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Lot 558
1951 MG TD Reg.no. GVA 707 Chassis no. TD 10168 Engine no. 27576 The penultimate T series Midget appeared in 1949, being a larger car than its predecessor. The TD owed much to the contemporary Y type saloon, using a narrowed and modified version of its box frame chassis. On this sat an all new body with more room than before, whilst retaining the classic looks of the traditional MG sports car. The saloon parentage was not a handicap, for the Y type was a more advanced design than the TC, employing independent front suspension and rack and pinion steering. Although traditional in appearance the TD offered greatly increased elbow room for the occupants when compared to the TC. From August 1951 a larger clutch was fitted with associated changes to the flywheel and bell housing. These were known as the TD II. Restoration on this example began back in 1974, and a nut and bolt restoration followed, which included a new ash frame. The chassis was shot blasted and stove enamelled, the running gear and brakes were completely overhauled and most recently a full re-trim was carried out including full weather equipment, to a very high standard. Click Here to view this item on www.i-bidder.com
Lot 406
18TH-CENTURY BRASS LANTERN CLOCK of pillared construction with domed bell above fretwork panels, the circular dial with numerals in black and inscribed indistinct maker`s name "RobcarP Hil (?)", mounted on stained teak wall bracket, with single lead weight, the clock 30cm high, 46cm high overall
Lot 192
A late Victorian pierced boat-shaped sweetmeat dish, embossed with festoons of bell husks, maker`s mark of Goldsmiths & Silversmiths Co., London 1899; a twin-handled christening bowl, chased with the name `Ann`, maker`s mark of C. W. Smith & Co., Birmingham 1925; a George III Old English pattern sauce ladle, London 1811; a napkin ring, a small circular dish, and an egg cup, total approx. weight 12 troy oz (6)
Lot 46
Paul Henry RHA (1876-1958) MARITIME SKETCH, c.1910-15 oil on board signed on reverse; with stamp of Academy Board, Winsor & Newton Limited, Rathbone Place, London W1 on reverse; also with Bell Gallery framing label on reverse 12 by 15cm., 4.75 by 5.75in. Provenance:The Collection of Mabel Young; Gifted to the uncle of the present owner
Lot 526
* William Hogarth, British 1697-1767- `France Plate 1st`, Published according to Act of Parliament, March 8th 1756; etching and engraving on paper, 31.4x38.5cm: William Hogarth, British 1697-1767- ``England Plate 2nd` Published according to Act of Parliament, March 8th 1756; etching and engraving on paper, 31.4x38.5cm: J. Bell, British 19th/20th Century, After William Hogarth, British 1697-1767- `Cruelty in Perfection/The Four Stages of Cruelty`; woodcut/linocut, signed within the plate, 53x41cm: J. Bell, British 19th/20th Century, After William Hogarth, British 1697-1767- `The Reward of Cruelty/The Four Stages of Cruelty`; woodcut/linocut, 45x37.5cm., (unframed) (4)
Lot 548
Albany E Howarth ARE, British 1872-1936- View of a ruined castle and stone bridge; etching, signed in pencil, bears Fine Art Trade Guild blind stamp, 40x55cm: together with five further etchings by the same hand, to include the following: "The West Doorway, Rochester"; etching, signed and titled in pencil, 32.3x19cm., "Roslyn Chapel, Edinburgh", publ by Alfred Bell & Co Ltd London W1 Nov 1st 1928, titled within the plate, signed in pencil, 39x20.2cm: "The Monastery of St Francis Assisi", signed and titled in pencil, 19x18.2cm: View of a Medieval Gateway, signed in pencil, 39.5x27.5cm and one other similar, signed and dated 1918 within the plate, signed in pencil, 37x30cm: Louis Conrad Rosenberg, 1890-1983- Church tower; etching, signed in pencil, 25x11.2cm: Frank Henry Mason RBA RI, British 1876-1965- Shipping in Valletta harbour, Malta; etching, signed with monogram within the plate, signed in pencil, 12x17cm., (8) (part mounted) (unframed)
Lot 272
"Late 19thC mantel clock, black and red marble case with bronze scroll and foliate applied decoration, further leaf and trailing flower carved and gilt decorated embellishment, black chapter ring with gilded Roman numerals, visible escapement, brass movement by J. Marti & Co striking on a bell"
Lot 18790
A Bidri Huqqa bottle, Purnea, Bengal, Eastern India, mid 19th century and a Bidri tray, Deccan, Southern India, circa 1800 (2) the bottle of bell shaped form, lead and zinc alloy inlaid with silver, the sides with repeated rose and tulip motifs, scrolling leafy border above and below, the flared neck similarly decorated; the tray of circular form, the recessed central panel with stylised rosette, surrounded by a trellis band of repeated poppy motifs, the cavetto with palmette border Provenance: Private Collection, Southern England, acquired in India in the 1950s The bottle 16cm high; the tray 19cm diameter The bottle with minor damage, copper base a replacement; the tray with some losses to inlay, tripod feet removed, slight crack to rim View on auctionatrium.com
![[Brontë (Charlotte)] "Currer Bell". Shirley. A Tale. 3 vol., 16pp. advertisements at end of vol.1 and 1p. advertise](http://lot-images.atgmedia.com/SR/35796/2847943/180-201192716255_468x382.jpg)
Lot 180
[Brontë (Charlotte)] "Currer Bell". Shirley. A Tale. 3 vol., 16pp. advertisements at end of vol.1 and 1p. advertisement at end of vol.3, occasional marginal soiling, original cloth, rebacked and recased preserving original spine strip, new endpapers, spine and edges slightly faded, [Symington p.25], 8vo, 1849.
