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Lot 1

A George III mahogany and gilt brass mounted chiming bracket clock, the triple fusee quarter repeating on eight bells, to an engraved brass backplate inscribed "Spencer & Perkins London", to a circular enamel dial inscribed "Spencer & Perkins London" above a subsidiary calender dial, a floral painted surround, the bell top with urn finials above caryatids and hinged side panels and carrying handles on leafage scroll feet, 26in (66cm) h. Dial cracked and small chips, the surround part repainted.

Lot 1

Brass cased carriage clock, base bell strike with seconds dial, 4_" height

Lot 1

Royal Doulton stoneware blue ground bell flower and leaf banded jardiniere, 6_" height

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Poole Pottery Carter Stabler and Adams posy vase 'Bell flower and ribbon' pattern, circa 1922, 4_" height

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Unusual brass and bell metal auctioneers handbell, inscribed 'James Williams, Auctioneer & c. Holywell', 11_" height

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Unusual rams leather 6-brass bell collar ?

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Pair of Georgian brass square based column candlesticks, 6_" height a.f ;also yew handled brass school bell

Lot 1

Collection of 9 mainly early horse brasses, triple bell swinger and similar ornaments

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ROBERT ANNING BELL, SIGNED WATERCOLOUR, 'Palma, 1910', 6" x 14"

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DAVID C BELL, SIGNED WATERCOLOUR, 'The Majestic and Escort', 15" x 23"

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A mid 19th Century two-tier etagere inlaid bell drops, scrolls etc, the top with pierced brass border, having fluted columns and turned legs, 46cm (18") wide

Lot 1

Davis (Lindsey). The Iron Hand of Mars, 1st ed., Hutchinson, 1992, orig. cloth in d.j., 8vo, together with Doyle (Arthur Conan), The Poison Belt, N.Y., 1913; His Last Bow, Bell, 1917, both orig. cloth, rubbed, 8vo, and Finney (Jack), Five Against the House, 1st UK ed., Eyre & Spottiswoode, 1954, orig. cloth in sl. rubbed d.j., 8vo, plus Rohmer (Sax), The Sins of Sumuru, 1st UK ed., 1950, orig. cloth in rubbed and chipped d.j., 8vo, and five others, detective, thrillers. (8)

Lot 1

Doyle (Arthur Conan). A Study in Scarlet, New Edition with a Note on Sherlock Holmes by Dr. Joseph Bell, 1893, forty b&w illusts. by George Hutchinson, 12 pp. pubs. ads. at rear, t.e.g., orig. qtr. red cloth gilt, spine darkened and a little frayed to extreme head and foot, together with The Sign of Four, new ed., 1894, orig. dec. cloth, spine somewhat darkened, both 8vo. (2)

Lot 1

Greene (Graham). Yes and No and For Whom the Bell Chimes, Bodley Head, 1983, orig. cloth gilt, 8vo, ltd. ed. 60/750, signed by the author, together with The End of the Affair, 1st ed., Heinemann, 1951, bookplt., orig. cloth in d.j., 8vo, and Chase (James Hadley, writing as "Ambrose Grant"), More Deadly Than the Male, 1st ed., 1946, orig. cloth in rubbed and chipped d.j. with loss to spine ends, 8vo. Third volume apparently edited by Greene and with a jacket design by his then mistress, Dorothy Craigie. (3)

Lot 1

Plath (Sylvia). The Bell Jar, Faber, 1966, orig. cloth in sl. rubbed d.j., minor wear at spine ends, 8vo. First edition published under Plath's real name. (1)

Lot 1

Woolf (Virginia). Monday or Tuesday, with woodcuts by Vanessa Bell, 1st ed., Hogarth Press, 1921, four full-page woodcuts by Vanessa Bell, single pubs. ad. leaf at rear, orig. cloth-backed pict. boards, printed in black with design by Bell, sl. rubbed and with occasional light spotting, slim 8vo. Kirkpatrick A5a, Woolmer 17. (1)

Lot 1

Wells (H.G.). The First Men in the Moon, 1st ed., Newnes, 1901, half-title, b&w illusts., orig. blue cloth, lettered in dark blue, rubbed and some fraying to extrems., head of upper joint torn without loss, 8vo, together with The War in the Air, and Particularly How Mr. Bert Smallways Faired while it Lasted, 1st ed., 1st issue, pub. George Bell and Sons, 1908, sixteen b&w illusts. by A. C. Michael, half-title, single pub. ad. leaf at rear, white endpapers, top edge trimmed, remainder untrimmed, orig. blue cloth gilt, a little rubbed, mostly to joints and extrems., 8vo. (2)

