AN ENGLISH SILVER PAIR CASED RACK LEVER WATCH MORRIS TOBIAS & [ISAAC] LEVITT, 1456 the enamel dial inscribed PATENT, gilt finished full plate movement with chased and engraved bell shaped balance cock and foot with entwined snake, steel three arm balance with blued steel balance spring, cylindrical pillars, dust cap and plain case, casemaker John Radcliffe, London 1821, 5.5cm++In apparently good working order and a well preserved example, cases not unduly worn, no significant dents or wear, stem/pendant intact, push piece undamaged, hinges closing tightly
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A GERMAN GOLD QUARTER REPEATING VERGE WATCH WITH CALENDAR G J M BINTZ A FRACFORT, EARLY 19TH C the enamel dial with giltmetal hands and third hand for the date, pierced and engraved, jewelled bridged balance, cylindrical pillars, spring opening giltmetal cuvette, steel bell in case back, bright cut band and flat centred glass, apparently unmarked, 4.5cm ++Apparently good working order and functioning correctly, no significant wear, minor light handling scratches and shallow dent on case back, no engraved initials etc
A SWISS SILVER QUARTER REPEATING VERGE JACQUEMART WATCH, ALLAMAND, 1739, 19TH C with three colour gold coloured metal figural 'bell-strikers', pierced and engraved bridge and three arm balance, milled band, case back engine turned with rays and engraved in an oval with contemporary initials, casemaker FRT incuse, numbered 1739, control mark, 5.5cm++In apparently good working order and functioning correctly, enamel chapter ring undamaged, slight wear to engine turning; lacks outer glass
A REGENCY BRASS MOUNTED EBONY BRACKET CLOCK, JAMES MCCABE ROYAL EXCHANGE LONDON, C1820 with painted dial, the chain fusee movement with lancet arched plates striking on a bell, the signature repeated on the backplate, original adjustable pendulum, in lancet arched case with pilasters, lion mask handles and gothic side frets, 40cm h++Losses, requiring some cosmetic work and much accretion of dirt and dust over time but in basically good and entirely original, unrestored condition, of the quality associated with this eminent maker and his immediate successors
A FRENCH GILT BRASS MOUNTED RED STAINED HORN AND EBONISED MANTEL CLOCK AND PAIR OF SIMILAR CONTEMPORARY CANDELABRA, C1900 the clock with enamel dial and bell striking movement with medallic backplate, 36cm h++Clock with several faint horizontal cracks on horn; some discolouration and wear of the original gilded finish but not re-gilt
A SILVER GILT AND SHAGREEN PAIR CASED QUARTER REPEATING VERGE WATCH JAS GUERIMAND LONDON 1767 with enamel dial, blued steel beetle-and-poker hands, gilt full plate fusee movement with pierced and engraved rosette centred balance cock and foot, polished flat steel three arm balance and blued steel balance spring, cylindrical pillars, dust cap, steel bell, pierced and finely engraved case, the bell rivet disguised by an engraved flower, flat centred glass, giltmetal and shagreen outer case with systematically holed bezel and back, 5cm ++Apparently good working order and functioning correctly when the plunger pressed although sticking somewhat. Loss and consolidation to shagreen covering. Inner case and pendant/stem in good condition, dial with typical small chip and hairline crack
Mid-19th century French wall mounted weight driven clock, Robert a Albi, the red painted and gilt highlighted case with architectural pediment and overhanging cornice to a glazed pull off front panel and with shaped base to a 24cms (9 ½ ins) Roman enamel dial with red outside minute track and inside date with cast and pierced trefoil brass hands to a twin weight driven movement with large pendulum with lyre shaped and disc detail and with anchor escapement and strike on a bell, height 168cms
Late 19th century walnut and inlaid drop dial wall clock, the bevelled surround over carved and pierced ears with glazed and hinged door and shaped base to a spun brass bezel enclosing a 29cms painted Roman dial with pierced hands to a twin spring driven movement with anchor escapement and strike on a bell, height 70cms
