We found 123939 price guide item(s) matching your search
There are 123939 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
123939 item(s)/page
Norah McGuinness HRHA (1901-1980) PORTSALON, COUNTY DONEGAL, c.1931-1937 oil on canvas with original inscribed label on reverse detailing title, price [£14-14-0] and artist's address [Bell Steps, Hammersmith Terrace, W6] on reverse 18 by 22in. (45.7 by 55.9cm) A gift from the artist to the present owner's father, who worked for Norah McGuinness during her role as Display Director with Brown Thomas, Grafton Street, Dublin; Thence by descent The date of the present work is tied to the artist's London address at this juncture. McGuinness lived at Bell Steps, Hammersmith Terrace from 1931-1937. During this period she would return to Ireland in the summers to her cottage in Donegal, where the present work was painted. For further reading see Snoddy, pp.384-387.
A 19th century French alabaster and gilt metal demi lune portico clock garniture. With enamel dial having Arabic numeral markers and flower garlands. Housing an 8 day cylinder movement by Samuel Marti, striking half hourly on a bell, 34cm. Condition Report. To be used as a guide only. Runs only for a short timing. Strike function not working. Stone in good order. Metal work tarnished. Fine cracks to the dial. Pendulum but no key.
An early 19th century French gilt bronze portico mantel clock. Decorated to the entablature with relief anthemia, with column supports over a stepped plinth. Having enamel dial with Roman numeral markers signed Gabriel Leroy, Paris. Housing an eight day cylinder movement striking on a bell, 54cm. Condition Report. To be used as a guide only. With pendulum. No key. Bronze and enamel in good order. Not running.
A French Art Deco verdigris terracotta figural eight day mantel clock striking on a bell. Surmounted by two nymphs huddled around the rectangular dial and raised over a stepped plinth. With applied chrome Arabic numeral markers and signed M. Schnerb, terracotta signed Fath, 64.25cm wide. Condition Report. To be used as a guide only. Slight chips to the terracotta. Pendulum lacking.
An Art Deco Maurice Frecourt slate, onyx and marble clock garniture surmounted with a gilt and silvered bronze model of a stylized golden pheasant. Housing an 8 day movement striking half hourly on a bell, Signed Frecourt, clock 41cm. Condition Report. To be used as a guide only. Loss to the rear right corner of the clock plinth. Sold with key and pendulum. Springs intact but the clock doesn't run, probably needs a good service.
19th Century Ashley Down Orphanage Unframed Sampler Worked by Celia Bell, in red cross stitch on a linen ground, with alphabet in various fonts to the upper half and numerous decorative motifs below, including an elephant, cow, cockerel, steam engine, pointing hands, flags, crown, Prince of Wales feathers, heraldic crest, love hearts, houses, bible, the names Ernie, Alice, Clara, Miss Doman etc, backed with linen, 27cm by 38cm Thomas Edward Bell aged 21, a railway clerk for the NER married Sarah Jane Coates aged 17 in Sunderland 1881. They went onto have five children, Ernest born 1882, Audrey 13 January 1884, Celia born 9 April 1886, Hilda born 19 December 1887 and Rhoda 1893. Thomas became a fireman on the SS Rothiemay of Newcastle and unfortunately died of an internal haemorrhage, whilst on board, due to a broken blood vessel in August 1894. Two years later Sarah Jane died in Byker, Newcastle upon Tyne, age 33 of pulmonary tuberculosis. Their aunt Mrs C A Coates of Rothbury Terrace, Heaton, Newcastle-upon-Tyne contacted the Ashley Down House, to see if she could place the children in their care. In 1896 Mrs Coates contacted Thomas Bells mother in Sunderland and wrote, 'I told her of the death of the mother and how destitute the five children were, but she would not assist them in anyway, and told me plainly she would do nothing for them, so I have not troubled her again' They were entered into the Ashley Down register on the 3rd September 1896 and numbered as 9435 - Audrey, 9436 - Celia, 9437 - Hilda. Each child needed signatures from various relatives to achieve entry. Audrey was 12 years when sent to Ashley Down as due to failing health, it was felt she would not be able to get a job whilst in this condition. Ernest stayed in Heaton, age 14 as he gained a job as an errand boy. Rhoda aged only 3, was adopted by a local lady and given a home. The Bristol and District Teachers Association created the needlework scheme for the orphanage. Needlework and the samplers they produced were intended as a means to demonstrate the child's proficiency and diligence with a needle. They followed a model sampler made by the teachers, working the alphabet in various fonts always to the top, on the lower half the girls could add motifs of their own or copy from the teaching model. These works demonstrated to potential employers their ability to sew, mark and mend linen. Celia Bell left Ashley Down on the 22nd June 1903, having gained employment as a house parlour maid to Mrs Stancombe at Rockville, Weston Super Mare.Some staining overall to the backing cloth, and a couple of small dark stains. Some discolouration to the reverse.
