Eardley Norton, London. A gold key wind calendar quarter repeating pair case pocket watchDate: Circa 1780Movement: Gilt full plate cylinder, pierced and engraved balance cock, 3-arm balance, diamond end stone, silver regulation, hammers striking on a bell, No.2802Dial: White, black Roman numerals, black outer minute divisions, black inner calendar markers, gilt leaf hands, blued steel further calendar handCase: Polished inner with pierced and engraved band, polished outer case, inner signed and numbered cap, bell secured by 1 screw, No.2802Signed: Dial, cap & movement signed, case stamped IDSize: Outer 59mmFor further information on this lot please visit Bonhams.com
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English. A gilt metal and under-painted horn keyless wind pair case clock watchDate: Circa 1730, outer case circa 1770Movement: Gilt full plate fusee verge, winged pierced and engraved balance cock, pierced and engraved decoration to top plate including a stylised hand pointing to the silver regulation, hammers striking on a bell, No.1377Dial: Later white, black Roman numerals, black outer minute track with Arabic numeral 5 minute markers, blued steel beetle and poker handsCase: Polished gilt metal inner with bell secured by 1 screw, later studded under-painted horn outer decorated with a village scene and a man fishingSigned: Movement possibly signed by John Lampe, LondonSize: 61mm For further information on this lot please visit Bonhams.com
A French ormolu mantel clock,late 19th century, the elaborate floral and foliate scroll decorated case, surmounted by a putto holding a sundial and a pair of compasses, above the circular dial set with enamel plaques bearing Roman numerals, its eight-day movement striking on a bell, stamped 'Horlogerie Paris', raised on four scrolling supports and an integral base,56cm highdial 17cm diameter Condition report: Movement requires attention
A LATE VICTORIAN CHAMBERSTICK with borders of beading and repeating bell flowers, detachable nozzle and conical snuffer, crested, by James Dixon & Sons, Sheffield 1896 and a circular dish on three legs with a gadrooned rim and a fret-pierced border, by the same maker, Sheffield 1913; the latter 8" (20 cms) diameter; 19.45 oz (2)
AN EARLY 20TH CENTURY SMALL CAST FIGURAL BELL in the form of a young lady in a crinoline dress and bonnet, peddling her wares, on a mounted wooden plinth, by Mappin & Webb, London 1923; the figure 3.2" (8 cms) high; 5.25 oz *This was given to the vendor's grandfather when he was Advertising Director of the Sketch, a British Illustrated Weekly Journal, which focussed on high society and the aristocracy, which ran between 1893 and 1959. It was published by the Illustrated London News Company.
A MISCELLANEOUS LOT TO INCLUDE:- Four various Christening mugs (each one with a dedication/inscription), a small sugar bowl, a bell inkwell, a heart-shaped pin dish, a shell butter dish, a mounted steel penknife, a mother of pearl-handled fruit knife, a small unmarked funnel, probably Chinese, and four various thimbles; the largest mug 4.25" (10.8 cms) high; 25.9 oz weighable silver (15)
A MIXED LOT:- A small early 20th century domed bell, by Mappin & Webb, Sheffield 1913, a set of six William IV Old English pattern tea spoons by J & A. Savory, London 1835, a pair of sauce ladles, initialled "S", by Messrs Williams, Exeter 1846, a pair of George III miniature sugar tongs, a pair of George III engraved sugar tongs, initialled, a pair of Fiddle table spoons, initialled, two "Coronation" tea spoons and a Victorian Fiddle condiment ladle; the bell 2.6" (6.7 cms) high; 19.5 oz weighable silver (16)
