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Lot 69
A George III Neoclassical silver oval mustard, engraved with swags of bell husks flanking a monogram within a wrigglework shield-shaped cartouche, further wrigglework geometric borders, anthemion thumbpiece, acanthus-capped scroll handle, blue glass liner, 10cm long, Peter & Ann Bateman, London 1794
Lot 129
Autographed Jake LaMotta 12 X 8 Photo - Colorized, Depicting One Of Boxing's Iconic Images - Jake LaMotta Knocking Sugar Ray Robinson Through The Ropes During Their Second Fight In 1943, Signed In Silver Marker By 'The Raging Bull'. The Fight Took Place In Robinson's Birthplace Of Detroit, Michigan. The Eighth Round Was Historic, LaMotta Landed A Right To Robinson's Head And A Left To His Body, Sending Him Through The Ropes. Robinson Was Saved By The Bell At The Count Of Nine. LaMotta, Who Was Already Leading On The Scorecards Before Knocking Robinson Out Of The Ring, Pummelled And Outpointed Him For The Rest Of The Fight. LaMotta Won Via Unanimous Decision, Giving Robinson The First Defeat Of His Career. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
![[GEORGIA - CANALS & RAILROADS]. A sammelband of 5 promotional imprints regarding the Brunswick, Georgia Canal and Railroa](https://cdn.globalauctionplatform.com/e1878e4e-bcc2-45b9-abd8-ae6e011505e8/b1a5f46f-a573-46b4-b18e-ae70010af6a8/468x382.jpg)
Lot 367
[GEORGIA - CANALS & RAILROADS]. A sammelband of 5 promotional imprints regarding the Brunswick, Georgia Canal and Railroad Company, comprising: BALDWIN, Loammi (1780-1838). Report on the Brunswick Canal and Rail Road, Glynn County, Georgia. Boston: John H. Eastburn, 1837. Second edition. De Renne II, p. 453. -- [Trust Deed, and By-Laws, of the Brunswick Land and Canal Companies. Boston: N.p., 1837.] -- By-laws of the Brunswick Canal and Rail Road Company. [Boston: N.p., 1836.] -- [Public Sale, At] Brunswick, Georgia ... January ... 1837. [Boston: N.p., 1837.] -- [Report] to the Directors and Stockholders of the Brunswick Land Company and of the Brunswick Canal and Rail Road Company. Boston: N.p., March 1838. 5 works bound in one, 8vo (224 x 133 mm). 2 folding maps. (Some toning and spotting.) 19th-century quarter brown morocco gilt, marbled boards (some minor wear). Colonel Loammi Baldwin, known as the Father of American Civil Engineering, served in the American Revolutionary War, fighting in the Battle of Lexington and Concord, the Battle of Bell 's Point, and the Battle of Trenton. The folding maps depict a plan of the city of Brunswick, Georgia in 1837, and a plan for the canal between the Altamaha River to Brunswick Harbor. Thomson, Checklist of Publications on American Railroads before 1841, 1228, 1553, 1566, 1567, 1810. Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
Lot 74
WILKINS, John (1614-1672). Mathematical Magick: or, the Wonders That May be Performed by Mechanical Geometry. London: Richard Baldwin, 1691.8vo (159 x 102mm). Engraved portrait frontispiece. (Frontis browned, remargined at gutter and with a few small marginal chips, lacking final leaf [supplied in printed facsimile], some minor pale spotting or soiling.) Contemporary calf (rebacked, corners worn, endpapers renewed). Provenance: Edward? Price (early signature on title); John Bell, Yar.[mouth] (owner 's stamp on title) Fourth edition. Toole Stott 885; Wing W2201; ESTC R15643; Poggendorff II, 1328. Selections from Antiquariat Botanicum, Dr. Eugene Vigil
Lot 200
Dinky Toys - A group of three boxed Dinky aircraft to include Dinky Toys 710 Beechcraft S35 Bonanza, Dinky Toys 722 Hawker Harrier and the Dinky Toys 732 Bell Police Helicopter.Condition: 710 general wear to the packaging to include discolouring to plastic, sticker residue and small splits to one flap. The plane lifting to the stitches and slight loss of paint to edges in crease. 722 wear to packaging to include splits and holes in the plastic. The model has some lifting to stickers but no apparent damages. 732 discolouring to packaging and one large crack and a retail sticker to side. The model has no apparent damages
Lot 100
Charles I halfcrown 1634/5, Tower Mint, mm bell, obv. group III third horseman type 3a1, scarf flying from waist, rev. oval garnished shield, S2773, VF; and a Charles I shilling 1632/3, Tower Mint, mm harp, obv. group D fourth bust with falling lace collar, inner circles, XII in field, rev. garnished shield with CR at sides, S2789, AVF.