A GEORGE III MAHOGANY LONGCASE CLOCK WITH RARE BATTERSEA ENAMEL DIAL the flamed mahogany case with architectural pediment above an ogee moulded glazed door on long slim trunk with reeded quarter columns and canted box base. The 12.5" square Battersea enamel dial with Roman and Arabic chapter ring and rose coloured foliate decoration and four exotic bird painted spandrels, the centre with subsidiary seconds dial, fronting a weight driven eight-day movement striking the hours on a bell 228.5cm high.
WILLIAM ADCOCK, LONDON, A MID 18th CENTURY EBONISED BRACKET CLOCK the inverted bell top case with applied mouldings to the front and back doors inset with sound frets to the top corners enclosing a 7" arched brass dial, silvered Roman chapter ring and matted centre with calendar aperture, the signed arch with matching subsidiary dials for Strike/Silent and regulation fronting a double fusee spring driven 5 pillar movement with verge escapement and engraved back plate striking the hours on a bell 47.5cm highConditionIn good original working condition
ROSSI, NORWICH. A REGENCY EBONISED DOUBLE FUSEE WALL CLOCK with octagonal brass inlaid surround on matching trunk with fan ears, pendulum aperture and hinged door, the 12" convex painted Roman dial fronting a chain driven eight-day double fusee movement with shaped shoulders striking the hours on a bell 70cm overall
JOHN CLOWES, LONDINI. A LATE 17th CENTURY 10" DIAL EIGHT DAY LONGCASE CLOCK MOVEMENT having a silvered engraved Roman and Arabic chapter ring, gilt brass matted centre with ringed winding holes, silvered seconds dial and calendar aperture, the corners with fine gilt winged cherub head spandrels. The five finned pillar plated movement having outside countwheel striking the hours on a bellConditionIn unrestored condition, escape wheel not original, missing a sixth pillar, no weights or pendulum.
WILLIAM KNOTTESFORD, LONDINI. A FINE WILLIAM AND MARY FLORAL MARQUETRY WALNUT 10" LONGCASE CLOCK the panelled marquetry case with floral inlays having a rising hood and barley twist columns; standing on its original base with bun feet. The 10" brass dial with silvered chapter ring and winged cherub spandrels, matted centre with seconds dial and date aperture. Fronting a five pillar eight-day movement with chamfered cut plates, inner countwheel strike on a steel bell.194cm highConditionIn fine untouched condition. The base is original and the surface has good untouched patina, the marquetry panels have not been sanded or refinished. The rising hood has a replaced ironwork locking spring and the spoon is missing to lock the door. Bun feet probably old replacements.
JOHN EBSWORTH AT THE CROSSKEYS, LOTHBURY, LONDINI FECIT. A LATE 17th CENTURY BRASS LANTERN CLOCK the 6.25" brass engraved Roman chapter ring with tulip engraved centre and Arabic alarm dial fronting a posted framed with hook and spike, 30 hour weight driven movement with verge escapement and anchor shaped pendulum swinging between the plates into winged apertures on either side of the case, the hours and alarm strike on a bell supported above the dial 38cm high.
