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A good early 19th Century Mahogany and Brass line inlaid Mantel Clock, the domed case with inlaid frieze panel and pierced fish scale sound frets, over a further moulded frieze and plinth base raised on four brass ball feet, to a cast Brass bezel with convex glass enclosing a 7” painted Roman dial, with pierced and blued steel hands, to a movement with shouldered plates united by 5 knopped pillars with anchor escapement and pull repeat strike on a bell, height 16 ½”
A late 19th Century horse mounted gilt metal cased Mantel Clock, the waisted drum case surmounted by an urn, and flanked by further foliate capped roundels to a broken plinth base, and raised on square section feet, all over set with turquoise blue backed floral decorated porcelain panels, centred with a head and shoulders portrait and cherub, to a 3 ½” Roman enamel dial with turquoise chapter ring and floral decorated centre, and pierced gilt hands to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 14”
A late 19th Century gilt spelter and Brass figural Mantel Clock, the drum case flanked by a seated maiden holding a hand mirror, while considering cupid, to shaped and waisted plinth base with applied foliate garlands and raised on square section feet, to a 3 ½” Roman enamel dial, (hairline), with outside minute track and blued steel moon hands, to a circular Brass movement with anchor escapement and strike on a bell, height 11 ½”
A late 19th Century gilt, Brass and spelter figural Mantel Clock, the drum case flanked by a boy hunter with game, on a naturalistic base, with “C” scroll and foliate base, to a beaded bezel enclosing a 3” Roman enamel dial with outside minute track and blued steel quatrefoil hands, to a circular Brass movement, with back mounted count wheel and anchor escapement, strike on a bell, the whole raised on a plaster gilt shaped base, height 11 ½”
An early 20th Century figural Mantel Clock, the scrolling plinth base surmounted by a patinated spelter figure of a female harp player and marked “Melodie Champetre” with further floral and foliate mounts and scrolling feet to a 3” Arabic enamel with outside minute track and painted centre with blue steel fleur de lys hands, to a circular Brass movement, with anchor escapement, outside count wheel strike on a bell, height 24 ¾”
A Brass framed skeleton Timepiece, with passing strike signed “Dent, 8-days London” the pierced spire frames united by four plain turned pillars, to a painted Roman chapter ring with outside minute track and blued steel hands, to a single chain fuse movement with four spoke gears and anchor escapement, with passing strike on a bell, and raised on a signed circular Brass plate, to a stained Oak socle beneath a plain glass dome, height 16 ½”
A late 19th Century black slate and variegated marble mounted Mantel Clock, Le Roy & Fils, the drum case raised on stepped and waisted plinth base, to a cast brass bezel with heavy bevelled glass enclosing a 4 ½” Roman enamel chapter ring with outside minute track, to a signed centre with visible Brocot escapement and blued steel moon hands, to a circular Brass movement with anchor escapement and strike on a bell, height 13 ¾”
A late 19th Century Porcelain mounted gilt spelter figural clock garniture, the drum case surmounted by a pair of Doves with scrolling foliate side pieces, to a long trunk, set with figural and trophy decorated porcelain panels and caryatid corners, to a plinth base and four bladed feet, with 3 ½” porcelain dial with Roman chapter ring and further floral decoration with gilt moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, flanked by a matched pair of side pieces of inverted baluster form, with scrolling side hands and shaped bases, height 19” (3)
A late 19th Century patinated Brass, Spelter and black Slate Mantel Clock, the drum shaped case flanked by an Archer holding aloft a bird of prey, with further scrolling side pieces and mounts to a bow fronted plinth base raised on scrolling feet, to a beaded bezel enclosing a 3” black Roman dial, with gilt numerals and further gilt moon hands, to a circular Brass movement with back mounted count wheel, strike on a bell, height 13”
A late 19th Century gilt Spelter and Alabaster Mantel Clock, the shaped plinth base set with baluster columns and inset panels surmounted by a classical figure and symbols of hope, faith and charity, to a drum shaped case with beaded bezel enclosing a 3” Roman enamel dial with outside minute track, and blued steel spade hands, to a circular brass movement with anchor escapement, outside count wheel, strike on a bell, height 12”
An early 20th Century art deco style Marble Mantel Clock the panelled arched case set with Sienna, green and grey variegated Marbles, to a cast Brass bezel enclosing a 3 ½” Roman enamel dial with outside minute track and blue steel moon hands, to a circular Brass movement with outside count wheel and anchor escapement, strike on a bell, height 10”
