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Click here to subscribeA mid-19th Century French Rosewood, Boxwood and ebonised Mantel Clock, the plinth-shaped case inlaid with marquetry foliate detail within strung borders, and cast brass carry handle, to a cast brass bezel enclosing a 3” Roman enamel dial, signed Promoli & Hausburg of Paris, with outside minute track and fancy pierced gilt hands, to a circular brass movement with anchor escapement and silk suspension, back mounted count wheel and strike on a bell, height 10”
A late 19th Century French Gilt, Brass and Porcelain mounted Clock Garniture, the plinth-shaped case surmounted by a lidded twin-handled urn, to a porcelain dial, with gilt highlighted surround enclosing Roman lozenges and landscape to the centre with gilt fleur-de-lys type hands, over a further Italianate landscape depicting blacksmiths shoeing a horse, and raised on splayed bracket feet, to a circular brass movement with anchor escapement and strike on a bell, and flanked by a pair of matching urn-shaped side pieces, each also depicting equestrian pursuits (some slight losses), height of clock 16 ½” (3)
A late 19th Century patinated and gilt Spelter Mantel Clock, Miroy Freres of Paris, the shaped and scrolling plinth base surmounted a figure of a fallen knight in full armour clutching his sword, over further applied trophies of war, to a cast brass bezel enclosing a 3 ½” signed Roman enamel dial, with pierced steel hands, to a circular brass movement with anchor escapement and strike on a bell, the whole raised upon a gilt and gesso serpentine stand with red velvet covering, to an ebonised oval base and contained beneath a large and heavy glass dome, height of clock 17”, height of dome and stand 25 ½”
A Brass Cathedral type two train Skeleton Clock, the pierced plates united by nine ring turned pillars, and comprising to towers flanking a single bell, to a baize covered oval base and stepped mahogany socle, raised on four cast and applied brass feet, to a 4 ½” silvered Roman chapter ring, with outside minute track and blued steel fleur-de-lys type hands, to a twin fusee movement with anchor escapement, strike on a bell, and contained beneath a plain glass dome, height 21”
A late 19th Century gilt Spelter Figural Mantel Clock, the shaped and scrolling base decorated with floral and foliate swag detail, and surmounted by a courting couple flanking a drum-shaped case, further decorated with doves, to a cast brass bezel enclosing a 3” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel, anchor escapement and strike on a bell, the whole raised on an ebonised black oval socle, and contained beneath a heavy glass dome, height of flock 12 ½”, height of dome and stand 17”
A late 18th Century Oak and Mahogany crossbanded 8 day Long Case Clock, Jofh Burn of West Bromwich, the swan neck pediment flanking a globe and eagle finial, to a plain frieze over freestanding fluted columns, to a moulded throat, and shaped long trunk door flanked by quarter columns, to a plinth panelled base, to a refreshed 13” arched painted dial, decorated to the arch with a horse and hound hunting scene, over gilt highlighted gesso spandrels, with Roman and Arabic chapter ring enclosing subsidiary seconds and date sector with pierced stamped brass hands, to a signed falseplate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 91”
An early 19th Century Mahogany cased 30 hour Long Case Clock (name rubbed), the hood with overhanging cornice and shaped pediment, to an ogee throat and long trunk door on plinth base, to an 11” third period square painted dial with floral painted spandrels, to a Roman chapter ring with outside minute track enclosing subsidiary seconds and date with black painted steel hands, to a movement with plated united by four knopped pillars with back mounted count wheel and anchor escapement, strike on a bell, height 79”
An early 19th Century Oak and Mahogany crossbanded 30 hour Long Case Clock, Rogers of Stevenage, the hood with swan neck pediment surmounted by three giltwood spherical finials over freestanding fluted columns, and moulded throat to a short crossbanded trunk door and plinth base, to an 11 ½” square painted third period dial, with gilt floral spandrels enclosing a Roman chapter ring with outside minute track and pierced and stamped brass hands, to a movement with plates united by four knopped pillars, back mounted count wheel and anchor escapement, strike on a bell, height 82”
An early 19th Century Mahogany cased 30 hour Long Case Clock, Bedford of Hingham, the hood with overhanging cornice to a scrolling pediment, over freestanding columns to an ogee throat and long arched trunk door and plinth base, to an 11” painted square third period dial, with floral spandrels, to a Roman chapter ring with outside minute track and enclosing date sector and further painted country house detail, with pierced hands, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 82”
A part late18th Century Oak Cased 30 hour Long Case Clock (name rubbed), the associated oak case (heavily restored and damage) to a 10 ½” painted square first period dial, with gilt floral spandrels and Roman and Arabic chapter ring, with date sector and pierced and stamped steel hands, to a brass posted movement with back mounted count wheel and anchor escapement, strike on a bell, height 79”
A multi-signed copy of Nat Lofthouse’s “Goals Galore”, the fly leaf signed by the Bolton Wanderers 1953 F.A. Cup team Nat Lofthouse, Johnny Ball, Stan Hanson, Harry Webster, Doug Holden, Harold Hassall, Malcolm Barrass, Willie Moir, Eric Bell, Johnny Wheeler, Bobby Langton plus manager Bill Ridding, and three others
Football and other sporting memorabilia, comprising: miscellaneous cigarette cards covering football, cricket, rugby, horse racing, Olympics and golf; sold together with eight Hartleys jam jars with lids bearing the portraits of Peter Osgood, Colin Bell, Bobby Charlton, George Best, Alan Ball, Martin Peters, Gordon Banks and Bobby Moore; 6 plastic portrait busts of footballers from the Joe Mercer Great Britain Soccer Squad set; a promotional leaflet signed by the Olympic swimming champion David Wilkie; a commemorative medallion from the 1968 Olympic Games; and a Welsh Rugby Union souvenir tea towel (a qty.)
