An 18th century oak provincial longcase clock, by John Lawson (probably of Bradford or Bingley), the weight driven movement with four knopped pillars and outside countwheel bell strike, the arched Roman brass dial with outer Arabic minute track, matted centre with arched date aperture and three turned roundels, gilt brass scroll spandrels and sun mask to arch, the case with broken arched top with central brass finial over an arched door with turned fruitwood columns, the canted trunk with serpentine arched door, on a plain base with bracket feet, 91in. (231cm.) high.
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An early 19th century waxed pine 30 hour longcase clock by T. Watson, the square painted Roman dial with floral spandrels and birds, arched date aperture and brass signed maker's plate, the bell strike movement with outside countwheel strike and four knopped pillars, the hood with flared top on turned columns, the trunk with turned quarter columns and plinth base, 78½in. (199.5cm.) high.
A late Georgian oak and mahogany cased longcase clock by Rogers of Dudley, second quarter 19th century, the arched brass dial plate with mask and dolphin spandrels, silvered Roman chapter ring and engraved centre with winged mythical beasts, subsidiary seconds dial and arched date aperture, signed to roundel to the arch, eight day bell strike movement, the mahogany hood with swan-neck pediment over reeded columns, conforming with the half-length quarter columns flanking the shell inlaid door on the oak trunk, over a deep box base with shell inlay, on bracket feet, 96½in. (245.2cm.) high.
An early 19th century Channel Islands mahogany longcase clock by Naftel of Guernsey, the eight day bell strike movement fronted by an arched silvered dial with Roman chapter ring and Arabic outer minute track, subsidiary seconds dial below 12, date aperture above 6 and strike/silent ring to the arch, signed 'Naftels Guernsey', the arched hood with two eagle and ball finials, on tapered reeded columns with brass acanthus capitals, the trunk with arched door and checker board stringing between fluted half columns to the canted corners, above a deep base with conforming inlay and quarter fans to the corners, standing on a moulded plinth, 83in. (210.75cm.) high.
Dame of Sark interest - an early 19th century inlaid mahogany North Country eight day longcase clock, by Thomas Dodson of Leeds, with bell strike movement fronted by an arched painted Roman dial signed 'Dodson Leeds', with painted floral urn spandrels and cornucopia to arch, subsidiary seconds dial at 12 and date dial at 6, the case with swan's neck pediment on turned columns, the trunk with crown-top door within kingwood and mahogany cross banding, on an inlaid roundel base with bracket feet, 92in. (234cm.) high. * Provenance: Previously owned by Dame Sybil Hathaway, the Dame of Sark and purchased at auction by the current owners in Guernsey.
A Victorian slate mantel clock. With enamel dial having visible anchor escapement. With gilt metal lion mask handles and bracket feet. Housing a French 8 day cylinder movement striking on a bell stamped for Samuel Marti, 32cm high. Sold with key and pendulum. Running. Case in good order with some expected nibbles to the slate.
A Victorian slate and gilt metal mantel clock. Surmounted by a bacchanalian putti, with Classical pilasters and brass chapter ring with Arabic numeral markers. Housing a French 8 day cylinder movement striking on a bell stamped A. D. Mougin, 44cm high. Running. With pendulum but no key. Case in good clean condition.
