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Lot 184
A CHINESE BRASS BELL IN CARVED WOODEN FRAME the bell with relief decoration of a dragon chasing flaming pearl 13cm diameter 20cm high, the hardwood frame with pierced and carved decoration including pair of dragons with glass inset eyes, inlaid throughout with white metal, 29cm wide 45cm high
Lot 1118
Victorian Nice Quality - Twin Fused Movement Skeleton Clock, Raised on a Stepped Oval Shaped White Marble Base, Complete with Glass Dome. Stands on Four Decorative Gilt Brass Bell Shaped Feet with Cord Driven Twin Fusee Movement. Height with Dome 17.75 Inches High. Excellent Condition In All Aspects. Works Well. Nice Example of a Victorian Skeleton Clock.
Lot 155
An early 19th century mahogany longcase clock by Edward Renouf & Co. of Jersey, the arched painted dial with fan spandrels and fruit and flowers, the Roman chapter ring with Arabic outer minute track, subsidiary seconds dial at 12 and date dial at 6, engraved and gilded hands, eight day bell strike movement, the hood flanked by turned columns and surmounted by turned finials, over an arched trunk door, deep base and shallow plinth, 81¾in. (207.5cm.) high.
Lot 159
A large French baroque style mantel clock garniture by A. D. Mougin of Paris, early 20th century, the outside countwheel, bell strike movement signed 'A. D. Mougin Deux Medailles', no. H567, with Roman porcelain dial, the elaborate baroque style case with part silvered finish, covered urn surmount on stepped top with pierced foliate brackets and maiden mask cartouche, over a heavily decorated floral base with lion mask swing handles, over a platform base with lion mask appliqué and foliate paw feet, 23in. (58.5cm.) high, with a pair of matching four branch candelabra. (3)
Lot 65A
A set of ten cut glass wine glasses, 1940s-50s, the bell shaped bowls with blaze and strawberry diamond cutting, on facetted hexagonal tapered stems and conical feet, 15cm. high; together with a set of twelve matching champagne bowls, 11.5cm. high; and twenty one small port glasses, 11.5cm. high. (43)
Lot 170
An inlaid slate cased mantel clock, late 19th century, white enamel Roman dial, marked 'Dufet A' Nantes', eight day bell strike movement signed for Vincenti, 1855, within a waisted form central body, with slate and Eretria marble top with bronze covered urn surmount, decorated with rose florettes and thorned stem handles, on wider base bearing Eretria marble inlay, 13in. (33cm.) high, 8¼in. (21cm.) wide.
Lot 152
A George III Channel Islands mahogany cased longcase clock by Thos. De Gruchy of St. Helier, Jersey, eight day bell strike movement, the hood with arched door, enclosing the Roman enamelled dial with painted and gilded floral spandrels and further floral decoration to the arch, flanked by slightly bellied turned and fluted columns below the swan neck pediment with brass rosette mounts to the scrolls and two sphere and spire finials, the central sphere surmounted by an eagle, the pointed arched door of the trunk over a deep base section on a shaped skirt and bracket feet, overall height 86½in. (219.75 cm.).
Lot 161
A slate and marble cased drum clock garniture, 19th century, white enamel ring form dial with painted Arabic numerals, recessed brass centre marked for 'Le Forest Paris' with visible escapement, eight day signed Japy Freres bell strike movement encompassed by a gilt husk decorated bezel, adjoined to a glazed door with brass edge, supported on a concave cradle with cylinder form sides above a centralised bevelled glazed window, flanked by two reeded Eretria marble columns, mercury regulator pendulum, hinged access panel to rear, 18¾in. (47.75cm.) high, 15in. (38cm.) wide, the matching pair of tazzas of conforming design and decoration, 10¼in. (26cm.) high. (3)
Lot 150
A French chinoiserie style mantel clock by Achille Brocot & Sons, 1900-1920, the good quality hour and half hour bell striking movement signed 'A*B' and numbered '110011', within an elaborate and good quality pagoda style brass case with white metal and gilt panels depicting Oriental figures in landscapes, the silvered Roman dial with similar centre depicting Oriental gentleman seated at a table, 15in. (38cm.) high.
Lot 120
A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C16-2, painted with bell flowers in shades of purple and green on a mottled blue ground, printed factory mark, painted facsimile signature, 25cm. diam. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 96 catalogue number 262 for two comparable bowls. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 121
A Hancock & Sons Morris Ware bowl designed by George Cartlidge, model no.C77-1, painted with bell flowers and foliage to the inside, in green blue and purple on a green ground, the exterior mottled blue-green printed and painted factory marks, painted facsimile signature, 31.5cm. diam. Provenance Tony Johnson Literature Tony Johnson, The Morris Ware Tiles & Art of George Cartlidge, Private Press, page 113 catalogue number 295 this actual bowl illustrated. This lot is sold with a copy of The Morris Ware Tiles & Art of George Cartlidge, by Tony Johnson.
