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EIGHT LILLIPUT LANE SCULPTURES FROM THE BRITISH COLLECTION, (black backstamp), to include 'The Boat Yard', L2411, 'Busman's Holiday', L2405, 'The Bluebell', L3632, 'Burley Street Garage', L2335, 'Bridle & Bit Stables', L2364, 'The Bell at Stilton', L3027, 'Burnham Thorpe Rectory', L2827 and 'Bear Necessities', L2452 (8)
TWENTY THREE LILLIPUT LANE SCULPTURES FROM ENGLISH AND BRITISH COLLECTION, to include 'Davy Jones Locker', L2361, 'Dovetails', L2012, 'The Doll's House', L2791, 'The Drayman', L2362, 'Dolly Peg', L2498, 'The Dog House', L2406, 'Dad's Potting Shed', L2400, 'Ding Ding Bell', L2523, 'Derwent-le-Dale' etc
THIRTY THREE LILLIPUT LANE SCULPTURES FROM THE BRITISH COLLECTION, (black backstamp) to include 'Braywood Lodge', L3175, 'Bell Tower Cottage', L3232, 'Bodnant Gardens', L3224, 'Bonnie Scotland', L2549, 'Broadway Tower', L3700, 'Bookworm', L3706, 'Birthday Greetings', L3549, 'Badger Bar', L3103, 'Bluebell Wood', L2711, 'Bless This House', L2925, 'Bishop Bonner's Cottage', L3358 etc (33)
A collection of sporting books, including: Country Life Library Of Sport; Big Game Shooting, vol. 1; Sporting Memoirs Of Sir Claude Decrespigny; John Ball: Notes Of A Naturalist In South America; Bell: British Quadrupeds Second Edition; Gilbert White: The Natural History Of Selborne; Mrs. Gray's Mollusca, vols. 2 and 3; and another book titled An Alphabet Of Botany. (8)
A large brass cased moonphase calendar four glass carriage clockThe tooled dial plate with white enamelled chapter ring with Roman numerals, two white enamelled calendar dials and moonphase aperture, the twin fusee movement striking on a bell. 41 cm high. CONDITION REPORTS: Generally in good condition, expected wear, minor chips to three glass panels, pendulum lacking suspension slither, seems to be in working order.
Published 1878 AD. Robertson, J. D., A Handbook to the Coinage of Scotland, George Bell & Sons, London, first edition; later library binding. 590 grams, 21 x 17cm. (8 1/4 x 6 3/4"). Ex libris Lord Stewartby (Ian Stewart); formerly Gloucester County Library. [No Reserve] Binding rubbed; contents fine.
5th-3rd century BC. A large ceramic bell krater with pedestal base, bell-shaped body, square handles and broad everted rim; the rim with a band of vine-leaves to the underside of the exterior; the body with two figural scenes separated by painted palmettes beneath the handles, running scroll beneath; Side A: a bare-chested male seated on a stool with white garland to the brow, neck and shoulder, white armring and bracelets, right hand extended towards a standing female with stephane and mantle to the left shoulder and arm holding a necklace in the left hand, frond in the right facing a second standing female with fan and frond; Side B: two males in loosely draped robes facing a female with one leg raised. Accompanied by an Art Loss Register certificate. 7 kg, 44cm (17 1/4"). From the estate of a deceased north country collector; acquired over a 30 year period from the early 1970s. South Italian vases are ceramics, mostly decorated in the red-figure technique, that were produced by Greek colonists in southern Italy and Sicily, the region often referred to as Magna Graecia. South Italian vases are divided into five wares named after the regions in which they were produced: Lucanian, Apulian, Campanian, Paestan, and Sicilian. South Italian wares, unlike Attic, were not widely exported and seem to have been intended solely for local consumption. Each fabric has its own distinct features, including preferences in shape and decoration that make them identifiable, even when exact provenance is unknown. Campanian vases were produced by Greeks in the cities of Capua and Cumae, which were settled by Greek colonists fleeing political unrest in the Sicilian city of Syracuse; both cities however remained under native control. Capua was an Etruscan foundation that passed into the hands of Samnites in 426 B.C. Cumae, one of the earliest of the Greek colonies in Magna Graecia, was founded on the Bay of Naples by Euboeans no later than 730–720 BC It, too, was captured by native Campanians in 421 BC, but Greek laws and customs were retained. The workshops of Cumae were founded slightly later than those of Capua, around the middle of the fourth century BC. The range of subjects is relatively limited, the most characteristic being representations of women and warriors in native Osco-Samnite dress. The armor consists of a three-disk breastplate and helmet with a tall vertical feather on both sides of the head. Local dress for women consists of a short cape over the garment and a headdress of draped fabric, rather medieval in appearance. The figures participate in libations for departing or returning warriors as well as in funerary rites. These representations are comparable to those found in painted tombs of the region as well as at Paestum. Fine condition.
