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BRASS LANTERN CLOCK, the dial with 6 1/2" chapter ring and single steel hand in an engraved scrolling frame and beneath a boss inscribed Wm. Gill Maidstone, on a brass movement with anchor escapement, beneath pierced fretwork and steel bell, with weight, pendulum and wooden bracket, height of clock 36cm
BRASS LANTERN CLOCK, the 7 1/2" silvered dial with single steel hand, flanked by spandrils and beneath a silver boss inscribed Thomas Lumpking, London, on a brass movement with anchor escapement beneath pierced fretwork and a bell, with pendulum and weight, height 38cm Footnote: the inscription to the boss is perhaps a mis-spelling of Thomas Lumpkin.Further images available here
REGENCY MAHOGANY BRACKET CLOCK, the brass dial with 8" chapter ring, inscribed Thos Farr, Bristol beneath Music Silent and chime selection dials, to include King of Romes Waltz, Ella Rosenberg, Russian Dance, Waterloo Dance, Duke Wellington, Evening Hymn and Bath Waltz, on a brass, twin fusee, eight day, repeating movement chiming to a nest of eleven bells and striking to a single bell, the brass inlaid domed case with glazed front and back doors, the sides with silk lined, brass, fish scale grilles, with key and pendulum, height excluding finial 63cm
WALNUT LONGCASE CLOCK, the brass dial with 11 1/2" silvered dial, subsidiary seconds dial and date aperture and a silvered plaque inscribed Benj Gray Just Vulliamy, on a four pillar, eight day movement hourly striking to a bell, the hood with silk backed fretwork panel and 3/4 columns, the trunk with cross and feather banding above a plinth base, with weights and pendulum, height 218cm
MAHOGANY LONGCASE CLOCK, the brass dial with 12" silvered chapter ring, inner date ring and masonic engraving beneath a pair of hemispheres and moonphase, inscribed to the arch W Skeoch, North Shields, on a brass, eight day, four pillar movement striking hourly to a bell, the hood with columns, the trunk with ogee shaped trunk door and Chippendale style blind fretwork to the canted corners, weights and pendulum, height 224cm
OAK MUSICAL LONGCASE CLOCK, the painted dial with 13 3/4" chapter ring and inner date ring, centred with a pastoral scene and inscribed Sam. Ashton Bredbury, flanked by spandrils of maidens allegorical of the four seasons, beneath a pair of terrestrial hemispheres and moonphase, the brass, five pillar movement chiming to a nest of eight bells and striking to one bell, geared to play one of seven different aires each day of the week, the hood with broken swan neck pediment and brass mounted columns, the case with mahogany crossbanding and the door inlaid with a shell motif, with weights, pendulum and key, height 223cm
Collection of Ceramic Collectables. Includes ( 2 ) Poole Pottery Items - Small Vase and Small Pin Dish, Small Ceramic of a Boy Kicking His Ball - Stamped to Base Tercia?, Approx 5.5 Inches High, Coalport 25th Anniversary of the Coronation of Her Majesty The Queen Elizabeth II Bowl, Wade Commemorative Porcelain Decanter from Bells Scotch Whisky In The Shape of a Bell 8 Inches High & ( 2 ) Small Red Pair of Limoges Vases. Approx 5.5 Inches High, 1930's Small Elephant Figure, Approx 3.5 Inches High ( 9 ) Items In Total.
A Superb 19th Century Inlaid Rosewood Drop Dial Wall Clock by A. J. Bell Leeds, with Octagonal Case, Circular Painted Dial with Roman Numerals, Two Winding Apertures, The Drop Dial with Oval Glazed Aperture, Showing The Pendulum. Inlaid with Mother of Pearl and Silver Wire, 68 cm by 42 cm - 26.5 Inches by 16.5 Inches. Working and Wonderful Condition.
