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Lot 13
MEISSEN PORCELAIN FLOWER ENCRUSTED ROCAILLE-MOULDED CLOCK, STAND, PLINTH & DOME the clock applied with four putto modelled to represent the seasons, movement stamped behind bell Lenzkirch AGU 372488, clock 47cms high, conforming porcelain tri-foot base and wooden plinth, completed with large glass dome Condition: glass panel at back cracked, hand of top putti broken (with us), small areas of restoration, please see images Provenance: cleared from a Grade II listed historic house, Snowdonia The is some restoration work to the underneath, mainly the feet.There is a few breaks, the obvious being the top putto’s arm, which is present. The central putto’s headpiece has chips and so does the corn in his hands. There a few chips to the flowers and leaves.The front clock glass is missing and the back glass is cracked.
Lot 8
Football Legends 12 superb colour and black white signed photos from household names from the British Game such as Joe Corrigan, Colin Bell, Tony Coleman, Bobby Moncur, Frank Worthington, Asa Hartford, Joe Jordan, Leighton James, Stan Bowles, Frank Lampard Snr, Len Cantello and Brian Kilcline. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 1003
An XVIII Century Wine Glass, the plain ogee bowl raised on a white enamel twist stem and circular foot, 14.5cm high; A Wine with Bell Bowl, raised on a white enamel twist stem and circular foot, 15cm high; A Further Wine, with tapered part fluted bowl raised on a white enamel stem and circular foot, 15cm high; Another, with bell bowl, raised on wrythen moulded, knopped stem and domed circular foot, 18cm high (all A/F). (4)
Lot 101
HEMINGWAY, ERNEST. 1899-1961.For Whom the Bell Tolls. New York: Scribner's, 1945. 8vo. Original blue cloth, publisher's dust-jacket without price.INSCRIBED AND SIGNED by Hemingway on the front free endpaper 'To Lee and to Jim Scanlon / wishing them all good things always / Ernest Hemingway.'
Lot 351
WOOLF, VIRGINIA. 1882-1941.A Room of One's Own. London: Leonard and Virginia Woolf at the Hogarth Press, 1929. 8vo. Publisher's cinnamon cloth, spine lettered in gilt, original Vanessa Bell designed dust-jacket printed in blue, light offsetting to endpapers, minor chipping to jacket, strengthened with tape at spine ends and upper corner.FIRST ENGLISH EDITION OF WOOLF'S LANDMARK CRITIQUE ON WOMEN AND FICTION. Springing from two lectures given in 1928, Woolf explores the intersection of women, literature and economics, giving rise to the oft-quoted observation, 'A woman must have money and a room of her own if she is to write fiction.' Her critique however is much deeper, and her arguments and analysis have become the starting point for feminist literary criticism. 'Probably the most influential piece of non-fictional writing by a woman in this century' (Hermione Lee, Financial Times). Kirkpatrick A12b.
Lot 355
WOOLF, VIRGINIA. 1882-1941.13 titles: 1. The Waves. London: The Hogarth Press, 1931. Publisher's purple cloth, spine gilt lettered, pictorial dust jacket design by Vanessa Bell. Minor chipping to edges. FIRST EDITION. Kirkpatrick A16a. 2. The Years. London: The Hogarth Press, 1937. Publisher's green cloth, spine gilt lettered, pictorial dust jacket design by Vanessa Bell. Some minor chipping to ends of spine panel, slight staining. FIRST EDITION. Kirkpatrick A22a. 3. To the Lighthouse. London: The Hogarth Press, 1927. Publisher's blue cloth. FIRST EDITION. Kirkpatrick A10. WITH: The Common Reader. 1925. Without dust jacket. * Kew Gardens. 1927. Limited edition, not signed. * Orlando. 1928. * The Waves. New York, 1931. * The Common Reader, Second Series. 1932. * A Letter to a Young Poet. 1932. * Three Guineas. 1938. * Between the Acts. 1941. * The Death of the Moth. 1942. * A Writer's Diary. 1953. * Granite and Rainbow. New York, 1958. All London, unless noted, mostly in dust jackets as issued and noted.
Lot 43
BOSWELL, JAMES. 1740-1795.Life of Samuel Johnson. LL.D. together with the Journal of a tour to the Hebrides ... with Johnsoniana. London: George Bell, 1884. 5 Volumes, extra illustrated edition, 8vo, 215 x 135 mm. Colored engraved frontispieces and additional titles to each volume, hand-colored steel engraved plates and folding map of the Hebrides, extra-illustrated with numerous additional portraits and scraps relevant to the personages of the time, a few double-page. Contemporary red morocco gilt by Bayntun of Bath, gilt edges. A few joints very lightly rubbed.A fine extra-illustrated set of Boswell's Life of Johnson, lavishly illustrated with numerous portraits and engravings.
