An Oak Eight Day Longcase Clock, signed Natl Plimer, Wellington, circa 1790, case with swan neck pediment, fluted columns, later inlay throughout, rectangular trunk door flanked by canted corners and upon bracket feet, 12-inch arch brass dial with silvered Arabic and Roman chapter ring, dial centre with seconds and date aperture, the arch with silvered disc signed, four pillar movement with anchor escapement and rack striking on a bell, 236cm high see illustration
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An Oak Eight Day Longcase Clock, signed Barber, Winster, No.391, circa 1760, case with flat top pediment, turned columns with gilt painted capitals, trunk door with mahogany crossbanding, rectangular plinth with crossbanding and raised upon later bracket feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring signed, dial centre finely engraved with scroll work, date aperture and seconds dial, four pillar movement with anchor escapement and rack striking on a bell, movement frontplate with latched pillars and frontplate numbered 391, later seatboard, 206cm high see illustration. Jonas Barber Jnr (b.c.1718-20) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. See Loomes (Brian) Clockmakers of Northern England, pg 83-84.
A Mahogany Chiming Longcase Clock, signed Jos Farrer, Pontefract, circa 1890, the nicely figured case with flat top pediment, pierced side sound fret opening doors, trunk door with an oval shaped bevelled glass panel and flanked by recessed pilasters, 16-inch arched silvered dial with Roman and Arabic chapter, finely engraved with bird and scroll decoration throughout, subsidiary seconds, the arch with Cambridge/Westminster selections, the massive triple weight driven movement with deadbeat escapement, chiming eight hammers striking on to eight tubular bells and a further hammer striking a tubular bell for the hours, 235cm high see illustration
A Fine Mahogany Eight Day Longcase Clock with Deadbeat Centre Seconds, signed Wm Bickerstaff, Liverpool, circa 1800, the nicely figured case with swan neck pediment, hood with front painted gilt floral glazed windows, six fluted columns, flame mahogany trunk door flanked by fluted column pilasters, rectangular frame moulded plinth with canted corners and raised upon bracket shaped feet, 14-inch arched painted dial with Arabic and Roman chapter, dial centre with a finely painted oval scene and signed, centre seconds, painted figural spandrels and the arch with rolling moonphase, four pillar movement with attached falseplate stamped Wilson, deadbeat escapement and rack striking on a bell, 260cm high see illustration. William Bickerstaff is recorded working in Liverpool 1790-1829. See Baillie (GH) Watchmakers & Clockmakers of the World, pg27.
A Walnut Eight Day Longcase Clock, signed Rich Martyn, Northampton, circa 1700, case with flat top pediment, barley twist columns, side viewing windows, convex throat moulding above the rectangular moulded trunk door with lenticle, reduced plinth upon a later wooden skirting, 11-inch square brass dial with silvered chapter ring signed, matted dial centre with subsidiary seconds, date aperture, ringed winding holes, (minute hand broken), five pillar movement with anchor escapement and outside countwheel striking on a bell, 194cm high see illustration
A Walnut Eight Day Longcase Clock, signed Saml Harris, London, circa 1730, the nicely figured case with flat top pediment, hood with blind fretted front, brass capped columns, arched moulded trunk door, re-built rectangular plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with seconds dial, date aperture and signed on a arched silvered plaque, engraved arch with rolling moonphase, later hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 223cm high see illustration
A Mahogany Chiming Longcase Clock, signed William Page, West End, chime & turret clock manufacturer, Gt Portland St, London, No.559, circa 1860, the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed, matted dial centre, silent/chime selection lever positioned above 12 o`clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high see illustration