Lot 289
Woolf (Virginia) The Waves first edition, original purple cloth, fading to spine-ends, dust-jacket designed by Vanessa Bell, browned, upper joint split, chips to spine-ends and upper corner of upper panel, [Kirkpatrick A16a; Woolmer 279], Hogarth Press, 1931; Flush, A Biography, plates, half-title, ownership inscription to endpaper, original cloth, spine browned, dust-jacket, spine a little browned, light spotting, spine ends bumped, [Kirkpatrick A19a; Woolmer 334], Hogarth Press, 1933, 8vo (2)(2)
Lot 366
A silver coloured archery badge in the form of an arrow on a green ribbon with bars: Hadzor 1851, Birmingham 1852, Ribbesford 1854, Sherridge 1855, Bell Hall 1856, Avon Bank 1857, Hadzor 1858; and another composite badge and ribbon G.M.A. Worcester MDCCCLXII with bars: Winchbold Hall 1887, The Nash 1884, Bell Hall 1878, Hanbury Hall 1874, Wick Episcopi 1868, Impney 1885
Lot 1861
A French bronze striking cartel clock, DUVAL, PARIS, late 19th century, the shield shaped case with applied horn and laurel leaf mounts, white enamel chapter ring with engine turned centre signed DUVAL A PARIS; blued steel hands, twin barrels movement with anchor escapement and count wheel strike on replaced bell, 47cm high.
Lot 103
A cocktail cabinet in seventeenth century style, painted pale blue and silver gesso, the pair of doors with petit point floral needlework of an earlier date, mirror backed cream painted fitted interior with a slide, above a gadroon moulding and a shell foliage frieze to cherub mask capped legs with bell flowers and acanthus to shaped open stretchers, centred flaming urns, on square gadroon decorated feet, 3ft 4in (102cm) wide, 4ft 10in (148cm) high overall.
Lot 190
An early nineteenth century mahogany North Country longcase clock, the movement of month duration, striking on a bell, the arched painted 14in dial decorated a coursing scene to the lunette and sporting scenes to the corners, the centre with subsidiary seconds and calendar dials inscribed Don (?) YORK, having Roman numerals, the hood with carved florettes to the swan neck pediment, the glazed door with lined pillars, the trunk with marquetry oval shell and satinwood banding to the shaped top door, angled blind fretwork corners, the base inlaid a sunflower, petal corners and satinwood banded panel, a shaped frieze on bracket feet. 7ft 10.5in (240cm).
Lot 192
A mid nineteenth century Welsh oak longcase clock, the eight day movement striking on a bell, having a painted arched 12in dial with subsidiary seconds dials and calendar aperture, Roman numerals, inscribed David Evan Llangonoyd, gilt flowers and painted fruit corners, the hood with mahogany banding, ebonised swan neck pediment with brass rondels and brass eagle ball finial, glazed door with brass capped turned ebonised pillars, the trunk with rosewood banded doors and mahogany veneered panels, brass Corinthian capped turned ebonised pilasters, the banded base on bracket feet. 7ft 3in (221cm).
Lot 200
An early eighteenth century Salisbury longcase clock, the eight day five pillar movement striking on a bell, having a square brass 12in dial with subsidiary seconds dial and calendar, the chapter ring with Arabic and Roman numerals, inscribed Tho. Wentworth Sarum, the feather edge border with pierced cast gilded corner spandrels of cherubs supporting a Royal crown, the oak and pine case having a hood with pierced fretwork frieze, the glazed door with side pilasters, the trunk with a door, a base on moulded plinth. 6ft 5.5in (202cm).
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123939 item(s)/page