William Lettey, Dunster, long case clock, 8-day movement striking on single bell, white painted arched dial with rolling moon, spandrels decorated with seashells representing the Somerset coastal county origin, oak case, cross-banded in mahogany, inlaid with ebonised string, canopy with swan-neck pediment, fluted columns with brass capitals, quarted columns to trunk, box base, height 210cm (83").
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A French ormolu wall clock, 19th century, the 17cm convex white dial marked 'Renard a Rheims', with later associated Marti bell-striking movement, all within an elaborate neo classical symmetrical gilt case with classical urn above having rams-head ring handles supporting pendant swags to both sides 72cm (28in)
Henry Simcock, Daintree, an ebonised bracket clock, circa 1700, the bell top case with handle above and four urn finials, the single fusee verge six latched pillar movement with quarter pull repeat on two bells, the 18cm square brass dial with winged cherub spandrels, silvered chapter ring, mock pendulum and date apertures, ringed winding hole, signed to the scroll engraved backplate, glazed sides, on four brass disc feet, with later wall bracket having frieze drawer. Note: Henry Simcock is recorded working in Daventry (also known as Daintree) circa 1714. See Baillie (GH) Watchmakers & Clockmakers of the World, p.292. 36 x 26.50cm (14 x 10in) ConditionLooks to have been repolished / cleaned. With later wall bracket. Seatboard nailed to supporting blocks. Repeating work/train may be a 20th century replacement or addition. Appears fully wound. Currently ticking but not tested for any duration. I suspect refurbished 20 or 30 years ago when purchased. Has a crank wind key and case key. See photos.
A Regency ebonised bracket clock, the single pad top case with carrying handle above 8inch (20cm) painted dial signed 'Benjn. Polack Sheffield', having Roman numerals and twin fusee bell striking movement, with two brass scale fret panels below, upon a stepped base and ogee brass feet 40 x 33cm (16 x 13in) Provenance: Mawley Hall, Shropshire
A French late 19th century neo classical ormolu mantel clock, the urn shape case with bud finial above a pair of serpent entwined satyr masks to both sides, the 10cm painted dial with blue numerals, the bell striking drum movement marked 'W. Oppenheim, Londres - Paris', on a waisted socle and bow fronted base with 5 segmented disc feet, with giltwood stand, the clock 45cm high, together 50cm high 45 x 26cm (18 x 10in) formerly with a sixth foot to the centre reverse of the base. Untested
Markwick Markham, London, a good early George III ebonised, ormolu mounted and brass inlaid table clock for the Turkish market, the signed silvered dial with three train movement chiming on 8 bells, and striking on a further bell, tune selection 'A Minuett' or 'A March' to the arch, strike/not strike and chime/not chime subsidiary small dials to the upper spandrels, date aperture, the engraved backplate signed, the bell-top case with folding handle and four pineapple finials, arched side frets and pendant corner mounts, all on stepped bracket feet 53 x 35cm (21 x 14in) Markwick Markham (1725-1805) specialised in clocks for the Turkish market. Several clocks of similar design have appeared on the market in recent years. converted from verge to anchor escapement.Conditionconverted from verge to anchor escapement. Later retaining brackets for movement backplate into case. Currently ticking but not striking/chiming.