Lot 91
♦Elizabeth I, 2 x Shillings: 6th issue (1582-1600), without rose or date, mm anchor, bust 6B, S.2577, surface pitting & numerous scratches, full flan VG & 6th issue, without rose or date, mm bell, clipped, a few faint hairlines o/wise good surfaces VG to AFine & sixpence 5th issue (1578-82) dated 1580 (struck over 1579), S.2572, mm not clear, crease across bust, clipped, bust Fair o/wise VG+.
Lot 39
Plato's Phaedo by Wilhelm Wagner Hardback Book 1885 Eighth Edition published by Cambridge Deighton, Bell and Co some ageing good condition. Sold on behalf of the Michael Sobell Cancer Charity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 44
A 19th/20th century whitewashed Medici-type urn, of campana form with the body relief moulded with classical figures above a pair of masks on opposing sides, 62cm diameter x 91cm highThe Medici vase is a marble krater that was sculpted in Athens in the first century BC. The vase is bell shaped and over 1.5 metres high. A krater is a vessel for diluting wine with water. Ok, but whitewash very worn.
Lot 534
A French gilt brass mantel clock, circa 1890-1900, with vase finial and moulded ring handles, the case cast with neoclassical mouldings and raised on four acanthus moulded feet, the 4-inch (10cm) off-white enamel dial having black Arabic numerals around a gilt metal pierced centre roundel, the eight day Japy Freres movement striking on a bell, numbered 17903 with matching number to pendulum, 39.5cm high.Case fair to good with some surface scratches and wear to plates. Moulded elements are good with some minor wear to gilding. Dial appears good. Movement winds, runs and strikes but not tested for timekeeping or longevity.
Lot 536
A George III cross-banded oak painted dial longcase clock, the hood with swan neck pediment and inlaid square columns, the trunk door with inlaid shell paterae, the case with boxwood strung mahogany panels, the 12 2/16" (37cm) painted dial with Arabic numerals and date aperture within flower spandrels, a cottage vignette upper half, the four-pillar eight-day movement striking on a bell, with two weights and pendulum, 51cm wide x 25cm deep x 208cm high.
Lot 537
A George III inlaid mahogany painted dial longcase clock, Walter Walson of Altrincham, the hood with swan neck pediment and reeded square-section columns, the shaped and boxwood strung trunk door flanked by reeded pilasters, the canted base box with boxwood strung panel, the 14" painted dial with black Roman numerals, subsidiary seconds and date aperture, decorated with two exotic birds and spandrels of fruits and flowers, the four-pillar eight-day movement striking on a bell, with two weights and pendulum, 55.5cm wide x 27cm deep x 209cm high.
