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A small collection of 20th Century Royal Crown Derby porcelain items to comprise a table bell, oval pill box, small bud vase, twin handled pedestal cup, cylindrical spill vase, and ginger jar and cover all in the 1128 Old Imari pattern, together with a small footed ovoid coal skuttle vase in the 2044 pattern, tallest 11cm. (7)
A George III line inlaid mahogany longcase clock with eight-day movement striking on a bell, with a twin swan neck pediment above the 14 inch painted broken arch dial, with Adam and Eve automaton to the arch, with subsidiary seconds and date dials, signed John Barber, Nottingham, with an inlaid foliate paterae to the trunk door and the base, height 240cm.
A rare engraved Jacobite firing or toasting glass, circa 1750The waisted bell bowl with a solid base, decorated with a six-petalled rose on a thorny stem with two buds, one open and one closed, the other side with a thistle spray, a fruiting oak sprig bearing a single acorn, 'Fiat' and a star, on a heavy circular 'firing' foot, 8.1cm highFootnotes:ProvenanceKenneth Alexander CollectionWith Asprey, 1985Durrington CollectionLiteratureL M Bickerton, Eighteenth Century English Drinking Glasses (1986), p.286, no.911Peter Dodsworth, The Durrington Collection (2006), no.22ExhibitedAsprey, '100 British Gasses', 1985, catalogue pp.54-5, no.84Broadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.11According to Geoffrey B Seddon, The Jacobites and their Drinking Glasses (1995), the engraving might be attributable to Engraver A in the author's nomenclature.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A baluster wine glass, circa 1725-30The slightly waisted bell bowl with a solid base, set on a large teared ball knop, the tear extending into a slender inverted baluster, over a folded conical foot, 16.3cm highFootnotes:ProvenanceWith Asprey, 1991Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.11ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.24This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A remarkable set of six colour twist wine glasses, circa 1765With bell bowls, the stems each containing an opaque white spiral gauze encircled by three threads, one iron-red, one pale blue, and one white, over conical feet, 17.9cm high (6)Footnotes:ProvenanceWith Asprey, 1987Durrington CollectionLiteraturePeter Dodsworth, The Durrington Collection (2006), no.55ExhibitedBroadfield House Glass Museum, 'Majesty & Rebellion', 1999, catalogue no.29Whilst colour twist wine glasses are remarkable in themselves, a fully matching set of six such as this is a truly remarkable survival.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of Victorian needlework and beaded pocket watch wall pockets together with a mid 20th Century brown sable fur swing coat having a shawl collar and bell sleeves, 42" chest x 41" long, 2 vintage brown ermine shawls, one with tail tassels, a vintage leather briefcase and a quantity of vintage table linen. Location:Rail +RWM
GEORGE III PAINTED WALNUT LONGCASE CLOCK, JAMES SPEIGHT, TONG LATE 18TH CENTURY the hood with a pagoda pediment, enclosing a 12 inch brass engraved breakarch dial with silvered chapters with Roman numerals, subsidiary calendar dial flanked by scrolls and birds, the maker's name inscribed to the top of the arch 'Speight, Tong', the arch with a painted scene of a shepherd with his flock, above a moulded trunk door with lenticle, on a plinth with bracket feet, the case painted with Classical motifs within scrolling foliage, the eight-day two train movement striking a bellDimensions:243cm high, 55cm wide, 30cm deepProvenance:Provenance: Henryson-Caird Collection, Cassencarie House
PLASTER BUST OF ROBERT STEVENSON, AFTER SAMUEL JOSEPH 19TH CENTURY marked to the back 'S JOSEPH SCULP./ EDINR 1827'; on an ebonised fluted columnDimensions:Bust 54cm high; column 117cm high, 42cm diameterProvenance:Provenance: Stevenson CollectionNote: Note: Robert Stevenson, FRSE, FGS, FRAS, FSA Scot, MWS (Scottish 1772–1850) was a civil engineer, designer and builder of lighthouses. His works include the Bell Rock Lighthouse. This is a copy of a marble bust of Stevenson by Samuel Joseph RSA (British 1791 – 1850), commissioned in July 1824 by the Northern Lighthouse Board.