Drocourt, Paris a French Cannalée carriage clock for the Chinese market: the eight-day duration movement having a silvered platform lever escapement and striking the hours and half-hours on a bell with push repeat button sounding the last hour at will, the backplate stamped with the trademark for the maker Drocourt, the initials D.C either side of a clock and numbered 9657, along with a further stamp in Chinese lettering indicating Bo Wei for the maker and retailer Bovet frères, the inside of the plates stamped H.L. for the blanc roulant maker Holingue frères and stamped with their movement number 17924, the white enamel dial having black Roman hour numerals, Arabic five minute outer numerals and blued steel moon hands, with a subsidiary alarm dial, the brass cannalée case engraved with floral decoration, height 18cm. (handle up) 15cm. handle down.*Biography Pierre Drocourt, born 1819 & son Alfred, born 1847, were one of the top maker's of carriage clocks in the mid-to-late Victorian period, having a factory at Saint-Nicolas-d'Aliermont as well as premises in Paris at Rue Debelleyme 28; previously named Rue de Limoges prior to 1867. They were awarded numerous medals at exhibitions, such as the Bronze Medal at Paris 1867, the Silver at Paris 1878 and the gold at Paris in 1889. Alfred succeeded his father Pierre in circa 1871 following the latter's retirement.* Notes Jean-Francois and the younger Louis Holingue worked in the clockmaking town of Saint-Nicolas-d'Aliermont producing the rough movements for a number of well-known makers including Paul Garnier, Athanase Bourdin and Bolviller. The brothers sold their workshops and equipment to Alfred Drocourt in 1875, having supplied Drocourt for a number of years to be finished in Paris.* Notes The three Bovet brothers Frederick (born 1786), Alphonse (born 1788) and Edouard (born 1797) set up workshops in Canton in 1830 which proved too large due to outside circumstances including the ongoing Opium Wars and a smaller operation was set up in Macau. By 1864, following the death of the last of the three brothers, the company, now possibly being run by their nephew Louis Bovet, sold their interest to another Fleurier business run by Jules Jequier and Ernest Bobillier, who were soon joined by Ami Leuba, and continued to retail clocks under the Bovet name.* Notes Reference Leigh Extence Pierre & Alfred Drocourt: An Exhibition of Carriage Clocks Pub. Privately 2016.
M. Secondo, an Art Deco bronze and marble mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the octagonal dial with stylised raised chrome Arabic numerals and matching hands, the case having fluted columns either side of the glass front door through which the diamond shaped chrome pendulum is visible, standing on an onyx and marble base with canted corners and having quarter roundels to the rear behind which sit onyx and black marble curved pieces, the brown marble top surmounted by a chrome dove in flight embossed to the rear with the name Secondo, height 49.5cm.*Biography M. Secondo was a well known early 20th Century bronze sculptor with his animals being particularly sought after.
Dent, London a late-Victorian brass skeleton clock: the eight-day duration, single-fusee movement having an anchor escapement and striking each hour with one strike of the bell, passing strike, the shaped silvered chapter ring engraved with black Roman numerals and having blued steel spade hands, with skeletonised brass plates, standing on an oval ebonised base mounted with an oval silvered plaque engraved Dent, London, with a glass dome, height 41cm, including base; 43cm including dome.
A French marble and ormolu mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the round white enamel dial having black Arabic Breguet-style numerals, red Arabic quarter-hour markings and with decorative pierced and engraved gilt-brass hands, signed for the retailer Mappin & Webb, the white marble case having a central fluted pillar and shaped base with floral ormolu mounts and surmounted by an ormolu bird, the front having an inset gilded plaque with engraved presentation, height 29cm.
A brass lantern clock signed A. Fromanteel: the eight-day duration, double-fusee movement striking the hours on a bell, the brass dial having a raised chapter ring engraved with black Roman numerals and meeting-arrowhead half-hour markings, with shaped steel hands and engraved tulip and scroll decoration to the centre, the case of typical lantern clock form with turned pillars to the four corners, surmounted by a bell set within four straps and surmounted by a turned finial, with engraved cast-brass frets mounted between the corner finials, those to the side of dolphin form and that to the front of tulip form and signed A. Fromanteel, height 49cm inc. finial.
