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Click here to subscribeA late 19th Century Japanese carved hardwood five-tier pagoda with turned finial above the graduated tiers, decorated with suspended carved wooden bell-shaped motifs, pierced carved foliate scrolls and flowerheads, raised on dwarf cabriole style legs with claw and ball feet, 87in. high. See illustration
A Victorian silver christening mug in the late 17th century taste, the S-scroll handle on a body of inverted bell form with engraved, ropework and embossed wrythen decoration, inscribed in an oval medallion "I.L.W.S from his Aunt MS" (by Martin, Hall & Co. of Sheffield, London 1886), 7.8 cm high, 4 oz
A NYMPHENBURG PART TEA SET comprising four cups and six saucers, each decorated with swags of bell flowers; a Royal Crown Derby floral decorated cream jug; a similar 'Derby Posies' pattern small dish, a Rosenthal blue and white jug and matching side plate, a Copenhagen oval spill vase, four various Bavarian dishes and a Grafton china miniature jug (20).
W J DOHERTY: IN THE DAYS OF THE GIANTS MEMORIES OF A CHAMPION OF THE PRIZE-RING, 1931, 1st edn, orig cl + JAMES R FAIR: GIVE HIM TO THE ANGELS THE STORY OF HARRY GREB, NY 1946, orig cl, d/w (tatty) + LESLIE BELL: INSIDE THE FIGHT GAME, 1952, 1st edn, orig cl, d/w + THOMAS INCH: SPALDING'S BOOK ON BOXING AND PHYSICAL CULTURE, [1945], 1st edn, orig cl + DENZIL BATCHELOR: BRITISH BOXING, 1948, 1st edn, orig bds, d/w + four other boxing interest (9)
A Regency mahogany eight day longcase clock, the 12” arched brass dial signed ‘John Robertson, Edinburgh’ to the arch with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer ring of Arabic numerals, the eight day movement striking on a single bell, the hood with swan neck pediment over pierced frieze, over an arched glazed hood door, over a long trunk door, between reeded quarter front corner pilasters on a box base and later plinth skirting, 216cm high
An eight day longcase clock, mid 18th century, oak, the 9.5” square brass dial signed ‘Hampson, Wrexham, 804’ with ring of Roman numerals and foliate pierced corner spandrels, the associated eight day movement striking on a single bell, the hood with ogee moulded corners over a honeysuckle pierced frieze and glazed square hood door, over a shaped trunk door with brass key escutcheon on a box base and cut out plinth, 198cm high (at fault)
A late George III thirty hour longcase clock, oak, crossbanded rosewood, the 12” arched painted dial signed ‘Jones, Newtown’ with a portrait study to the arch and florally painted spandrels over a ring of Roman numerals, the restored movement striking on a single bell, the hood with swan neck pediment over an arched hood door and turned and tapering front corner hood pilasters over a short trunk door with later Art Nouveau moulded central motif between quarter fluted front corner trunk pilasters on a box base (lacking feet) 195cm high,
A George III bracket clock, ‘Cha Clay’, London, the 6” dial with mock pendulum aperture, foliate pieced spandrels under a subsidiary calendar dial to the arch, signed to the centre of the silvered chapter ring with inner Roman and outer Arabic numerals, the five pillar movement with single fusŽe, verge escapement with repeat pull for the hours and quarters, striking on one large and two small bells, the movement with foliate engraved back plate, the case with inverted bell top under a swing handle with arched glazed front door, glazed sides and back on short block feet, 24cm wide, 45.5cm high, 15cm deep (with repairs and renewals)
A late George III eight day longcase clock, oak, the 12” arch painted dial signed ‘William Gardener, Brigg’ with centred subsidiary seconds dial and date aperture, with portrait of a seated young woman to the arch, the movement striking on a single bell, the hood with swan neck pediment over an arched glazed hood door flanked by turned and tapering front corner hood pilasters over an arched trunk door, on a box base and later skirting plinth, 205cm high
A Victorian credenza, figured and burr walnut, tulipwood crossbanded, boxwood and ebony line strung and marquetry decorated, the banded top with four rounded proud front corners over two central cabinet doors, each marquetry decorated depicting classical motifs within a shield flanked by bell flowers under scrolling acanthus leaves above a garland to the base, all within a leaf moulded gilt metal surround, the doors opening to reveal two fixed shelves, flanked by open shelves with mirror backs and fluted baluster twin front corner pilasters with gilt metal leaf and spiral mounts on a crossbanded plinth base, 189cm wide, 103cm high, 48cm deep
A fold-over card table, 20th century, mahogany and satinwood in the manner of Hepplewhite, the table top with central fan inlay with painted bell flowers opening to reveal a baize lined interior on four square tapering legs terminating in spade feet with matching pull-out leg to the centre of the back to support the fold-over leaf, 91cm wide, 77.5cm high, 46cm deep
RICHARD STONEHOUSE, WHITBY (1715-1809), AN 18th CENTURY OAK AND CROSS-BANDED LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, complete with (original) 28cm arched brass dial, signed in the arch, with date crescent, now with eight-day two-train weight driven movement striking on a bell. 2.28m
Silver: 4 Piece Writhen Cruet Set, 2 peppers, mustard with blue liner & trent of salt, silver bonbon dish with bead & Bell Flower decoration, 5 decanter labels, Sherry, Port, Brandy, Whisky & Rum, engine turned cigarette box makers Mappin & Webb & white metal cigarette box with applied elephant to top
Large Gilt Spelter & Slate Mantle Clock, base supported by 2 cherubs with animal paw feet, central engraved marble panel with acanthus leaf sides, secondary plateau with drum movement, black face with gilt Roman Numerals, basket of flowers surmounted by classical draped young lady, marked G J & Co striking on a bell
2 C19th Gilt Spelter Mantle Clocks the first with pink & gilt decorated dial set with Roman numerals, 2 train movement, marked A & M striking on a bell, the case decorated with aesthetic period panels, classical scenes young woman with Cupid, the second Gilt French Time Piece, blue decorated dial set with Chinese Numerals, panel of butterfly on animal paw supports, Arab Head Finial, drum movement (2)
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