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Lot 1

A mahogany bracket clock, the eight-day twin fusee rack and bell striking movement now with anchor escapement and engraved backplate, the 7 inch brass break-arch dial with calendar aperture and recessed silvered nameplate 'James Smith, London' to the now foliate engraved centre, within an applied silvered Roman numeral chapter ring with Arabic minutes and foliate cast spandrels applied to the angles, the arch with Strike/Silent dial, in a bell-top case with circular over rectangular dished-top side windows with brass fillets, the base with shaped apron and block feet, case with extensive restorations, 46cm high excluding handle.

Lot 1

A 30-hour longcase clock movement and dial circa 1750, the four-pillar movement with anchor escapement and outside countwheel strike on a bell, the 10 inch square brass dial with floral engraved centre signed 'Geo Washbourn, Glow' within applied Roman numeral chapter ring with diamond half-hour markers, the angles with cockleshell pattern spandrels. George Washbourne is recorded in Dowler, Graham 'Gloucestershire Clock and Watchmakers' as working in Southgate St, Gloucester after 1721.

Lot 1

A French brass eight-day mantel clock circa 1900, the bell-striking movement with cream Roman numeral dial with foliate cast gilt centre, in a waisted Renaissance inspired case with urn surmount and pierced strapwork front over mask decorated apron flanked by griffin mask and paw feet, 58cm high.

Lot 1

An 18th century Wiltshire mahogany eight-day longcase clock, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and subsidiary seconds to the matted centre, within an applied Roman numeral chapter ring with Arabic minutes and fleur de lys half-hour markers, the angles with Indian mask pattern spandrels beneath a domed boss signed 'Thomas Wentworth, Sarum' between dolphin cast mounts to the arch with herringbone engraved borders, now in a Bristol area inlaid mahogany case with swan neck pediment over Corinthian pilasters and wavy edge door to hood, canted angles and break-arch conch shell inlaid trunk door, on shaped panel applied plinth base with double skirt, movement and dial circa 1730, case circa 1780, 226cm high. Thomas Wentworth (II) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working up to 1740, he was Mayor of Salisbury in 1719. A movement and dial by his father is also included in the sale, Lot 578.

Lot 1

A late 19th century French belge noir marble mantel clock retailed by Parsons & Son, Bristol, the eight-day bell-striking movement with two-piece white enamel Roman numeral dial and visible brocot escapement, in shallow arch-top case with red marble inset angles and gilt line border decoration, hairline cracks to dial, 30.5cm high.

Lot 1

A French brass eight-day mantel clock circa 1900, the bell-striking movement with cream Arabic numeral dial with foliate cast gilt openwork centre, in a rectangular case with urn surmount over moulded stepped top, lion mask side handles, on moulded base with lion paw feet, 42.5cm high.

Lot 1

A Victorian parquetry inlaid walnut drop-dial wall clock, the twin-train bell-striking movement with 11.5 inch cream painted Roman numeral dial within chevron banded moulded bezel over circular gilt and maroon transfer decorated arcade border pendulum aperture, 72cm high.

Lot 1

A rack striking 30-hour grandmother clock with penny moon, part 18th century, the four-pillar bell-striking movement with 7 inch square brass dial with penny moon and arch calendar aperture to the foliate engraved centre within silvered Roman numeral chapter ring and foliate cast spandrel applied angles, in a modern oak case with moulded pediment and turned pilasters to hood over long trunk door and plinth base, 163cm high.

Lot 1

A mid 19th century German Black Forest wooden framed longcase clock movement and dial, the four-wheel twin train outside countwheel bell-striking movement with anchor escapement and wooden arbors, fronted by a 12 inch cream painted Roman numeral break-arch dial with rose painted spandrels and cottage to arch.