A late 19th century mahogany bracket clock by Kenneth Maclenan, London. With single pad top, brass carry handle, brass fish-scale side frets, brass ogee bracket feet and rounded arched pediment framing the dial. Brass spandrels frame a round enamel face with Roman numeral chapter ring. Subsidiary dial for the months and a strike/silent adjuster. The backplate is engraved with an intricate foliate design. Double fusee movement with anchor escapement, striking on a six bell carillon and a single hemispherical bell. With pull chord quarter repeater. 36 x 26cm.
A mid 18th century mahogany bracket clock by Christopher Moon of London. With three pad top and brass carry handle, brass fish-scale side frets and brass bracket feet. The semi-circular arched dial has brass spandrels, silvered chapter ring with Roman and Arabic numerals, two subsidiary dials one for strike/silent, one for months of the year. A cutaway in the centre of the dial reveals the maker's name. The back-plate is engraved with the central motif of a phoenix surrounded by swirling foliate design. Double fusee movement with verge escapement striking on a single bell, with quarter repeater pull chord. 42 x 28cm.
A 19th century brass and cloisonné carriage clock. The brass frame and Corinthian columns are set with geometric cloisonné patterns reminiscent of Moorish architecture. The enamel dial has Roman and Arabic numerals, with subsidiary alarm dial and seconds sweep hand. Eight day movement striking on single bell with quarter repeater. 16.6 x 10.2 cm.
A mid 19th century brass framed carriage clock by Adams, Lombard Street, London. The case has intricately cast brass metalwork in a design of swags and bowers of flowers, with acanthus leaves snaking up the columns. The side panels are engraved with vases of flowers. The enamel face has roman numerals and the makers name. Eight-day, two-train movement striking on a single bell. 11 x 8 cm.
A late 18th century mahogany longcase clock by Snelling, Alton. With stepped caddy top pediment, engaged 'Doric' pilasters, long door with brass escutcheon on box base with blind plinth. The cream dial is painted with posies of wild-flowers and a golden urn. With painted Roman and Arabic numerals and subsidiary seconds dial. Eight-day, two-train movement, striking on single bell. 200 x 50 cm.
A late 19th century oak drop dial wall clock by Swindon & Sons, Birmingham. Pierced, carved wings to either side with carved shield emblem to centre. Cream painted dial with Roman numerals and maker's name and brass bevel. Double fusee movement striking on a single hemispherical bell. 67 x 43cm.
Botany and natural history. LOWE (E J) and W. HOWARD. Beautiful Leaved Plants, 1872, coloured plates, sporadic light foxing; BELL (T) A History of British Quadrupeds, 1837, rebacked cloth; Idem. A History of British Reptiles, 1849, 8vo, original cloth gilt; INGRAM (J) Flora Symbolica, no date, coloured title and plates, cloth gilt slightly worn; MACQUIN (A D) A Description of more than Three Hundred Animals, new edition 1812, 8vo, light foxing, later boards; and 22 others similar (27)
Literature various, including: GREENE (G) The Honorary Consul, first edition 1973, with dustjacket; Penguin paperbacks (quantity); HOPE-MONCRIEFF (A R) Myth and Legend series, decorative cloth bindings; RUSKIN (J) The Elements of Drawing, 1857, 8vo, calf; PEPYS (S) The Diary of --, publ. by Bell, in dust jackets; few other leather bindings in varying condition; also illustrated, history, etc (70
A late 19th century black marble cased clock with perpetual calendar, central dial with Roman numerals, off set seconds at 12, flanked by two further dials displaying day, date, month and moon phase, all set within a gilt and engraved brass mask. Right hand dial inscribed beneath moon phase, 'Made in Paris during the Siege 1870', the whole housed within a rectangular black marble case. The movement by Japy Freres, striking on a bell, numbered 525, 411, with key and pendulum, 11" h, 17 3/4"w
An early 19th century mahogany centre seconds longcase, regulator clock, the dial signed John Webster, Edinburgh with a two train movement dead beat escapement and striking on a bell. The painted dial displaying calendar at six, housed within a flame mahogany, arched top case with fluted supports below 79 1/4"h
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123896 item(s)/page