FRENCH GILT BRONZE AND BRASS MANTEL CLOCK LATE 19TH/ EARLY 20TH CENTURY the circular gilt dial with painted Arabic numerals and gilt filigree mask, in a rectangular architectural case flanked by two columns, mounted with a floral garland and topped with a finial, on a stepped base with gilt frieze and toupie feet, the twin-train brass movement striking a bell, with a giltwood stand and ebonised base with glass domeDimensions:the clock 20cm wide, 31cm high, 14cm deep
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FRENCH PORCELAIN AND GILT BRONZE MANTEL CLOCK 19TH CENTURY the jewelled porcelain Roman numeral dial in a break-arch case with an urn finial, above blue Sêvres style porcelain panels painted with courting couples and garden landscapes, with columns to the corners, on a plinth base with further porcelain panels, the twin-train movement stamped 'Hy.(Henry) Marc, Paris' and numbered '56187', striking the full and half hours to a bell, with matching numbered pendulum; on a giltwood standDimensions:24cm wide, 42cm high, 13cm deep
FRENCH PORCELIAN MANTLE CLOCK, LEROY, PARIS 19TH CENTURY the white enamel dial with Roman numerals signed 'Leroy A Paris', the rococo scroll porcelain case with the front painted powder blue and a bouquet of flowers below framed by gilt decoration, the back painted puce, the twin train brass movement with outside countwheel striking to a bell, silk suspension pendulum, the backplate signed 'Leroi A Paris' and numbered '567'Dimensions:18cm wide, 28.5cm high, 8cm deep
GEORGE III OAK LONGCASE CLOCK, ROBERT WELSH, DALKEITH 18TH CENTURY the hood with a swan neck pediment carved with roses and a central urn, above an arched and engraved silvered dial with Roman and Arabic chapters, subsidiary seconds dial and date aperture, maker's name in the arch, above a shaped and moulded trunk door on a plinth base with bracket feet; the eight-day twin-train movement striking a bellDimensions:221cm high, 43cm wide, 23cm deep
A Yoruba edan staff female figureNigeriabronze, with a triple crested coiffure and holding her breasts,20.3cm high, on a stand,a Nigerian bronze figure with a crocodile head and holding a knife, 13.6cm high, on a stand, a Yoruba bronze bell, cast with two masks and an fish tail handle, no clapper, 23.5cm long, on a stand and an iron figure wearing a cloak and hat, 15cm high, on a stand. (8)
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 2 pounds, 2022. Royal Mint. Proof. Commemorates the 100th anniversary of the death of Alexander Graham Bell (1847 - 1922).Crowned fifth portrait of HM Queen Elizabeth II facing right, JC below. Legend around "ELIZABETH II · D · G · REG · F · D · 2 POUNDS · 2022 ·" Design by Jody Clark. / Telephone dial pad at centre, " PIONEER OF THE TELEPHONE" spelled across the top nine buttons, * and # buttons have the birth and death dates of Alexander Graham Bell's life, "1847" and "1922", HDG below. Legend on left and right sides reads "Alexander Graham Bell". Design by Henry Gray. Plain edge with incuse lettering: "INNOVATION IN SCIENCE · BELL". In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 5787415-003. NGC Census in this grade: 2.NGC Census in higher grade: 10Total NGC Census: 12Diameter: 28.4 mm.Weight: 15.97 g. (AGW=0.4707 oz.)Composition: 916.7/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Circa 9th-10th century A.D. A bronze female garniture comprising: two tortoise brooches each with pin-bar and catch to the reverse, one with remains of fabric; two D-shaped openwork chatelaines with scroll detailing and loops to the lower edge; chains of varying length supporting utensils including a small hone or whetstone, a crotal bell, a firesteel formed as a steel arc in a bronze frame with horse-head finials, a cosmetic scoop, an equal-arm brooch, a second chatelain with chains and bell-shaped pendants, a model knife-sheath, a latch-lifter with pierced-disc finial, another crotal bell; the two groups linked by a longer chain of larger links. Cf. Arbman, H., Birka I: Die Gräber, Uppsala, 1940, plate 58, for tortoise-brooch types. 571 grams total, 8.2-33.5 cm (3 1/4 - 13 1/4 in.). Acquired 1971-1972.From the collection of the vendor's father.Property of a London, UK, collector. [3, No Reserve]