ROBERT FLEETWOOD, LONDON. A GEORGE III EBONISED QUARTER CHIMING AUTOMATON BRACKET CLOCK the bell top case with brass pineapple finials and mounted brass moulding above shallow arched glazed door flanked by brass caryatid mounts and side carrying handles on plinth base and bracket feet. Enclosing an ogee shaped top dial having painted seascape behind rocking ships above a silvered engraved Roman and Arabic chapter ring with small subsidiary dials to the corners for Chime/silent and days of the week, matted centre with calendar aperture and mock pendulum. Fronting an eight-day spring driven double fusee movement with five knopped pillars and verge escapement chiming the quarters on a nest of eight bells and the hour on a separate bell 60cm high.
ARCHIBALD JOHN CURRIE, LONDON. A RARE GEORGE III ENGLISH DOUBLE FUSEE AUTOMATON PICTURE CLOCK the hinged moulded gilt frame with inner black and gilt glazed hinged slip enclosing a painted country village scene of children playing on a rocking seesaw with rotating windmill and clock tower in the background fronting a double fusee spring driven movement with engraved border and signed backplate striking the hours on a bell, inner back of case with original clockmakers label 55cm high 70cm wide overall; with original door locks and keysConditionIn very good original condition.
A FINE 19TH CENTURY DOUBLE FUSEE BRASS SKELETON CLOCK with finely cut pierced leaf shaped frames joined by six pillars and having five-spoke wheel work, silvered chapter ring with Roman numerals and blue steel hands; fronting a double fusee chain driven 8-day movement striking the half hours on a bell and hours on a steel gong. Mounted on a white marble base and finely made adjustable pendulum 50cm high.ConditionIn good original condition having its original white marble base, the glass dome is later and is slightly too small for the clock.
A LATE 19th CENTURY EBONISED EIGHT BELL QUARTER CHIMING BRACKET CLOCK the case with inverted bell top ormolu gallery and four pineapple finials above ormolu mounted glazed arched door, side carrying handles and pierced brass sound frets to sides, the 8" brass arched dial with silvered Roman chapter ring and matted centre having two subsidiary dials to the arch for Chime/Silence and tune selection fronting a substantial eight-day triple fusee movement with full engraved backplate chiming the quarters on eight bells and the hour on a gong 54cm high. Condition In good restored condition, the silvered dial has a patched mock pendulum hole and the movement has been converted from verge to anchor.
JOSEPH SMITH, CHESTER. AN EARLY 18th CENTURY PROVINCIAL WALNUT BRACKET CLOCK with bell top pediment surmounted by a hinged brass handle above square case on bracket feet enclosing a 7" square brass dial with silvered engraved Roman chapter ring and matted centre with ringed winding holes and calendar aperture fronting an eight-day double fusee movement with full engraved backplate and five finned pillars striking the hours on a bell, now with anchor escapement 39cm high without handle Condition In nice condition, movement original to the case, originally a verge now converted to anchor
JOSEPH WINDMILLS, LONDON A FINE EARLY 18th CENTURY FIGURED WALNUT 8-DAY LONGCASE CLOCK with caddy top and pierced sound frets above a fan inlaid long trunk door and unusual concave panelled base with a starburst inlay; standing on bracket feet. The 12" shallow arched brass dial with strike/silent lever to the left-hand side, silvered chapter ring, crown and cherub spandrels, engraved arch and oval silvered name plaque; enclosing a matted centre with ringed winding holes, seconds dial and date aperture. Fronting an 8-day weight driven movement with five finned turned pillars, inner count wheel strike and striking the hours on a bell 244cm high.ConditionIn good condition, been restored in the last 20 years. The clock is in good working condition but would benefit from a clean. The bottom half of the base is later, the backboard has a replaced piece at the base. There is a small piece of moulding which has lifted on the hood.
-
123939 item(s)/page