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Click here to subscribeA Pair of Black and White Dry Point Etchings, depicting scenes of Venice, signed and titled in the lower margin, framed and glazed, approx 13 x 10 cms respectively together with a coloured etching of St Marks Square and Bell Tower signed and titled in the lower margin, framed and glazed, approx 10 x 13 cms (3)
WOOLF VIRGINIA. Monday Or Tuesday. Orig. pict. brds. with woodcut dec. by Vanessa Bell. 4 woodcut plates by Vanessa Bell. FIRST EDITION, ONE THOUSAND COPIES PRINTED, Hogarth Press, 1921. Condition Report. Some chipping to edges of boards, corners slightly based and worn. Some dents/wear to soft spine.Very discoloured end papers, slight yellowing of paper. Light sporadic foxing throughout but generally ok. Some offsetting from plates.As images.
A late 19thC French mantel clock, the raised enamel, 16cm dia., Roman numeric and Arabic dial, signed Tostain, Paris, in a highly decorative shaped case, hand painted and raised with gilt metalware and flanked by serpents and shell caps, revealing a pendulum swung eight day movement, striking on a bell, 44cm high
A LATE 19TH CENTURY GILT METAL MANTEL CLOCK, urn shaped finial with painted porcelain centre above the circular dial and two female figures holding swags, the porcelain dial with pink bands, black Roman numerals marked J.W. Benton, Ludgate Hill, London and central rural landscape, bell strike and movement marked JWB 24033, the clock mounted on an orange and gilt painted wooden base, height approximately 28cm and on a further oval ebonised base, with key and pendulum, s.d.
A LATE 19TH CENTURY WHITE MARBLE AND GILT METAL CLOCK GARNITURE, the clock with urn finial and bow above a circular enamel dial with Arabic numerals and floral swags, bell strike, flanked by pineapple topped columns, on a rectangular base with beaded mounts and on four turned feet, the twin branch garnitures on single columns, clock height 38cm, with pendulum and key (3)
WIRE - A phenomenal collection of 14 x LPs/12" with 4 x 7" - instant collection time once more, and with condition to match! Titles include Chairs Missing (1st UK EMI Harvest SHSP 4093 - Ex+/Ex+ with printed inner, lovely copy), Pink Flag (1st UK EMI Harvest SHSP 4076 - Ex+/Ex with printed inner), 154 (original UK SHSP 4105 - brill Ex+/Ex with the always tricky to find bonus 'Free EP', nice Ex), Document And Eyewitness (ROUGH 29/2912 with bonus mini album), The Ideal Copy (SWAO-73270), A Bell Is A Cup, Eardrum Buzz, Snakedrill, Map Ref. 41ºN 93ºW, A Question Of Degree and Outdoor Miner (ltd. white vinyl). Condition is primarily Ex to Ex+.
SEX PISTOLS - LONDON'S OUTRAGE - Outrageous limited edition 3 x LP and 1 x 7" box set for US export (issued on Bell End records!). Complete with the LPs Power Of The Pistols, Where Were You In 77 and Destroy! Sex Pistols Live At The 100 Club. Also to include Huddersfield Christmas Day 1977 7", long sleeved T-shirt, poster and gig ticket (number 0313). All contents are in Ex+ condition with the outer box in great Ex+ condition too. Monster box set!
An Edwardian silver gilt cup and cover by George Fox, London 1903, with a pine cone finial to the domed octagonal cover, twin S-scroll handles, the octagonal cup with ribbons above oval panels engraved with an armorial and To L & M from H & F 1873-1923 , foliage to the base, on an oval pedestal foot, 18cm (7in) high, 388g (12.45 oz) Provenance: Anonymous sale 12th October 1978, lot 175. The arms, crest and coronet for STANLEY, Barons Stanley of Alderley. Edward Lyulph Stanley, 4th Baron Sheffield, 4th Baron Stanley of Alderley and 3rd Baron Eddisbury, PC (1839-1925) married Mary Katherine Bell, daughter of Lowthian Bell, on 6th February 1873.
A Restauration ormolu figural mantel clock , circa 1830, cast with Aphrodite in her chariot to a design by Jean-Andre Reiche, the eight-day bell striking movement with outside countwheel, silk suspension and circular white enamel Roman numeral dial signed Vaillant, a Paris, the surmount with the goddess holding a putto and seated in a stylised chariot fronted by a swan with wings outstretched and with lions paw feet to rear, on ovoid plinth base, 42cm high Provenance: Purchased Sotheby's, 11th June 1993, lot 92
An Edwardian silver mounted and glass table bell by William Comyns & Sons , London 1901, the handle chased with masks, a bird and a vacant reserve, the body chased and engraved with C-scrolls, flowers and lattice work decoration, 14cm (5 1/2in) high; and a modern Venetian glass and gilt metal heart shaped box, 8.5cm high
A French ormolu and silvered metal clock garniture , mid 19th century, the eight-day bell striking movement with outside countwheel, the case in Gothic revival or troubadour style, with crocketed spire finials, pierced lancet tracery ornament and fluted column supports and with a gilt figure of a lady portrayed in beads and clutching a flower to the stepped base, 50cm high, together with a pair of conforming campana-shaped urns on plinths, each 27cm high Provenance: Purchased Christie's, 24th November 1988.
An engraved gilt brass and silver plated mantel clock , Howell James & Co, late 19th century, the eight-day bell striking movement with Japy Frere Med D Honn roundel and also stamped for HOWELL JAMES, TO THE QUEEN, London A Paris and serial numbered 1193 to backplate, the white Roman numeral dial similarly marked for Howell James & Co. TO THE QUEEN, LONDON - PARIS , the oval case with silvered infant Triton surmount over fine pierced scroll engraved horn-shaped side handles and conforming cabochon hardstone adorned panels to the fascia, the border-engraved swept base applied with generous hippocanthaie cast silvered mounts to sides over disc feet, 50cm high
A Victorian silver table presentation snuff box, by Nathaniel Mills, hallmarked Birmingham 1838, of oblong in form, the top has cast and applied floral decoration, with engine turned base and presentation inscription, "Presented to Mr Joseph Bell by a few of his friends on his leaving Belfast as a token of their regard May 1840", Length 95 mm Weight 6.7oz/210grms
Black chinoiserie lacquer longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals and date aperture, the thirty hour movement striking on a bell
19th Century French gilded spelter and porcelain mounted portico type clock, the ornate case with an urn surmount and drum form clock dial, raised on baluster uprights, the shaped base mounted with cherubs, the porcelain dial painted with flowers and with Roman numerals, the two train movement striking on a bell
19th Century French ormolu mantel clock, the shaped case with a figural and candlestick surmount, the circular white enamel dial with Roman numerals, signed Potonie, Paris, the two train movement signed again to the back plate with outside count wheel, striking on a bell, together with a gilt wooden plinth
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