An 18th century German Rococo walnut longcase clock by Johann Rieppolt, Augsburg, [master 1727], the ornate carved case with 11.5inch (29cm) dial, signed to the arch and numbered 686, above strike/silent lever, silvered chapter ring, scroll spandrels, with three train movement chiming on two bells and striking on a third bell, all on a bombe plinth with bracket feet 249cm (97in) Provenance: Mawley Hall, Shropshire
GAELIC / FOLK / TRADITIONAL - LPs/10". Smart collection of around 260 x LPs with a few 10"s. Titles/artists include Jeannie Robertson (Topic 10T52), Operating Theatre Rapid Eye Movements (UD.011), The Fate o' Charlie (Trailer LER 3002), Mr Sarah Makem Ulster Ballad Singer (Topic 12T82), The Northern Muse (Cerini Cladais CCT. 4), Crow (Ceirnini Cladais CCT 9), Songs Of Sadness (Wavin WAV.003), Dolly, Ri Na Piobairi, The Chieftains, Paddy In The Smoke, Na Filli 3, Mairtin O Cadhain, Tomas O Canainn, The Liffey Banks, A Drunk Man Looks At The Thistle, PAtrick Kavanah, Beyond The Pale, The Devil's Waltz, O Riada's Farewell, The Whistlebinkies 2, Derek Bell, Sarah & Rita Keane, Dolores Keane, Paddy Taylor, Michael Tubridy, Tin Whistles, Willie Clancy, Edwin Morgan, Alexander Scott, FRancis Stuart, Hugh Macdiarmid, Sandymount Strand, The Star Above the Garter, Bernadette Greevy, Sean Ac Donnca, Deora Aille, James Connolly, Siobhan McKenna, Sean Keane, Gorey Arts Centre, Kenneth McKellar, Maureen Hurley, A Nation Once Again, Tommy Drennan, Teresa Lawlor, Burgh & Countryside, The Later Middle Ages, The Dubliners, Brendan O'Dowda, Frank Patterson, Songs & Music Of Cork & Kerry, Jimmy Shand, The Muckle Sangs, University College Dublin. Condition is generally VG+ to Ex+.
60s ARTISTS - LPs. Cool collection of around 87 x LPs. Artists/titles include The Kinks - Kinda Kinks (UK orig NPL 18112 - VG with surface/scuff marks/VG+ nice and neat sleeve), Long John Baldry, Paul Revere & The Raiders - Hard 'N' Heavy (UK CBS 63649), Various - Best From Bell, Thee Prophets - Playgirl, Wayne Fontana inc. Wayne One, The Fireballs, The T-Bones, The Innocence, Gene Pitney, Gary Lewis, The Searchers, Robin Gibb - Robin's Reign, The 4 Seasons, The Hassles, Frankie Valli - Solo, Adam Faith, Dave Clark Five, Brian Hyland, The Cycle, Junior Campbell and Tremeloes. Condition can sometimes vary, though as a rull of thumb we can still say VG to Ex.
METAL/HEAVY ROCK LPs - MANY OBSCURE/RARITIES! Mind melting collection of 16 x LPs filled with rarities. Artists/titles are Powerlord - The Awakening (original US copy, no. cat. number - Ex+ top condition record/with insert/Ex+ still in shrink), Razor - Custom Killing (Canadian original FPL 3042 - Ex/VG+ with inner and merch insert), Fanny Adams - S/T (black label design orig US copy KS-3644 - top Ex/Ex+ copy still in shrink), Left End - Spoiled Rotten (PD 6022), Amish - S/T (SXBS 7016), Rumplestiltskin - S/T (Bell 6047), Damnation - Which Is The Justice..., The Damnation Of Adam Blessing - S/T (UAS 6738 US original - Ex/VG+), Ram - Where? (In Conclusion) (promo PD 5013), Frost - Through The Eyes Of Love, Captain Beyond - Dawn Explosion, Hades, Immaculate Mary, Wargasm and Ivory Tower. Condition is generally clean VG+ to Ex+.
SOUL/FUNK/JAZZ/DISCO/REGGAE - 7". Deep grooved collection of around 110 x 7". Artists/titles include The Fabulous Blue Beats - Rhythm & Blues (Ember EP 4525 - superb Ex+ record looking seldom played/VG+ light ringwear on the reverse), The Ronettes, Peter Tosh, Osibisa, Roy Ayers, , Michael Jackson, Mary Wells, Misty Roots, Grace Jones, Gladys Knight (inc. S CS 9081 promo), Boz Scaggs (S CBS 8740 promo), Freda Payne, Frankie Valli (MW 3024), Lorraine Ellison, William Bell, Dandy Livingstone, Ike & Tina, Toots, Booker T, The Supremes, James Brown, Bob & Earl - Harlem Shuffle (BOY 25 promo - Ex) and Bill Withers. Condition is generally neat VG+ to Ex=.