Lot 1

A West Country inlaid figured mahogany eight-day longcase clock circa 1830, the four-pillar rack and bell striking movement with unusual 13 inch convex centred cream painted Roman numeral break-arch dial, with arched calendar aperture and subsidiary seconds dial within painted night-time cottage scenes to spandrels and conforming scene of The Old Woodman to arch, the break arch top case with wavy shaped edge crest and spiral turned Corinthian pilasters to hood over short panel inlaid trunk door between conforming twist pillar mounted angles, on crossbanded and line inlaid plinth base with bracket feet and shaped apron between, 225cm high. The scene to the arch is probably taken from an engraving by Bertolozzi after Thomas Barker of Bath entitled 'The Old Woodman', the model was called George Kelston who was well known in the Bath area in the 1790s. See 'The Barkers of Bath', an exhibition catalogue, Victoria Art Gallery, Bath, 17 May - 28 June 1986 p.27.

Lot 1

A George III brass-mounted figured mahogany bracket clock with moonphase circa 1790, the eight-day twin fusee rack and bell striking movement with verge escapement, rise/fall regulation and trip repeat, the backplate engraved with a basket of flowers within circular cartouche and foliate borders, the 8 inch silvered brass Roman numeral break-arch dial with moonphase, subsidiary calendar dial and signed 'Thomas Wagstaff, Gracechurch St, London' to centre, with foliate scroll engraved spandrels to angles and Strike/Silent and regulation dials to arch above, the single brass edged pad mounted break arch top case with hinged top handle over fishscale arched brass side frets and brass fillet inset front door, on moulded skirt base with brass bracket feet, 42cm high excluding handle.

Lot 1

A 30-hour longcase clock movement and dial circa 1740, the outside countwheel bell-striking movement with 11.75 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate, insect and bird decorated matted centre, within an applied silvered Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Sam. Jackson, Wisbech' along lower edge, the angles with female mask pattern spandrels.

Lot 1

An early 19th century scumbled pine 30-hour longcase clock, with outside countwheel bell-striking movement and 11.75 inch square white painted Roman numeral dial with arch calendar aperture, polychrome painted bird perched on flowering branch decoration and signed J'N. Spurrier' to centre within rose painted spandrels, in a swan neck pedimented case with turned hood pilasters over rectangular trunk door and plinth base with moulded skirt, 209cm high.

Lot 1

An inlaid oak, mahogany and yew eight-day longcase clock with moonphase circa 1825 the rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds, polychrome painted views of windmills and signed 'Jn'o Smith, Wrexham' to centre with rose painted spandrels and moonphase to arch, the swan neck pedimented case with reeded hood pilasters over parquetry panelled frieze to throat and fretwork crested panelled short trunk door centred with conch shell cartouche flanked by turned pilasters to angles, on conforming inlaid and banded plinth base with bracket feet, 228cm high. A John Smith is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Wrexham up to 1830.

Lot 1

An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.

Lot 1

An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.

Lot 1

A French Louis Phillipe Gothic Revival ormolu portico mantel clock, the eight-day bell-striking movement with elaborate grid-iron compensated pendulum, the bob cast as a rose window, the twelve-piece Roman numeral enamel cartouche dial with conforming cast centre, the case with leafy pointed arch centre and arcaded frieze over cluster column uprights and moulded plinth base, 44cm high.

Lot 1

A Paris porcelain eight-day mantel clock circa 1860, the outside countwheel bell-striking movement with blue on white enamel Roman numeral dial signed 'Hodgkins & Co, A Paris', in a plinth form scroll sided waisted case, polychrome floral painted with shaped panels on a gilt and blue fishscale and lattice ground, on integral scroll supports, 22cm high.

Lot 1

A French Louis XV style ormolu mantel clock signed 'Raingo Fre's, Paris', circa 1850, the bell-striking movement with silk suspension and twelve-piece enamel Roman numeral cartouche dial with gilt foliate cast centre, the waisted openwork scroll cast case with finely chiselled detail incorporating Hoho bird and a dragon beneath the dial, on integral scroll feet, the case numbered 1069 35cm high.

