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MANCHESTER CITY Sheet of paper signed by 16 , includes Joe Mercer, Malcolm Allison, Tony Book, Mike Summerbee, Joe Corrigan, Willie Donachie, Ron Healey, Alan Oakes, Glyn Pardoe, Ian Mellor, Wyn Davies, Colin Bell and Derek Jeffries . The other side of the sheet has a match score, Man City 1 RAF Luqa Malta 0. We have no record of this game but City did play a friendly in Malta on December 15th 1971 drawing 0-0 against Floriana. Good
A large and fine seven-fold Chinese ebonised wooden Screen; finely incised and polychrome decorated with figures in various guises within and outside a grand building within country surroundings with rockwork, trees etc., all bordered by birds in flight and double Ruyi style heads; the Screen flanked with precious archaistic style objects including tripod censers, a wine jues and an archaistic style bell etc., the reverse of the screen also finely decorated with various birds and storks amongst prunus, trees and foliage, 213cm high CONDITION REPORT: The eight fold screen is generally in good condition, there are small areas of wear and losses and surface scratches which do not detract from the overall decorative presentation, minor losses to the edges of the screen commensurate with age and use (see images)
A large and heavy 18th century silver Hot Water Jug/Coffee Pot, the hinged dome-topped cover surmounted with a bell-shaped finial, with woven rush handle and the main baluster body with a lower wrythern and foliate design in repoussé style, raised on circular foot, makers mark ER, assayed London 1759, old British Antique Dealer's Association circular sticker to middle of body, with elaborately engraved armorial crest, 27cm high, approx. 675g CONDITION REPORT: This has come direct from the President of a major Oxford College who has now retired. General condition overall is very good with no problems noted although there is a slight darkish tarnish blemish near where the handle joins the top but this appears to rub away.
An early-19th century period mahogany and brass inlaid eight-day Mantel Clock, the architectural-style pediment with three inverted brass finials above a white enamel dial with Roman numerals and London retailers mark, gadrooned lower base and raised on turned gilt metal feet, two gilt metal mask-and-ring handles flanking above lattice work, sound apertures, the gilded movement individually numbered 4832 (together with original corresponding numbered pendulum) and signed Japy Freres, striking on a bell, 25.5cm high
James Newton Newcastle 18th Century Oak Long Case Clock, Silver chapter ring, with central month calendar hand. Arched Brass Dial and brass spandrels and Flat Top to The Hood. Eight Day, Striking Movement, Strikes on a Bell, Original Hands, Original Cast Iron Weights ( 2 ) and Pendulum, Seconds, Subsidiary Dial. Stands 82 Inches High. Good Long Case Clock From The North East. Overall dial 13 x 18 inches.
Napoleon III Gilt Bronze Figural Striking Mantel Clock. c.1850 - 1860. With Raingo Freres Movement, The White Enamel Dial Signed D. C. Rait Paris. The Twin Barrel Movement with Silk Suspension, Recoil Anchor Escapement and Count Wheel, Strike on a Bell Pendulum, 8 Day Movement, Marked to Back Plate - Raingo Freres Paris. The Clock maker and Bronzer Raingo Freres was Founded In 1813 Paris. Size 18 Inches High & 17 Inches Wide.
SOLOMON SAMSONOVICH BOIM (RUSSIAN 1899-1978)Ivan the Great Bell Tower, 1956gouache on paper31.2 x 43.5 cm (12 1/4 x 17 1/8 in)initialed and dated lower left, signed on versoPROVENANCECollection of Viktor Kholodkov LOT NOTESBoim Solomon Samsonovich was a well-known Soviet artist of Jewish origin, is known mostly for his works in graphic techniques: watercolor, gouache, drawing, engraving, book illustrations and posters ("Agitplakat"). He lived in Ukraine, Leningrad, and Moscow. Studied in VKhUTEMAS from Kupreyanov. From 1926 on Boim participated in hundreds of exhibitions at home and abroad. He exhibited with such prominent artists as N. Altman, S. Chekhonin, G. Klutsis, V. Lebedev, El Lissitzky, K. Malevich, L. Popova, A. Rodchenko, V. Tatlin, P. Filonov, Stenberg Brothers, and V. Stepanova. His favorite subjects included architecture and cityscapes (mostly Leningrad/St. Petersburg and Moscow), nautical themes and the Navy, and Great Patriotic War. Boim's paintings were influenced by Socialist Realism and Russian Impressionism. Boim's works are widely recognized. They may be seen in the former Soviet Union in the Tretyakov Gallery, the Russian Museum, the Pushkin Museum of Fine Arts, and other major museums.This lot comes from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.
A George III Channel Islands silver Guernsey pattern beaker, maker's mark IH below a sunburst struck once to base (Jean Henry, Guernsey fl. c.1727-1783), the bell shaped bowl on a short, slightly flared girdled foot, inscribed 'a Is.T.G. don de I.L.M. Son Parain & de E.D.G. Sa Maraine1768' to side, 2 3/8in. (5.9cm.) high, weight 1.72 tr.oz.