BRASS MODEL OF THE BELL ROCK LIGHTHOUSE CIRCA 1900 on a rectangular base, unmarkedDimensions:24.2cm high, 10.8cm wide, 16.5cm deepProvenance:Provenance: Stevenson CollectionNote: The Bell Rock lighthouse, engineered by Robert Stevenson, was built between 1807 and 1810. The masonry work was to such a high standard that it has not been replaced for over 200 years. It lies in a treacherous stretch of the North Sea, twelve miles east of Dundee. The lighthouse was built on a rock known as the Bell Rock (or Inchcape). According to legend the rock got its name because, in the 14th century, the Abbot of Arbroath had a warning bell installed on the rock, which floating debris, the winds and the sea would act upon to toll the bell and warn mariners of this approaching danger. Soon after installation the bell was carried off by Dutch pirates. The lighthouse had the first revolving light in Scotland. It was de-manned in 1988 and from then it has been remotely monitored from the Northern Lighthouse Board headquarters at 84 George Street, Edinburgh. It is still an active lighthouse today. Because of the engineering challenges that were overcome to build the lighthouse, it has been described as one of the Seven Wonders of the Industrial World.
SCOTTISH BLONDE MAHOGANY DRUMHEAD LONGCASE CLOCK, JAMES RITCHIE & SON, EDINBURGH EARLY 19TH CENTURY the moulded hood enclosing a 13 inch painted cream enamel signed dial with Roman numerals and subsidiary seconds and date dials, above a case with moulded door flanked by chamfered corners, on a plain plinth, the twin train movement striking a bellDimensions:208cm high, 46cm wide, 23cm deepProvenance:Provenance: Stevenson Collection
REGENCY SATINWOOD BRACKET CLOCK, BY CATLING, WELLINGBOROUGH EARLY 19TH CENTURY with break-arch top and brass handle, above the cream enamel dial with Roman numerals and signed 'Catling, Wellborough', above marquetry fan panels, the twin train chain fusée movement striking a bell, the engraved backplate also signed, raised on a plinth baseDimensions:33cm high (handle down), 24cm wide, 17cm deep
VICTORIAN GOTHIC STYLE GILT BRONZE AND BRASS MANTLE CLOCK, BY WILLIAM JEFFERIES, BRISTOL 19TH CENTURY the 5 inch silvered dial with Roman numerals, signed to the centre, in an arched architectural case with brass panels mounted with Gothic tracery and surmounted by three foliate finials, on a stepped base with cast scroll bracket feet, the twin train movement striking a bellDimensions:28cm wide, 38cm high, 18cm deep
FRENCH ROCOCO REVIVAL GILT BRONZE MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with black Roman numerals and Arabic five minute markers, in a waisted rococo case with pierced fret panels surmounted by an acanthus finial, on an integral stand, the twin train brass movement striking a bellDimensions:34cm high, 22cm wide, 15cm deep
FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK LATE 19TH CENTURY the blue porcelain and gilt dial with Roman numerals, the arched case with an urn finial, flanked by acanthus scrolls, husk trails, and berries, a central porcelain panel of an amorous couple in a garden, on an acanthus moulded plinth with four bracket feet, the twin-train movement striking a bellDimensions:40cm high, 18cm wide, 13cm deep
FRENCH GILT BRONZE AND SÈVRES STYLE 'BLEU DE ROI' PORCELAIN MANTEL CLOCK GARNITURE LATE 19TH CENTURY the jewelled and gilt porcelain dial painted with a landscape mask, the clock set within an a gilt bronze oval case with acanthus moulding and porcelain frieze panels, surmounted by a porcelain urn painted with reserves of courting figures and landscapes with female mask handles, the base with floral garland swag appliques on a pair of bracket and four toupie feet, the brass Japy Frères twin train movement striking a bell; with a pair of matching vases en-suiteDimensions:the clock 33cm wide, 42cm high, 21cm deep
