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19thC French ormolu style clock, the Roman ivory coloured enamelled dial with Arabic minutes and beetle and poker hands, the drum case with reeded decoration, the movement stamped Paris 92736-70 striking on a bell, decorated with a farm lad with scythe and sheaves of corn, raised on a marble base and metal feet, 42.5cm
Japy Freres & Co 19thC gilt metal French mantel clock, with figural decoration of a farmer with scythe, rake and his dog. The 80mm white enamel Roman dial with Brequet-style hands, the two-train movement stamped with maker and 824 striking on a bell, raised on a gilt cross-hatched stand and ebonised base, the whole covered with a glass dome. 56cm tall
John Chambley, Wolverhampton, late 19thC/early 19thC longcase clock, the 8-day movement striking on a bell, the painted break arch dial with Roman numerals and Arabic minutes, secondary seconds and date aperture, named to arch, the hood with swan neck pediments and reeded columns with brass capitols and the case with quartered reeded columns and scalloped door, 222cm tall
Ralph Banks, Plymouth Dock (Devonport) mahogany longcase clock, c1780-1800, the 8-day movement striking on a bell, the brass break arch dial with raised Roman chapter ring, the centre with subsidiary seconds dial and date aperture engraved Ralph Banks, Plymouth Dock, floral spandrels to the corners and rocking ship automaton over, the hood with reeded pillars and brass capitols, the arch top with acorn finials, approximately 218cm tall. Ralph Banks worked in Plymouth Docks, Devonport and often used movements bought in from John Thwaite, London, and cases made by a local carpenter. He married Rebecca Palmer Collings at Stoke Dameral parish in 1782 (listed as clock maker on marriage certificate) by 1812 the business was listed under Rebecca's name
Wrangler, Oxford, early to mid-19thC mahogany longcase clock, the 30cm painted square dial with Roman numerals, filigree brass hands and date aperture, the case with decorative escutcheon, the hood with swan neck pediments and brass rosette decoration and finial, turned pillars with brass capitols and reeded base, the 30-hour duration movement striking on a bell and the whole raised on bracket feet, 207cm tall
Archibald Siaman, Cumnock, c1800, mahogany longcase clock, the 36cm break arch painted Roman dial with secondary seconds, date, Arabic minutes and diamond pattern cut-away hands, the case with reeded quarter columns and boxwood shell inlay, the door with shell and string inlaid decoration. The hood with reeded columns and brass capitols, string inlay and swan pediments, the 8-day movement striking on a bell and the whole raised on bracket feet, 219cm tall
S & C Porters, Wokingham, early 19thC oak longcase clock, the 28cm square painted Roman dial with date aperture and pierced black hands, the case with reeded decoration, the door with ebonised escutcheon, the hood with reeded columns, brass capitols and swan neck pediments with brass rosettes. The 30-hour duration movement striking on a bell and the whole raised upon bracket feet, 198cm tall
Vick, Stroud, 19thC oak longcased clock, the 30cm painted square Roman dial with secondary seconds and date dials the case with reeded side decoration, the door with decorative inlay to centre, the hood with turned columns and brass capitols, swan neck pediments with brass rosette decoration and brass finial. The 8-day duration movement striking on a bell and the whole raised on bracket feet, 206cm tall
A Persian inspired black marble mantle clock, circa 1880, surmounted by a bronze Persian Sphinx, the gilt dial with Roman numerals, inscribed for "Benham and Sons, Wigmore Street, London", flanked to either side by two bronze winged Sphinxes, the eight day movement chiming on a bell, all on a cast bronze base. Height 37 cm, width 36 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It appears to be ticking away and strikes as it should when advanced. The clock case is in extremely good condition with no significant marks or damage of any note. The Sphinx mounts are also all in good order with no damage. The rear door is present. The only minor issue is that the black paint to the numerals is a little rubbed in places.
A French gilt brass carriage clock by Paul Garnier, Paris, circa 1840/50, with eight day two train movement chiming on a bell, the silvered dial with Roman numerals with radial design to the centre within the chapter ring and a "watered silk" ground, with two winding holes, the front glass sliding upwards to access the winding holes, all upon a Cavetto moulded base with inset rounded angles, all within an original leather and brass mounted travel case with plush interior, height 14.5 cm including handle, 11.6 cm excluding handle (see illustration). CONDITION REPORT: The clock winds on both trains. It is ticking away and striking when advanced. The case is in generally good order with only minor surface marks and slight perishing to the original lacquer particularly around the top edges of the case. The sliding glass door has a chip to the bottom right hand corner but this is barely visible when the door is in position. The silvered brass dial is showing some signs of deterioration particularly around the right hand winding aperture and there is some slight loss to the black on the Roman numerals. The outer case is scuffed and worn but serviceable. We do not have a key.
A mahogany bracket clock, circa 1775, by "Chas. Bayles, Margate" the silvered dial with Roman and Arabic chapter rings beneath a strike and silent with a date aperture, with engrave foliate spandrels, having a double fusee movement striking on a bell, with foliate and scroll engraved backplate and brackets, with pear shaped pendulum behind a glazed door, the sides with pierced gilt brass scale grilles, all upon gilt bracket feet (see illustration). CONDITION REPORT: The movement winds on both trains and appears to be ticking away and striking as it should. The strike/silent mechanism operates. The silvered dial is dirty and showing signs of deterioration to the silvering. The mask around the dial has numerous old stress fractures. The front door is not warped. It closes as it should. There are two stress fractures to the bottom right hand side but no timber loss. The sides of the case and grilles are in generally good order. The left hand side has a timber loss to the top right hand side of the grille and an old repair to the front right hand side. The section of veneer missing to the front left hand return is present. When in place there is only a very small 4 mm square section missing. The rear door is in good order. The movement as stated appears to be operating it is however fairly dirty. We have an incorrect winding key. There are various small unimportant veneer stress fractures to the domed top.
A Thomas Spencer of London flintlock pistol, early 19th century, the barrel struck with London proof marks, the lock engraved "Spencer London" beneath a bell flower swag, 17.5 cm overall (see illustration). CONDITION REPORT: The hammer pulls back but does not engage. When the hammer is pulled back the trigger releases ever so slightly but not fully. The metalwork throughout appears to be in good clean condition. The stock also appears to be in good clean condition.
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123939 item(s)/page