A. Cockburn, Haddington, an unusual Scottish bracket clock with windmill automata: the eight-day duration timepiece single-fusee movement with 'A' shaped plates and having an anchor escapement, with a subsidiary alarm train sounding on a bell, the painted break-arch dial having black Roman hour numerals, decorative fruit and floral corner spandrels and with further floral decoration within the arch, the centre showing a windmill within a field with sails turning as the movement runs, with brass hands and an alarm setting disc to the centre, signed for the maker A. Cockburn, Haddington, Scotland, the mahogany break-arch case having quarter-round corner moulding, brass inlaid decoration to the base and brass fishscale fretwork to the sides with cast-brass carrying handles above, on cast-brass lion's-paw feet, the wall bracket in the form of a cast-brass winged bird, height 34cm clock, 54cm inc. bracket.*Biography Adam Cockburn is recorded working at Haddington, East Lothian, circa 1810 and was also known as a minor poet. He emigrated to Canada in 1843. *Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland, Pub. Mayfield Books 2005. An oak longcase clock with painted dial is illustrated on page 74, fig. 71.
Shapland, Holborn a mahogany bracket clock: the eight-day duration, double fusee movement having shaped shoulders to the plates and striking the hours on a bell, the round convex dial painted with black Roman numerals and signed Shapland, Holborn, London, with blued steel decorative moon hands, the dome-topped mahogany case with boxwood stringing to the front and standing on cast-brass ball feet, height 42cm.*Biography Charles Shapland is recorded as working in High Holborn, London in the 19th Century.
William Frodsham, London a Georgian bell-top bracket clock: the eight-day duration five-pillar movement having a verge escapement and striking the hours on a bell, the backplate with engraved oriental decoration, the seven-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre with a date aperture and inset silvered cartouche engraved with the maker's name William Frodsham, Red Lion Sq., London, with cast c-scroll spandrels to the four corners and decorative blued-steel hands, with a strike/silent dial within the arch, the walnut bell-top case with curved canted corners, brass fishscale frets to both the sides and front, and with a brass carrying handle to the top, height 45cm (handle down).*Biography William Frodsham, born 1728, was the founder of this famous family of clockmakers and was made an honorary Freeman of the Worshipful Company of Clockmakers in 1781 before opening his own retail premises at 12, Kingsgate Street, Red Lion Square, London. He was an important maker who may well have acted as a journeyman for Justin Vuilliamy and was taught the art of jewelling by his friend the chronometer maker Thomas Earnshaw. This caused a problem for Frodsham when he was asked by the Board of Longitude to give evidence regarding a reward for Earnshaw following the latter's claim to have improved the detached escapement. William Frodsham died in 1807 having outlived his son, the clockmaker William the younger born 1755, by 18 months and with whom he formed the partnership William Frodsham & Son in 1779.
William Threlkeld, London a Georgian quarter-repeating bracket clock: the eight-day duration, five-pillar single-fusee timepiece movement having a verge escapement, a fully engraved backplate of floral and c-scroll decoration and with pull-repeat repeating the last hour and quarter-hour on two bells, with an engraved apron to the pallet arbor and engraved 'up and down' regulation lever, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals and fleur-de-lys half-hour markings, the matted centre with an engraved 'false-pendulum' aperture with decorative blued steel hands and an applied brass plate engraved with the maker's name Wm. Threlkeld, London, the corners with cast-brass female-head spandrels and 'up and down' regulation dial to the arch, the ebonised bell-top case having glazed panels to the sides, fretwork to the front corners, a cast-brass handle to the top and standing on ebonised pad feet, height 40cms (handle down) 43cms (handle up). * Biography William Threlkeld, born in Brancepeth, County Durham, is recorded as working in the Strand, London from before 1701 until at least 1727. A fine seaweed marquetry longcase clock signed for Threlkeld is situated in the bathroom in the Sir John Soane's Museum, London, inventory XF92, within a purpose made niche as it has done from at least 1837. A watch signed for him was known to be in the James Arthur collection situated in New York University, at that point the largest collection of horological timekeepers in the Northern hemisphere, with the collection split in 1982 between the Smithsonian Museum and the museum of the National Association of Watch and Clock Collectors in Pennsylvania who have consequently taken on the full collection and where the watch is now on show.