FRENCH EMPIRE STYLE GILT BRONZE AND MARBLE FIGURAL MANTEL CLOCK, MAPLE & CO, PARIS LATE 19TH CENTURY the white enamel dial with Roman numerals signed 'Maple & Co Ltd, Paris', in a rectangular pedestal case modelled as a table, the female figure seated in a klismos chair and reading, raised on a stepped green marble plinth with palmette moulding on toupie bracket feet, the twin train brass movement striking a bell, signed Maple & Co and Samuel MartiDimensions:30cm wide, 30cm high, 14cm deep
FRENCH GILT BRONZE PENDULE D'OFFICIER, BY JUMP & FILS, PARIS 19TH CENTURY the white enamel dial with Arabic numerals, two winding holes and signed 'Jump & Fils, A/Paris' and '93 Mount St, London', in a beaded bezel and gilt bronze case with flower heads, laurel wreath and acanthus loop handle, raised on pad feet, the twin train brass movement striking a bellDimensions:11.5cm wide, 17cm high (handle down), 9.5cm deep
Y FRENCH TORTOISESHELL AND GILT BRONZE MANTEL CLOCK GARNITURE, PLANCHON, PARIS LATE 19TH CENTURY the cream enamel dial with Roman numerals and Arabic five minute markers, the waisted case with rococo style acanthus mounts on bracket feet, the twin train brass Japy Frères movement with outside countwheel striking a bell, signed Planchon, with a pair of two-branch candelabra en suiteDimensions:Clock 41cm high, 20cm wide, 14cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the UK, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
FRENCH EGYPTIAN REVIVAL SLATE, GREEN MARBLE, AND BRONZE MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with Arabic numerals, the stepped architectural case topped with a patinated bronze figure of a sphinx, the dial flanked by incised and gilded hieroglyphs, the sloped plinth base with a gilt winged scarab on brass bracket feet, the twin train movement striking a bell Dimensions:39cm wide, 36cm high, 19cm deep
QUEEN ANNE WALNUT AND MARQUETRY LONGCASE CLOCK EARLY 18TH CENTURY the hood with a flat moulded cornice above a square door, enclosing a 10 inch brass dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, date aperture, and two winding holes, with pierced mask spandrels, above a walnut moulded trunk door with a circular lenticle, on a square plinth with moulding, all inlaid with figural and floral marquetry panels on ebonised grounds, the twin train five pillar movement striking a bellDimensions:199cm high, 43cm wide, 24cm deepProvenance:Provenance: Property of the late Mrs. Jean Bogie
GEORGE III OAK AND MAHOGANY MOONPHASE LONGCASE CLOCK, JOHN PATTISON, HALIFAX LATE 18TH CENTURY the swan neck cornice with embossed brass roundels, above a 13 inch painted breakarch dial with moonphase and central reserve painted with a gentleman and lady in an ironmonger's workshop, Roman numeral chapter and subsidiary seconds dial, the spandrels painted with flowers, over a moulded arch trunk door flanked by brass mounted quarter columns, on a plinth base, the twin train eight-day movement striking a bellDimensions:225cm high, 58cm wide, 25cm deep
Pierotti (Ermete). Jerusalem Explored, 2 volumes (text and plates), London: Bell and Daldy; Cambridge: Deighton, Bell, and Co., 1864, half-titles, 63 lithograph plates, maps and plans, some tinted (including 4 folding, with some strengthened to folds at verso), text in French and English, damp stain to fore-margins of some plates, half-title to volume 1 with long closed tear, first and last few leaves in volume 1 with repairs to margins, top edge gilt, modern brown half morocco, contained together in slipcase, folioQTY: (2)NOTE:Blackmer 1309.