2nd-3rd century AD. A pale blue glass vessel with bell-shaped base and recessed underside, tapering tubular body with everted and folded rim. Cf. Whitehouse, D. Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 259. 57 grams, 15cm (6"). UK art market, acquired prior to 2000. Fine condition.
1st century AD. A pale blue iridescent glass flask with bell-shaped body, dimple base, tapering neck, flared and rolled rim. Cf. Whitehouse, D. Roman Glass in the Corning Museum of Glass, vol.1, New York, 1997, item 247. 73 grams, 20.5cm (8"). UK art market, acquired prior to 2000. Fine condition, some surface accretion.
13th-15th century AD. A mixed bronze bell group comprising: one tall with panels of raised pellets; one similar with raised arrowhead motifs; one similar with arrowheads and roundels with Greek text; one flared with pointillé detailing; one hemispherical. 819 grams total, 55-101mm (2 1/4 - 4"). Ex German collection; acquired 1980s. [5, No Reserve] Fine condition.
6th century AD. A parcel-gilt bronze flat-section bell pendant with raised triangular panel and vertical rib, band of openwork running scrolls to one edge, scrolled loop fragment above; loop and one corner absent. Cf. MacGregor, A. & Bolick, E. A Summary Catalogue of the Anglo-Saxon Collections (Non-Ferrous Metals), Oxford, 1993, items 25.7, 25.8. 20 grams, 59mm (2 1/4"). Found Suffolk, UK. [No Reserve] Fair condition.
5th-3rd century AD. A mixed group of blackware ceramics comprising: a footed dish with chamfered rim; a squat conical bowl with flared base, rolled rim; a bell-shaped cup with tiered base, loop handle to the shoulder; a small olpe with strap handle to the rear. 367 grams total, 8-13.5cm (3 1/4 - 5"). Property of an East Anglia gentleman; acquired on the London art market. [4] Fine condition.
5th century BC. A creamware cup with narrow flared base, bell-shaped body and slightly flared rim, strap handle to the rim; circumferential painted concentric lines to the foot, equator and rim. 134 grams, 12cm (4 3/4"). Property of a London collector; acquired in the 1970s. [No Reserve] Fine condition.
5th-3rd century BC. A mixed group of ceramic blackware vessels comprising: two footed dishes each with chamfered rim; a squat footed bowl; a bell-shaped cup with loop handle to the rim. 599 grams total, 8.5-14.5cm (3 1/4 - 5 3/4"). Property of an East Anglia gentleman; acquired on the London art market. [4] Fine condition.
1st-3rd century AD. A restrung necklace of mainly very large glass beads, three rock crystal beads; three carnelian beads and a bell shaped glass bead with large white pattern to the front. 187 grams, 26cm (10 1/4"). Property of a professional gentleman, acquired 2011; formerly in a Russian private collection formed before 1950. [No Reserve] Fine condition.
1st-4th century AD. A group of bronze plumb bob weights, each with a suspension loop and five with a conical shape, one drum-shaped, one bell-shaped, two lozenge-shaped and one tear drop-shaped. 201 grams, 20-50mm (3/4 - 2"). Property of a North London gentleman; previously in an important European collection. [10] Very fine condition.
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123896 item(s)/page