A late 18th Century Oak Cased 8-Day Long Case Clock, Rd Stimson of Ely, the arched hood with pagoda pediment and acorn finials, over ¾ columns, to an ogee throat and long shaped trunk door, and plinth base (reduced), to a 12” arched brass dial, signed to a boss in the arch within cast and applied floral and foliate spandrels, enclosing a Roman and Arabic chapter ring to a matted centre with sunk subsidiary seconds and date sector and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79 ½”
A late 18th Century Oak cased 8-day Long Case Clock, Thos French of Norwich, the arched hood with overhanging cornice to ¾ columns and ogee throat with long arched trunk door and plinth base, to a 12” arched Brass dial with strike silent subsidiary to the arch, flanked by dolphin spandrels and further spandrels depicting the four seasons, enclosing a Roman and Arabic silvered chapter ring with matted centre and subsidiary seconds, date sector and applied name plaque, to a movement united by four knopped pillars with anchor escapement and strike on a bell (case and movement associated), height 80”
A 3rd quarter of the 18th Century Mahogany Cased 8-Day Long Case Clock, W Clark of York, the arched hood with overhanging cornice, free standing columns and ogee throat with plain frieze to a long arched trunk door and plinth base, to a 12” arched brass dial, signed to a date subsidiary in the arch, over cast and pierced floral, foliate and urn spandrels, enclosing a Roman and Arabic chapter ring with matted centre and subsidiary seconds with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell (movement and case associated), height 85 ½”
An early 19th Century Mahogany and Boxwood line inlaid 8-Day Long Case Clock with moon phases, Smith of Norwich, the arched hood with two globe and spike finials, over free-standing gilt metal mounted Corinthian columns to an ogee throat and long trunk with canted corners flanking an arched long trunk door, to a panelled plinth base on bracket feet, to a 12”, 2nd period arched painted dial with moon roller over east and west hemispheres, to gilt highlighted floral spandrels enclosing an Arabic chapter ring with further Arabic quarters, and subsidiary seconds with date sector and blued steel pierced hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87 ½”
A late 18th Century Oak cased 30 Hour Long Case Clock, unsigned, the hood with overhanging cornice to a plain frieze and cast Brass capped plain finials, to an ogee throat and shaped long trunk door, and raised on a plinth base, to a 12” painted second period dial, with gilt and painted floral spandrels to an Arabic chapter ring with outside minute track and quarters, to a plain centre with date sector and pierced steel hands, to a movement with plates united by four knopped pillars and back mounted count wheel, strike on a bell (bell and hammer lacking), height 77”
A late 18th Century Oak Cased 8-Day Long Case Clock, John Wenham of Dereham, the arched hood with “Whale Tail” pediment and overhanging cornice over plain ¾ columns to an ogee throat, and long arched trunk door with plinth base (reduced), to a 1st period painted dial, with river scene to the arch, over gilt highlighted gesso floral spray spandrels, enclosing a Roman and Arabic chapter ring, and further to subsidiaries for date and seconds with pierced steel hands, to a movement with plated united by four knopped pillars and anchor escapement, strike on a bell, height 82”
A set of three opaque airtwist wine glasses, 19th century, with bell shaped bowls above knop stems, 17 cm high, together with a trumpet shaped wine glass, 19th century, with opaque airtwist stem, 18 cm high, a cordial airtwist glass, 19th century, with bell shaped bowl upon double knop stem with conical foot, 15 cm high, a set of four late 19th century wine glasses, with diaper and animal engraved bowls with baluster stem, 14.5 cm high and a cordial glass, late 19th century, with engraved bowl and baluster stem, 9 cm high, (chips to rims), (10).
A set of four Regency glass rummers, 19th century, with part fluted bowls and octagonal stem with stepped square feet, 15.5 cm high, together with a Regency glass rummer, the bowl with s-shaped swirls upon a stepped square foot, 16 cm high, a bell shaped glass rummer with circular foot, 11 cm high, a faceted cordial glass with knop stem, 11 cm high and a circular hob nail decorated glass bowl with circular foot, 10.5 cm, (8).
The Property of the Late Ann Chegwidden OBE and Robin Morton Smith, sold on Behalf of Friends of the Earth & Christian Aid. An Edwardian rosewood cased mantel clock, with foliate marquetry inlaid front, the eight day movement, by Leroy, Paris, striking on a single bell, the silvered dial with Roman numerals, height, 23.7cm.
A Louis V style ormolu clock garniture, the clock in a floral and garlanded pedestal urn, the base with two reclining female figures holding staffs,amidst floral festoons, on scroll feet, the eight day movement striking on a single bell, with white enamel dial inscribed Raingo Fres a Paris, height, 71.5cm, with pendulum, together with a pair of nine light candelabra of naturalistic form supported by bearded figures, en-suite, (3).