DAVID GEST BROCHURE - BEN E KING/CANDI STATON AND MORE SIGNED. Nine loose pages from a 2009 brochure for 'David Gest - My Life' with pages signed variously by Kim Weston, Dennis Edwards of the Temptations, Peabo Bryson, Ben E King, Candi Staton, Russell Thompson, Jean Knight, Jimmy Ruffin, Freda Payne, William Bell, Deniece Williams. **see authenticity note in auction info
A fine early 19th century 8 day, mahogany cased Scottish longcase clock, signed Robert Bryson, Edinburgh. The circular painted dial with off-set dials for seconds and dates, Breguet hands and Roman numerals. The four pillar movement striking on a bell housed in a fine mahogany case, the door flanked by fluted columns, 85"h
Various; Bell, Robert (ed) Golden Leaves from the Works of the Poets and Painters. Charles Griffin, 1865. 8vo, leather-backed, calf-effect wooden boards, upper board with floral border enclosing title, spine richly gilt, lettered directly with title in gilt, gilt star-patterned endpapers, a.e.g.; port. frontis., illus to text.. Spine faded and scuffed, varnish of boards cracking, variable foxing, marking and toning internally. A very good copy.
[Hodges, James] The Present State of England, as to coin and publick charges. In three parts. Treating of the necessity of more money before taxes can be effectual, or trade revived, and of ways and means to procure it: as calling in all the plate on ready money; restoring credit; bringing out hoarded money; rectifying the balance of trade; raising the value of money, against which the opposite prejudices, as injurious to King, Parliament and People, with Mr Lock's chief positions, are refuted by demonstrable reason and matter of fact, 1st edition, Andrew Bell, 1697, bound with a supplement..., containing some further considerations of the circumstances of the Kingdom with proposals of help by raising the value of credit, some spotting and browning throughout, lacks final blank, old closed tear paper repair to upper margin of leaf A3 of first part slightly obscuring lettering of running head ("TD"), old manuscript name inscription and alphanumeric shelf marks to first title, armorial book plate of William Perceval, contemporary panel calf, rubbed and slight edge wear, a little wear at head and foot of spines, 8vo (Qty: 1)NOTESWing H2299 & H2300.
Clarke (Mary Anne). The Rival Princes; or, a Faithful Narrative of Facts relating to Mrs. M. A. Clarke's Professional Acquaintance with Colonel Wardle, Major Dodd, etc. etc. etc., who were concerned in the Charges against the Duke of York, 2 volumes, 2nd edition, printed for the author, and published by C. Chapple, 1810, engraved portrait frontispiece to volume 1, half-title and 4 pp. advertisements to volume 2, occasional spotting, inner hinges reinforced, uncut in original boards, worn, large 12mo in 6s (21.7 x 12.7 cm), together with: [ibid.], The Trial of Mrs. Clarke, and Wrights the Upholsterers, for a Conspiracy against Col. Wardle, at the Court of King's Bench, Monday, Dec. 11, before Lord Ellenborough and a Special Jury, 1st edition, Bell and De Camp [and others], 1809, half-title, folding plate (offset), spotting, variable browning, modern boards, large 12mo in 6s (20.4 x 11.8 cm), P ote (Joseph, publisher), The History and Antiquities of Windsor Castle, and the Royal College, and Chapel of St. George, 1st edition, Eton: Joseph Pote, 1749, licence leaf, title-page in red and black, engraved portrait, dedication leaf in red and black, 12 engraved plates and plans, spotting and browning, contemporary calf, front joint restored, extremities worn, 4to (23.8 x 17.8 cm) , [Wood, John Ryle], Some Recollections of the Last Days of His Late Majesty King William the Fourth, 1st edition, Hatchard and Son, 1837, inscribed 'For the Earl of Munster' on the front free endpaper, original cloth, 8vo, and 13 similar works, several on the scandals of the Duke of York or Princess Charlotte, 19th and 20th century, various formats (Qty: 19)NOTESUpcott pp. 14-16 for Pote.