A Pair of Carved Walnut and Parcel Gilt Corbel Brackets, circa 1900, each with D shape plateau upon an acanthus sheathed S scroll support with bead and flower (one bell type flower, the other a stylised rose) decoration in gilt, against a fretted anthemion backboard, 47.5cm high, 34cm from the wall
A Wine Glass, circa 1740, the slightly waisted bell bowl on a plain teared stem, folded foot, 16.4cm high; Another, circa 1740, the ogee bowl engraved with fan trellis, plain stem, folded foot, 14.6cm high; and A Facet Stem Wine Glass, the round funnel bowl with panelled base and on a cusped stem, 16.6cm high (3)
A Wine Glass, circa 1750, the drawn trumpet bowl on a multiple spiral air twist stem, 17.6cm high; Another, circa 1740, the waisted bell bowl with tear in the solid base, plain stem, folded foot, 18cm high; and A Wine Glass, the trumpet bowl on a double cushion knopped multiple spiral air twist stem, possibly Continental, 17.4cm high (3)
A French Faience Chinoiserie Clock Garniture, J Vieillard & Co, Bordeaux, circa 1880, the drum shaped case with 13 inch silvered dial with gilded Roman numerals, twin winding holes, with leonine side handles, surmounted by a shi-shi dog in vivid enamels, the bell striking movement numbered 93941, 41cm high, and a pair of flanking square section vases with elephantine side handles and painted with lion rampant crests, 15cm, each piece with impressed mark and numbered 857 See illustration
LATE VICTORIAN TUNBRIDGE INLAID WALNUT VIENNA STYLE WALL CLOCK, 8" ENAMELLED ROMAN DIAL, powered by a spring driven movement with ebonised pendulum red, striking on a bell housed in a case with fret pierced and glazed trunk, floral craved pediment, turned side columns, standing on an under curved feet 33" (83.8cm) high
EARLY 20TH CENTURY NAPOLEON HAT SHAPED MAHOGANY MANTEL CLOCK, bears name label for Lloyd, Payne & Amiel Ltd, Manchester, with 6in. silvered Arabic dial and eight day movement, housed in a case with carved trim and later battery operated bell chime attached to the outside of the rear door, 10 1/4 in. (26cm) high
EARLY 20TH CENTURY MAHOGANY `GRANDMOTHER` LONGCASE CLOCK, RETAILED BY RUSSELLS, LIVERPOOL, 8in. silvered Roman chapter ring enclosing a floral engraved brass centre and gilt cherub head spanderels, powered by an eight day movement, striking on a bell, housed in a flat top case with dentil moulded and blind fret carved frieze, above a glazed door flanged by turned columns, over a long flame cut trunk door, raised on a plain base with bracket feet, 5ft. 10in. (1.78m) high
EARLY 20TH CENTURY FRENCH OVAL GILT BRASS CURVED GLASS CARRIAGE CLOCK WITH ALARM, retailed by Finnigans Ltd, round enamel dial set with Roman numerals set into a gilt mask with alarm subsidiary below, the bell striking movement housed in a polished case with turned feet and top carrying handle 5" (12.7cm) high
LATE 19TH CENTURY FRENCH FLORAL MARQUETRY INLAID ROSEWOOD MANTEL CLOCK, BY J. BRIGHT AND SONS, PARIS 4" enamelled Roman dial, signed and numbered 5167, powered by an eight day movement with silk suspension, striking on a bell housed in a waisted case with turned feet, 9" (22.8cm) high (dial af)
19TH CENTURY FRENCH BLACK MARBLE COMBINATION MANTEL CLOCK AND ANEROID BAROMETER, the clock with 5" two part roman enamelled dial with visible brocot escapement, powered by an eight day movement striking on a bell, above a matching 4 1/2" enamelled barometer dial with painted scale from 25 to 31 housed in an arch top case with canted forecorners and plinth base, 16 1/2" (42cm) high
MID 19TH CENTURY ROSEWOOD AND BRASS INLAID BRACKET CLOCK, the 8" enamelled roman dial powered by an eight day twin fusee movement, striking on a bell, in a serpentine top case with applied carved foliage decoration, gilt metal side ring handles and brass side fish scale frets raised on gilt metal ball feet, 18 1/2" (47cm) high
EARLY 19TH CENTURY FRENCH ALABASTER AND GILT ORMOLU MANTEL CLOCK the 3 3/4" enamelled Roman dial powered by an eight day movement striking on a bell, housed in a case with a seated classical femal figure on a shaped base inset with a Baccanalian embossed plaque, raised on ormolu button feet, 13 3/4" (35cm) high
