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An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)
An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)
200+ 7 inch vinyl singles including Jimmy Ruffin, Stevie Wonder, George Harrison, Ringo Starr, The Beatles, The Fortunes, Little Hank, Johnny Nash, The Delfonics, Eddie Arnold, Sandie Shaw, Boris Pickett, The Stylistics, Percy Sledge, Dusty Springfield, Elton John, Joe Cocker, Maggie Bell, Still Waters, Phil Collins, The Chi-Lites & others
40 folded One sheet film posters relating to James Stewart including Malaya, The FBI Story, Bell, Book & Candle, Carbine Williams, Two Rode Together, Take Her She`s Mine, Airport `77 (signed), The Big Sleep, On Our Merry Way (3 Sheet), The Jackpot, The Flight of The Phoenix, Call Northside 777 (r), Rope, The Greatest Show on Earth, Strategic Air Command, The Man Who Knew Too Much (r) & others, folded (40)
20 folded Quad film posters relating to James Stewart including The Rare Breed (2), The Flight of the Phoenix, Mr Hobbs. Takes A Vacation, Vertigo (83), Bell, Book & Candle, The Far Country, Take Her She`s Mine, Winchester `73, On Our Merry Way, The Shootist, Airport `77, The Greatest Show On Earth & others, folded (20)
A detailed display model of an American single-screw tramp steamer, with masts, rigging and derricks, anchors and winches, cleats, bollards, ventilators, deck rails, ship’s bell, companionways, hatches, superstructure with stayed funnel, three ship’s boats in davits, deck lights, ship’s wheel and other details, finished in maroon and black with natural wood decks, mounted on two brass columns on display base within brass-bound glazed case -- 11½ x 34in. (29.1 x 86.4cm.), This lot will be available for viewing at Imperial Road.
ALARM BELL FROM GERMAN SUBMARINE U-111, a brass bell with clapper, stipple engraved Alarm Bell Taken From German Submarine U-111 -- 6in. high (15cm.), U-111 was one of the ‘U-93’ class of submarines, the first batch of which was ordered from Germaniawerft at Kiel in May 1916. Displacing 808 tons (surfaced) and 946 tons (submerged), all vessels in the class measured 235 feet in length with a 21 foot beam and could make almost 17 knots at full power when above the waves. Well-armed with six torpedo tubes (4 bow & 2 stern) and deck guns fore and aft, each carried a complement of 39 officers and men. U-111 herself was launched on 5th September 1917 and was completed for sea early in January 1918. Despite her brief wartime career operating solely in the Irish Sea and the ‘Western Approaches’, she sank two allied steamers on her first patrol (26 March - 23 April) and at least one other on her second cruise (27 May - 24 June). Hampered by British anti-submarine patrols in the Irish Sea on her third patrol (25 August-29 September), she obtained no further sinkings and surrendered herself at Harwich, after the Armistice, on 20th November 1918. One of the six U-boats handed over to the Americans as war reparations, all of which were towed to the USA and then sunk as targets, U-111 also held the curious distinction of being the only German U-boat of the Great War (out of the total of 139 completed) to number a clergyman among her crew, Marinepfarrer Wilhelm Meinhold., (Illustration on page 31)
OPERATION MINCEMEAT: AN HISTORICALLY INTERESTING SEXTANT OWNED BY G.H.J EVANS (CAPT. ALAN HILLGARTH) R.N., with 7in. radius polished brass bell-frame, signed, inscribed and numbered Heath & Co. Ltd, Craysford, London, L986, G.H.J. Evans RN, Vernier with quick-release clamp, shades, mirrors, and mahogany handle, secured within fitted box of issue complete with accessories and test certificate for 1914, approximately 11in. (28cm.) square, Alan Hillgarth (1899-1978) was christened Hugh Evans but changed this by deed poll in 1928. He began his career with the navy young and was wounded at Gallipoli aged just 16. Excelling at languages, when he finally left the navy as a Lt Cmdr in 1927 he turned his hand to writing adventure novels, with some critical success. A close observer of the Spanish Civil War, when World War II broke out, he was able to successfully exploit his connections with Spain (and develop a wide spy network) and keep them neutral - amazingly only 26 Nazi U-boats were serviced and provisioned during the entire conflict. He enjoyed Churchill’s complete trust and it was probably this relationship that allowed him to proceed with one of the most audacious intelligence stings of the War. The story of operation Mincemeat has been well told over the years, not least in the film “The Man who Never Was” (1956) and several books, however the fact remains that a convincingly dressed corpse still carrying “sensitive” documents and ephemera fooled the Germans, and Hitler in particular, into believing the Allies intended to launch a counter-offensive invasion at Greece and not Sicily as was the case.