Lot 1

Set of tinplate advertising dominoes in original Blue Bell Tobacco tin with "Mustering of the Mustard Club" card game by Chad Valley

Lot 1

A mohair bear with a bell sound box within the torso. A long snout and boot button eyes. Humped back. Swivel head. Early 20th century

Lot 1

A fine silk patchwork coverlet, English, late 1850s - early 1860s, with central mosaic of tiny hexagons within tumbling block band and outer larger mosaic of square and triangular patches, 231 by 219cm, 91 by 86in This coverlet is reputed to have been worked by Mary Whitfield nee Bell 1818/19-1899 of Gosforth, Newcastle. Full Provenance notes are available to the purchaser.

Lot 1

Scarborough Milliners. "At a Meeting of the Dealers in Hats and Gloves, held this Day at Robert Marflitt's, the Sign of the Bell in Scarborough.to consider of some Method to prevent the Evasion of the Stamps ordered by Act of Parliament to be affixed thereto and charged therewith", a broadside notice, 36 x 31. cm., printed on one side only, dated "Scarborough, June 8, 1790" at the head, stating the three resolutions arrived at at the meeting (".we the under-signed hereby agree not to sell any Hats or Gloves without legal stamps"), and giving the names of the eighteen dealers present, and also resolving that 200 copies of the Resolutions be printed for general Information. Not on ESTC. (1)

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A GEORGE V SILVER CADDY SPOON, with shell finial handle, Birmingham 1929, another with ribbon and bell flower handle, Sheffield 1925 and a silver pierced SUGAR SIFTER SPOON, Birmingham 1901. (3).

Lot 1

AN EARLY 20TH CENTURY CHINESE HARDWOOD TEMPLE GONG, carved with twin dragons and inlaid with silver coloured wire, supporting a brass five claw dragon embossed gong, 17 1/2 ins high and an Eastern long handled BELL, the wooden handle with applied foliate brass designs and finial top, 20 ins long. (2).

Lot 1

A 20TH CENTURY CHROMIUM PLATED BELL FORM COCKTAIL SHAKER, with wooden handle, 11 1/2 ins high and a pair of Art Deco marble BOOKENDS, with double spherical marble ball decoration, 5 1/4 ins high.

Lot 1

A light-baluster wine glass circa 1730 the bell-shaped bowl with solid base set on a cushion knop over a beaded ball knop and triple-annulated knop with true light-baluster stem, domed foot 17cm., 6.625in.

Lot 1

A rare Williamite engraved baluster wine glass circa 1730 the slender bell bowl engraved with an equestrian portrait of King William III below a ribbon inscribed THE GLORIOUS MEMORY OF KING WILLIAM III, set on a triple-annulated knop over an inverted baluster stem and basal knop with conical foot 16cm., 6.25in. tiny rim chip

Lot 1

A set of six Dutch-engraved soda metal colour-twist wine glasses second half 18th century of Jacobite significance, each bell bowl engraved with a rose and two buds, the reverse with an insect, the stem inset with a central opaque-twist gauze core within a pair of translucent ruby threads and a single opaque-white thread, conical foot 15.5cm. average, 6.125in. (6)

Lot 1

A triple-knopped colour-twist wine glass circa 1770 the bell-shaped bowl above a stem inset with an opaque-twist gauze core within a pair of spiralling opaque-white, translucent-green and iron-red threads over a conical foot 17.2cm., 6.75in.