Golf collectibles, a metal pin tray for Warren Golf Club; a pill box with golfing scene; an American brooch; three vesta cases, one plain, the others with golfing decoration; Dunlop 31 golfing brass bell; golf putting game with telescopic putter for carpet or garden golf; golf club swizzle and cooler stick; 2 small pictures featuring Robert Maxwell and Charles Lees’ Golfers; a boxed set of silver & enamel golf spoons won by a lady golfer in the 1930s; a silver plated 1950 trophy won by the lady golfer Joanne Haig; two blazer buttons; caddy brooch; golf medal dated 1933; and two other golf medals
Signatures of fifty-eight 1970s/80s racing drivers, 7 World Champions, mostly F1, all good specimens on card or photograph, some rare, many with additional signed correspondence or photos: Kenny Acheson, Mario Andretti, Rene Arnoux, Mauro Baldi, Derek Bell, Michael Bleekemolen, Tony Brise, Hans-Georg Burger, Eddie Cheever, Kevin Cogan, Richard Dallest, Alain de Cadenet, Emilio de Villota, Bernard Devaney, Pierre Dieudonne, Guy Edwards, Eje Elgh, Emerson Fittipaldi, Patrick Gaillard, Piercarlo Ghinzani, Bruno Giacomelli, Miguel-Angel Guerra, Brian Henton, Hans Heyer, Markus Hottinger, James Hunt, Jean-Pierre Jabouille, Jean-Pierre Jarier, Alan Jones, Rupert Keegan, David Kennedy, Steve Krisiloff, Jacques Laffite, Niki Lauda, Lella Lombardi, Klaus Ludwig, Jochen Mass, Arturo Merzario, Patrick Neve, Tiff Needell, Didier Pironi, David Purley, Hector Rebaque, Clay Regazzoni, Michael Roe, Huub Rothengatter, Keke Rosberg, Jody Scheckter, Hans Stuck, Marc Surer, Patrick Tambay, Tony Trimmer, Al Unser, John Watson, Mike Wilds, Manfred Winkelhock, Desire Wilson, Ricardo Zunino (qty.)
A collection of silver desk accessories, including: a bell inkwell, Birmingham 1909; a capstan example, Birmingham 2003; a silver covered glass cube, Birmingham 1911; a canted square inkwell, London 1906, presentation engraved and crested; a silver fountain and ballpoint pen set, London 1999; two rocking blotters; and other items
Duncan Grant (1185-1978) oil on canvas, Cattle and granary (view from Charleston), signed and dated `48, 18 x 27in. "Charlston; The Granary and pigsty, looking from front of house, which are no longer there. The pigsty was where my mother looked after Mrs Bell`s pigs which were reared and killed during war time and after then cured and prepared on the kitchen table".
Duncan Grant (1885-1978) oil on canvas, Roquebrune, signed and dated `60, inscribed verso `For Grace in memory of Roquebrune 1960`, 21 x 18in. "This is a momento of my mother`s last visit with Duncan Grant and Vanessa Bell to the South of France. Mr Grant painted this and then gave it to my mother".