Richardson (Charles). A New Dictionary of the English Language, 2 volumes, 1st edition, William Pickering, 1836-7, half-titles, all edges gilt, mid-19th-century reddish-brown polished calf by Henry Stamper, spines richly gilt with floral devices, dogtooth and French fillet borders gilt to sides, joints slightly rubbed and partially cracked, lower outer corners slightly bumped and worn, 4to (27.4 x 21 cm), together with: ibid., Illustrations of English Philology, 1st edition, for Gale and Fenner, 1815, spotting, uncut in original boards, marked, spine and extremities worn, front board detached, rear inner hinge reinforced, housed in a custom brown cloth solander box, 4to (28.5 x 22.6 cm), and Burnett (James, Lord Monboddo), Of the Origin and Progress of Language, volumes 1-5 (of 6), 2nd edition of volume 1, 1st editions of volumes 2-5, Edinburgh: J. Balfour [-J. Bell], 1774-89, volumes 1-3 in uniform contemporary tree calf, spine-labels perished, volumes 4-5 uncut in original boards, spines worn, volume 4 boards detached, 8vo (21 x 12.2 cm) (Qty: 8)NOTESLondon binder Henry Stamper (c.1802-1887) had premises at 17 Frith Street, Soho and is known to have been an associate of J. Clarke (of Clarke and Bedford). 'Richardson's work had much value, and made notable advances in lexicography. In quotations from authors the dictionary was far more copious than Johnson , or any previous work of its class in English' (ODNB).
A Georgian mahogany and oak longcase clock, the square enamelled metal dial painted with figures, bearing Roman and Arabic numerals, subsidiary seconds dial and moon phase, two train eight day movement with bell strike, the case hood with fluted pillars, over a cross banded trunk, raised on bracket feet, with pendulum, weights and key, 211cm H.
A walnut and marquetry longcase clock, the fret carved cornice over a brass dial with cherub spandrels, silvered chapter ring inscribed Plasidus Penyston, matted centre with seconds dial, date apertures and lunar phase, above a trunk door, with bulls eye and inlaid with panels of flowers and birds above a similar base with turned feet, the eight day movement striking on a bell, 203cm high, 28cm dial
19thC/ Georgian longcase clock, Whitley, Bridgenorth to painted Roman arch top dial, with date aperture and Maritime decoration. The 30 hour movement striking on a bell, in oak and mahogany case with banded inlay and shell decoration to door, the hood with swan neck pediments, plain columns and brass ornamentation, raised on bracket feet, 216cm tall including brass finial
Early 20thC French figural clock in bronzed spelter finish depicting La Voix de la Lyre, signed Louis Morean. The numbered movement by Japy Freres striking on a bell, the ivory coloured enamelled dial with Arabic numerals and beetle and poker hands, standing on foliate bracket feet, 67cm tall
Georgian long case clock, G Crane, Worcester to painted Roman dial, with date aperture and secondary seconds, the eight day movement striking on a bell. In oak and mahogany case with banded and strung boxwood inlay with turned columns, three quarter door with ornate brass escutcheon plate, the hood with swan-neck pediment and reeded columns and boxwood inlay, raised on bracket feet
19thC bronze bell, mineral samples including raw amber, spirit flask, badges, stopwatch, Negretti and Zambra barometer, Masonic jewel for Gloucestershire in case, Easy Splice marlin spike, obelisk, badges, Japanese sword fitting, Japanese lacquer box, stereoscopic hand wound slide, bosun's whistle, penknives etc.
An engraved gold locket, with floral detailing, testing as 18 ct, another Edwardian with gem set spider, in 9 ct hallmarked Birmingham 1919 and a bell charm testing as 18 ct. CONDITIONSpider locket set with amethyst, weight 6.2 grams, 2.3 x 3cm18 ct gross weight 19.9 gramsoval locket measuring approximately 4.1 x 2.4cm
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123509 item(s)/page