A SHIP’S BELL FROM THE GENERAL STEAM NAVIGATION COMPANY LTD CARGO SHIP PLOVER, 1936, cast in brass with moulded rim, black-filled lettering to front inscribed G.S.N. Co. Ltd., Plover, suspension loop and clapper -- 11 x 12in. (28 x 30.5cm.), Built by the Caledon Shipbuilding Company, Plover registered 351 tons. In November 1961 she suffered a collision and was broken up by Hendrik-Ido-Ambacht.
A SHIP’S BELL FROM THE PASSENGER SHIP QUEEN OF THE LAKE, 1907, cast in brass with the name engraved to front with black wax filling, red-painted interior, with clapper -- 10 x 10 (25.5 x 25.5cm.), Built by the Ailsa Shipbuilding Co., Ayr and registered at 152 tons, no record survived of her career or demise.
Mettoy/Wells Brimtoy no 660 Mr Porter and His Truck, circa 1950s tinplate Mechanical Railway Porters Trolley. Flat Truck with British Rail Porter driver, with working clockwork motor, with permanent key, moves in an erratic fashion and bell rings, In very good unboxed used condition Length 31 cm /12
Rare 18th century quarter repeating cylinder pair cased pocket watch, signed J. (John) Leroux, Charing Cross, London, no. 2465, the fusee movement with engraved mask balance cock with diamond endstone, silvered regulating disc and cylindrical pillars, plunge repeat with hammers striking on a bell to the fine pierced and engraved inner case depicting a mask, scrolls and a bird, pinchbeck leather bound outer case with circular pierced roundels, original signed enamelled dial with Roman numerals, outer Arabic five minute chapter, steel beetle and poker hands, original signed dust cover, 56mm *A similar enamelled cylinder repeating pocket watch by John Leroux can be found in The British Museum Collection
Black marble two train figural mystery mantel clock, the movement with outside countwheel striking on a bell, the 4" black slate dial within a cast bezel surround within a foliate incised stepped pedestal case surmounted by a gilt figure of a maiden with a playful winged cherub holding aloft the pendulum, 23.5" high
French Empire ormolu portico two train mantel clock, the movement with outside countwheel striking on a bell, the 4" wide dial signed Thierry a Paris, over a pierced embellishment featuring two eagles holding branches in their beaks, supported upon ornate tapering circular columns to the rectangular stepped base, surmounted by a flat stepped pediment with stylised rosette, 16" high (no pendulum)
Good impressive ormolu automata, modelled as a Church fitted with a two train clock in the tower, the movement with outside countwheel striking on a bell, the 1.25" silvered dial over a Rialto style bridge and automata sailing ship supported upon a wavy shaped rectangular base, 23" high (large winding key)
French black slate and ormolu conical two train figural mantel clock, the movement with outside countwheel striking on a bell, the 3.75" white chapter ring enclosing a recessed visible movement, within a stepped canted shaped case surmounted by a robed mother holding aloft the pendulum and bob attended by a young child, 25.5" high (key and pendulum)
Good French bronze, ormolu and silvered Cathedral two train mantel clock, the movement with outside countwheel striking on a bell, the 4.25" pierced circular dial with raised Roman cartouche enamel numerals, over a pierced Gothic door enclosing the mirrored pendulum and supported upon a stepped rectangular base surmounted by pillared towers, 24" high (pendulum)
Good French black marble and ormolu mystery pendulum two train figural mantel clock, the movement with outside countwheel striking on a bell, the 4" black marble dial within a breakfront stepped scrolling case surmounted by a robed maiden holding the pendulum with clear glass bob, signed Moreau and stamped no. 2041, 23" high
Good French Sevres porcelain two train mantel clock garniture, the movement with outside countwheel striking on a bell, the 3.25" white dial signed Leroy Hger, du Roy, within a fluted cobalt blue and gilded pillared case decorated to the top, sides and base with painted rural panels, 16.75" high; also with a pair of matching pedestal vases and covers (one restored), 16" high (pendulum) (a.f)
Good English double fusee verge bracket clock, the movement with pull repeat, engraved back plate and striking on a bell, the 8" engraved silvered arched dial signed William Lindsey, London, with centre seconds and calendar hands, with subsidiary strike/silent dial to the arch, within a stepped case with moulded arched pediment and brass carrying handle, 18.75" high