Coquereau (l'abbé Félix). Souvenirs du voyage à Sainte-Hélène, 1st edition, Paris: H. L. Delloye, 1841, half-title, lithograph portrait frontispiece of Napoleon in his coffin at the exhumation, 4 other lithograph plates and plans, some toning, light dust-soiling and spotting, occasional light damp staining, 20th-century calf-backed cloth, 8vo, together with:[Home, George]. Memoirs of an aristocrat, and reminiscences of the Emperor Napoleon, by a midshipman of the Bellerophon, London: Whittaker & Co.; Edinburgh: Bell & Bradfute, 1838, late 19th-century half calf, gilt decorated spine, 8vo,Santini (Noe?l). Napole?on a? Sainte-He?le?ne, ou Tableau des vexations et des souffrances sans nombre que Hudson Lowe..., Paris: Philippe, Libraire, 1829, half-title, lithograph frontispiece, final leaf torn to upper outer corners with repairs, spotting throughout, modern black morocco-backed boards, 12mo,Marchand (Louis Joseph N. comte, editor). Précis des guerres de César, écrit par m. Marchand sous la dictée de l'empereur, Suivi de plusieurs fragmens inédits, Paris: Goselin, half-title, editor's signature to verso of title, toning and scattered spotting, late 19th-century black half sheep, lower joint split, covers marked and light wear, 8vo,Monkhouse (Jean). Les six dernie?res semaines de Napole?on Bonaparte, Relation ecrite a Sainte-He?le?ne et traduit de l'anglais, Paris: Cosson, 1821, 24 pp., half-title, light scattered spotting, modern wrappers, slim 8vo,Grey (Charles Grey, Earl). A Letter to the Right Hon. Earl Grey on the subject of the late arrest and removal of General Gourgaud, London: James Ridgway, [2], 36 pp., modern wrappers, slim 8vo QTY: (6)
Dickens (Charles). Dombey and Son, 1st edition in book form, London: Bradbury and Evans, 1848, engraved frontispiece, additional title and plates, errata leaf present, some browning and spotting, endpapers renewed, original green cloth, rebacked preserving original spine, rubbed and marked, 8vo, together with two other Dickens titles The Life and Adventures of Martin Chuzzlewit, 1st edition in book form, London: Chapman and Hall, 1844, contemporary half calf, worn, 8vo and an incomplete Master Humphrey's Clock, 3 volumes in one, 1st edition in book form, London: Chapman and hall, 1840-41, final volume incomplete at rear, contemporary cloth-backed boards, large 8vo, together with:Hassell (John). Tour of the Isle of Wight, 2 volumes, London: Thomas Hookham, 1790, additional engraved titles, 30 tinted aquatint plates, contemporary mottled calf, gilt decorated spines, joints cracked and some wear, 8vo,Hay (William). Religio Philosophi: Or, the Principles of Morality and Christianity, illustrated from a view of the Universe, and of Man's situation in it, London: R. Dodsley, 1753, bound with Hay (William). Deformity: An Essay, 2nd edition, London: R. & J. Dodsley, 1754, bound with Brancas (Henri Ignace de). Love and charity the basis of religion: A sermon preached before the parliament of Normandy, at the cathedral church of Rouen, on Sunday, the 30th day of December, 1753..., Translated by John Vailiant, of Lincoln's Inn, L.L.D., London: H. Carpenter, 1754, contemporary calf, rebacked, board edges worn, 8vo,Stephens (F. G.). Masterpieces of Mulready. Memorials of William Mulready, London: Bell and Daldy, 1867, hand-coloured photographic plates, some light spotting, all edges gilt, contemporary calf, gilt decoration to spine and gilt panelled boards, joints and extremities rubbed, 4to, plus other miscellaneous books including Browning (Robert). The Pied Piper of Hamelin, A Child's Story, London: Harry Quilter, 1898, illustrated in monochrome, front free endpaper inscribed by Harry Quilter, top edge gilt, original gilt blocked cloth, rebacked, 12moQTY: (a carton)
Couch (Jonathan). A History of the Fishes of the British Islands, 4 volumes, London: George Bell & Sons, 1877-78, 252 hand-coloured engraved plates, bookplate of Arthur H Anson to front pastedowns, occasional spotting, original pictorial blindstamped blue cloth gilt, spines faded, some wear to extremities, 8voQTY: (4)NOTE:Nissen ZBI 979.
