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Lot 95
AN INDIAN BLACK STONE MODEL OF A NANDI, (the Bull) probably Pala Period 12th century, in recumbent position, with right foot forward and wearing a jewelled necklace, bell collar and saddle blanket, resting on a rectangular plinth, 26 cm wide*Nandi, meaning joyfulness in Sanskrit, is the name of the bull and vehicle of the Hindu god Shiva - the god of strength and destruction.Sculptures of Nandi are typically displayed sitting on a plinth guarding temples dedicated to the Hindu deity, and positioned to face the sanctuary which houses the main representation of Shiva.Each of the major Hindu deities are associated with a bird or animal vehicle (vahana), with qualities specific to a divinity's image and functions. The bull can be seen as a symbol of fertility and strength. The significance of bovines in Indian culture have entitled them to sacred status in Hindu society, and thus became a favourite animal subject for Indian sculptors and miniature painters.
Lot 307
A carved oak longcase clock, the eight-day bell striking movement with 12inch brass arched dial with a moon phase to the arch, a silvered Roman numeral chapter ring with Arabic five minutes to the outer track and marked for John Clark, with subsidiary five minute dial and date aperture, now in an associated carved oak case in late 17th century style, 219cm high
Lot 349
A French bronze, white marble and ormolu mantel clock, 19th century, with eight-day bell striking movement with outside countwheel, the back plate stamped ER 187, / RICHOND F / A PARIS, with white enamel dial with blue Roman numerals and Arabic numerals to the outside track, the case surmounted by a bronze maiden holding a scythe above a basket of wheat and a watering can, the stepped plinth further centred by a basket of wheat, 41cm high
Lot 368
A French Empire ormolu figural mantel clock , Alexandre Roussel, Paris, early 19th century The eight-day countwheel bell striking movement with anchor escapement regulated by disc bob pendulum with silk suspension and numbered 158 to backplate, the dial with fine rosette cast centre within Roman numeral chapter ring indistinctly inscribed ALEXANDRE ROUSSEL A PARIS above six o’clock, with steel moon hands set within entwined snake cast bezel, the case cast with Apollo dressed in robes standing and supporting a lyre with his right hand whilst leaning on an architectural pedestal surmounted with a scroll resting within a laurel wreath, over egg-and dart cornice, dial and musical trophy mount to front, set onto a generous plinth base with mount cast and chased with triple foliate wreaths issuing reeded trumpets, on acanthus cast ogee moulded skirt base with generous stylised foliate scroll cast bracket feet, 61cm (24ins) high.
Lot 468
ϒA Dutch ‘mulberry’ veneered eight-day longcase clock with moonphase, Daniel Soos, Amsterdam, mid 18th century The five pillar rack and bell striking movement repeating the hour on a second smaller bell at half past and with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with date-of-the month and day-of-the week apertures, ringed winding holes and subsidiary seconds dial to the scroll decorated matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Daniel Soos, Amsterdam to lower margin, with scroll pierced steel hands and spandrels cast as figures emblematic of the four seasons to angles within a herringbone border, the silvered arch with rolling moonphase incorporating cloud engraved lunettes, age of the moon to the visible circumference and high-water times to a sector within the conforming cloud decorated upper margin, the lampblack-stained burr field maple veneered case with giltwood flambeau finials and domed ogee caddy over fretwork frieze and ebonised cavetto moulded break-arch cornice with conforming fret to lintel, with ebonised three-quarter columns to hood door and the sides with scroll pierced break-arch sound frets and conforming quarter columns set against bargeboards at the rear, the trunk with triple-line bordered break-arch door centred with a circular brass lentical, the sides with twin ebony line bordered panels, on conforming panel-outlined plinth base with swept skirt and bracket feet, 254cm (100ins) high excluding top finial. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 72
A collection of gold charms, with two marked 375, and three testing as 9ct, gross weight 10g, together with two unmarked charms of a camel and a bell, with testing indicating 14ct, weight 3g, a metal cow charm, a single stud earring marked 750, weight 2.2g, a pair of marked 585 freshwater pearl stud earrings (a/f), and chain links testing as 18ct, weight 2.1g
Lot 131
An Edwardian mahogany display cabinet, shaped three-quarter gallery inlaid with ribbon-tied trailing bell husks above a slightly breakfront moulded top and a deep frieze centred by carved and applied acanthus, rectangular glazed doors enclosing a pair of shelves, shaped apron, cabriole legs, pad feet, bears label to verso for J Jones & Sons, Derby, 164cm high
Lot 1055
Lionel American 0 Gauge 3-rail 4-6-4 'Hudson' Locomotive Tender and Accessories, the locomotive no 2046 in plain black with 2046W whistling tender, G, together with five 027-type electric points, uncoupler rails and other track pieces, with Marx colour light signal and crossing bell, Hornby Goods shed building only (lacks platform) and other items, mostly F-G, some damages (qty)
Lot 1282