LATE 18TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, the 14in. painted Roman dial with date aperture and floral painted corners, signed Lancaster, powered by a 30 hour movement, striking on a bell, housed in a flat top case with glazed door, flanked by turned columns, over a shaped trunk door and lower panel flanked by square fluted half columns, raised on a plain base, 76 1/2 in. (194.3cm) high
EARLY NINETEENTH CENTURY MAHOGANY LONGCASE CLOCK, 14" painted dial with subsidiary seconds and calendar dials, building in landscapes to the corners and classical figural scenes to the arch, powered by a thirty hour movement, striking on a bell, housed in a case with swan neck pediment, break arch door flanked by turned columns, short trunk door flanked by cluster columns, standing on a crossbanded base, 7`8" (2.34m) high, complete with weight and pendulum (hand missing to one of the subsidiary dials)
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK by W. Leigh, Newton, 14" painted dial with subsidiary seconds and calendar dials and floral painted corners, signed, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, square pillars, flanking the glazed door, shaped trunk door flanked by square, fluted half columns, on a panelled base with turned feet, 7`2" (2.19m) high
GOOD QUALITY PAIR OF VICTORIAN CARVED ROSEWOOD SINGLE CHAIRS, the back top rails above floral carved and pierced slats and serpentine fronted stuff over seats, raised on bell husk pendant capped moulded cabriole fore-legs (2), both bear paper labels to seat rails for F. Danby`s, Upholstery and Cabinet Works, Leeds
A 17TH CENTURY DESIGN BRASS LANTERN CLOCK, typically having bell supported in open framework above foliate pierced arch panels to each side, the face with brass chapter ring having Roman numerals and inscribed John Ebsworth in New Cheapside London Fecit. On ball feet. Movement with square brass plates. 15.5" High. 19th century.
A 19TH CENTURY WELSH STAINED PINE LONGCASE CLOCK, the plain case with broken swan neck pediment above arched aperture, plain rectangular door to the waist on a panelled base with bracket feet. Arch painted dial with painted Castle design to the arch, seconds dial and date aperture marked James Morgan Narberth. Eight day two train movement striking on one bell. 83" High overall.
AN EARLY 19TH ENTURY WELSH OAK COTTAGE LONGCASE CLOCK, the case with broken swan neck pediment above arched aperture flanked by turned columns, rectangular moulded waist door flanked by reeded canted angles on an inlaid panelled base. Arch painted face with date aperture and seconds dial. Un-named. Eight day two train movement striking on one bell. C1830. 82" High overall.
A GOOD WELSH 18TH CENTURY OAK LONGCASE CLOCK, by Watkin Owen of Llanrwst, the case with architectural broken pediment over square face flanked by reeded columns, the waist having crossbanded arched door flanked by quarter reeded pilasters on a crossbanded panel base standing on ogee bracket feet. 12" Square face having silver chapter ring with Roman numerals seconds dial date aperture and pierced foliate spandrels. Eight day movement striking on one bell. C1790. 82" High overall.
AN 18TH CENTURY THIRTY HOUR LONG CASE CLOCK, by Phillips of Loscoe (Loscoe, in Derbyshire) now in late 18th century oak case, having brass face with brass chapter ring having Roman numerals and date aperture, pierced foliate spandrels the thirty hour movement striking on one bell. Case with moulded flap top hood, the aperture flanked by turned pillars, the waist with cross banded arch door flanked by quarter reeded pilasters on a panelled base. Early 18th century and later. 83" High overall.
A mahogany triple pillar dining table, the reeded edge tilt-tops on ring turned barrel stems, reeded downswept legs, brass caps and castors, George III and later, 28in (71cm) h, 116in (294.6cm) w, 42,75in (108.6cm) d. Purchased by the vendor`s Grandparents from Thomas Bell, Newcastle, April 1949.