*Notes Reference. Baillie G.H. Watchmakers & Clockmakers of the World Methuen & Co 1929.*Notes Reference Sir John Soane's Museum, London
Richard Lloyd, Bridgnorth a Georgian alarm wall clock on bracket: the thirty-hour duration timepiece movement having an anchor escapement with a subsidiary alarm sounding on a bell, the seven-inch brass break-arch dial engraved with black Roman numerals, decorative corners and signed within the arch in scroll engraving Richard Lloyd, Bridgnorth, with a single blued steel hand and alarm setting disc to the centre, complete with a later wall bracket, height 54cm inc. bracket.*Biography Richard Lloyd is recorded as working in Bridgnorth, Shropshire from circa 1789 until at least 1809 when he advertised in the December addition of the Shropshire Journal, 'Clockmakers wanted. Two or three journeymen in that above line. Good workmen will receive good wages and constant Employ, by Applying to Mr. Lloyd, Bridgnorth, and all travelling expenses paid.'*Notes Reference Douglas J. Elliott, Shropshire Clock and Watchmakers, Pub. Phillimore 1979.
Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.
Thos Udell, London, a George III mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted dial centre with an inset silvered seconds dial, date aperture and a raised plaque engraved with the maker's name Thos. Udall, London, with a strike/silent dial within the arch and cast-brass gilded c-scroll corner spandrels and decorative blued steel hands, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a break-arch top to the trunk door, the hood having matching fluted columns and surmounted with a pagoda top with brass ball finials and inset fretwork to the front, the base having a shaped raised moulding and standing on a double-plinth, height 232cm.*Biography Thomas Udall is recorded as working in Shoe Lane, London being a member of The Clockmakers' Company from 1789 until 1814.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
Thomas Oldmeadow, Lynn, a mahogany longcase: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch silvered dial engraved with black Roman hour numerals, Arabic five-minute outer numerals, a subsidiary seconds dial to the centre and engraved with the maker's name Thos. Oldmeadow, Lynn, with classical floral engraved decoration to the corners and arch and blued steel hands, with an engraved dial within the arch for strike/silent, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a shaped moulding to the door, the hood having fluted pillars with brass stops and cast-brass capitals and surmounted by a pagoda top with a wood sound fret to the front and three brass ball-and-spire finials, the base with a raised shaped panel, a double plinth and standing on bracket feet, height 234cm including finial. *Biography Thomas Oldmeadow is recorded as working in Lynn (Kings Lynn), Norfolk from circa 1784 until after 1798 holding three policies with the Royal Exchange Insurance. A number of longcase clocks are recorded, all with silvered dials as in this example. Both the case and dial show similarities with longcase clocks made by another Kings Lynn clockmaker James Saddleton. *Notes Reference Clifford & Yvonne Bird Norfolk & Norwich Clocks & Clockmakers Pub. Phillimore & Co Ltd 1996.
A mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, decorative gilded-brass hands, painted cottage scenes to the four corners and phases of the moon disc within the arch, the mahogany case with barley-twist columns to the trunk, a short door with inlaid decoration and crossbanding above and below, the hood having barley-twist pillars and whales-tooth cresting surmounted with brass finials, the base with further inlaid crossbanding and stringing and standing on bracket feet, height 230cm.