Lot 1
EARLY 19TH CENTURY WELSH OAK, THIRTY HOUR, LONG CASE CLOCK, marked: W. Williams, Merthyr, having broken swan neck pediment with eagle and ball brass finial, arched aperture flanked by reeded pillars, the waist with moulded rectangular door, having ebony inlaid outline and shell inlaid motif, flanked by canted angles, on an ebony outlined panel base and bracket feet. Arch painted face with floral decoration and Roman numerals above date aperture. Thirty hour movement striking on one bell. The face: 16.5 x 12 inches approx. 84 inches high approx. CONDITION REPORT: A little dry and lacking in patination, face has had some re-touching, crack through pediment, vertical crack through door, horizontal crack through panel base.
Lot 2
19TH CENTURY WELSH EIGHT DAY MAHOGANY LONG CASE CLOCK, having arched hood with turned finials above arched aperture flanked by fluted pillars, the weights with cross banded, rectangular moulded door flanked by quarter reeded pilasters on a cross banded, panelled base and bracket feet. Part painted face with Roman numerals, seconds dial and date aperture, marked: 'Thomas Chivers, Maesteg'. The face 18 x 12" approx. Eight day movement striking on one bell. 90" high approx. CONDITION REPORT: A little wear and discolouring to the face, the case requiring some polishing, being a little dry, horizontal cracks noted to the panelled base, basically good condition commensurate with age.
Lot 4
EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the face marked: Bartley of Bristol, having arched hood with arched aperture, the waist with strung outlined rectangular door, flanked by spirally turned, metal mounted pillars on a panelled base, lacking original feet. Arch painted face with rolling moon, Roman numerals, seconds dial and date aperture. Eight day movement, striking on one bell, the face 18 x 12.5 inches overall 82 inches high approx. CONDITION REPORT: Rather dry, dusty and grubby, lacking original finials, some wear to the face, lacks original feet and moulding returns to the base. Includes two weights and pendulum.
Lot 280
A silver cafe-au-lait set, by Thomas Bradbury & Sons, Sheffield 1918, comprising a slim baluster shaped coffee pot the upper body with a decoratively engraved band below a moulded edge, domed cover with bell finial, wooden scroll handle, 22.5cm high, crested, together with the companion hot milk jug, 28.68oz (2) In good condition but rtaining pins for one handle loose with one missing
Lot 427
A mid-18th century English Delft blue and white bell shaped mug celebrating 'The King of Prussia', his portrait bust opposite the handle about to be wreathed by a cherub flying above, battle trophies on either side of the ground beside him, 15cm (6 in) high Other Notes: Records of this depiction have been found on plates and bowls but not on mugs. The original of the portrait used for this mug may have been by the Prussian court painter Antoine Pesne (1683-1757) and bears similarities to one in the British Royal collection. Richard Houston engraved a print of Frederick the Great in about 1758, after the monarch's victories at Breslau and Neumark. It is probably the print which pottery painters copied.
Lot 805
George Morland (British, 1763-1804) The Bell Inn at Kilburn, London oil on canvas 112 x 138cm (44 x 54in) Provenance: John Knight, Lea Castle, Wolverley, Kidderminster, March 1826, and by descent Other Notes: The son and pupil of the portrait painter and dealer Henry Morland (1716-1797), George Morland is especially known for his charming scenes of rural life. He was a precocious and prolific painter who learnt to draw at the age of three, exhibited at the Royal Academy at the age of ten and attained a considerable reputation among artists of repute by the age of seventeen. His talents were carefully cultivated by his father, who encouraged him to copy pictures of the Dutch and Flemish Old Masters in particular. He was even introduced to Sir Joshua Reynolds in order to obtain a permission to copy his paintings. George Morland produced a vast amount of work in spite of a dissolute lifestyle, drinking and hiding from his creditors and even ending up in prison. Several of Morland's works depict inns in a rustic countryside with signs featuring bells. A smaller comparable example by Morland showing a "Bell Inn" is at the Metropolitan Museum of Art, New York, and a drawing at the Fitzwilliam Museum, "Mid-day Rest at the Bell Inn" captures a similar building and tree. This same scene at Kilburn is the subject of an engraving by John Raphael Smith after Morland, "The Return from the Market", published 1793, where the bell sign also features above the door. (see Richard S. Sabin, George Morland (1763-1804): A Descriptive Catalogue of a Collection of Sixty Colour Prints Engraved after His Paintings, exh. cat., Frank T. Sabin, London, 1935, no. 18). John Knight was an important landowner in the area around Kidderminster in Worcestershire, where his Wolverley and Lea estates were situated. He lived at Lea Castle, and was one of the most important patrons of James Ward. George Morland married James's sister Anne Nancy Ward in 1786. Lined and cleaned. The paint layer is stable. There is an old damage near the centre of the painting which has been repaired and is now obvious as the retouchings has discoloured over time. Varnish is glossy and even. There is some wear to the gilding on the frame but it is generally in a good condition. Old label: From John Knight, Lea Castle, Wolverley, Kidderminster, March 1826.