Lot 548
A George III inlaid oak brass dial longcase clock, the arched hood with three brass finials, the door with chequer stringing and flanked by fluted full columns, the trunk with arched door flanked by canted corners inlaid with conforming chequer stringing, the plain base box raised on a shaped foot, the 12" brass dial with silvered chapter ring having Roman hour and Arabic minute tracks, silvered subsidiary seconds and a calendar aperture, moulded spandrels to the corners and dolphin spandrels flanking a classical medallion to the arch, the eight-day four pillar movement striking on a bell, with two weights and pendulum 46cm wide x 20cm deep x 222cm high.Dial silvering worn. Pendulum stem detached from bob and lacking suspension spring and so clock has not been tested running. Movement appears sound and does wind and strike. Case and hood has some shrinkage splits to boards, especially to trunk door and right side of base box. Some minor chips and small losses in places. General cosmetic marks throughout consistent with age and use.
Lot 549
A George III inlaid oak and mahogany painted dial longcase clock, by Inigo Smith of Wrexham, the hood with swan-neck pediment and door flanked by fluted full columns, the trunk with shaped cross-banded door flanked by fluted quarter column pilasters, the base box with cross-banded panel, the 13" dial having black Roman numerals, subsidiary seconds dial and date aperture, painted with two castle vignettes and flower spandrels, the four-pillar eight-day movement striking on a bell, with pendulum and two weights, 51cm wide x 23cm deep x 204cm high.Pendulum stem has snapped and has no suspension spring, consequently the clock has not been seen to run or tested for timekeeping. Movement appears in good order and does wind and strike, seconds and calendar advance correctly. Dial appears good with typical faint cracklure throughout and some wear/chipping to the paint on the outer edges. Hood lacking central finial, probably originally brass. Base box lacking foot or feet. Case overall fair to good with some cosmetic marks consistent with age and use. Left hand cornice beneath hood has a small loss to the front corner and there is a small chip to the top of the trunk door. A latch has been added to keep the trunk door closed. There is no door key or winder with this clock.
Lot 39
A Georgian mahogany and oak long case clock by F Johnson of Lincoln, the break arch dial painted with a farmyard and pastoral scene, circular dial bearing Roman numerals, subsidiary seconds and date dials, eight day two train movement with bell strike, the case by George Usher, cabinet and clock maker of Lincoln, with a broken arch pediment, raised on turned columns, trunk door with fluted quarter columns, raised on bracket feet, with weights, no pendulum or key.
Lot 40
A 19thC oak and mahogany country longcase clock, the break arch dial painted with a basket of fruit and bearing Arabic numerals, subsidiary seconds dial, eight day movement with bell strike, the hood with swan neck pediment, and brass capped columns, the case with cross banded trunk door inlaid with shell patera, raised on bracket feet, with weights and pendulum, 198cm high.
Lot 434
A late 19thC French boulle work mantel clock on stand, the clock with brass dial bearing Arabic and Roman numerals, eight day movement by Marli et Cie, with bell strike, the case of baluster form with cast urn finial decorated with masks and foliate scrolls, raised on a serpentine base, with pendulum, no key, 39cm high.
Lot 116
ELIOT, T.S. (1888-1965). The Family Reunion. London: Faber and Faber, 1939. 8vo. Half-title. Original gray cloth, lettered in red on spine (browning to spine and edges); in unrestored unclipped dust jacket (two vertical creases). Provenance: Mrs. B. ?Idding Bell (presentation inscription). FIRST EDITION, PRESENTATION COPY, INSCRIBED BY ELIOT: "Inscribed for Mrs. B. ?Idding? Bell by T. S. Eliot Holy Saturday 1939." The Family Reunion was first performed on 21 March 1939 at the Westminster Theatre, London, where it ran until 22 April 1939. Gallup A33a.
![HEMINGWAY, Ernest (1899-1961). For Whom the Bell Tolls. New York: Charles Scribner's Sons, 1940. [with 3 others]8vo. Half-tit](https://cdn.globalauctionplatform.com/7b95b38f-1964-4f2b-9c1e-ae6e0113d91b/3a5d1d4f-e1db-47f2-b1c7-ae70013caba4/468x382.jpg)
Lot 190
HEMINGWAY, Ernest (1899-1961). For Whom the Bell Tolls. New York: Charles Scribner's Sons, 1940. [with 3 others]8vo. Half-title. (Minor staining to first few leaves.) Original beige cloth stamped in red and black; in unrestored unclipped dust jacket (some rubbing and chipping). Provenance: Jane M. Deck (signature, flyleaf, 1940). FIRST EDITION, FIRST ISSUE with "A" on the copyright page. FIRST ISSUE DUST JACKET, without the photographer credit on the rear panel. Published just after the end of the Spanish Civil War, For Whom the Bell Tolls is based on Hemingway's experiences as a war correspondent, and tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. Hanneman A18a.