William Lancaster, Plymouth Dock a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the centre having a subsidiary seconds dial, silvered date aperture and engraved with a scene depicting ships leaving a harbour and signed Willm. Lancaster, Plymo. Dock, with decorative blued steel hands, with cast-brass female-head spandrels to the four corners, the arch having a well-painted moonphase disc depicting a sailing boat within a rough sea, the moon appearing from behind two engraved brass discs engraved with further maritime scenes, with a silvered arch above showing both the moon phase dates and time and engraved with High Water at Plymo. Dock, the mahogany case having fluted canted corners to the trunk and a break-arch moulding to the door, the hood having full fluted columns with cast-brass capitals, all standing on bracket feet, height 210cm. *Biography William Lancaster is recorded as working in Queen Street, Plymouth Dock (now Devonport) having married Mary Pinhey at Stoke Damerel parish church in November 1771. Interestingly the watchmaker Richard Pinhey was both a witness to the marriage and to Lancaster's will dated Feb 1815 prior to his death in February 1820 in which he left an estate valued at under £800 including his workshop tools which he left to his son Thomas Lancaster. William Lancaster's name is to be found on many good quality clocks and watches and it is known he was supplied with movements by a number of top London makers including Thwaites. *Notes Reference Clive N. Ponsford Devon Clocks and Clockmakers Pub. David & Charles 1985.
John Sweeby London, a mulberry, walnut and seaweed marquetry longcase clock: the eight-day duration movement having finned pillars and striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute numerals and decorative half-hour markings, the matted dial centre having ringed winding holes, a raised silvered seconds dial and a date aperture with engraved surround, with blued steel hands and cherub-head cast-brass corner spandrels, engraved either side of VI o'clock with the maker's name John Sweeby Londini fecit, the flat-top walnut case inlaid having shaped marquetry panels to the trunk door and a round lenticle glass and inlaid marquetry to the trunk, base, hood and convex throat moulding, with the tapered hood pillars having cast brass capitals, with ebonised mouldings, complete with brass bund weights, height 211cm.*Biography John Sweeby (Sweby) is recorded as having been apprenticed to William Speakman in 1663 and a member of The Clockmakers' Company from 1671 until 1690.*Notes Reference Brian Loomes Watchmakers and Clockmakers of the World, Pub. NAG Press 1988.
Four various 19th century wine glasses - (1) wine glass or dram glass with plain bucket bowl, height 10cm; (2) early 19th century wine glass with bell bowl and single blade knop to stem, 10cm; (3) plain stem with high ridge half way down the bell bowl, 11cm; (4) bell bowl with sixteen facets on the lower third beneath a border of slanted cuts, baluster stem with blade knop, 9cm
Six 19th century wine glasses - (1) pillar cut bucket bowl of eight facets with single blade knop to the stem, 9.7cm; (2) a slightly larger example, 10.6cm; (3) tapering baluster glass with eight facets extending down the stem, 11.4cm; (4) faceted bowl with single blade knop and stepped foot, 10.2cm; (5) faceted bell bowl with single ball knop, 10.9cm; (6) faceted bowl with baluster stem, 11cm
19th Century oak longcase clock, the broken arch hood above a square brass engraved dial with silvered chapter ring having Arabic and Roman numerals, subsidiary seconds and date aperture inscribed Robert Scholfield, Rochdale, with two train weight driven movement striking on a bell, the case with flush panel shaped door flanked by quarter pilasters and conforming plinth base, 89ins high
Arthur Bell (British 1897-1995) - Collection of seven signed black and white etchings and artist's proofs of Dorset subjects including the Navajo at Poole, Dorset, 37.5 x 33cm approx sheet size, village scene at Tarrant Monkton; White Mill, Blandford; Market Street Poole; Trinity Street Weymouth; Wrencombe South Matravers and West Bay Bridport, all unframed (7)
Arthur Bell (British 1897-1995) - Collection of seven signed black and white etchings of Gloucestershire subjects including Dowdeswell, Stowell Park, St James the Great, Stoke Orchard, Stowell Church, Chastleton House, Lower Mill Farm Kemerton and Tewkesbury Abbey, max sheet size 25.5 x 33cm, all unframed (7)
OASIS BAND AUTOGRAPHS, a framed drum skin bearing signatures by Liam and Noel Gallagher, Andy Bell, Gem Archer? and Zak Starkey, inset photo on aluminium, signed by Noel and Liam, certificate verso, together with a limited edition print of the lyrics to Gypsy Eyes by Jimi Hendrix, mounted, unframed, 102/295 (2)
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