AN ART NOUVEAU FRENCH CLOCK GARNITURE DE CHEMINEE the Gothic numeral dial with twin train drum movement and outside count wheel bell strike, the black and green veined marble case mounted with a spelter figure of a woman emblematic of Autumn, flanked by a pair of twin handled urn form vases, clock 61cm high, complete with pendulum and key Condition: the dial with chips around the winding holes, minor surface scratches, the gilding with some minor pitting and wear, the marble with some small chips to the corners, a crack to the top of the clock, marble on the garnitures with small chips
A 19TH CENTURY CONTINENTAL VERNIS MARTIN PAINTED METAL MOUNTED MANTLE CLOCK the shaped case decorated with a boy and a girl and splays of flowers, the cast brass dial inset with enamel numeral, the French movement striking the hours and half hours on a bell, 17.5cm wide x 10.5cm deep x 35.5cm high Condition: the case with wear and marks to the painted decoration and some fading to the lacquer, small loss of the moulding to the case just behind the cast finial, the movement in need of cleaning and repair, the clock complete with original pendulum, small split to the front of the case lower right, moderate condition overall
A GEORGE I WALNUT EIGHT DAY LONGCASE CLOCK by William Moore of London, the case with quarter veneered door with crossbanded border and moulded decoration, the hood with blind fret work banding and pilaster columns, the 12 inch brass dial with subsidiary second hand, signature plaque and date aperture to the matted centre, and with mask decorated spandrels to the corners, the movement striking the hours on a bell, 51cm wide x 27.5cm deep x 217cm high Condition: marks, dents and scratches overall due to age and use, the plinth base almost certainly a later addition, the plinth with inserted newer timber to the rear, the door with slight loss to the moulding top right corner, the lenticle a later insert, the interior of the door with an ivorine label for Percy Webster 87 Great Portland Street and with a further Percy Webster paper label stating that William Moore was apprenticed in 1693 to Ben Johnson, small loss to the crossbanded veneer at the top of the bracket just below the hood on the left hand side, the hood with lock lacking to the front door, signs of restoration to the structure and possibly later inset glass sides, the movement seemingly in reasonable condition but in need of a clean, complete with two matched cast iron weights, winding key and a pendulum
A SELECTION OF CUT GLASS ETC, to include Royal Albert branded wine glasses (x6), brandy glasses (x2), unbranded but matching wine glasses, vase, rose bowl and water jug, six Babycham glasses, ships decanter (clouding) bell shaped decanter (light clouding), Murano, Caithness, Alum Bay glass etc
A Gorham "Chantilly" pattern, designed by William Christmas Codman (1839-1921), sterling silver flatware. Marked on bottom. ++ One tea bell. 5". ++ One serving fork. 8 1/2". ++ One serving spoon. 8 1/2". ++ One scalloped sugar spoon. 6". ++ Twelve spoons. 5 7/8". ++ Twelve ice tea spoons. 7 1/2". ++ Twelve soup spoons. 6 1/4". ++ Twelve cocktail forks. 5 1/2". ++ Twelve forks. 6 3/8". ++ Twelve forks. 7". ++ Twelve butter knives. 6 5/8". ++ Twelve knives. 9". ++ Includes original catalog order form. One-hundred piece total. Approximately 81.21 ozt.
A Jacobite air twist glass, height 14.9cm, the slightly bell shaped bowl engraved with moth in flight and flowers with leaf trails, together with a Jacobite double series opaque twist glass, the ogee bowl engraved with bird in flight and with rose and bud, height 13.7cm. (2)Condition: The smaller glass with chip to base rim.
AN 18TH CENTURY WINE GLASSCirca 1760With bell bowl and double series opaque twist knopped stem, raised on a plain foot.16cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In very good condition without chips or cracks.
A MID 18TH CENTURY WINE GLASSWith bell bowl, plain stem and foot.17cm.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Minute chip to bowl rim, in otherwise good condition.
A SALVIATI GLASS CANDLESTICKThe ribbed bell-shaped candlecup raised on a conforming three-knopped stem issuing from a flattened circular foot, 19th Century. 15.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In excellent condition without damage.
A SILESIAN SCHWARZLOT WINE GLASSEarly 18th CenturyThe trumpet shaped bowl enamel painted with a stag being shot, raised on a baluster stem issuing from a decorated circular foot with moulded edge, (chips); together with an 18th Century wine glass with bell shaped bowl and folded foot and an air twist wine glass with conical bowl. (3)Silesian 17.6cm.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The Schwarzlot glass has chips to the foot, as does the airtwist. The folded foot glass is in good condition.
AN OAK EIGHT-DAY LONGCASE CLOCK, RICHARD RICHARDSON, with caddied hood, pointed arch trunk door with lenticle, 12-inch square brass dial with chapter ring signed Richard Richardson, seconds dial and date aperture, dial with engraved borders, four pillar movement with anchor escapement and inside countwheel striking on a bell. 221.5cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.With pendulum, two weights and winder.
A LIGHT BALUSTER WINE GLASSCirca 1730With bell bowl on a knopped tear-drop stem, raised on a domed folded foot.16.3cm.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In good condition without damage.
World War Two (WW2) campaign medals - JX248637 Petty Officer Thomas Carmichael Bell, British Empire Medal (Military Division) presented by the King for bravery and enterprise during an enemy attack on the city of Plymouth, 1939-45 Star, Atlantic Star, Burma Star and War Medal, served Royal Navy, orig from Thornton, Fife - included in the lot are many original Admiralty documents relating to the presentation of the B.E.M., invitation to Buckingham Palace, London Gazetter supplement and similar. Original official letter from D.E.M.S. Admiralty states that 'at the height of a very heavy attack, Bell acting on his own initiative and realising the great risks involved, crawled through and under piles of burning debris, he rescued two seamen. He showed entire disregard for his safety throughout'.
