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A late 19th/early 20th Century French white marble and gilt metal mounted clock garniture, the portico clock with eight day movement striking on a bell, the enamel dial with Arabic numerals, the drum case raised on four columns and a semi-circular base, height approx 39cm, together with a pair of similar twin branch candelabra.
A 20th Century walnut mantel clock with eight day movement striking on a bell and chiming 'Whittington', 'Westminster' & 'Winchester' on eight bells, the break arch dial with silvered chapter ring framing an oval boss inscribed 'Garrard', beneath 'slow/fast' and 'chime/silent' subsidiary dials, the arch with chime selection dial, cornered with pierced gilt amorini spandrels, the back plate signed 'Elliott London' and numbered '142/250', the case with caddy top and brass carry handle, above fret panels and glazed sides on bracket feet, height approx 43cm.
A late 19th Century French gilt metal and porcelain mantel clock with eight day movement striking on a bell, the porcelain dial with Roman numerals, the case with urn finial above a pair of columns, each porcelain section painted with flowers and figures within turquoise borders, on paw feet (faults).
A George III mahogany longcase clock, with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed 'Heny Kellitt, Bredbury', cornered by painted figures emblematic of the Continents, the hood with swan neck pediment surmounted by three brass ball and eagle finials above turned columns and a glazed door, the crossbanded case with triple arched trunk door flanked by turned columns on a canted corner base and bracket feet, height approx 238cm (faults).
A Victorian burr walnut bracket clock with eight day twin fusee movement striking on a bell, the circular silvered dial engraved with strapwork and scrolls surrounded by black Roman numerals and inscribed 'Boxell Brighton', the Egyptianesque architectural arched case with applied ribbon moulding, above carved mask and anthemion motifs, flanked by hieroglyphic fret panels, on an inverted breakfront plinth base, height approx 52cm (faults).
A 19th Century French patinated bronze and ormolu cased mantel clock with eight day movement striking on a bell, the white enamel dial inscribed 'Raingo Fres, A Paris' framed by blue Roman numerals and Arabic minutes, the case surmounted by a putto reclining upon a bed of flowers holding a butterfly, the ormolu base moulded with floral swags and rococo scrolls, height approx 38.5cm.
A mid-19th Century French gilt brass carriage alarm clock with eight day repeating movement striking on a bell, the enamel dial with black Roman numerals, subsidiary alarm dial, trefoil hands and inscribed 'Dent A Paris', the backplate similarly inscribed, the glazed case with finely engraved floral and scroll decoration and shuttered back door on a plinth base, height approx 15cm, together with a leather travelling case.
A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'John Hawting, Oxford', the arched hood with three gilt ball finials above a glazed door, the arched trunk door and base painted and gilt with Chinese figures and landscapes, on bracket feet united by a shaped apron, height approx 233cm (some faults).
A late 19th Century French brass cased carriage alarm clock with eight day movement striking on a bell, the white enamel dial with black Roman numerals, subsidiary alarm dial and inscribed 'Henry Capt & Cie Paris', the backplate similarly inscribed, the glazed case with swing handle on bracket feet, height approx 16.5cm.
A French Empire style figured mahogany and ormolu mantel clock with eight day movement striking on a bell, the circular white enamel dial inscribed 'Caur Fila, Rue St Honore No. 140', the arched case applied with an ormolu frieze depicting sphinx and foliate scrolls, on ormolu winged paw feet, height approx 27cm.
A small Regency rosewood bracket clock with eight day twin fusee movement striking on a bell, the square silvered dial with Roman numerals and inscribed 'C.J. Case, 54 Bishopsgate St. London', the backplate similarly inscribed, the brass inlaid case with pagoda top and acorn finial above a glazed door flanked by gilt metal scale design fret panels, on a plinth base and bun feet, height approx 30.5cm, together with a matching wall bracket.
A late 19th Century gilt brass carriage clock with eight day repeating movement striking on a bell, the white enamel dial with black Roman numerals and inscribed 'Ollivant & Botsford', the backplate similarly inscribed, the gorge case engraved with foliate scrolls and fitted with a swing handle, height approx 14cm, together with leather travelling case.
A mid-19th Century ormolu and porcelain mantel clock with eight day movement striking on a bell, the enamel dial with Roman numerals, the case surmounted with two doves and a torch above porcelain panels painted with a cherub and flowers within bleu céleste borders, flanked by musical instruments and trophies of war on a bowfront base and turned feet, height approx 27.5cm.
A late 19th Century gilt metal and alabaster mantel clock with eight day movement striking on a bell, the enamel dial with black Roman numerals, the drum case flanked by a seated female harvester, the alabaster base applied with scrolls and flowers, height approx 29cm, on a gilt wood stand.
A George III and later oak longcase clock with eight day movement striking on a bell, the brass break arch dial engraved with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'Willm Harvey, Brentwood', cornered with foliate scrolls, the pale oak case with arched pediment above a rectangular trunk door, plain base and bracket feet, height approx 208cm (faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the brass breakarch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman numerals, cornered with coat of arms spandrels, beneath a circular boss to arch inscribed 'Smoult and Gilbertson, Newcastle', the arched hood with pierced fretwork pediment surmounted with three gilt metal ball finials, the trunk with crossbanded arched door flanked by canted corners above a crossbanded base cornered with leaf inlay, on bracket feet, height approx 227cm (some faults).
A late 19th Century oak cased mantel alarm clock with eight day movement striking on a gong and bell, the white enamel dial with Roman numerals and inscribed 'Fattorini & Sons, Patent Automatic Alarm, Bradford, Patent No 16226', the case with carved arch surmount flanked by turned finials, on bracket feet.