Lot 818
Attributed to Erskine Nicol, ARA (Irish, 1825-1904) Preliminary sketch for "Interviewing the Member, Lease Refused" inscribed to the reverse by another hand oil on board 9 x 14cm (4 x 5in) Provenance: A gift from the artist upon a visit to the Bell in Feltham in 1893 and by descent. Exhibited: Erskine Nicol's finished painting "Interviewing the Member, Lease Refused" was exhibited at the Royal Academy in 1879. Other Notes: In Erskine Nicol's finished painting the agent in the black coat is seated instead of standing at the table. The painting was sold at Christie's, London, on 4 November 1999 for £34,500. A little scuffing along the bottom edge.
Lot 980
A late 18th century Austrian ebonised verge bracket clock, the 13cm brass dial signed 'Kilian Geist Wienn' to a boss in the arch, with silvered chapter ring, engraved centre, mock pendulum, four pillar twin barrel movement rack striking on a bell, Rococo engraved backplate, now somewhat loose in the typical form case, on brass ball feet, the engraved arched brass and silvered dial boss inscribed, 38½cm (15in)
Lot 986
Maison Marnyhac, Paris, a late 19th century ormolu and white marble mantel clock, the glazed rectangular case with urn surmount, ribbons and pendant fruit draped around the signed 11cm enamelled convex dial (cracked), bell striking drum movement, backplate marked 'Marnyhac', all on a marble base (3) 44½cm (17in)
Lot 993
A late Victorian mahogany chiming bracket clock by Dent, London, the bell top case with handle and four ball finials, arched brass 18.5cm dial with subsidiaries for chime/silent, slow/fast and chime on 8 bells/Westminster, within a raised gilt foliate scroll mask surround, matted centre, the three train fusee movement striking on a gong and chiming on 8 bells or 4 gongs, and gong hour strike, the case with stop fluted columns and arched brass side frets, mesh rear door, all on brass ogee feet, 61 x 40 x 35.5 cm (24 x 15.75 x 14in)
Lot 394
A cased Victorian Etruscan-style brooch and earrings gold suite, c.1870,the shield-style circular brooch with a plain central boss to a twisted wire and applied bead flower head surround. A recessed border with bands of twisted wire to a stepped outer level decorated with twisted wire scallops with bead points to a bloomed ground, a rope border to glazed locket verso with pin and 'C' catch', brooch 39mm diameter,together with a pair of matching drop earrings with a bell-shaped hasp top to hook fittings. Tested as approximately 9ct gold. Earrings 40 x 17mm. Total 25.81g (3)
Lot 464
A cased naturalistic, gold, platinum, diamond and nephrite flower brooch, c.1950,attributed to Carrington & Co. Arching gold stems with platinum, bell-type flower heads, pavé set with graduated eight cut diamonds with an open flower head to the centre. Carved nephrite leaves to a sweeping pin with lever catch. Fitted case by 'Carrington & Co., 130 Regent St., London W1'. 71 x 43mm, 21.28g
Lot 640
AN OAK LONGCASE CLOCK by J. Collier, Cheadle, the eight day movement with anchor escapement striking on a bell, 14" square dial painted with birds and flowers, the rolling moonphase with sail ship, Roman and Arabic numerals and calendar aperture, the mahogany banded and string inlaid case with brass finials and scrolled pediment on reeded square columns, arched door flanked by reeded pilasters, canted base and ogee bracket feet, 87 1/2" high
Lot 641
AN OAK LONGCASE CLOCK signed Jas. Gray, Edinburgh, the eight day movement with anchor escapement striking on a bell, arched 12" brass dial with Roman and Arabic numerals, silvered centre chased with birds on branches, secondary dial and calendar aperture, signature roundel to arch, the case with scrolled pediment with brass finial and rosettes on turned fluted columns, arched door with marquetry shell patera, panel base and bracket feet, 85 1/2" high
Lot 630
AN OAK LONGCASE CLOCK signed Joshua Horrocks, Lancaster, the eight day movement with anchor escapement striking on a bell, 11" square brass dial with Roman and Arabic numerals, calendar aperture and signature roundel, the mahogany banded case with dentil moulded cornice and blind fret frieze on turned columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 64 1/2" high
Lot 639
AN OAK LONGCASE CLOCK, early 19th century, unsigned, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial painted with floral spandrels and sailing ships in the arch, Roman and Arabic numerals and secondary dials, the case with dentil moulded cornice on turned columns, canted trunk with arched door, panel base and ogee bracket feet, 64" high
Lot 638
A MAHOGANY LONGCASE CLOCK signed Halliwell, Warrington, the eight day movement with anchor escapement striking on a bell, 14" square dial with Roman and Arabic numerals, painted floral spandrels, secondary dial and calendar aperture, the case with scrolled pediment and frieze with inset paper panel featuring foliate scrolls, arched door, the canted panel base with beaded edged quartered veneered panel centred by a marquetry patera, on bracket feet, 97 1/2" high
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123896 item(s)/page