A Boxed Aster Gauge I Electric 4-6-0 King Class Locomotive 'King George V' and Tender, a factory-built electric version (although supplied with instructions for the steam version), serial no E024, in GWR lined green as no 6000, complete with commemorative bell, VG-E, one nameplate missing, the other attached with tape, in original box, box G, slight scuffs to corners and scratches, previously sold at Trains Galore, Special Auction Services, December 2016
Lot 1285
An Aster Gauge I Live Steam GWR 'King George V' 4-6-0 Locomotive and Tender, with Fulgurex ref B011 under tender, the loco with authentic 4-cylinder arrangement, axle-driven water pump, cab and name/number plates 6000 and buffer beam bell, fitted with water and pressure gauges, R/C servo to regulator, semi-fixed three-wick spirit burner fed from tender tank, VG (2, coupled)
Lot 1323
A Large-Scale Lithographed Tinplate Clockwork Floor Train 4-4-0 Locomotive and Tender by Günthermann or Similar, in finely-lined green livery without number, featuring lead-bossed tinplate wheels, lead handrail knobs and 6-wheeled tender, overall length together 19in, overall F-G, trade mark logos touched out on cab sides and tender rear, general crazing to litho finish, one tender buffer missing, parts of bell-ringing mechanism (to front wheels) missing, main clockwork functions okay, some rusting to tender underside (2)
Lot 744
A French gilt metal and porcelain mantel clock, the movement striking on a bell stamped Gay Vicarino & Co, decorated with mask mounts and flowers, with vase surmount (parts missing), on oval base and button feet, 35cm high, together with a pair of non-matching garniture vases of pedestal form with gilt mask mounts, square bases, on giltwood stands, 24cm high
Lot 142
GOODALL, LAMB & HEIGHWAY, MANCHESTER, GOOD EDWARDIAN INLAID MAHOGANY WRITING TABLE WITH MIRROR BACK, the oval, bevel edged plate beneath a dentil moulded and arched cornice, flanked by a pair of small cabinets with downswept tops, one fitted with a compartmented interior for stationary, the other fitted with two short drawers, above a top with inset brown leather writing surface and bow fronted centre section, set over a conforming central drawer, inlaid with ribbon tied bell husk swags, and flanked by four short drawers, raised on eight turned and inlaid legs with brown pot castors, tied by shaped stretchers, locks stamped : Goodhall and label to top right hand drawer, 48” (122cm) high, 42” x 20 ½” (106.7cm x 52cm)
Lot 25
NINETEENTH CENTURY FRENCH EBONISED AND GREEN BOULLE WORK MANTLE CLOCK, the 4 ½” enamelled Roman dial powered by drum shaped movement striking on a bell, and housed in drum top case with ribbon tied floral gilt metal cresting and glazed ‘window’ below, raised on a conforming base with scroll feet, 16 ¼” (41.3cm) high, dial cracked, glass cracked to rear door, bell replaced and minor lifting to brass inlay
Lot 27
LATE NINETEENTH CENTURY FRENCH GREEN ONYX AND GILT METAL MOUNTED THREE PIECE CLOCK GARNITURE, THE CLOCK, with 3 ¼” Arabic dial and drum shaped movement, striking on a bell, housed in a case with ornate two handled vase surmounting the stepped top, vertical side handles and oblong plinth base with scroll feet, 16” (40.7cm) high, and the MATCHING PAIR OF SIDE FOUR LIGHT CANDELABRA, 17” (43.2cm) high, (3) one candelabra base with chips
Lot 31
SAM COLLIER, ECCLES, GEORGE III INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, the 14” painted dial with subsidiary seconds and date dials, enclosed by figural spandrels, allegorical of the seasons, and set beneath the arch, inscribed: I LABOUR HERE WITH ALL MY MIGHT TO TELL THE HOUR BOTH DAY AND NIGHT, THEREFORE EXAMPLE TAKE BY ME AND SERVE THY GOD AS I SERVE THEE’, signed: SAM COLLIER, ECCLES and also faintly signed GEO KENT, powered by an eight day movement striking on a bell, and housed in a case with dentil moulding and spike and ball brass finials to the swan neck pediment, above a green and gilt painted frieze, inscribed: J. BIRCH, ECCLES, over free standing fluted columns to the fore corners, long trunk door with shaped top, flanked by cluster columns to the fore corners, and raised on a conforming, panelled base with chamfered fore corners and ogee bracket feet, the front with oval paterae and shell inlays, 94 ½” (240cm) high, lacks central finial
Lot 49
IMPRESSIVE EARLY TWENTIETH CENTURY LARGE BRASS MANTLE CLOCK, the 4” Arabic dial powered by an eight day drum shaped movement striking on a bell, housed in an ornate case cast with lion masks and scroll work, surmounted by a two handled vase and raised on a moulded plinth base with scroll feet central angelic mask cartouche, 24" (61cm) high
Lot 52
LATE NINETEENTH CENTURY BLACK SLATE MANTLE CLOCK, the 4" Roman dial with inset centre, powered by an eight day drum shaped movement striking on a bell, and housed in a flat topped case surmounted with a patinated metal sphinx, and decorated with gilt carved figures and emblems, heightened in green hardstone, 14" (35.6cm) high
Lot 122
A French ormolu mantel clock in Orientalist taste, first half 19th century, the eight-day bell striking movement now with Brocot pendulum regulation with silvered Roman numeral dial; the clock mounted on a body cast as an elephant, with a putto holding a cup reclining atop its lambrequin hung saddle, on a Louis XV style mount with scrolling foliate feet, 25 cm high, 22 cm wide, 11 cm deep
Lot 168
A painted oak side cabinet, in late 17th century style, circa 1920, with painted decoration in the manner of the Bloomsbury Group, 123cm high, 184cm wide, 61cm deep See Anscombe, Isabelle. Omega and after: Bloomsbury and the Decorative Arts. London 1999 reprint, pl. 34 for a Victorian bookcase painted by Duncan Grant for Clive Bell at 50 Gordon Square, London, in 1927. It shows a similar use of the waved lines and circles for the door borders
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