dating: Mid 19th Century provenance: Spain, Smooth-bore, two-stage barrel, first octagonal, engraved with floral motifs, round after acanthus leaves, with oval slightly bell-mouthed nozzle. Engraved tang; lock engraved with barely readable signature, cock chiselled with a lion on a snake. Wooden stock with checkered butt. Iron mounts, engraved with floral motifs, belt hook and iron ramrod. length 32 cm.
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dating: First half of the 19th Century provenance: France, Octagonal, micro-rifled, 13 mm cal. barrels, with slightly bell-mouthed nozzle, with copper fore-sights (one with remains of gilding), marked 'EX' at the base and signed 'Manufacture de Versailles'. Breeches with chiselled frame. Tangs with fix rear sight and engraved with an eagle. Locks converted to percussion, with cocks engraved with leaves and plates signed 'Boutet D.teur'; traces of finishing. Wooden, full stocks with grip finely checkered, front segment of the lock checkered as well, adorned also with nails. Chiselled palmettes at he grip's base. Iron mounts, finely engraved. Butt-plates with a fine Medusa head, trigger-guards with a trophy and front tang with a vase, in relief. Horn-tipped wooden ramrods and base with brass cartridge extractor. length 42 cm.
Ship's brass bell inscribed 'Norland 1974' H21cm including hanging bracket. Provenance: the Norland was a North Sea Ferries vessel sailing out of Hull and was used as a troop carrier during the Falklands War. The vendor is the widow of the Captain D.J. Walker who sailed many times on the ship with her husband. - Condition Report
A mid 19c French figural mantel clock. in gilt spelter case with inset white alabaster panels. The clock depicts an artist in 16c dress and with his paintbox and oval painting standing on a swagged base. The clock element has a white enamel 8.5cm diam. dial with Roman numerals and is signed Henri Marc a Paris. The movement has countwheel striking on bell and silk pendulum suspension. The clock stands on a black oval wooden base, 38cm l overall. (Dome missing).
A late 19c French mantel clock in waisted boullework case of brass and tortoiseshell decorated with cast gilt mounts. The embossed gilt 9cm diam dial has enamel numeral plaques with blue Roman numerals. The glazed aperture below the dial show the sunburst pendulum and the movement has countwheel striking on a bell. The clock stands 31.5cm tall overall.
A late 19c French mantel clock in rectangular rosewood case with inlays to front and sides depicting gryphons, swags and armorials. The 10cm diam white enamel dial has Roman numerals and a cast brass surround of egg and dart design. The movement is countwheel striking on a bell and the clock stands 28cm tall overall.
A late 19c German bracket clock by Lenzkirch in burr maple bell top case. The 12.5cm arched dial is signed for the retailer Botley & Lweis, Reading and has a silvered chapter ring and gilt spandrels. The glazed front door is flanked by canted columns and the sides have timber sound frets. The top has a carrying handle and brass corner finials and the bracket feet are of brass. The two train barrelled spring movement tingtang strikes on two gongs. 40.5cm tall overall.
18th century oak longcase clock by Samuel Wright, Northwich, twin train movement striking the hour on a bell, the brass dial with moon phase in the arch and silvered chapter ring having Roman and Arabic numerals, signed to dial, the arched and moulded cornice above blind fretwork frieze and pillars, raised on plinth base and bracket feet, with two weights, pendulum, key and winder, H221cm Horizontal crack to glass (possible replacement). Glass sides panels warped.Chips and cracks to top. Repair to inside of trunk below seat board.Warping and hairline crack to trunk door. Crack to plinth base. Crack to side.Two back feet slightly broken - loose but present.Heavily scratched to chapter ring. Wear and loss of paint to moon phase.Bell slightly bent. Cannot guarantee the working order of any clock.
19th century inlaid mahogany eight day longcase clock by John Chalker, Maiden Newton, painted square dial with Roman numerals, subsidiary seconds dial at 12, date aperture to centre, signed to dial, on plinth base, with two weights and pendulum, H.193cm Loss of paint to dial, especially at top of dial. Some scratches and marking to dial and loss of paint to signature.Damage and loss of veneer around dial case door. Repair to pediment.Wear and damage to case, including to plinth base. Knocks to feet. Knocks to bell. Cannot guarantee the working order of any clock.
Early 19th century inlaid mahogany repeating bracket clock, the 8 convex painted dial with Roman numerals and outer minute track, signed Handley & Moore, London to dial, convex glass, twin train fusee movement, striking a bell on the hour, with twin handles and brass fish scale frets to both sides, glazed door to back, raised on ball feet, with mahogany wall bracket, pendulum, two keys and winder, H.40cm, with receipt from Chelsea Clocks Replacement handsScratching to dial, rubbing to 'London'. Possibly repainted to signature.Minor scratching to glass.Missing pieces of veneer to front.Chips to edges. Minor chips to door. 17cm in depth. Cannot guarantee the working order of any clock.