Lot 1

A 19th century inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch brass break-arch Roman numeral dial with subsidiary seconds to the matted centre, within silvered chapter ring with Arabic minutes and fleur de lys half-hour markers, signed 'W. Mapson, Wotten Bassett' along the lower edge, with gilt mask and scroll cast spandrel mounted angles beneath silvered boss inscribed 'Tempus Fugit' between dolphin mounts to arch, in a swan neck pedimented case with turned pilasters to hood, conch shell centred shaped-top mahogany crossbanded trunk door between fluted quarter columns, on plinth base with bracket feet, 220cm high.

Lot 1

A Scottish George III eight-day longcase clock in a scarlet lacquer case, the four-pillar rack and bell striking movement with 12 inch single-sheet brass break-arch dial (formerly silvered) with seconds dial and calendar aperture to the foliate engraved centre within Roman numeral chapters with Arabic minutes and scroll engraved spandrels, the arch signed 'Rob't Alexander, Leith' within foliate scrolls, in a flat-top pedimented case with integral hood pilasters and break-arch trunk door polychrome and gilt decorated with figures within elaborate Oriental pagodas, on a reduced plinth base with moulded skirt, case retouched, 209cm high. Robert Alexander is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Leith 1751-73.

Lot 1

A brass lantern clock circa 1690, of posted construction with verge escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Thomas Power, Wellingborow' within an applied 6.5 inch Roman numeral chapter ring with trident half-hour markers, with replaced iron hand, side doors and brass backplate, movement with restorations, 37cm high. Thomas Power is recorded in Brittens 'Old Clocks and Watches and their Makers' as working in Wellingborough circa 1700.

Lot 1

A good brass wing lantern clock circa 1710, of posted construction with verge escapement and pendulum swinging between the trains, with countwheel strike on a bell mounted within the domed cage above, the dial with central alarm disc to the foliate engraved centre within an applied 7.25 inch Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Jn'o Crucefix, London' to lower edge, with steel hand, winged side doors, iron backplate, hanging loop and spurs, alarm lacking, 39cm high. John Crucefix is recorded in Britten's 'Old Clocks and Watches and their Makers' as working 1689-1714 an example of his work resides to Stirling Castle.

Lot 1

A George III figured mahogany eight-day bracket clock circa 1800, the five-pillar twin fusee bell-striking movement now with anchor escapement, the backplate with foliate engraved border, the 7 inch cream painted Roman numeral break-arch dial signed 'Thomas Pace, London' within a leafy oval cartouche to arch, in break-arch case with brass carrying handle, rectangular side windows and brass fillet moulding to front door, on plinth base with brass ogee feet, losses to dial finish, 39cm high excluding handle. Thomas Pace is recorded in Brittens as working 1784-1840. A longcase clock by the same maker was sold in these rooms on 2nd March 2004 Lot 446 for # 3200.

Lot 1

A brass lantern clock, of posted construction with anchor escapement and countwheel strike on a bell mounted within the domed cage above, the dial with tulip engraved centre signed 'Jn'o Culliford, Bristoll' within an applied 6.25 inch Roman numeral chapter ring with stylised sword hilt half-hour markers, with brass hand, removable side doors and hanging hoop with spurs to rear, frame and dial circa 1690, movement mid 20th century, 38cm high; with wall bracket, weight and pendulum.

Lot 1

A George II figured mahogany small bracket clock circa 1750, the eight-day twin fusee rack and bell striking movement with verge escapement and foliate engraved backplate, the 6 inch brass break-arch dial with calendar and false bob apertures to the matted centre applied with shaped silvered plaque signed 'Ar. Dobson, London' and a silvered Roman numeral chapter ring with Arabic minutes, with Indian head pattern spandrels to angles and Strike/Silent subsidiary dial flanked by foliate mounts to arch, the inverted bell-top case with brass carrying handle and break-arch side windows, on bracket feet, 41cm high excluding handle.

Lot 1

A wine glass with bell-shaped bowl on an inverted baluster stem with bubble inclusion on domed fold over foot, 16.5cm. high, together with an ale glass with wheel-cut wheatsheaf decoration on a domed fold over foot, 19.5cm. high and a trumpet-shaped glass on domed fold over foot, 15.5cm. high. (3)

Lot 1

A George III circular sugar basket with swing handle and beaded rim, the sides pierced and repousse decorated in the Adam style with shells and bell husk swags, having a later blue glass liner, makers Tudor & Leader, Sheffield, 1777, 159gm., 5.11oz.