4th century B.C. A red-figure terracotta bell-krater displaying polychrome figural panels between a laurel wreath and a band of Greek key motifs; side a) two robed male figures holding staffs, wearing a taenia or a band around the head, standing facing a central altar; side b) a woman wearing a chiton and holding a casket and olive sprig in her outstretched hands, advancing right towards a nude man standing right, his head turned towards her, holding a bucket and olive sprig, a cloak draped over his arm, elaborate volute palmettes beneath both handles; restored. Cf. The Metropolitan Museum, New York, accession numbers 1984.323.2 and 16.140, for similar specimens, in Richter, G. M. A. ‘Recent Accessions of Greek Vases’ in Bulletin of the Metropolitan Museum of Art, 11(12), New York, 1916, pp.255–56, figs.6-7; Metropolitan Museum of Art, ‘One Hundred Fifteenth Annual report of the Trustees for the Fiscal Year July 1, 1984 through June 30, 1985’ in Annual Report of the Trustees of the Metropolitan Museum of Art, New York, 1985, no.115, p.38; see also Robinson, E.G.D., Carpenter, T., Lynch, K.M., The Italic People of Ancient Apulia: New Evidence from Pottery for Workshops, Markets, and Customs, Cambridge, 2014, figs.5.2, 6.1. 4 kg, 41 cm wide (16 1/8 in.). Private collection, Neuchâtel, Switzerland.Ex collection H.& P. Payot, Clarens, by descent.Accompanied by an original thermoluminescence analysis report no.QED2237/SG-0201 from QED Laboratoire.Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11580-199029. Wide-mouthed bell kraters like this one were specifically designed for holding large quantities of liquid and to work as mixing bowls, as it was considered barbaric for wine to be drunk neat (a privilege only enjoyed by Dionysus and his entourage who could handle such a level of intoxication). Wine would be mixed with water, usually one part to three, or even more, as described by Homer regarding the wine offered to the giant Polyphemus (Odyssey, IX, 206-211). As such, kraters provided an ideal large surface area for decoration, and as wine was of utmost importance at the symposium, kraters would usually take centre place, and the decoration of such vessels were geared towards such gatherings attempting to provide subject matter for philosophical debate, like the ones described in Athenaeus’ Deipnosophistae. [For this specific lot, 5% import VAT is applicable on the hammer price] A video of this lot is available to view on Timeline Auctions Website.]
Cine Lenses and Projector, including Bell & Howell 80mm f/1.8, 2 inch f/1.4 & 33-65mm f/1.4 cine lenses, Taylor Hobson 32mm f/1.4 & 80mm f/1.8 cine lenses, a Meridian 110-200mm & a Kodak Varion Retina S-AV 1000 slide projection lens , other examples and a Kodaslide slide projector, overall G
A Group of Cine Projection Lenses, a Dallmeyer Max-Lite 3½" lens, a Dallmeyer 2" f/1.5 lens, a Simpson Optical 16mm 3 inch f/2 lens, a Bell & Howell 16mm 2 inch f/1.2 lens, a Bell & Howell Super Proval 16mm 2 inch f/1.8 lens, a Taylor Hobson 16mm 1 inch f/1.9 lens and other examples, overall G
Two Konica SLR Cameras, a Konica Autoreflex T, shutter working, meter responsive, self timer working, body G, with28mm f/3.5 Hexanon lens and an Autoreflex TC, shutter working, meter unresponsive, self timer working, bodyG, with 40mm f/1.8 Hexanon lens, G, with 135mm f/3.5 Hexanon lens, Kiron 28-70mm f/3.5-4.5 macro lens and Bell & Howell 80-200mm f/4.5 lens, barrels G, elements G
A 19th Century oak and mahogany crossbanded longcase clock, the 12" painted arch dial with Classical maiden with a camel to the arch and seashell spandrels, signed 'Deacon, Barton', with date aperture, 8-day movement striking a bell, the long trunk door with pointed arched top, inlaid with Britannia, the base inlaid with Fleur de lys feathers, overall height 223cm.Condition report:There are two weights and the pendulum with the clock. 8-day, not 30 hour. There are many places around the edges where the veneer is missing. The dial shows paint cracks and some flaking in places. There is chipping and wear to the wood on the keyhole area of the front door. The frame of the hood door is cracked in places around the outside. Some historic worm activity to the back boards but none that appears active. The clock is untested. This is a 19th century clock.
VINTAGE COPPER & BRASS FIRE HOSE NOZZLE - marked 'Merryweather, London', 71cms L, a similar example, 60.5cms L and Eclipse No 1 Spray, a brass fire hose nozzle end marked '5/8ths WWFB', 10cms, copper and brass vintage spray with pump action, 39cms H and a timing gauge on wooden board with bell, 28cms H, 16cms W
An early Bow cup and saucer, c.1752-55, of flared form, painted with flowering peony branches issuing from blue rockwork within a panelled green trellis border, and a Bow bell-shaped mug with similar famille rose decoration, minor faults, 11.8cm max. (3)Provenance: the David Stopher Collection.
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