A George III Channel Islands silver Guernsey pattern beaker, maker's mark PM struck twice, once to base and once beneath rim (Pierre Maingy, Guernsey fl. c.1739-1776), the short, bell shaped bowl with single incised line below rim and short, flared stepped foot, inscribed 'NDM' to side, 2½in. (6.3cm.) high, weight 2.25 tr.oz.
A George II Channel Islands silver Jersey pattern footed beaker, maker's mark TM struck twice to base (Thomas David Mauger, Jersey fl. c.1730-1796), the slightly flared bell shaped bowl in heavy gauge silver, with single incised line below rim and flared moulded foot, inscribed 'ICV.NGL' and with later 19th century monogram 'AL' beneath, 3½in. (8.9cm.) high, weight 4.4 tr.oz.
A George III Channel Islands silver Guernsey pattern beaker, maker's mark PM struck twice, once to base and once beneath rim (Pierre Maingy, Guernsey fl. c.1739-1776), the bell shaped bowl with single incised line below rim and short, flared stepped foot, inscribed 'MMT' to base, 2 5/8in. (6.8cm.) high, weight 2.65 tr.oz.
A George III Channel Islands silver Guernsey pattern beaker, maker's mark PM struck twice, once to base and once beneath rim (Pierre Maingy, Guernsey fl. c.1739-1776), the heavy gauge bell shaped bowl with single incised line below rim and short, slightly flared girdled foot, inscribed 'DDP né le 4e: de novenbre 1765' to one side, later inscribed 'P. C. Faddy' to the other, 2¾in. (7cm.) high, weight 3.65 tr.oz.
A rare large George II Channel Islands silver loving cup, maker's mark TM struck twice to base (Thomas David Mauger, Jersey fl. c. 1730-1796), in the form of a large Guernsey christening cup, the bell shaped bowl with single incised line below rim, large twin petal capped scroll handles, the lower handle joints on oval mounts, on a flared moulded foot, inscribed with monogram 'EJG' to bowl, 3¾in. (9.5cm.) high, weight 7.45 tr.oz.
A fine and important George II Channel Islands silver coffee pot, maker's mark GH struck once to base and twice to inside of cover, plus hatched heart and sunburst marks to base and hatched heart inside cover (Guillaume Henry, Guernsey c.1720-1767), of plain, tapered form, with hinged domed cover with bell finial, carved wooden scroll handle and curved spout with bold anthemion mount and stiff leaf surmount, on a moulded circular foot, the side of the body with engraved arms of the Guernsey Dobree family impaling the Jersey Bonamy family on their joining through marriage, inscribed 'M.L.H' to base, 9½in. (24.1cm.) high, gross weight 34.5 tr.oz.
A George III oak and mahogany crossbanded clock, with square painted dial, 8 day movement striking on bell, signed James Coates, Wigan, the glazed hood flanked by brass cap pillars, below molded cornice, the trunk with shaped panel door flanked by quadrant pillars, above canted box base, on turned feet
Illustrated juvenile picture books, 19th century, including CRUIKSHANK (George) A Re-Issue of Scraps and Sketches from the original plates. Part One. London c.1875, oblong 4to, author's bold presentation inscription 'to Mr E. J. Morton' to the head of title dated April 30th 1875, coloured illustrations, limp boards; Tom Thumb's Play-Book. Newcastle: G. Angus for T. Bell 1824, 16mo, title date slightly clipped, unopened, pictorial blue covers; Panoramic Forget Me Not. London: Webb, Millington & Co no date, coloured illustrations, original covers; TITMARSH (M A) Mrs Perkins's Ball. London: Smith Elder & Co. 1898, 8vo, coloured plates, boards, library label to first paste down; and others in contemporary wrappers (13)
MURDOCH (Iris) Set of first editions in dust jackets of the author's first 27 novels, including: Under the Net (1954) jacket a little worn; The Flight from the Enchanter (1956) jacket by Edward Bawden; The Sandcastle (1957) chipped spine ends of wrapper; The Bell (1958); The Time of the Angels (1966) signed by the author; also Something Special Four Poems and a Story, 1990, signed ltd edition in paper wrapper; etc (28)
A George II oak longcase clock, 33cm arched brass dial with silvered chapter ring, inscribed Andrew Dickie, Edinburgh, the arch now with a portrait profile roundel, subsidiary seconds dial, date aperture, twin-winding holes, 8-day movement striking on a bell, the hood with outswept pediment and reeded columns, arched rectangular door to waist, plinth base, 215cm high
A rare Worcester coffee cup, c.1758, the squat bell-shaped body painted in a variation of the Kakiemon palette with a rare version of the Two Quail pattern, the two birds painted brown with turquoise wing tips, beneath bold flower sprays with a further bird perched on a spray of bamboo, a scrolled wishbone handle, 6.2cm high. Cf. Chris Girton, The Two Quail Pattern, p.35, fig.24 for the Chelsea version, also The Zorensky Collection, Part III, lot 61, for another similar Worcester example.
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123509 item(s)/page