19th century bronze and ormolu clock, chapter ring with gilt Roman numerals, the case with Classical maiden's head and shoulders on a socle base to finial, above urn shaped case with scrolling foliage, floral swag and masks, on scrolling feet, drum movement striking a bell, H.42.5cm Base slightly loose.Minor wear and scratches to case.Chip and knocks to stepped base. With key, no pendulum.Cannot guarantee the working order.
Early 19th century bracket clock by D & W Morice, Cornhill, London, fussee movement, striking a bell on the hour, signed to dial and backplate, the painted arched dial with Roman numerals and outer minute track, with strike/silent dial to arch, the arched case with Gothic style brass fretwork side panels, on ball feet, H41cm, with key and pendulumThe partnership of David and William Morice lasted from 1818 to 1838 Flaking to painted dial and scratches to paint. Crack to domed top. Damage to one fretwork side panel. Chips to door to reverse.Very small loss of moulding to top of case.Cannot guarantee all original.
French gilt metal clock garniture, the clock with two birds and floral swags to finial, brass drum movement striking a bell, with painted porcelain panels with cherubs and floral swags, oval panel with lady below finial detached and mount snapped but plaque present, the painted dial with Roman numerals, with a pair of three branch four light candelabra garniture, H47 x W34cm (clock), H44cm (garniture) Top panel to central clock is detached and the frame and hinge around broken. Plaque is present, with chips to top and bottom (pieces not present).One part of floral swag to finial of clock snapped off and missing. Finial loose - needs to be re-nailed. Cracks to back of clock.Overwound, and dial is loose.Having key.Cannot guarantee the working order of any clock.
Tibet.- Bonvalot (Gabriel) Across Thibet, frontispiece, illustrations, lacking map as usual, many full-page, ex-library with occasional ink-stamps, later half-morocco, New York, 1892 § Bell (Sir Charles) Tibet: Past & Present, first edition, presentation copy from author inscribed on front free endpaper, colour frontispiece, plates, 2 folding maps, occasional spotting, bookplate, original cloth, slight bumping to corners, Oxford, 1924 § Younghusband (Sir Francis) India and Tibet, first edition, frontispiece, plates, 2 folding maps, publisher's advertisements at end, faint spotting to endpapers, original cloth, slight bumping to corners and extremities, 1910; and others, Tibet, 8vo (13)
Corgi Toys 213 2.4 Litre Jaguar Fire Service Car, red body, chrome plated roof sign and bell, aerial, flat spun wheel hubs, in near mint bright original condition,with Corgi model club leaflet, yellow/blue illustrated box is in very good original condition, tiny hole puncture to one non picture side, 3/6 in pencil, on one end flap.
A collection of assorted ceramics, including a Bell China Art Deco hand finished tea set, an early 20th Century Aynsley part tea set, a Minton sugar bowl, three graduated meat dishes, a Carlton Ware Rouge Royale vase, a black glazed cow creamer, crested ware, a large stoneware tureen and cover (one box plus tureen)
A collection of Norwegian enamel and silver jewellery to include a bracelet with enamel panels depicting a Viking boat, sea scape and sledge and moose, along with a brooch depicting a Norwegian sunset scene of a mouse moose (damage chips to enamel) and another brooch with sea scape scene, all silver stamped 925S all by Aksel Holmsen along with an enamel and silver brooch by David Andersen with stylised blue bell decoration (4)
Edge of Dartmoor signed with initials and dated '51' (lower right) oil on board 39.5 x 49.5cmFootnote: Provenance With The Froyle Gallery, Hampshire Clifford Fishwick was born in Accrington, Lancashire and received his training at the Liverpool School of Art between 1940-42. In 1947 Fishwick moved to Devon where he began teaching at Exeter College of Art, before being appointed Principal of the College in 1958. Closely associated with St Ives painters, Peter Lanyon, Trevor Bell and Paul Feiler, Fishwick regularly exhibited alongside the Newlyn and Penwith societies. Influenced by the abstraction favoured by his Cornish contemporaries, the mastery of colour and light of Turner, and the structural brilliance of Cezanne, Fishwick’s landscapes, which frequently referred to his West Country surroundings both topographically and culturally, are at once completely individual, whilst also belonging to a broader historical context.Condition report: Oil on artists' board. The support and paint layers are in a good condition overall. There is a light layer of dust across the surface and some white accretions at the lower left corner. The frame is in a good condition.
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123896 item(s)/page