John Agar of York - mid 18th century mahogany 8-day longcase clock, with a flat topped pediment and blind fretwork frieze, full length hood pilasters and a break a arch hood door, long trunk door with a conforming top, plinth with applied skirting, brass dial with a silvered chapter ring, Roman numerals, five minute Arabic's and minute track, matching steel hands and cast spandrels, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 210cm Length/Width: 46cm Depth/Diameter: 27cmCondition Report:Bell missing
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J Wilson of London - early 19th century oak and mahogany 8-day longcase c1820 - with a swans neck pediment and wooden paterae, break arch hood door with reeded pilasters and brass capitals, wavy topped trunk door with cross banding on a square plinth with a shaped base, painted dial with a painted oval to the break arch and geometric spandrels, Roman numerals and quarter hour Arabic's with conforming seconds and calendar rings, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 220cm Length/Width: 50cm Depth/Diameter: 24cm
Clark of York - 18th century 30-hour carved oak longcase clock c 1750, with a flat topped pediment and free standing barley twist pilasters, carved trunk front with a conforming door and wavy top, short carved plinth raised on a carved moulding, brass break-arch dial with cast spandrels and a silvered centre with Roman numerals, five minute Arabic's and minute track, conforming silvered calendar dial to the arch, dial pinned directly to a chain driven rack striking movement striking the hours on a bell. With a weight and pendulum.Dimensions: Height: 220cm Length/Width: 43cm Depth/Diameter: 25cm
Fowle of Hastings - mid-18th century 8-day black-lacquer longcase clock, hood with a flat pediment and break arch hood door, attached dial pillars, wooden capitals and glazed side panels, long break arch trunk door with lacquered oriental gesso decoration on a short conforming plinth with applied skirting, formerly silvered sheet brass dial with engraved decoration, spandrels, Roman numerals, five-minute Arabic's and minute track, conforming seconds and calendar dials with a strike silent feature to the break arch, rack striking movement striking the hours on a cast bell. With weights and pendulum.The Fowle family were prolific clockmakers in the county of Sussex during the 18th and 19th centuries, with various members of the family working in numerous county towns and cities. Dimensions: Height: 216cm Length/Width: 47cm Depth/Diameter: 24cm
Jonathan Richard Turner, A large quantity of correspondence with Harrow School, mostly addressed to either Maurice Percival (Art Master 1945-1954) or Robin Treffgarne (Art Master 1954-1976), relating to lectures, art exhibitions and a scheme to sponsored stool scheme for the Art School. Includes signed letters from artists including Rowland Hilder, Eric Fraser, Ralph Usherwood, Eric Newton, Will Carter OBE, John Strickland Goodall, Emmanuel Cooper, Michael Farrar Bell, Dennis Lennon, Lynton Lamb, Baron Paul Ayshford Methuen, Hugh Lewis Pawle, Reynolds Stone, Elliot Hodgkin, Reynolds Stone and Edward Ardizzone. And from various others including Lord Dudley Gordon, Sir Arthur Geoffrey Harmsworth, Sir Peter Scott, Sir John Betjeman and No 10. Downing Street.
Thomas Green, Bristol Hotwell, a George III bracket clock, ebonised chamfered case, caddy top with brass swing handle and urn finials, convex painted dial with Roman numerals, signed 'Thomas Green, Bristol Hotwell', fretwork side sound grilles, shaped gilt metal bracket feet, six pillar triple fusee movement, chiming phrases for the quarters on a graduated nest of eight-bells and completing `Queens` melody on the hour before striking hour on a larger bell, signed and dated 1789, 50cm high, 31cm wide, (key and pendulum), with a contemporary ogee front-sliding wall bracket, 17cm high, 37cm wide. Note: Thomas Green is recorded in Moore, A.J. The Clockmakers of Bristol 1650-1900 as apprenticed to Charles Horwood, watchmaker and goldsmith on the 27th July 1771. He married Horwood`s daughter before setting up business at Chapel Row, Dowry Square, Hotwells, Bristol in 1780 where he stayed until relocating to Portland Place, Clifton in 1815. Moore transcribes the advertisement for the 1824 retirement auction of his workshop and comprehensive stock in trade, which includes `a capital Regulator by George Graham of London, ditto duplex jewelled and six other clocks of superior manufacturers in handsome cases`. The current lot is illustrated by Moore on page195.
