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Lot 520
* EDWARD H CHISNALL, WINTER IS COMING oil on canvas, signed and dated September '81 70cm x 90cm Framed Note: Edward H Chisnall is a well-known artist, author and broadcaster who was born in Glasgow in 1942. He works from a "haunted studio" in his home town of Glasgow. His written works include Bell in the Tree: The Glasgow Story which was also broadcast as a series three times a day, every day of the week throughout 1990 by Radio Clyde (a copy of the book is included with this lot). His paintings rarely appear at auction but whenever they do, it is very obvious how much time it must take to complete each one. The level of detail is always impressive but it's Edward Chisnall's imagination which is even more intriguing.
Lot 504
London Transport BELL PUNCH TICKET MACHINE with back-plate (marked 'London Transport') & strap. Serial no 80049, an excellent example in good working condition - punches and rings. Plus a selection (3) of London Transport wooden TICKET RACKS with unused LT ticket-packs and an LT EMERGENCY TICKET PACK (part-used) and sundry other tickets. [5 main items]
Lot 1110
Edwardian gilt metal and marble figural mantel clock, surmounted by a spelter figure titled Faucheur, twin train movement hour striking on a bell, with Brunswick Cycling Club presentation plaque for 1904, H59cm, W43cm, D21cm Condition Report Lacks hands, bell and key.Click here for further images, condition, auction times & delivery costs
Lot 101
Martin Bell after David Blackburn MBE (1939-2016) ''Tree and Wood'' Inscribed to artist's label verso and dated 1963, oil pastel, 24cm by 29cm Exhibited: Headrow Gallery, Leeds Sold together with a copy of ''David Blackburn and the Visionary Landscape Tradition'', by Sasha Grishin, Hart Gallery, Nottingham and London, a collection of exhibition catalogues relating to David Blackburn and a Aboriginal ball gifted to him in Australia The vendor's father, Derick Custance, was a prominent member of the Huddersfield Cine Club. In 1963 he made a film about David Blackburn and some of his paintingscalled ''Images'' as he was embarking shortly on a trip to Australia. Unfortunately, David left for Australia before the film was complete leaving a scene of him working on a tree unfinished. His friend Martin Bell agreed to step in and zooming the camera in from a distance no-one could tell who the artist was! Martin concluded by producing this painting and went on to become a successful freelance cameraman based in London. Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Lot 1
9 BOTTLES MIXED LOT ASSORTED SPIRITS (including Malt Whisky, Rum, Gin and Calvados) comprising: 1 bottle Laphroaig Islay Malt Whisky 10 yo, 1 x 75.7 cl bottle (1980’s) Bell’s Bell Decanter Celebration Scotch Whisky, 1 x 50 cl bottle Southern Comfort, 1 x 75 cl. bottle Mount Gay Barbados Rum, 1 bottle Calvados "Joyeux Normande", 1 Litre bottle Calvados Sylvian, 1 bottle Gordons London Gin, 1 bottle White Satin London Gin, 1 bottle Samalens Armagnac.This lot is cellared offsite. Please contact us to arrange viewing or collection.
Lot 1301
A LOUIS XV STYLE GILT-METAL MOUNTED AND MARBLE-TOPPED PARQUETRY SIDE CABINET, 19TH CENTURY, of serpentine form, the red marble top with moulded edge above a pair of doors opening to reveal a fabric lined shelved interior, flanked by pilasters, raised on a plinth base with reel and bell-flower mount and flatted bun feet. 90.5cm high, 98cm wide, 40cm deep
Lot 1172
A BLACK FOREST CARVED OAK MANTEL CLOCK, LATE 19th CENTURY, the wooden dial with enamel Roman numerals within a case with carved cockerel and hen surmount, the dial flanked by oak leaves, the base modelled with a hare amidst rocks and foliage, eight day movement striking on a bell (a/f). 51cm
Lot 1179
A LOUIS XV STYLE GILT-METAL MOUNTED TORTOISESHELL MANTEL CLOCK, LATE 19th CENTURY, the gilt dial with Roman numeral enamel markers, within a case with caddy top surmounted by an urn finial and decorated with masks, urns and birds, on leaf-cast scroll feet, eight day movement striking on a bell. 37cm
Lot 407
Moorcroft - Three pieces of Moorcroft Pottery decorated with hibiscus on a green ground to include a limited edition Moorcroft Year Bell 1986 59/1000, stamped and numbered to the interior, a small vase of urn form, impressed marks to the base, approximately 9 cm (h) and a trinket box, approximately 7 cm (d), part boxed. [3]
Lot 22
A mid 19c French mantel clock in boullework type case with black ebonised ground inlaid with cut brass and mother of pearl. The case has a waisted body over an ogive shaped base with wavy plinth. The 3.5in diam. white enamel dial has Roman numerals and bears Valery, Paris and has a cast and embossed bezel. The movement bears the same name and has silk pendulum suspension and countwheel striking on a bell. Clock stands 16in tall.