Lot 1

A late 19th century gilt metal mantel clock, the finial capped and pillared rectangular case with chinoiserie decoration to the front and sides, on turned feet, the silvered Roman chapter ring signed 'W Marshall & Co., Paris', having a twin barrel movement with bell strike, 41cm. high.

Lot 1

A late 19th century French brass carriage clock with lever platform escapement, push/repeat, striking to a bell having a 6cm. Roman dial within a silvered mask in a pillared case, 19cm. high, contained in a leather travelling case with key.

Lot 1

A 19th century French white marble and gilt metal mounted mantel clock of square tapering form with fluted sides, with bearded mask mounts to the sides and scrolling foliage and shell decoration to the feet, having a 10cm. enamel dial signed 'Raingo Fres a Paris', the circular twin drum movement with outside countwheel striking to a bell, 47cm. wide.

Lot 1

A late Victorian walnut and gilt-brass mounted quarter-chiming director's clock, the case with bell top pediment surmounted by pineapple finials, having caryatid mounts to the front angles, on four foliate paw feet, the arched brass dial with silvered Roman and Arabic chapter ring, the silvered retail plate inscribed 'Pridham & Sons, Torquay', with subsidiary rings above for chime/silent, slow/fast and chime on eight bells/Westminster, the triple chain.

Lot 1

An early 19th century mahogany longcase clock, the arched hood with ball and spire finials and turned columns having a moulded arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, date aperture and subsidiary seconds dial, signed to the arch 'James Low, Arbroath', the twin-train movement striking to a bell, 218cm. high.

Lot 1

A late 18th century oak and mahongay longcase clock, the arched hood with square top and turned columns, having an arched cross-banded waist panel door on a box base, the 30.5cm. arched brass dial signed 'Henry Strawbridge, Chudleigh', with subsidiary seconds and date aperture and engraved winged griffin to the arch, the twin train movement striking to a bell, 221cm. high.

Lot 1

A mid 19th century mahogany and boxwood strung longcase clock, the arched hood with ball and spire finial having a plain field panel door enclosed by fluted quarter columns on a box base, the 33cm. circular painted dial signed 'William Wright, Dunbar', with subsidiary seconds and date dial, the twin train movement striking to a bell, 215cm. high.

Lot 1

A late 18th century fruitwood and oak longcase clock, the square hood with caddy top with turned columns with a moulded plain field waist panel door with inset glass panel on a box base, the 30.5cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture signed to the arch 'Far. Webb', the twin train movement striking to a bell, 230cm. high.

Lot 1

An early 19th century mahogany and boxwood strung longcase clock, the square hood with swan-neck pediment, the trunk with plain field door raised on a moulded box base, having a 35cm. painted arched dial with spandrels depicting the four continents, with subsidiary seconds and date dials, the twin train movement striking to a bell, 221cm. high.

Lot 1

A Royal Doulton figure - "Tinkle Bell", number HN1677, 12 cms.

Lot 1

A pair of continental table lamps in the oil lamp style with milky glass bodies on brass bell-shaped stems and composition bases, 56 cms. high overall.

Lot 1

A Joseph Lucas "Colonia" carbide cycle headlamp together with a shop's brass bell with pottery "pull" advertising W.G.Padgett Plumber.

Lot 1

Bicentenary Derby and 150th anniversary Grand National memorabilia, comprising: a Spode bicentenary Derby tankard; a replica of the Derby bell, in original box; a Royal Worcester 150th anniverary mug and a similar dish, both in original boxes

Lot 1

An early 20thC Veteran car bell, with winding mechanism.

Lot 1

A Guild School hammered pewter 5 piece tea set, by James Dixon and Sons, comprising of oval two handled tray, teapot, water jug, sucre and creamer marked Bell Brand to base.

Lot 1

A 19thC cut glass Celery jar, with bell shaped bowl having comb and facet banding on facial baluster stem and plain circular foot. 91/4" high.

