in Fine Art from Byam Shaw School of Art in 1992, and then studied for a BA Hons at Solent University, Southampton. Her lifelong love of nature is at the heart of her paintings: landscapes, seascapes and imaginative compositions featuring wild and domestic animals, often accompanied by a female figure who is an alter ego. Colour is a very important aspect to the work, heightened and expressive in nature. Vicki is influenced by naïve and surrealist art, with Frida Kahlo, Henri Rousseau, Stanley Spencer and the Swiss artist Balthus among many important figures in the development of her style, described as 'naïve yet sophisticated' by her tutors. Her paintings have a similar style as that of the early Bloomsbury School, Vanessa Bell and Duncan Grant in particular.
Lot 53
* VICKI GOLDEN (BRITISH b. 1970), UNTITLED oil on board, initialled, signed and dated 2018framedimage size 36cm x 35cm, overall size 44cm x 42cm Note: Vicki was born in East Boldre in the New Forest in 1970. She gained a diploma in Fine Art from Byam Shaw School of Art in 1992, and then studied for a BA Hons at Solent University, Southampton. Her lifelong love of nature is at the heart of her paintings: landscapes, seascapes and imaginative compositions featuring wild and domestic animals, often accompanied by a female figure who is an alter ego. Colour is a very important aspect to the work, heightened and expressive in nature. Vicki is influenced by naïve and surrealist art, with Frida Kahlo, Henri Rousseau, Stanley Spencer and the Swiss artist Balthus among many important figures in the development of her style, described as 'naïve yet sophisticated' by her tutors. Her paintings have a similar style as that of the early Bloomsbury School, Vanessa Bell and Duncan Grant in particular.
Lot 909
A late 18th century oak eight day longcase clock the bell strike movement fronted by a painted Roman arched dial with floral urn to arch and floral and strawberry spandrels, with arched date aperture and subsidiary seconds dial, signed by illegible, the case with fluted columns and mahogany cross banding, on a panelled base with bracket feet, 80¾in. (205cm.) high. *No weights
Lot 987
A George III oak and mahogany 8 day longcase clock by John Kent of Manchester the bell strike movement with four knopped pillars, fronted by a square brass dial with gilt scroll spandrels, silvered Roman chapter ring and signed, silvered centre engraved with a bird, rocaille, foliage and flowers, with subsidiary seconds dial and date arch, the case with swans neck pediment with enamelled urn mounts, over a swag painted frieze, raised on spiral carved columns, the trunk with serpentine top door flanked by fiddleback mahogany quarter columns, on bracket feet, 89in. (226cm.) high.
Lot 1073
Airfix, Heller, Matchbox, Revell and similar a Kit related group to include Airfix 02557-7 Bengal Lancer, Matchbox PK-7 Westland Lysander, Heller 278 Republic F-84 G Thunderjet, Revell H-286 Bell UH-1D Huey Helicopter plus others similar. All are unchecked for completeness. Conditions generally appear Good to Mint in generally Good to Excellent boxes. (14)
Lot 1060A
BLACKPOOL INTEREST; a pair of 20th century green wine glasses in the antique German style, with bell bowls decorated with etched pattern depicting the Blackpool Tower and Ballroom within a garland stating 'The Tower Restaturant Blackpool', on conical ringed stems, and adorned with dotted prunts, height 17.5cm, bowl diameter 6.5cm (2)Condition Report: Mid 20th century.
Lot 2155
Stockell & Stuart, Newcastle - A George lll Mahogany and satinwood longcase clock, 13'' arch top dial, 8 day movement striking on a bell. Complete with pendulum and two weights. 59x209x27cm.Painted dial has visible wear, with some loss and is crazed. Case shows some surface scratching, veneer cracking, wear and has some minor loss to decoration and moulding.
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123896 item(s)/page