A late 19th Century French ormolu and Paris porcelain mantel clock, the case surmounted by an urn motif, painted with female bust portrait panels on pink ground, the porcelain dial with roman numerals and painted panel of female figures, flanked by turned pilasters, the eight day movement by Japy Frere, striking on a single bell, the plinth base stamped P.H. Mourey, 11in. x 16 1/2in. high.
A Georgian longcase clock with 12in. brass dial and silvered chapter ring, the centre inscribed Jn. Bell, Hexham, fitted a date aperture, the thirty hour chain driven movement striking on a single bell, the black lacquered case decorated with painted foliage and birds, square hood flanked by turned brass mounted pilasters, raised on a cut-away plinth base, 19in. x 78in. high. See illustration
HENRY WADE "Rod Fishing in Clear Waters by Fly, Minnow & Worm", published by Bell & Daldy, London, green cloth boards, J. ARTHUR HUTTON "Rod Fishing for Salmon on The Wye", P. FISHER "The Anglers Souvenir", F.G. AFLALO "Fishermens Weather", CAPTAIN G.E. SHARP "Fly Leaves from a Fisherman's Diary", W. EARL HODGSON "Salmon Fishing", W.J. GORDON "Our Country's Fishes & How to Know Them", BB "Confessions of a Carp Fisher", WILLIAM SENIOR "By Stream & Sea, The Mayflower Library", J.C. WILCOCKS "The Sea Fisherman", F.G. AFLALO "Sea & Coast Fishing", and D. FOSTER "The Scientific Angler"
An oak longcase clock with 11in. square dial bearing a plaque, inscribed "Newton, Hexham", with date aperture and roman numerals, fitted thirty hour chain driven movement striking on a single bell, the hood with flared cornice above the glazed panelled door, flanked by gilt metal mount pilasters, cross banded panelled door under flanked by canted corners, raised on bracket feet, 18in. x 83in. high.
A 19th Century mahogany longcase clock, the white painted dial with roman numerals, subsidiary seconds dial and date aperture, maker's name indistinctly inscribed, the arch painted with castle scene and sailing vessel with churches painted in the spandrels, fitted eight day movement, striking on a single bell, the case decorated with reeded moulded, raised on bracket feet, 20in. x 82in. high. See illustration
An early 19th Century mahogany longcase clock with white painted dial, inscribed "Robert Marshall, Greenside", fitted subsidiary seconds and date dials, painted with a spaniel flushing a pheasant to the arch, fitted eight day movement and striking on a single bell, the arched hood with glazed panelled door flanked by turned pilasters, a single cross banded panelled door to the trunk flanked by turned pilasters, raised on bracket feet, 21in. x 86in. high. See illustration
A Georgian mahogany longcase clock with 13in. square brass dial, inscribed "J. Thomas, Chester", seconds dial and date aperture fitted roman numerals and pierced steel hands, eight day movement striking on a single bell, the stained hood swan neck pediment above an arched panelled door, painted Old Father Time in oil, flanked by fluted pilasters, figured panelled door below flanked by fluted pilasters, raised on bracket feet, 19in. x 90in. high. See illustration
Diana in Memoriam: seven various plates, five dishes, a set of six mugs, nine others, two small jugs, a circular box and cover, two musical boxes, a metal dish, a small metal bell, a Chown mug for 2002 anniversary of her death, another for 2004 Memorial Fountain and two plates, three mugs, a loving cup and four boxes and covers all for Althorp and boxed and a mug and plate both for 1996 (a lot)
AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK of 8 day movement striking on a bell, the painted dial with moon phase to the arch, black painted Roman numerals, seconds dial and date aperture, signed Cornelius Strange of Glasgow, the spandrels painted with fruit filled cornucopia; the hood with dentil moulded cornice and fret carved frieze, the trunk door flanked by wrythen moulded pilasters, on bracket feet, 200cms high. See Illustration
MURDOCH (IRIS), 1ST EDITIONS, THE FLIGHT FROM THE ENCHANTER, Chatto & Windus 1956, dw; THE SANDCASTLE, Chatto & Windus 1957, dw; THE BELL, Chatto & Windus 1958, dw; A SEVERED HEAD, Chatto & Windus 1961, dw; AN UNOFFICIAL ROSE, Chatto & Windus, 1962, dw; together with nineteen further titles by the same author (3 titles duplicated) (24)
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123896 item(s)/page