Lot 1

A baluster wine glass circa 1720 the bell bowl with solid base set on an angular knop and true baluster stem over a basal knop and conical foot 18cm., 7.125in. à

Lot 1

Four assorted airtwist wine glasses circa 1740-50 each with multi-spiral airtwist stem; the first of drawn-trumpet form, the second with bell bowl and applied vermicular collar, the third with funnel bowl and double-knopped stem, the last with funnel bowl and tall stem, each with conical foot 15.5cm. to 17.8cm., 6.125in. to 7in. (4) à

Lot 1

A mixed-twist wine glass circa 1765 the waisted bell bowl set on a stem enclosing a multi-spiral airtwist corkscrew within a single opaque-white thread, conical foot, 17.5cm., 6 7/8 in.; and a Lynn wine glass, the funnel bowl moulded with concentric rings, over a double-series opaque-twist stem and conical foot, 13.5cm., 5.25in. (2)

Lot 1

A St. Louis crown paperweight spill vase circa 1850 the elongated slightly waisted bell-shaped bowl encased in cobalt blue and cut with seven vertical facets, below an opaque-twist torsade, set on a waisted stem section above a crown paperweight base inset with twisted green, red and white ribbons alternating with lengths of opaque-white latticinio 15.8cm. high, 6.25in.

Lot 1

A 19th Century large and ornate brass bell on unusual cast iron dolphin pattern supports, 19 1/2in. wide.

Lot 1

A pair of George V candlesticks, bell nozzles and tapered stems, filled bases, 5 3/4in. (14.5cm) Chester 1916.

Lot 1

Five pieces of Wedgwood bone china in the "Clementine" pattern - trumpet shape vase, 18 cms, specimen vase, 15 cms, pair of small urn shaped vases and a table bell.

Lot 1

A brass bell inscribed "A.R.P." with wall bracket, together with a cast iron flat iron. [2]

Lot 1

“Complete History of Europe” from 1676-1697, printed for Norris, Nicholson & Bell, 1698, 1 vol.

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Danish silver Goblet with gilt interior, engraved with bell husks and on a stylised floral pedestal, marked David Andersen, Christiania and numbered 1885, 135grms.

Lot 1

19th Century French Carriage Clock with rectangular enamelled dial with Roman numerals, the movement striking on a bell and numbered 10229 and contained within bevelled glass and glass case, engraved with leafy scrolls, 15cms, (6”).

Lot 1

19th Century French Garniture, the clock with white enamel dial inscribed, “Kiltembach-Herblot, 35 Rue des Vergaux, Amiens”, with French movement, chiming on a bell and in marble and gilt metal case, surmounted by an urn, serpentine base, with two love birds, inscribed to the reverse and with the matching urn-shaped vases and covers, the clock 43cms, (17”), the vases 30cms, (12”).

Lot 1

A sterling vase of elongated circular tapering design with everted rim, pierced and decorated with bell flower chains, spreading gadrooned foot, 12 1/4in. (31cm), 7.5oz.

Lot 1

Three silver tumbler cups of plain circular form, 4 1/4in. (3cm). Alan Le Chard started silversmithing as a hobby in 1977 and his first workshop was in the cupboard under the stairs in his home at Morpeth Northumberland. In 1982, workshop and gallery space became available within the 13th Century chantry complex in Morpeth. Alan started up in business there and remained in residence until earlier this year. Whilst in residence he catered for a wide and varied clientele, even encouraging members of the public to design pieces of jewellery and silverware for themselves, or for special occasions. He also received commissions to design and make pieces for presentation to HM the Queen Elizabeth and Princess Anne and designed and made civic chains of office. Another pleasant task was that of making a sterling silver replica of Morpeth's 13th Century chantry bell tower for presentation to the mayor of the town in 1989 when Alan received permission to use this emblem to mark his silver. With the aid of the internet his jewellery and silverware reached an international audience and became collected world wide. He was also a gifted painter and a selection of his work forms part of our fine art sale on December 14th and is mainly displayed separately from the exhibition section of his silver work on show at our public viewings. See page 7 of the printed catalogue.

Lot 1

An Edwardian mahogany display cabinet reputed to be by Robson's, Newcastle, the cornice with fret carved gallery and central inverted leaf pattern motif above astragal doors enclosing a lined interior, applied scrolls and bell flower border under, with a pair of figured panel doors, raised on plain cabriole legs with claw and ball feet, 47 1/2in. x 78in. high.

Lot 1

An Edwardian inlaid mahogany display cabinet decorated with bell flowers, ribbons and swags, fitted a pair of astragal doors enclosing lined shelves, raised on cabriole legs, 45in. x 74in. high.

Lot 1

A French gilt-metal mantel clock, the ornate case surmounted by a young male gardener holding a rose, the white enamel dial below fitted eight day movement striking on a single bell, standing on ornate rococo style base, 16in. x 15in. high.