Lot 660
SOWERBY, John Edward (1825-70). English Botany; or, Coloured Figures of British Plants. Third Edition. London: George Bell & Sons, 1887-92. 13 volumes including "Supplementary" volume, 4to (252 x 175mm). 1,937 wood-engraved plates, almost all hand-coloured (some light mainly marginal staining and browning). Contemporary green half morocco gilt, spines with raised bands, top edges gilt (spines faded, extremities rubbed, some scuffing). Provenance: Public Library, Worthing (bookplate, and library stamps mostly to the blank margins of the plates; bought as "Lot 1844" (pencil note on front free endpapers) at public auction); shelf-marks stamped in gilt at foot of spines. cf. Henrey 1366: "... as an illustrated flora of our country it has never been surpassed"; Hunt 717; Nissen BBI 2225. (13)
Lot 709
DAY LEWIS, Cecil (1904-72). Country Comets. London: Martin Hopkinson, 1928. 8vo. Half title. Original green paper-backed boards, printed label on upper cover, uncut (spine detached, some fading, corners a little bumped). Provenance: The Poetry Bookshop, 38 Great Russell St (small coloured label on front pastedown). FIRST EDITION, with the half title SIGNED by C. Day Lewis with Ottoline Morrell's autograph monogram on the front free endpaper. With the same author's Transitional Poem (London, Hogarth Press, 1929), From Feathers to Iron (ibid., 1932, second impression) and The Magnetic Mountain (ibid., 1933, pictorial boards to a design by Julian Bell, SIGNED BY THE AUTHOR, with Lady Ottoline Morrell's autograph monogram and some passages marked in pencil [?by Lady Ottoline Morrell]). From Feathers to Iron has a one-page autograph letter from Day Lewis to Lady Ottoline Morrell, contained in the original envelope which is postmarked 12 Jan 1934 and tipped-onto the front pastedown, stating, "Dear Lady Ottoline, I have asked [?]Bumpus to send you a copy of From Feather to Iron: they had not one in stock, so I'm afraid it won't be inscribed. I enjoyed yesterday afternoon so much, Yours sincerely, Cecil Day Lewis." (4)
Lot 714
Encyclopaedia Britannica; or, a Dictionary of Arts, Sciences, and Miscellaneous Literature; Enlarged and Improved. The Fourth Edition. Edinburgh: Printed by Andrew Bell, 1810-24. 28 volumes including 6 Supplementary plate volumes, 4to (269 x 205mm). Half titles, engraved frontispiece in vol. one, printed in double column, 701 engraved plates, a few folding or hand-coloured (plate no. one lacking [?but counted as frontispiece], some plates quite heavily browned, some spotting and staining, a few tears). Contemporary reverse calf, the 6 supplementary vols. bound in contemporary half calf (supplementary vols. worn with boards detached, other vols. less severely worn but rubbed and scuffed). Sold as a collection of plates, not subject to return. (28)
Lot 88
1961 Le Chambertin Grand Cru Bottled by Avery's Slight Damage and staining to labels/mixed levels 5x75cl Wonderfully sweet, jewel bright in colour and fruit quality. This was the last of three bottles out of 24 that Aidan Bell had opened. He brought it to the Southwold 2009 Bordeaux tasting in memory of John Avery. It had almost certainly been made and bottled by Bourrée of Gevrey apparently. Its sweetness reminded Sebastian Payne MW of Gigondas. A glorious liquid even if not desperately like modern (18.5/20 points) - 2013
Lot 412
Local interest, three framed coloured engravings and prints of Chichester Cathedral, to include after R. Garland for Winkle's Cathedrals, West Front with the Bell Tower, by B. Winkles, 18.5cm by 13cm, and after S. Read, Chichester Cathedral, 36cm by 49cm, together with Roger Clark, village church, watercolour and ink, signed, 17cm by 24cm
Lot 105A
A pair of diamond and 18ct gold drop earrings, comprising hoop and shell detail tops suspending a diamond set bell form, total length approx. 53mm, stamped 750, post and scroll pierced fittings, total gross weight approx 19.7 gramsCondition report: Good- all stones and settings present and intact, small dent to one hoop, minor wear and tear
Lot 525
BREWERIANA - ASSORTED WHISKEY RELATED CERAMIC ITEMS including a Bells Old Scotch Whiskey Royal decanter (two unopened), commemorating the birth of Princess Beatrice, 8th August 1988; water jugs; bell shaped decanters; and ashtrays, advertising Black and White, Johnnie Walker, Bells & Sons, Mor Welsh Whiskey, etc, (16).
Lot 183
A rare 19th Century German antique Ludwigsburg porcelain bell in the form of a woman having a hand painted floral dress with a green corset and gilt detailing throughout. Metal bell clapper to inner with double blue C marks for Ludwigsburg. Sadly missing one hand. Measures 11cm tall by 13cm.
Lot 405
A group of three vinyl long play LP record albums by John Lennon to include Imagine – Bell Sound Apple Press – Stereo – SW 1-3379 – Good with inner sleeve, poster and one postcard. Shaved Fish – Second Apple UK Press – Stereo – PCS 7173 – VG with inner sleeve and Walls And Bridges – 1st Apple UK press – Stereo – PCTC 253 – VG+ with inner sleeve and booklet. Together with John Lennon The Illustrated Biography.