Set of 10 antique musical hand bells probably by Thomas Mears, cica 1825 (in the key of C from C15 - E); also another later cast musical hand bell with "17" stamped on the crown and with clapper springs (11) * The set of 10 bells have concentric parelell lines engraved inside characteristic of the maker Thomas Mears (See Butler Musical Hand bells - page 130)
Mike Summerbee, Colin Bell and Francis Lee Signed Manchester City 1969 Fa Cup Winners Commemorative Cover . Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Surtees, Mr Sponges' Sporting Tour, published Bradbury & Evans, London 1860, with illustrations by John Leech in gilt tooled leather binding; The Diary of Samuel Pepys, published G Bell and Sons Ltd., London 1923 (in three volumes); and thirteen volumes cataloguing the works of Trollop, published by Dodd, Mead & Company, New York 1892 (qty)
A group of miscellaneous items including hard-stone elephant carving; blue glass rinsers and ashtrays; African carved wood bowl stand; three jewellery boxes containing a quantity of costume jewellery; a very small group of low-denomination GB coins; cut glass inkwell; a Heredities resin figure of a boy and dog; a carved wooden elephant model; a brass 7lb weight; a brass and turned wood hand-bell; three Chinese hardwood stands of varying size; a reproduction painted wall bracket; a modernist sculpture of a duck; cased silver handed Christening knife and fork; dominoes; two salmon fly rods; wicker basket; and a small group of other items (in three boxes)
A group of eleven decanters comprising four pressed glass square form examples, one 20th century port example, a triple ring neck example, a cut glass baluster example, a cut glass mallet form example, and two others (some lacking or with associated stoppers), four additional associated stoppers and a glass hand bell (in one box)
Royal Doulton figures to include; The Old Balloon Seller HN1315, Babie HN1679, Tootles, This Little Pig HN1793, Top O The Hill HN2127, Monica HN1467, Greta HN1485, Peggy HN2038, Penny HN2338, Autumn Breezes HN 1934, Tinkle Bell HN1677, Christmas Morn HN3212, Forget Me Not HN1813, Marie HN 1870, Top O The Hill HN 2126, Coalport figure Catriona, (16)
[BOOKS]. ANTIQUES & COLLECTING Twelve assorted works, including Pinto, Edward & Eva. Tunbridge and Scottish Souvenir Woodware, first edition, Bell, London, 1970, cloth, dustjacket, plate and text illustrations, square octavo; and Plas, Solange de. Les Faiences de Rouen du Nord de la France et de la Region Parisienne, Massin, Paris, no date, boards, dustjacket, colour illustrations throughout, square octavo.
Charles March Gere (1869-1957) "Cader Idris over the Estuary and Old Wooden Bridge at Barmouth, Wales" signed (lower left) oil on glass 17.5 x 27cm. Infomation: inscribed to reverse "copy of Cader Idris from Barmouth, a large oil, by Charles Gere which was exhibited at the Royal Academy, 1938, no. 82. This oil on glass was a demonstration to his sister Margaret Gere on how to paint on glass. Original frame hand dressed in gold leaf by Edith Payne, the artist's sister". Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection shown in this auction.
Margaret Gere (1878-1965) "The Baptism of Christ", 1924 signed and dated (lower right) oil on board 23.8 x 18.5cm. Exhibited: The Barbican Art Gallery, London, The Last Romantics, catalogue no. 101; City Museum & Art Gallery, Birmingham, Mastery Art (Birmingham School of Art 1884-1920), November 1986 - January 1987; Cheltenham Art Gallery & Museums, Margaret Gere Exhibition, catalogue no. B4, 21 January - 3 March 1984. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection shown in this auction.
Margaret Gere (1878-1965) "Pinks and Sweet Peas" signed (lower right), inscribed (to label on reverse) oil on glass 22 x 16.5cm. Exhibited: Cheltenham Art Gallery & Museums, Margaret Gere Exhibition, catalogue no. E4, 21 January - 3 March 1984. Provenance: From the collection of John Redman (b.1937). John Redman lived with the Payne and Gere families in their Cotswold home during the 2nd World War from 1940 to 1944. He points out the home was a constant visiting location for a number of important artists and writers including Sir Stanley Spencer, Vanessa Bell, Virginia Woolf, Sir William Rothenstein, George Bernard Shaw, John Betjeman and many others. He has collected a comprehensive range of the Payne and Gere families works through a lifetime's friendship with Edward R. Payne (1906-1991), the Payne's second son of three and also an artist. These are well represented by the selection included in this auction.
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123896 item(s)/page