Late 19th century French patinated spelter and black marble mantel clock, the plinth shaped case surmounted by a shaped case with laurel wreath pediment and flanked by a seated male artist figure on a stepped plinth base raised on claw feet to an 8.5cm Roman enamel dial with outside minute track and blued steel moon hands to a twin spring driven movement with back mounted count wheel and anchor escapement strike on a bell, height 42cm
Early 19th century ebonised and inlaid mantel clock, Hry Marc et Paris, the plinth shaped case with inlaid and engraved brass detail (lacking back board) to a cast and beaded bezel with bevelled glass enclosing a 9cm Roman enamel dial with outside minute track (rim chip at 6) and with blued steel pierced hands to a circular brass movement with anchor escapement and strike on a bell, height 37cm
Mid-19th century mahogany cased 8-day longcase clock, maker name rubbed, the swan neck pediment with plain frieze to an overhanging cornice and fluted free-standing columns to a concave moulded throat with panelled trunk and short door flanked by quarter fluted columns to a panelled and plinth base to a 33cms (13ins) third period painted dial with gilt highlighted cartouche to the arch with further rosette spandrels to a convex third period Roman chapter ring with outside minute track and subsidiaries for seconds and date with pierced and stamped brass hands to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 228cms
Composite oak cased 8-day longcase clock, the arched hood with brass capped swan neck pediment over free-standing columns to a moulded throat and short trunk door flanked by canted corners on a plain plinth and later added base to a 30cm first period painted arched dial with chinoiserie scene to the arch over floral spandrels enclosing an Arabic chapter ring enclosing subsidiary seconds and date sector with pierced and stamped brass hands to a twin weight driven movement with plates united by four knopped pillars and with anchor escapement strike on a bell (associated) to dial and case (associated), height 202cm
A pair of patinated bronze models of the Medici Vase, cast after the Antique, each of Campana form with egg-and-dart cast everted rim, the bodies with figural scenes in relief and each with twin reeded handles, the knopped and fluted stems son square section bases 31cm high, 20cm wide CATALOGUE NOTES: The Medici Vase is a monumental marble bell-shaped krater sculpted in Athens in the second half of the 1st century AD as a garden ornament for the Roman market. It is now in the Uffizi Gallery in Florence Standing 1.52 metres (approximately 5 feet) tall, it has a deep frieze carved with a mythological bas-relief that successfully defies secure identification: a half-draped female figure Iphigenia seated below a statue of a goddess on a high plinth, restored as Diana, with heroic warriors, perhaps Agamemnon and either Achilles or Odysseus standing to either side The vase reappeared in the 1598 inventory of the Villa Medici, Rome, but its origin is unknown
A French ormolu mantel clock, late 19th century, the circular enamel dial inscribed 'Riango Frères à Paris', within a Sèvres - style porcelain plaque with similar plaques to the sides and base, the case ornately cast with a basket of flowers over scrolls and reeded and spiral columns, the drum movement striking on a bell, 19cm wide 11cm deep 32cm high Provenance: The Cranch Collection.
A large French bronze, gilt bronze and marble clock, late 19th century, the case surmounted by a bronze of a hunter on horseback, the ormolu-mounted case decorated with further hunting motifs, the white dial with Roman numerals, the movement striking on a bell, 62cm wide 24cm deep 75cm high
A pair of vintage glass candlestick holders of octagonal form with bell shaped sconces being etched with starburst motifs raised on silver hallmarked bases (Hallmarked London 1902) together with a silver hallmarked candle snuffer having repousse floral decoration (stamped with S date letter 1892, Birmingham ) on a turned wooden handle.Measures 19cm high.
Robert Harrop Camberwick Green figures, CGM09 The Fishmonger's Shop, CG30 Harry Farthing (Potter), CG15 Grubb, CG07 Peter Hazel (Postman), CG27 Brackett (x2), CG26 Lord Belborough, CG17 Sgt. Major Grout, CG40 Mr Antonio (Icecream man), CG02 Micky Murphy (Baker), CG03 Jonathan Bell (Farmer), CG35 Mr Craddock (Park Keeper), CG28 Mrs Lovelace, CG22 Philby (The Mayor's Driver), CGCT Collectors plaque, all boxed.
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123896 item(s)/page