Lot 1

A French gilt-metal mantel clock, the case surmounted by a female figure and a cherub leaning on the white enamel dial with roman numerals, striking on a single bell, raised on a alabaster plinth base with gilt-metal mounts and turned feet, 15in. x 18in. high.

Lot 1

A 19th Century French brass carriage clock, the richly engraved case decorated with acanthus leaves and scrolls with hinged swivel handle, the white enamel dial and roman numerals inscribed 'Auguste A Paris', the movement striking on a single bell, 3 1/2in. x 5 1/2in. high.

Lot 1

A fine George III mahogany bracket clock by William Hughes, High Holborn, London, fitted verge escapement and twin-fusee repeat movement, striking on a single bell, the back-plate ornately engraved with scrolls and the maker's name, the dial with a further name-plate, strike silent dial to the arch, the silvered chapter ring with roman numerals and subsidiary date dial decorated with applied spandrels, dial 4 3/4in. dia., the case surmounted by a brass carrying handle and turned finials to each corner, the glazed panel door decorated with fret carved panels, glazed panel sides and door to the back, raised on a plinth base with bun feet. 8 3/4in. x 7in. x 15 1/2in. high. NB: William Hughes is recorded as being at the High Holborn address between 1766-1794. He was succeeded in the business by Thomas Earnshaw.

Lot 1

An early 19th Century oak and mahogany cross banded longcase clock, the painted dial with roman numerals and inscribed 'W. Postle, Shotley Bridge', the arch decorated with male and female figures in a country setting, fitted eight day movement striking on a single bell, the hood surmounted by turned urn finials and flanked by turned pilasters, 18 1/2in. x 91in. high.

Lot 1

A Georgian oak longcase clock with broken arch pediment above the painted dial decorated with hunting scenes, the dial painted roman numerals with subsidiary seconds and date dials, inscribed 'R. Weston, Woolsingham', fitted thirty hour chain driven movement striking on a single bell, the cross banded panelled door below flanked by canted corners, raised on later turned feet, 19 1/2in. x 86in. high.

Lot 1

A late George III mahogany and satinwood cross banded serpentine sideboard, the later raised three-quarter gallery above the bowfront centre section, fitted three drawers with a pair of panel doors under, ornately inlaid with swags, paterae and bell flower motifs fitted later brass handles, raised on square tapering legs (veneer distressed), 73in. x 35in. high.

Lot 1

A Derbyshire felspar bowl, 3 1/8 inches in diameter, another bowl, an inkwell, a bell pull and an egg shaped item (5)

Lot 1

A 19th Century overmantel mirror, the gilt painted frame with leaf scroll and cabochon decoration the frame with leaf and bell flower adornment, 80 x 63 inches overall

Lot 1

A pair of Copeland Spode shaped dishes decorated with a continuous rose border interspersed with gilt bell flowers, 8 inches, a similar plate, a pair of blue and gilt sugar bowls, one with cover

Lot 1

A 19th Century glass burner light with scroll handle and circular tray base, a bleeding cup, a U bend glass experiment tube and a bell shape cup

Lot 1

An 18th Century cordial glass the bell shape bowl with clear air twist stem on a circular foot, 6 1/4 inches, and another with bucket shape bowl on a double opaque air twist stem, 6 1/4 inches (both with chips to bases)

Lot 1

An 18th Century glass with bell shape bowl on square tapered tear drop column and fold over foot, 5 7/8 inches, a toasting glass with knopped column, and four other glasses (6)

Lot 1

A Victorian pewter one pint tankard by James Yates; three various 19th Century pewter bell shaped small tankards and a pewter measure (5)

Lot 1

M Marrable - Italian alpine scene with lake and church bell tower, watercolour, signed lower left, 38cm x 27.5cm

Lot 1

An early George III Japanned longcase clock, the square hood with three-quarter turned pilasters flanking brass arched dial (width 12ins.) with Tempest Fugit automaton to the arch, cast brass spandrels, silvered chapter ring with Roman and Arabic numerals, matted centre signed 'John Stokes, St Ives', No.379 also with subsidiary seconds dial, date aperture, pierced blue steel hands, twin winding holes for a five pillar twin train weight driven eight day movement with anchor escapement and striking on a bell, the case having a green ground and chinoiserie lacquer decorated with pagodas and birds with arched panelled door and box base raised on bracket feet, height 233cm

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