Lot 17
A mid 19c French Comptoise wall clock signed Bericlet freres a Avallon to the 9in diam. white enamel dial,which has Roman numerals and painted flowers in the centre. It has an embossed brass surround and an embossed and pierced cresting of cornucopia and a sunburst. The movement is of posted frame construction with verge escapement and vertical rack striking on a bell. It is mounted on a later wall bracket with long back board. It is lacking its pendulum and weights, bracket 31in tall overall.
Lot 19
A late 19c French mantel clock in boullework case (a/f) having an ogive shaped pedestal base on which is mounted an oval bezel and glass containing the brass chapter ring on a black felt base. Above this are two reclining gilt cherubs with cornucopia, which are flanked by gilt urns. The case has gilt paw feet and the rectangular French movement is countwheel striking on a bell. Clock stands 25.5in tall overall.
Lot 32
A mid 19c French mantel clock by Jules Denand of Paris in ormolu rococo style waisted case decorated with foliage. The tarnished silvered dial has Roman numerals and moon hands and the movement has silk pendulum suspension and countwheel strike on a bell and has the makers name stamped on the back plate. The clock stands on a carved giltwood base which in turn sits on a rectangular black wooden base supporting a glass dome (a/f). The clock and dome stand 16in tall overall.
Lot 20
A late 19c French mantel clock in cast brass case decorated in scrollwork and foliage and having ornate bracket feet to the plinth and decorated columns to the corners of the case. The top has a flattened dome with crosshatch decoration, surmounted by a cast pineapple. The 4in diam. white enamel dial has arabic numerals with an embossed brass centre and cast bezel with a glass. The movement is countwheel striking on a bell. The clock stands 18in tall overall.
Lot 37
An early 19c English bracket clock by George Yonge. The double fusee movement has anchor escapement, chain drive and strikes on a bell. The 8in diam. convex painted dial has arabic numerals and matched steel hands. It is contained in a triple pad arched top mahogany case with fishscale side frets and central carrying handle and the front has a crescent shaped sound fret above the dial and spandrel shaped frets to the bottom front corners. It has a matching wall bracket with tapered base. Clock and bracket stand 27in tall overall.
Lot 25
A late 19c French mantel clock in gilt spelter case with Paris porcelain blue ground dial and having a blue ground porcelain plaque to the base and a blue porcelain icon surmounting the case. The base plaque depicts a bird and foliage and the dial centre and urn are decorated with foliage. The case has paw feet and a semi circular base with two finials and the drum of the clock has ram's heads on each side. The movement is countwheel striking on a bell and the clock stands 14in tall overall.
Lot 21
A late 19c French mantel clock in gilt spelter case inset with blue porcelain panels and having a blue porcelain dial all decorated with gilt stars. The six sided base supports a pedestal on which sits the body of the clock which has four lancet shaped windows in filled with porcelain panels. It is surmounted by a two tier top with a bud finial. The 3.5in diam dial has Roman numerals and fancy gilt hands and the movement is countwheel striking on a bell. The clock stands 12.5in tall.
Lot 267
A 19th century French gilt bronze mounted Boulle bracket clock, the cast and chased dial inscribed BARY A PARIS with white and blue enamel Roman numerals, beneath urns flanked by allegorical busts, the interior with strapwork and sloping trompe l'oeil floor, the arched leafy gadrooned case applied with caryatids and three full length figures of saints, on four 'Indian head' volute legs, the rear door opening to reveal a lady in a swing, the 19th century English chain fusee movement with bell and gong, 75 x 51 x 24 cm, lacking pendulum and key.
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123896 item(s)/page