Paxton (Joseph & John Lindley). Paxton's Flower Garden, 3 volumes, London: Cassell, Petter, Galpin & Co., 1882-84, 108 chromolithograph plates (2 detached in volume II, 1 detached in volume III), occasional light spotting and toning, hinges breaking in volumes II & III, all edges gilt, original pictorial cloth gilt, edges lightly rubbed, 4to, together with Pratt (Anne). The Flowering Plants, Grasses, Sedges, and Ferns of Great Britain, and their allies the Club Mosses, Pepperworts and Horsetails, 6 volumes, London: Frederick Warne and Co., circa 1870, 317 chromolithograph plates, one uncoloured plate, occasional light spotting to text (plates generally clean), contemporary green half calf, a little rubbed and scuffed, 8vo, plus Morris (F. O.) A History of British Butterflies, 3rd edition, London: Bell and Daldy, 1870, 72 hand-coloured plates, 2 uncoloured plates, some light spotting to text, original cloth gilt, spine faded, 8vo, with F. Edward Hulme's Familiar Wild Flowers, 5 volumes, circa 1870QTY: (15)
Selection Of Royal Navy Sailor Uniformsincluding blue, sailor's top with Gunnery arm badge ... Similar example with Medical arm badge ... Pair bell bottom trousers (heavy moth) ... 2 x summer pattern, Naval tops with large, blue, fold over collars ... Pair white cotton shorts. Quantity. PAYMENT BY BANK TRANSFER ONLY
A mid 19th century French gilt brass repeater carriage clock in one piece casewhite enamel dial with black Roman numerals, minute track and blued steel Breguet style moon hands, signed Hatton Paris, 8 day movement with platform escapement striking on a bell, backplate stamped Hatton A Paris 214, caddy moulded one piece bevelled glazed case with solid rear door with shuttered winding holes, carrying handled and inspection top, stamped L. Lange 588 to underside height 14.5cm.Condition: untested. No key. Rubbing and oxidation to case Chip to top left corner of front pane and bottom right. Both side panes with small chips to bottom corners Small hairline to dial top left. Short Scratch to dial from 4 o'clock through minute track
Lead crystal with gold accents. Includes: Gift, Dinner Bell, Violin, Wine Bottle with Basket and Glasses. Part of the Crystal Memories Collection. Swarovski backstamp on most pieces. Comes in original boxes, except for Violin and Gift, with dimensions: 3.5"L x 1.5"W x 2.25"H. Largest piece measures 0.75"L x 0.5"W x 2"H. Issued: 20th centuryManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Group of seven transferware rice plates including the following makers and patterns: two J. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow plates in the patterns "Pekin" and "Johore"; two Staffordshire Opaque Pearl dishes, one in the pattern "Delhi"; Thomas Furnival & Co (T.F. & Co.) plate in the pattern "Damascus"; one Tunstall plate in the pattern "Oriental"; and one plate marked "Oriental JT." Three plates in red, three in blue, and one in brown. All marked along the underside.Diameter ranges from 8 1/2 in to 10 in. />Condition: The plates are in fair condition with no major chips, cracks, or losses. All items show heavy wear, crazing, and scattered original firing flaws throughout. As expected from age and use, there are several areas the coloration has faded; some areas are discolored. The blue plate captured lower center has a minute chip to the rim. The blue plate captured the lower left has minute chips to the rim and a minute loss near the rim; there is another minute loss to the underside. All items have paint accretion to the underside. None of them show a sign of restoration under UV light.
Group of 12 transferware rice plates including the following makers and patterns: ten J. & M.P. Bell Co., Ltd. (Bells, Plate, and Johore), Glasgow plates in the patterns "Castile," two "Singapore," "Burung Kupu," "Tarlalu Bagus," two "Glasgow," "Trentham," "Banda," and "Sexagon." There is one Petrus Regout Maastricht Tecla plate and one small unmarked plate. All but one marked along the underside.Diameter ranges from 7 1/2 in to 10 1/4 in. />Condition: The plates are in fair condition with no major chips, cracks, or losses that affect the overall work. All items have wear, discoloration, and original firing flaws throughout as expected; as expected from age and use, there are several areas where the coloration has faded; there are several scattered areas with original paint. Most items have crazing throughout. The plate, captured second to the right in the third row in the lot listing, has a chip to the rim, which is more noticeable from the underside. The plate, far left in the second row, has a crack that is discolored brown, which measures 2 1/2 inches; the surface of the rim is uneven. All items have heavy wear and discoloration to the underside. The plate, second to the left in the second row has a sticker residue to the underside.
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123896 item(s)/page