Spencer & Perkins, London, a George III mahogany bracket clock, caddy top with brass flame finials, silvered dial with Roman numerals and date aperture, signed 'Spencer & Perkins, London', subsidiary Strike/Silent dial, engraved chinoiserie devices, side handles and glazing, scroll metal feet, double fusee movement striking on a bell, 64cm high, (key and pendulum)
David Morice, London, a Regency bracket clock, circa 1820, arched top flame mahogany case with gilt metal swing handle, 18cm painted dial with Roman numerals, signed 'David Morice, Fenchurch St, London', fretwork sound grilles, gilt metal bracket feet, double fusee movement striking on a bell, 37cm high, (key and pendulum)
William Beavington, Stourbridge, a George III mahogany bracket clock, caddy top with brass swing handle and gilt metal urn finials, arched silvered dial with Roman numerals, date and minute chapter rings, shaped brass bracket feet, double fusee movement striking on a bell, 51cm high, (pendulum, winder and door key)
Antoine Ravrio, a late 19th Century French gilt ormolu bracket clock, circa 1870, of Empire Revival design, surmounted by a trophy of quiver arrows and horn, adjacent standing figure of Diana the huntress with bow and to the other side a tree stump with seated dog, white enamel dial with Roman numerals signed 'Ravrio Bronzier a Paris, Mesnil Horologer' raised on a green veined marble plinth with four toupee feet, eight day movement striking on a bell, 41cm high, 35cm wide, (key)
A Chinese blue and white cup,Kangxi (1662-1722), the bell-shaped body rising from a circular foot to an everted rim, painted with a mountainous landscape, 8.6cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.清康熙 青花山水图仰钟式杯Condition ReportMinute chips to foot rim.
A collection of Chinese export wares, comprising:a clobbered dish, Kangxi (1662-1722), of circular form, painted with blossoming prunus against a crackled ground, a six-character Xuande mark to base,16.2cm diameter,an Imari-style cup, Kangxi, the bell-shaped body painted with florets, 7.8cm high, a famille rose vase, Qianlong (1736-1795), the pear-shaped body painted with figures in a sitting room,23cm high, and a pair of saucers, Qing dynasty (1644-1911), painted with ladies and a boy in a garden,13.6cm diameter (5)Condition ReportClobbered saucer - chipped and cracked in various locations. Restored.Cup - chipped to rim and foot rim.Vase - rim chipped and cracked, restored.Pair saucers - one chipped to rim and foot rim. The other chipped and cracked to rim.
A Chinese bronze bell, yongzhong,possibly Qing dynasty, of archaic form, with an upper section decorated with protruding studs grouped in four sections of nine, similarly decorated with bosses to the lower section, all against a diapered ground, enclosing an inscription in bronze script on both sides,20cm high Condition ReportSurface scratches and dents, small holes and minute splits to the top. Oxidation throughout.1238g.
Includes: Revere 8 Model 44 c. 1952 double-8 film camera, Magazine Cine, with three lens turret and spring motor; and Bell and Howell Two Fifty Two 8mm camera which is fully mechanical, with manual exposure dial guiding on what f-stop to use in various lighting conditions.Dimensions of tallest camera: 4.75 in. L x 3.75 in. W x 5.75 in. H. Manufacturer: Revere 8 / Bell and Howell Two Fifty TwoCountry of Origin: United States/JapanCondition: Age related wear. Lens missing on Bell and Howell camera.
An enamelled steel street sign for Bell Street NW1, City of Westminster with iconic black and red sans serif lettering first created by Sir Misha Black in 1967 which is unique to the Westminster signs and under copyright law, forbidden to be copied anywhere else in the world, sold together with a signed Certificate of Authenticity44 X 81cmCondition:All signs have been hung outside and have been exposed to the elements and therefore have a general degree of wear. Loss and rust marks running along bottom edge and top edge.