Lot 348
WOOLF, Virginia (1882-1941). Kew Gardens. Richmond: Hogarth Press, 1919. 8vo. 2 woodcuts by Vanessa Bell. Original off-white wall-paper wrappers with floral pattern in pink, green, pale brown, and black, painted on the outside in royal blue, chocolate brown and orange, uncut and unopened, white printed label on front wrapper (some chipping, particularly to bottom edge).Second edition, one of 500 copies printed one month after the publication of the first edition of 150 copies. Fitzpatrick notes Leonard Woolf's recollection that the wrappers for the second edition were not from Roger Fry's Omega Workshops (as the wrappers of the first edition), but were copies. Fitzpatrick A3b.
Lot 349
WOOLF, Virginia (1882-1941). Monday or Tuesday. Richmond: Hogarth Press, 1921.8vo. 4 woodcuts by Vanessa Bell; 1p. publisher's advertisements at end. (Some minor offsetting of plates to text.) Original cloth-backed pictorial boards, woodcut design by Vanessa Bell on front cover (minor abrasion to front cover, some minor rubbing and soiling); cloth folding case.FIRST EDITION, one of 1,000 copies printed, with essays including "A Haunted House," "The String Quartet," and "Kew Gardens." The work was printed by F. T. McDermott of the Prompt Press in Richmond, who used to advise Leonard and Virginia Woolf when they first started the Hogarth Press. Kirkpatrick A5a.
Lot 353
WOOLF, Virginia (1882-1941). A Room of One's Own. London: Leonard and Virginia Woolf at the Hogarth Press, 1929.8vo. Half-title. Original cinnamon cloth, spine gilt-lettered (some light spotting to sheet edges); unrestored pale pink dust jacket printed in navy blue, designed by Vanessa Bell (some toning to front and spine panels, some minor spotting, a few tears with occasional repairs on verso). FIRST ENGLISH EDITION, one of 3040 copies published in October 1929. Originating in two lectures given by Woolf in October 1928 to students at the two women's colleges of Cambridge University, A Room of One's Own was first published as an essay entitled "Women and Fiction" in Forum (March, 1929). Kirkpatrick A12b.
Lot 356
WOOLF, Virginia (1882-1941). The Waves. London: Hogarth Press, 1931.8vo. Half-title. Original purple cloth, spine gilt-lettered (a few tiny spots to sheet edges); unrestored dust jacket printed in lime green and brown designed by Vanessa Bell (spine and edges darkened, a few pale spots, minor chipping, chip to front panel with tiny loss). FIRST EDITION of Woolf's most experimental work, generally considered to be her masterpiece. The novel traces six narrators from childhood through adulthood. Woolf considers the individual consciousness of each character and the ways in which those consciousnesses intersect; the soliloquies spoken by each character explore the concepts of individuality, self, and community. A seventh character is present, but readers never hear him speak in his own voice. Kirkpatrick A16a.
Lot 357
WOOLF, Virginia (1882-1941). The Years. London: Hogarth Press, 1937.8vo. Half-title. (A few spots to endleaves.) Original green cloth, spine gilt-lettered (spine slightly soiled); original cream dust jacket printed in black and brown designed by Vanessa Bell (spine panel browned, some spotting).FIRST EDITION of Woolf's best-selling novel which traces the life of the Pargiter family from 1880 to "present day." Woolf originally intended the novel to be a sequel to A Room of One's Own and planned to alternate nonfiction essays with the family's story. She ultimately excluded the nonfiction and changed the working title from "The Pargiters" to The Years. Kirkpatrick A22a.