A 1940`s oak cased synchronome by F. Hope-Jones, the master with a silvered 6.25 inch dial, glazed door with visible mechanism and pendulum; with one slate , cast iron pressure cylinder, glass bell and pendulum and various accessories, with a copy of Electric Clocks and Electric Timekeeping, both signed by Hope-Jones
A Mid 19th Century mahogany longcase clock,the eight day movement striking on a bell,painted arch enamel dial with Scotsman and highland castle scenes,seconds subsidiary dial signed Purdie & Safley Carluke,enclosed by a hood with broken swan neck pediment and brass eagle ball finial, over a trunk with bowfront door and doric pilasters, canted bracket plinth base 222cm high (lacking weights and chain) ILLUSTRATED
A late 17th Century and later cased inlaid walnut marquetry long case clock by John Clowes London,the moulded square top supported by Corinthian capitals and ebonised twist columns and inlaid hood,the long trunk door with two shaped panels of floral marquetry on a similar base,the 10” square brass dial with winged cherub spandrels signed below the silvered Roman chapter ring,engraved with spherical interlocking centre ,subsidiary dial and date aperture ,the movement with five knopped pillars to an anchor escapement,count wheel and striking on a bell,200cm high. ILLUSTRATED
A late 18th to early 19th Century oak longcase clock the eight day movement striking on a bell, the 12” square brass dial with seconds and date dials inscribed H Thomas Caernarvon, pierced spandrels, enclosed by a pillared fluted hood over a short trunk door, canted plinth base, 200cm high. ILLUSTRATED
A Set of Four Victorian Menu Holders, maker`s mark HA, Birmingham 1893, each of scroll cast and pierced triangular form, with hinged stand bracket, 8.4cm long; Another Smaller, Birmingham 1898, 7cm; A Victorian Child`s Rattle, George Unite, Birmingham 1874, of baluster form with whistle to one end and bell hung central knop (teething stick lacking), 8cm long; and A George III Shallow Circular Small Dish, John Emes, London 1802, 11.5cm diameter, 2 1/2oz (4)
An Abor, Assam Byop, made up of eleven brass discs, each of 8.5cm diameter, decorated with concentric rings overset with three twisted cross members, and with a bent suspender loop attached to a cord band.**This was classed as full dress for a young spinster of the Abor Tribe, and can be seen illustrated in the photograph album of lot 360; A Naga Silver and Amber Bead Necklace, with a deep curved pendant applied with filigree and bell decoration; and Three Naga Black Bead Necklaces, each made up of small discs of horn or wood (5)
A Pair of Brass Horse Hearth Ornaments, 19th century, 22cm high; A Pair of Brass Pheasant Hearth Ornaments, 19th century, 10cm high; A Pair of Brass Candlesticks, early 19th century, with tapering stems and beaded filled square bases, 27cm high; and A Small Selection of Assorted Brass, including an 18th century gun metal bell (qty)
A Japanned Eight Day Longcase Clock, the case with oriental decoration throughout, side viewing windows, moulded skirting, 12-inch brass dial with silvered Roman and Arabic chapter ring, bottom of the dial plate highly engraved with figural and scroll work, signed Tempus Rerum Imperator David Lestourgeon, London within an ormolu frame depicting father of time, five pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1720, associated to the 18th century case, 216cm high
A Japanned Thirty Hour Longcase Clock, signed William Stumbels, Totnes, circa 1750, the case with a caddied pediment, glazed side windows, case with oriental decoration throughout, reduced plinth with moulded skirting, 11-inch brass dial with silvered Roman and Arabic chapter ring signed William Stumbels, Totnes, matt finished dial centre with date aperture, four pillar movement with anchor escapement and rack striking on a bell, 194cm high
A Mahogany Eight Day Longcase Clock, signed W Bellman, Broughton, circa 1815, the good coloured case with swan neck pediment, fluted columns, wavy shaped door flanked by fluted columns, rectangular plinth with canted corners (feet missing), 15-inch arched painted dial with Arabic numerals, inner date ring with corresponding central date hand, dial centre signed and with seconds dial, floral painted spandrels, the arch painted with a view over the Lune towards Lancaster Castle, four pillar movement with attached falseplate stamped Finnemore, anchor escapement, rack striking on a bell, 222cm high
An Oak and Burr Oak Crossbanded Eight Day Longcase Clock, circa 1820, case with swan neck pediment, arched trunk door with burr oak crossbanding and fluted pilasters, rectangular plinth with bracket feet, 14-inch arch painted dial with Arabic numerals, date aperture, seconds dial, the arch with rolling moon, four pillar movement with attached falseplate stamped Walker & Hughes, anchor escapement, striking on a bell, 238cn high
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