Fine French bronze, ormolu and Sienna marble figural two train mantel clock, the movement signed Hemon a Paris with outside countwheel and striking on a bell (missing), the 3.25" gilt chapter ring enclosing an engine turned centre inscribed `Ledure Bronzier, Hemon Hgr` set into a tree stump attended by a standing partially robed cherub holding a basket and cornucopia both containing flowers, supported upon a stepped egg and dart cast ormolu mounted rectangular Sienna marble base, 24" high
Small brass hoop and spike lantern clock, the 4" silvered dial enclosing a foliate engraved centre with central alarm dial and single iron hand, surmounted by pierced foliate frets, strapwork bell and finial, also with cow tail pendulum and stamped A H on a shield to the front fret, 9.25" high (three weights and rope) (a.f)
Good French red tortoiseshell and bronze mounted two train balloon mantel clock with matching pedestal, the movement with outside countwheel striking on a bell in the top, the 9.5" convex white dial signed Le Roy a Paris, within a balloon shaped case applied with scrolling foliate bronze mounts, 44" high (including bracket) (pendulum) (a.f)
Good French cut glass and ormolu mounted two train vase clock in the manner of Baccarat, the movement with outside countwheel striking on a bell, the 3" white dial signed Dubud a Paris, inset into a hob cut glass vase supported upon a stepped square ormolu base cast with an egg and dart frieze, 15.5" high (pendulum)
Large impressive French bronze and ormolu two train figural mantel clock, the movement with outside countwheel striking on a bell, the 4" circular dial signed R.L. Henry, Paris within an ornate rococo case surmounted by a bronze of a Classical robed maiden attending to her children, signed A. Calmels, 24" high
Fine and large French bronze and ormolu figural two train mantel clock, the movement with outside countwheel striking on a bell, the 4.5" white convex enamel dial signed Lesieur, a Paris inset into a pillar surmounted by the bust of Clio and flanked by a seated bronze robed figure of Homer holding an ormolu plaque inscribed with Greek writing, the case applied to the front and sides with cast Classical figures and supported upon a stepped rectangular base with four fluted bun feet, 12.5" high (pendulum)
English rosewood double fusee small mantel clock, the associated movement back plate signed Charles Frodsham, 84 Strand, London, no. 755, striking on a bell and with locking pendulum, the 4" rounded arched dial also signed Charles Frodsham, 84 Strand, London, within a stepped case with brass inlaid canted corners and surmounted by a gadrooned top with small brass turned urn finial, 12" high (pendulum, winding key and door key) (a.f)
Impressive large English mahogany quadruple fusee bracket clock, the substantial movement striking on a large bell and playing on two nests of ten and eight bells, the 9" wavy arched engraved dial signed T. Orr & Sons, Madras to the centre, the arch with silent/play selection lever and subsidiary strike/silent and tune selection dial to include God Save The Queen, The Clocks, Those Evening Bells and The Last Rose of Summer, within an associated heavily carved arched stepped case with applied grotesque masks, 26" high (a.f) (pendulum) *This clock is referenced in Rose (1978) - English Dial Clocks, pages 183 & 191 and bears the Thwaites & Reed no. 8439
Good French boulle and red tortoiseshell ormolu mounted balloon shaped two train mantel clock, the Vincenti movement striking on a bell in the arch, the 6" foliate engraved dial plate with raised Roman cartouche enamel numerals signed F. Lesage a Paris, within a balloon shaped case mounted with female ormolu busts and scrolling foliage, surmounted by a Classical semi-robed figure, 24" high (pendulum and key)
French boulle, tortoiseshell and ebonised two train mantel clock, the movement with outside countwheel striking on a bell in the top, the 8.25" silvered dial upon a velvet lined plate over a shaped brass plaque inscribed Jerome Martinet a Paris and ormolu pierced swag, within a foliate decorated pillared canted case surmounted by a stepped caddy top with eight ormolu flame finials, 26.5" high (pendulum, key)
Fine small French two train mantel clock, the movement stamped with the Paul Garnier trademark logo and also stamped Villemsens a Paris, with chaff cutter escapement, outside countwheel and striking on a bell, the 3" silvered chapter ring enclosing an engine turned centre, within a gadrooned bezel and upon a scrolling ebonised and boxwood inlaid stand, under a brass bound glass dome released by two catches beneath the circular ebonised base, 8.5" high (two keys)
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123896 item(s)/page