Lot 1

A pair of 19thC bell shaped wine glasses, with faceted knopped stems and circular foot, together with three custard glasses, two small tumblers with applied shell decoration, a small tumbler with facet and prismatic cutting, a small bell shaped wine glass with faceted body, knopped stem and on stepped circular foot and a small 19thC wine glass with etched and facet cut decoration on faceted stem and domed circular foot, and a pair of liqueur glasses with thistle bowls on plain stem and stepped domed foot. (12)

Lot 1

A Victorian brass bell doorstop.

Lot 1

A 19thC flamed mahogany longcase clock, with swan neck pediment, reeded square column hood, the trunk having full length door enclosed by reeded insert columns, canted base with ogee feet, the painted 14" dial having churches to the spandrels, roman numerals, seconds ring, date crescent and marked J. KANT, Manchester, 8 day movement, striking on bell. 87" high.

Lot 1

An 18thC flamed mahogany longcase clock, with arched and pillared hood, the trunk quarter inset with pillars and having full length crossbanded door, canted (and reduced) base, the brass 13" dial having moon roller to the chased arch and applied spandrels, the chapter ring having Roman hour numerals, Arabic minute numerals, the matted centre having subsidiary seconds ring and date aperture within an oval cartouche marked Seddon FRODSHAM. 8 day movement , striking on bell. 8' high to arch.

Lot 1

An 18thC mahogany longcase clock, with swan neck fluted pillar hood having verre eglomise panels, the trunk being quarter inset with fluted columns and full length shaped door, canted base with plinth, the 13" brass dial having painted and silvered moon roller to the arch, cast amorini spandrels, applied silvered chapter ring with Roman hour numerals and Arabic minute numerals, the centre field being a date ring with floral chased centre marked Rathbone, MIDDLEWICH, 8 day movement, striking on bell. 88" high.

Lot 1

A 19thC French marble portico clock, with ormolu mounts, two part brass and enamel dial, Roman numerals, 8-day movement, striking a bell, inscribed L. MARTI & Cie. 15" high.

Lot 1

A 19thC French onyx mantle clock, with urn surmount and 8-day movement striking a bell. 11" high, 11" wide.

Lot 1

A 19thC boulle mantel clock, with lyre shaped body, stepped and ormolu mounted plinth, convex enamel dial marked HRY. MARC A PARIS. 8-day movement striking a bell. 10" wide, 13" high.

Lot 1

A 19thC French ormolu and porcelain clock garniture, with 8-day movement striking a bell, mounted on velvet and gilt plinths, clock height 16", urn heights 13" excluding plinths.

Lot 1

A late 19thC French gilt-brass mantel clock, having bamboo and floral decorated verre eglomise panels to the side and lower parts of the front aspect, the upper part having a gilt brass dial with Arabic numerals, 8-day movement striking a bell, 14"high.

Lot 1

A 19thC ebonised and boulle mantel clock, with shaped top, waisted body and moulded base, enamelled dial with Roman numerals, 8-day movement striking a bell, marked JAPY FRERES. 16" high.

Lot 1

A 19thC French bronze and ormolu figural mantle clock, surmounted with a female in long robes with a ewer, over a polished slate case with ormolu adornments, enamel dial with Roman numerals, 8-day movements striking a bell, marked VINCENTI & CIE.

Lot 1

A 19thC polished slate and marble mantel clock, of architectural form, with gilt Roman numerals and French 8-day movement striking a bell, marked WURTEL. 14" wide, 9" high.

Lot 1

A 19thC French cold painted spelter mantel clock, formed in relief with a moustached gentleman pushing a barrow of coal with sunburst, buildings and trees in the distance, marked CANTONNIER, having an enamel dial with Roman numerals and 8-day movement striking a bell. 20" high.

Lot 1

Michael Bell. Village scene with figures, wash and ink, 13" x 193/4".

Lot 1

An Edwardian mahogany window seat, with string inlay and floral marquetry decoration with oval patera and bell flowers, with concave seat and square taper legs. 42" wide.

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