New Haven - American parquetry inlaid 8-day wall clock with a carved pediment, fully glazed door flanked by ring turned pilasters and pendants with a double ogee curved base, steel cylinder pendulum and gilt framed mirror, painted steel dial with Roman numerals, steel Maltese hands and brass slip, count wheel striking movement striking the hours on a bell.Dimensions: Height: 90cm Length/Width: 40cm Depth/Diameter: 15cm
French - early 19th century 8-day mantle clock c1820, with a gilt spelter and alabaster base surmounted by a simulated bronze horse, white enamel dial with Roman numerals and pierced gilt hands, count wheel striking movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 38cm Length/Width: 36cm Depth/Diameter: 13cmCondition Report:No pendulum or bell. Movement may require attention.
French - late 19th century alabaster and gilt spelter 8-day mantle clock, with a drum cased movement and figure of a huntsman on an alabaster and ornate gilt spelter plinth, enamel dial with Roman numerals and Fleur di Lis hands, Parisian count wheel striking movement, striking the hours and half hours on a bell. With pendulum and key.Dimensions: Height: 40cm Length/Width: 33cm Depth/Diameter: 13cm
Kidd of Malton - 18th century 8-day brass dial and movement measuring 12 x17", with an engraved and silvered dial centre and chapter ring, Roman numerals and five minute Arabic's, date aperture and seconds dial, with matching steel hands, rack striking movement striking the hours on a bell, no pendulum or weights.Condition Report:No second hand
French 19th century - Burr walnut and ebony 8-day library clock, drum movement with an enamel dial, Roman numerals and minute markers with steel moon hands, count wheel striking movement, striking the hours and half hours on a bell. With pendulum.Dimensions: Height: 28cm Length/Width: 33cm Depth/Diameter: 14cm
French - mid 19th century 8-day Belgium slate and marble mantle clock, with a drum case and carved volutes on a serpentine plinth, two part enamel dial with moon hands and visible Brocot escapement, striking the hours and half hours on a bell. No pendulum or bell,Dimensions: Height: 26cm Length/Width: 40cm Depth/Diameter: 15cm
French - 8-day slate mantle clock in a Belgium slate case inlaid with malachite, flat top case on a rectangular plinth, white enamel dial with Roman numerals and minute markers, steel moon hands within a brass bezel, striking movement striking the hours on a bell. No pendulum.Dimensions: Height: 28cm Length/Width: 25cm Depth/Diameter: 15cmCondition Report:No bell or pendulum. Glass cracked.
French - mid 19th century gilt spelter 8-day mantle clock, detailed armorial case with weapons of war, surmounted by a galloping knight crusader, white enamel dial with Roman numerals, minute track and steel moon hands, Parisian count wheel striking movement, striking the hours and half hours on a bell. With pendulum and key.Dimensions: Height: 50cm Length/Width: 39cm Depth/Diameter: 14cm
French - Alabaster and gilt-spelter 8-day mantle clock c1880, with a drum cased movement and huntsman on an alabaster and gilt plinth, white dial with Roman numerals, minute track and steel moon hands, count wheel striking movement, striking the hours and half hours on a bell. With pendulum and key. Dimensions: Height: 23cm Length/Width: 30cm Depth/Diameter: 13cm
Coal.- Taylor (T. John) Observations, addressed to the Coal Owners of Northumberland and Durham, on the Coal Trade of those counties, only edition, one or two contemporary ink marginalia, modern wrappers, [Goldsmiths' 34634; Kress C.6980], Newcastle, Wm.Heaton, 1846 § Dunn (Matthias) A Review of a Pamphlet entitled "Observations addressed to the Coal Owners of Northumberland and Durham..., first edition, signature of John Bell Simpson to front pastedown, old marbled boards, rebacked and recornered in russet morocco, [Goldsmiths' 34618], Newcastle-upon-Tyne, M.Ross, 1846 § Frauds and Abuses of the Coal-Dealers Detected and Exposed (The): In a Letter to an Alderman of London, third edition, lacking half-title, woodcut ornaments, one or two ink corrections in contemporary manuscript, foxed, modern cloth, [Goldsmiths 8287; Kress 485], M.Cooper, 1747; and 2 others on coal, 8vo & folio (5)⁂ The first two provide an interesting commentary on the state of the coal trade in the Northumberland and Durham coal fields. The second is by Matthias Dunn (c. 1788-1869), the mining engineer and from 1850 one of the first government mines inspectors under the Inspection of Mines Act. Both are rare with Library Hub listing only 3 printed copies of the first (LSE, Newcastle University and Goldsmith's/Senate House libraries) and only the Goldsmith's/Senate House copy of the second.The third is a useful portrait of London coal merchants in the mid 18th century, first published in 1743-44 with a second edition in 1745; all editions are scarce.