Lot 358
WOOLF, Virginia (1882-1941). Three Guineas. London: The Hogarth Press, 1938. 8vo. Half-title; photographic illustrations. Original lemon-yellow cloth, gilt-lettered on spine (corners bumped); unrestored dust jacket with a design by Vanessa Bell (tiny "Colonial Cloth" stamp on front panel, some spotting, a few tears and chips). Provenance: Alice Leman Webb Sloane (bookplate, a few tiny pencil marks). FIRST EDITION, written as a sequel to A Room of One's Own. Fitzpatrick A23a. [With:] Mr. Bennett and Mrs. Brown. --A Letter to a Young Poet. London: The Hogarth Press, 1924, 1932. 2 volumes, 8vo.
Lot 359
WOOLF, Virginia (1882-1941). Between the Acts. London: Hogarth Press, 1941.8vo. Half-title. Original blue cloth, spine gilt-lettered (some fading to spine ends, some light staining to endleaves, otherwise bright); unrestored dust jacket printed in black designed by Vanessa Bell (slight soiling, particularly to spine and rear panel, a few tiny chips or creases, some slight rubbing). FIRST EDITION of Woolf's last novel, published after her death. Set in June 1939 at Pointz Hall, home of the Olivers, and a neighboring village, Between the Acts focuses on the preparations for a community pageant. Woolf decided to publish the novel days before her death, but hadn't yet corrected the typescript; critics consider the work to be unfinished. Kirkpatrick A26a.
Lot 419
VAN BUREN, Martin (1782-1862). Autograph letter signed ("M. Van Buren"), as Vice President, to Stephen Camberling (ca 1790-1872). Washington, D.C., 9 March 1834. 3 pages, 8vo, short separation at crease, modern cardstock frame affixed to rear panel. A letter of introduction for James Bell of Tennessee who was traveling to New York "on business." The recipient was the brother of Churchill Camberling, a member of the U.S. House of Representatives from New York and well connected in New York society.
Lot 15
No.15 AN AUTHENTIC GAME WORN STRIP INSPIRED BY THE 1921 DESIGN This includes: • Navy blue top (Number 15) • White shorts (Number 15) • Socks* Number 15 was worn by Thistle forward Gospel Ocholi, Thistle defenders Steven Bell and Stephen Hendrie, as well as Thistle midfielders Blair Lyons and Ben Stanway. Games worn include: Dundee United, Scottish Cup 03.04.2021Montrose, League 1 15.04.2021Dumbarton, Premier Sports Cup 20.07.2021Dunfermline, Scottish Cup 27.11.2021Airdrieonians, Scottish Cup 22.01.2022Dundee United, Scottish Cup 12.02,2022*Socks may be cut as per the preference of the players who wore the kit. This is an authentic Partick Thistle strip with a design inspired by the 1921 Scottish Cup winning strip. This strip was worn during the 2020-21 and 2021-22 seasons and was worn primarily in cup ties including Scottish Cup and Premier Sports Cup contests.
Lot 16
No.16 AN AUTHENTIC GAME WORN STRIP INSPIRED BY THE 1921 DESIGN This includes: • Navy blue top (Number 16) • White shorts (Number 16) • Socks* Number 16 was worn by Thistle defenders Steven Bell and Ciaran McKenna. Games worn include: Montrose, League 1 15.04.2021Dumbarton, Premier Sports Cup 20.07.2021Dunfermline, Scottish Cup 27.11.2021*Socks may be cut as per the preference of the players who wore the kit. This is an authentic Partick Thistle strip with a design inspired by the 1921 Scottish Cup winning strip. This strip was worn during the 2020-21 and 2021-22 seasons and was worn primarily in cup ties including Scottish Cup and Premier Sports Cup contests.
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