A collection of nine pieces of Victorian cranberry and other glass to include circular epergne with wavy rim, further square epergne, cranberry and clear glass suspension basket, ornamental bell, cranberry glass jug, pair of small goblets, also a Victorian green and clear glass stippled bowl with twisted branch form handle and a small clear glass shaped bowl (9)
A 19TH CENTURY OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, by J. Webb of Shrewsbury, the hood with broken swan neck pediment above arched apeture flanked by baluster turned columns, cross banded pointed arched waist door flanked by half turned pilasters on a panelled cross banded base on bracket feet. Painted arch face decorated with cottages and other buildings, roman numerals seconds dial and date apeture, 30 hour movement striking on one bell. 88" High.
AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY BAKER OF APPLEBY, now in later case, having moulded cornice over square apeture flanked by spirally turned pilasters, the waist with shaped crossbanded door having inlaid urn decoration, panelled base with similar cross banding on bracket feet. Brass 11" dial with pieced spandrels Roman numerals and date apeture. Thirty hour movement striking on one bell. 78" High,
AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK, by John Adams of Halesowen, having brass face with pierced foliate spandrels, Roman numerals, seconds dial and date apeture, the case with mahogany crossbanding and having rectangular door on panelled base. Thirty hour three pillar movement striking on one bell. The face 12.5" Square. Case 80" High overall.
A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, having hood with broken swan neck pediment above arched apeture flanked by turned columns, the waist with crossbanded rectangular door flanked by quarter reeded pilasters on a panelled base standing on ogee bracket feet. Arch painted face coastal castle to the pediment, Roman numerals and shell painted spandrels, with seconds dial and date apeture. Eight day movement striking on one bell. By Pearce of Stratford. The face 20" x 14". 94" High overall.
A 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK BY WILLIAM CLARKE OF LONG BUCKBY, having flat hood with moulded cornice over square apeture flanked by turned pilasters, rectangular moulded waist door on panelled base. Painted 12" square dial with fan spandrels, thirty hour movement striking on one bell. 75" High. Provenance:- National Trust Llandeilo.
AN 18TH CENTURY WELSH EIGHT DAY LONGCASE CLOCK BY JOHN EVANS LAMPETER, having flat hood with arched apeture,above arch moulded waist door on panel base with bracket feet. The brass face 17" x 12" with foliate spandrels, seconds dial and date apeture marked John Evans Lampeter. Eight day two train movement striking on one bell. 86" High overall.
A George IV mahogany longcase clock the 12 inch painted arch dial with subsidiary seconds dial, date dial and twin winding apertures, the corners painted with ladies symbolizing the seasons and the upper arch with a country scene, the eight day twin train movement striking on a bell, the case inlaid with plain and chevron stringing 213cm high
A Regency mahogany bracket clock with arch top case, with lion mask ring handles and pierced grills to the sides, on claw feet, fitted a white enamel dial with Roman numerals signed Barraud Cornhill London, having an eight-day twin fusee movement, striking on a bell, with circular engraved back plate signed Barraud, Cornhill London set a pendulum clip beneath, 45cm (17.5") high (see illustration)
A mid 19th Century skeleton clock, the gothic case with bell surmount and pike strike, the circular chapter ring with segmented Roman numerals and fitted an eight-day single fusee movement with single strike, raised on a marble base, 48.5cm (19") high, contained in an ebonised case with twin bevelled arch mirrors to the back and raised on china bun feet, 58.5cm (23") high (see illustration)
Four late Victorian table candlesticks, the bell shaped sconces with swags in low relief and lotus leaf bases, the detachable nozzles with foliate borders, raised on fluted columns with ram mask head capitals conjoined by swags and oval paterae set to the column base, the square bases each with an urn to three sides and a shaped plain cartouche to the fourth, all conjoined by a continuous garland of bell drops with lotus leaves to the corners and acanthus leaf border, 30.5cm (12") high, 1894 by William Gibson and John Langman (the first directors of the Goldsmiths and Silversmiths Co Ltd) (see illustration)
The Russel silver gilt Chalice and Paten having an inverted bell shaped bowl, the knop set six diamonds in square settings with half pearls set beneath, the hexafoil base set a crucifix in relief and a baroque pearl, half pearls and coral in claw settings within a beaded border, by George Lambert, 1891, 15.5cm (6") high, the Paten associated 1940 (see illustration). Provenance: Prinknash Abbey
A group of Chinese and Japanese ceramics, mostly 20th century, comprising: a pair of Canton canted rectangular planters, decorated with lotus scrolls on a turquoise ground, 12.5cm. diameter, chip; a pair of blue and white taper candlesticks of bell form, painted with dragons amongst clouds; a miniature vase; a canted square box and cover painted in iron-red; a blue and white plate; three saucers; a Japanese porcelain set of six teacups and saucers; and a wine pot and cover (af).
A George III mahogany serpentine fronted chest of drawers, circa 1780, bearing label to drawer 'Elizabeth Bell, London...', with reeded chamfered corners and carved outer edge to top, 80cm high, 95cm wide, 50cm deep. Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds, 1996, p. 90, fig. 77). Elizabeth Bell was permitted by Guild regulations to carry on the business established in 1736 by her late husband Henry (d.1740) who took over the business of Coxed & Worster upon Worster's death in 1736. The business was based at the White Swan, St Pauls Churchyard and it is noted that Elizabeth had not served an apprenticeship. The trade label she employed is identical to that used by her husband, merely substituting "Elizabeth" for "Henry" and sometime later adding '& SON'. Elizabeth Bell retired, or died, in about 1758. At the time of publication, Gilbert noted that Elizabeth Bell's label had, so far, only been found on quality walnut and mahogany cabinet furniture. Visit www.dnfa.com for condition reports.
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123896 item(s)/page