SEVEN KODOGU (SWORD FITTINGS)Edo period (1615-1868), 18th to 19th centuryThe first a fuchi-gashira (hilt collar and pommel), shakudo nanako inlaid in relief of gold, silver, copper, and shibuichi with a male and female pheasant and grasses, converted into a small box, signed Yoshitaka with a kao (Ishiguro Yoshitaka, circa 1850, Haynes 12141); the second a kozuka (knife handle), copper, chiselled and inlaid in gold and silver with a pilgrim who has just stuck senjafuda (votive stickers) to a torii (shrine entrance), writing the kozuka's signature with a brush, with signature Shozui; the third a tsuba (hand guard), iron, in the form of a Buddhist temple bell, chiselled and inlaid in relief of gold, silver, copper, and shibuichi with two Noh actors, the reverse with a Hannya demon mask and rake, signed Fujiwara Katsunori (circa 1875, Haynes 02858), 9.6cm (3 13/16in) high; the fourth a tsuba, circular, shakudo nanako applied with a gilt rim, both sides chiselled in relief with a net, inlaid in relief of gold, silver, and copper with the fisherman protagonist of the Noh drama Hagoromo (The Feather Robe) wearing the magic garment he has found on Miho no Matsubara beach and looking up two chidori ('wave birds' or plovers), the reverse with clouds and three more birds, with signature Tsu Jinpo, 7.3cm (2 7/8in) high; the fifth a tsuba, aorigata (tapering shape), copper nanako, inlaid in relief gold, silver, shakudo, and copper with gokoku (the 'five grains'), signed Goto Mitsuyoshi with an elaborate kao (Goto Shinjo, 1780-1843, Haynes 08644), 6.1cm (2 3/8in) high; the sixth a tsuba, oval, sentoku with a stippled surface, inlaid in relief of gold, silver, and shakudo with a potted fukujuso (Adonis amurensis, literally 'plant of fortune and longevity') set out on New Year's Day, a shimenawa (sacred rope), and the rising sun, signed Mitsuyoshi with a kao, 6.3cm (2½in) high; the seventh a tsuba, rounded rectangular, shibuichi, chiselled and inlaid with wild chrysanthemums, susuki (plume grass), the crescent moon, and clouds, signed Shuzuiken Kiyoaki (circa 1875, Haynes 03227), 6.5cm (2 9/16in) high. (9).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
AN INLAID BRONZE CHARGER AND INLAID SENTOKU KOGO (INCENSE BOX) WITH COVERThe charger by Kumagaya of Kyoto, the kogo by the Inoue Company of Kyoto, Meiji era (1868-1912), late 19th/early 20th centuryThe charger carved and inlaid in gold, silver, and shakudo with a kakejiku (hanging scroll) beside flowering chrysanthemums, the kakejiku depicting two rakan (Buddhist disciples) in a garden blooming with cherry blossoms, irises, and camellias, each holding a bell or gong, a karako (Chinese boy) pulling a potted rose, signed Kyoto Kumagaya tsukuru, 37.2cm (14 5/8in) diam.; the kogo of round form and similarly worked, the cover inlaid in gold, silver, and copper with a butterfly flitting about flowering peonies and daisies, stamped on the underside Dai Nihon Nishikyo Inoue sei, 12.2cm (4 13/16in) diam. (3).For further information on this lot please visit Bonhams.com
Photographs, Northamptonshire, a fine collection on Inns of the County, 100+ mainly p/c (90), various sized photos (17), inc. Elwes Arms, Great Billing, Chequers Bozeat, Crown Brixworth, White Horse Corby, Red Lion Denton, Fox & Hounds Earl Barton, Royal George Geddington, Royal Oak Finedon, Plough Hartwell, Swan Higham Ferrers, Halfway House Kilsby, Bakers Arms & others Kettering, Greyhound Milton Malsor, Robin Hood & others Raunds, Swan Ringstead, Sun Rothwell, White horse Silverstone, Peacock & others Wellingborough, Bell Wollaston, Bakers Arms Woodford, Chequers Yeldon etc., annotated in a folder, from the Alan Burman Collection (gd/vg) (approx. 107)
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