Lot 101
Football pennants, a collection of 30, 1960's & 70's, pennants various English & Scottish clubs inc. Celtic, Rangers, Derby, Leicester City, Liverpool, Arsenal, Stoke City & others inc. some internationals and some with player images inc. Leeds Billy Bremner, Manchester City Colin Bell also Francis Lee, Everton Jimmy Husband etc (some creasing but mainly gd)
Lot 208
TEN BRONZE NECK RINGS, BALTIC, 9TH TO 13TH CENTURIES mostly of spiral twisted rod construction, three larger, one with three bells and a 'sun' pendant attached and one with four bells and a 'spangle' pendant on a chain; four mid-sized, one with conical knobbed terminals, one with Y-shaped terminals and one with cruciform terminals; three smaller, one with eight bell pendants, and one plaited with three finger rings threaded on the largest: 23.0 cm; 9 in diameter (10)
Lot 226
ONE GOLD AND TEN SILVER COINS, VIKING AND OTHER, AND FURTHER JEWELLERY five with punched holes for turning into pendants and two with bronze loops attached, together with a decorated Slavic silver bead; a heart-shaped decorated silver mount and animal-head silver mount with similar decoration, possibly Magyar, 10th to 12th Century; a decorative floral pendant, a bronze wolf-head mount; a bronze double-headed dragon pendant with punched circular decoration; a bronze axe head pendant; two lengths of bronze chain, one with a bell attached; two bronze singular bells; a group of three joined bronze bells; a pair of small silver tubular rings, Baltic, 9th to 12th Century; four attachment plates for chains (fragments), Baltic, 10th/11th Century; and some other silver and bronze fragments (41)
![CATALOGUES - AUCTION[LIGHTFOOT (JOHN)] A Catalogue of the Portland Museum, Lately the Property of The Duchess Dowager of Port](https://cdn.globalauctionplatform.com/a4df984e-a30f-4e2c-a23c-aafb01542967/0c9d1763-8016-444a-bc7a-ab05013f2479/468x382.jpg)
Lot 179
CATALOGUES - AUCTION[LIGHTFOOT (JOHN)] A Catalogue of the Portland Museum, Lately the Property of The Duchess Dowager of Portland, Deceased: Which will be Sold at Auction, by Mr. Skinner and Col., on Monday the 24th April, 1786, and the Thirty-seven Following Days, copy number '55' (as per ink numeral on title), engraved frontispiece, SOME LEAVES PRICED UP, WITH ADDITIONAL NOTES (see footnote), [?J. Bell, 1786]; A Catalogue of a Very Valuable Collection of Cameos, Intaglios, and Precious Stones, and Other Curiosities... Out of the Arundel Collection... by Mr. Skinner and Co.... 8th of June, 1786, with final blank, [London, no publisher, 1786], 2 works bound in 1 vol., contemporary calf over marbled boards, red morocco spine label lettered 'Portland Catalogue' in gilt, upper cover (and opening blanks) detached, 4toThis lot is subject to the following lot symbols: •
Lot 370
MORRIS (WILLIAM)VALLANCE (AYMER) The Art of William Morris... With Reproductions from Designs and Fabrics Printed in the Colours of the Originals... Also a Bibliography by Temple Scott, FIRST EDITION, NUMBER 2 OF 220 COPIES, photogravure portrait frontispiece, 40 colour plates, numerous others, tissue guards, occasional light spotting, publisher's linen-backed buckram, t.e.g., folio (390 x 280mm.), Chiswick Press for George Bell and Sons, 1897This lot is subject to the following lot symbols: •
Lot 83
ITALY - PHOTOGRAPHYMACPHERSON (ROBERT TURNBULL) A collection of eight large views of Rome comprising: Arch of Titus; Horse of Marcus Aurelius; Temple of Antonius and Faustina; 'Fresco on the Roof of a Church'; Church, and Museum of St. John Lateran; Column & Forum of Trajan; Cloaca Maxima; Stone Pines in the Garden of the Villa Pamphili, blindstamped signature (pencil number, and caption) on mount, approximately 300 x 400mm. or similar, [c.1860]--ALINARI (LEOPOLDO) Giotto's Bell Tower at Florence, Fratelli Alinari, blindstamp on the mount, image 432 x 322mm., [c.1860]--Cathedral of Santa Maria Assunta and the leaning Tower at Pisa (attribution by Camfield Wills), image 262 x 340mm., [c.1860], all mounted on original card--LOMBARDI PAOLO) A good group of 28 views of Siena (street scenes and churches with several fine interiors), together with architectural details, each with the blindstamp of Paolo Lombardi (1827-1890), images ranging from 340 x 258mm. to 248 x 198mm., 1860s and later--LUNGHI (P.) Seven views of churches, and two larger images of the Giotto fresco at Assisi, most with the stamp of Lunghi of Assisi on versos, images mostly 260 x 200mm., [c.1880], albumen prints; and approximately 83 other albumen prints, including views in Venice (21), Verona (30), Rome, Naples, Florence, Pavia, Milan, Monza, and others, most loose (a few on mounts), varying tones, various sizes (large group)
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123896 item(s)/page