A late 19th Century Walnut crossbanded and boxwood line inlaid drop dial Wall Clock, the plain circular surround over carved foliate ears, flanking a hinged and glazed door, and rounded base, to a spun brass bezel, enclosing an 11" painted Roman dial, with outside minute track and pierced black painted hands, to a spring driven movement with anchor escapement and strike on a bell, height 27"
A late 19th Century Walnut and boxwood line inlaid drop dial Wall Clock, the plain round surround with rosette and panel detail, over carved ears, flanking a hinged and glazed door and shaped base, to a sprung brass bezel, enclosing an 11" painted Roman dial, with outside minute track, and spade steel hands, to a spring-driven movement with anchor escapement, and strike on a bell, height 27"
A mid-20th Century French Oak cased Wall Clock, Odo, the shaped rectangular case with single glazed panel, reverse decorated in gilt highlights, to a rectangular and silvered Arabic dial, with inside minute track and black painted hands, to a twin spring-driven movement with anchor escapement and strike via an articulated man striking a bell with a hammer, height 17 ½"
A large late 19th Century French lacquered Brass four glass Mantel Clock, Roblin & Fils Freres, 26993, the plinth-shaped case set with four heavily bevelled glass panels, to an acanthus leaf cast bezel enclosing a 4¼" Roman enamel chapter ring, with outside minute track and blued steel moon hands, to a gilt engraved centre, with visible Brocot escapement, to a signed circular brass movement, with twin pot mercury pendulum, with anchor escapement and strike on a bell, height 14½"
An early 19th Century French gilt bronze figural Mantel Clock, the baluster plinth-shaped case raised on scrolling supports and surmounted by a seated artist being heckled by a critic, both in 18th Century costume, to a 3" engine-turned and silvered dial, with painted Roman numerals and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell (bell lacking), height 18 ½"
A late 19th Century Gothic revival gilt metal and porcelain Mantel Clock, the shaped and pierced plinth base raised on scrolling and knopped feet, centred with a romanticised gilt highlighted panel of a maiden and knight, to a panelled oval body flanked by military trophies with standard bearers flanking a panelled mask, to a domed pediment surmounted by a striking bell, to a circular 3 ½" Roman dial with stylised Gothic Roman numerals amidst gilt highlights and panelled foliate decoration with gilt trefoil hands, to a circular brass movement with back mounted count wheel, to strike on a base mounted gong, together with the bell to the tower, height 18"
A late 19th Century French pink marble and patinated mixed metal Clock Garniture, the plinth-shaped case surmounted by cast figure of a young maiden bringing in the harvest, to a plinth-shaped case, raised on cast and applied scrolling mounts, to a cast brass bezel enclosing a 3" painted enamel dial with Arabic numerals, outside minute track and gilt fleur-de-lys hands, to a circular brass movement with strike on a bell, height 22"; together with a pair of five light Candelabra Side Pieces, each decorated in a similar manner (3)
A late 19th Century French pink marble and patinated mixed metal mounted Mantel Clock, the plinth-shaped case surmounted by a cast figure of a young maiden holding aloft a bunch of grapes, on a naturalistic ground, to a stepped breakfront case raised on cast and applied scrolling mounts, and centred with a cast brass bezel, enclosing a 3" Arabic enamel dial (hairline), with outside minute track, gilt metal centre and fleur-de-lys hands, to a circular brass movement, with back mounted count wheel, and anchor escapement, strike on a bell, height 28"
A fine mid-19th Century gilt, bronze and Sevres mounted Mantel Clock, with breakfront plinth-shaped case surmounted by a flaming urn with applied side handles, with further pineapple type finials, over half-round sides and shaped mask, to an acanthus leaf mounted base with further foliate panels, and raised on bladed feet, the panels depicting musical trophies and putti, together with birds and floral decoration within gilt borders to a cobalt blue background, with a similarly decorated 3 ½" Roman dial with white lozenges, within gilt borders and floral garlands, gilt spade hands, with a circular brass movement and anchor escapement, strike on a bell, height 15 ½"
A mid 19th Century Welsh 8-day Long Case Clock Movement, Waldie of Blyth, the 13" arched third period painted dial, with shooting scene to the arch and fruit and floral spandrels, to a Roman chapter ring with subsidiary seconds and date, with pierced and stamped hands, to a false plate and movement with plates united by four knopped pillars, anchor escapement, strike on a bell
A mid 19th Century 14" 8-day Long Case Clock Movement, Willm Evans of Machynlleth, the 14" square painted dial with floral spandrels to a Roman chapter ring, with outside minute track and enclosing subsidiary seconds and date sector with further fruit and floral detail, to a false plate and movement with plates united by four knoped pillars, anchor escapement, strike on a bell
A mid 19th Century 8-day Long Case Movement, unsigned, the 13" square third period painted dial, with floral and fruit spandrels, enclosing a Roman chapter ring, subsidiary seconds and date sector, and further decorated with pheasants, with pierced Steel hands, to a false plate and movement (incomplete) with plates united by four knopped pillars, anchor escapement (bell lacking)
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123939 item(s)/page