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Lot 81
Four pieces of Mauchline ware, comprising; a bell shaped tape measure (Lyndhurst - photographic), 8cm, a standing thimble egg (Marine Parade, Bognor), with silver thimble, a disc form pincushion (Teignmouth), and a standing cylinder pincushion (Cathedral of Christ Church, Oxford). (4)(From The Collection Of Sylvia Norton)
Lot 294A
Various Artists - Pax Britannica the complete portfolio, 2004, comprising twenty-six prints of various media, each signed, the edition was 100, published by Aquarium Gallery, London, on various papers, in the original black portfolio, overall size 235 x 325 mm (9 1/4 x 12 3/4 in) The portfolio includes prints by - Banksy, Steve Bell, James Boswell, Alexander de Cadenet. Sir Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattsson, Antonio Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, S.T.O.T, 21stC and Gee Vaucher.
Lot 38
Circa 1835, a bronze and ormolu mantle clock retailed by Polti Frères a Tours. The ornate gilded case is covered with scrolling foliage and surmounted by a bronze putti holding a butterfly. The twin barrel French movement is by Raingo Frères a Paris and is twin barrel rack striking on a bell with a transitional pendulum suspension, 16 x 18
Lot 78
Miller & Sons French Champleve cloisonné, ormolu and white onyx cased 8 day mantle clock, the case having floral decoration, open figural and turned ormolu columns, white onyx base on turned ormolu feet, standing on the original gilt wood stand, the white onyx Roman dial with twin winding holes housing a movement, striking on a bell (bell missing), the movement marked Miller & Sons 17508 CAF, 18 high, excluding stand. With key and original pendulum
Lot 600
A MAHOGANY CASED TABLE CLOCK by Brockbank & Aitkins, London, the twin fusee movement with anchor escapement striking on a bell, back plate signed and numbered 2210, 7 1/4" enamel dial with Roman numerals and signature, the arched case with carved top, repeat pull, ogee moulded stepped base and turned feet, 13 1/4" x 17 3/4" (Illustrated)
Lot 603
A FRENCH BLACK SLATE MYSTERY CLOCK, signed A.R. Guilmet, late 19th century, the twin barrel movement striking on a bell, the back plate stamped Brevete GLT S.C.D.C. and numbered 420, 4 1/4" black slate dial with gilt Roman numerals, the square case surmounted by a figure group of Venus holding aloft the pendulum with glass bob, Cupid at her side, lion mask side handles, moulded base and lion paw feet, 11 1/4" x 23" high (Illustrated)
Lot 605
AN OAK LONGCASE CLOCK, signed Caygill, Askrigg, the eight day movement with anchor escapement and outside count wheel striking on a bell, 11" arched brass dial with Roman and Arabic numerals, calendar aperture, chased scroll centre and painted arch depicting game shooting, the case with dentil moulded broken pediment on turned columns, blind fret frieze, mahogany banded arched door flanked by fluted quarter columns, panel base and ogee bracket feet, 88 1/4" high
Lot 609
AN OAK LONGCASE CLOCK signed John Hartley, (Halifax?), the thirty hour movement with anchor escapement and outside count wheel striking on a bell, 12" square brass dial with Roman and Arabic numerals, the centre chased with a sunburst over a colonnade (possibly Masonic), calendar dial, the case with moulded cornice on baluster turned columns, arched door flanked by quarter columns, panel base and bracket feet, 82 1/2" high (Illustrated)
Lot 610
A PENDULE D'OFFICIER MANTEL CLOCK, the twin barrel movement striking on a bell with back plate stamped 9464 3 3/4" white enamel dial with blue Roman and black Arabic numerals, in white marble and gilt metal case, the waisted top with loop handle, applied wreath and paterae, on turned feet, 11 1/4" high (Illustrated)
Lot 614
A MAHOGANY LONGCASE CLOCK, signed Thomas Warburton, Bollington, the eight day movement with anchor escapement striking on a bell, the 14" arched painted dial with Roman numerals and painted moonphase, secondary dials and spandrels depicting buildings, the fine quality case with scrolled pediment and blind fret spandrel surmounted by turned brass finials, fluted columns, blind fret frieze, arched panelled door flanked by fluted quarter columns, canted base and bracket feet, 98 1/2" high (Illustrated)
Lot 615
A WALNUT MARQUETRY LONGCASE CLOCK by Jacobus Goubert, late 17th century, the eight day movement with anchor escapement rack striking on a bell, 11" square brass dial, silvered chapter ring with Roman and Arabic numerals, seconds dial and calendar aperture, the case with moulded cornice, panelled door with half rounded edge moulding, lenticle and featuring birds in flowering branches, panel base and bun feet, 19" x 81 1/2" (Illustrated)
Lot 616
AN OAK LONGCASE CLOCK, signed Thomas Wilson, Spalding, the eight day movement with anchor escapement striking on a bell, 12" arched dial with Roman numerals and painted with flowers and Oriental figures, landscape in the arch, seconds dial and calendar aperture, the mahogany banded case with turned brass finials and scrolled pediment on fluted columns, arched door with marquetry patera flanked by fluted pilasters, panel base on plinth, 85 1/2" high (Illustrated)
Lot 470
A 19th Century French alabaster and gilt metal mounted mantel clock, surmounted by vase shaped finials and beaded scrolls, circular Roman numeral dial stamped Marc, Paris, supporting an 8 day movement striking on a bell, contained under a glass dome and mounted on an oak oval plinth, 53.5cm high overall
Lot 476
A late 19th Century French alabaster and gilt metal mantel clock, in the classical manner, the arched top surmounted by cherub and butterfly, flanked by urn finials, circular Roman numeral dial supporting an 8 day movement striking on a bell, flanked by classic maiden columns, on an inverted breakfront base terminating in bracket supports, raised on a gilt wood plinth, 20cm wide x 43cm high
Lot 1
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high
Lot 10
19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK SIGNED J HOWE, LONDON, the 13" (33cm) enamelled Roman dial with subsidiary seconds dial and pair of birds painted to the centre, powered by a substantial 8 day movement striking on a bell and housed in an arch top case with moulded cornice, chamferred fore corners and circular, glazed aperture to the hood door, above a flame cut, long trunk door, and raised on a conforming crossbanded base with chamferred plinth, 79 1/2" (202cm) high
Lot 11
NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high
Lot 14
EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth
Lot 17
LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged
Lot 2
LATE NINETEENTH/EARLY TWENTIETH CENTURY FRENCH GILT BRASS AND CHAMPLEVE ENAMELLED MANTEL CLOCK, the 3 1/2" Roman dial, powered by a drum shaped movement striking on a bell, housed in an arch top case with reclining putti finial, turned finials and shaped oblong base with fancy scroll supports, the whole decorated in colours with foliate scrollwork and geometric designs, 13 1/2" (34.3cm) high
Lot 23
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)
Lot 24
GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high
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123939 item(s)/page