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Click here to subscribeA collection of eight tartanware items, second half 19th century, comprising a trinket box, the hinged cover with a circular label inscribed MACHINE SILK, C.A.RICKARDS, BELL BUSK MILLS VIA LEEDS,4.5cm high, 12cm wide; a pocket book with gilt metal clasp; a cylindrical vinaigrette bottle holder, with cut glass bottle with stopper within; two circular pill boxes; two circular pin cushions; and an octagonal section thimble case, with brass thimble
* A George III inlaid mahogany eight-day longcase clock with moonphase, D. Collier, Eccles, early 19th century the four pillar rack and bell striking movement with 14 inch square white painted Roman numeral dial with arched calendar and ‘axehead’ moon apertures and signed D. Collier, Eccles to the seated lamb painted centre, the spandrels painted with female figures emblematic of the four seasons, the case with pierced swan neck crest above cavetto cornice, baton inlaid frieze and turned columns to hood, oval paterae inlaid frieze to throat over gothic ogee arch shaped trunk door flanked by reeded pilasters to angles, on crossbanded plinth base with canted angles and ogee bracket feet.
A Scottish George III tortoiseshell japanned eight-day longcase clock Robert Clidsdale, Edinburgh circa 1775 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and narrow silvered subsidiary seconds ring to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and gilt female mask and scroll cast spandrels to angles beneath arch with circular silvered boss signed Rob.t Clidsdale, Edinburgh above Strike/Silent switch and flanked by dolphin cast mounts, in a pagoda pedimented case with glazed aperture to upstand and three quarter columns to hood above break-arch door decorated in raised gilt and polychrome with oriental figures within a garden terrace landscape on a mottled ‘shell’ ground to trunk, on conforming plinth base with moulded skirt, (case with restoration) 234cm (92ins) high. Robert Clidsdale is recorded in Smith, John OLD SCOTTISH CLOCKMAKERS 1453-1850 as being apprenticed to Alexander Brand in 1738, he gained his Freedom in 1754 and worked presumably until his death in 1786.
A George III oak eight-day longcase clock, Josiah Kember, Shaw, circa 1775 The four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the ho-ho bird and foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Jos. Kember, Shaw to lower edge, the angles with bird and urn cast spandrels, the case with shallow box upstand, ogee cornice and foliate blind fret to frieze above three quarter columns to hood, rectangular caddy moulded door to trunk, on plinth base with moulded skirt, 210cm (82.5ins) high. Josiah Kember is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Shaw 1771-7.
A Victorian weight driven eight-day drop trunk wall clock, possibly by W. Robinson, Dudley, mid 19th century The four pillar two train rack and bell striking movement with 16 inch circular white Roman numeral dial bearing signature W. ROBINSON, Dudley to centre and with blued steel hands, the case with convex glass inset rosewood crossbanded moulded door to dial surround above concave-topped rectangular door with conforming crossbanded borders to trunk and reeded upper collar to the curved base, 136cm (53.5ins) high.
A Belleek 2nd period Ewer of shell form, with a coral moulded handle, the body also embossed with seaweed and with puce tinted rims and detail, and raised on a similar crimped spreading circular foot; together with a further Belleek 4th period Cream Jug and Sugar Bowl, moulded with a foliate design (mark on sugar bowl may be struck); and a further 4th period Model of a seated pig with lemon tinted ears and hooves; and a 6th period Table Bell with a lustre lemon decorated handle and similar floral sprigs, ewer 8” high (5)
A late 19th Century French repeating Carriage Alarm Clock, 733, the movement with Silvered cylinder platform escapement, push repeat and strike on a bell, to a Roman enamel dial with outside minute track and further Arabic five minute increments over an Arabic subsidiary and fitted with blued steel moon hands, in a polished Brass obis case, height 6 ¾”
A late 19th Century French Travelling Clock, Leroy, 24463, the plinth shaped case with carry handle, with Boxwood inlaid and ebonised border, raised on bracket feet, to a cast Brass bezel enclosing a 3” Roman enamel dial, with outside minute track and blue steel moon hands, to a circular Brass movement with back mounted count wheel and anchor escapement with silk suspension, strike on a bell, (losses and repairs), height 11 ½”
A mid 19th Century French Travelling Clock, the plinth shaped case with case Brass carry handle and Boxwood strung detail, to a 3 ¾” silvered and engraved dial, with engine turned decoration, Roman numerals and outside minute track, with blue steel trefoil hands, and sliding glass front panel, to a circular Brass movement with back mounted count wheel, anchor escapement and silk suspension, strike on a bell and bearing a paper label for retailers “Schwar & Co, 250 Walworth Road, SE, height 9”
A mid 20th Century French Wall Clock, the shaped Oak rectangular case with central shaped glazed panel, with further gilt highlights, to a rectangular and silvered dial with canted corners, and stylised Arabic numerals with internal minute track and black painted hands, surmounted by a bare chested male figure striking a bell, to a twin spring driven movement with anchor escapement, strike on rod, height 17 ½”
A late 19th Century French “Boulle” Mantel Clock, the waisted case with facetted pediment surmounted by cast finial, the body further decorated with applied gilt and cast mounts, decorated on three sides with Brass inlay on a red field, raised on four cast and applied bladed and button feet, to a beaded bezel enclosing a 3” Roman and Arabic enamel dial, with outside minute track and pierced and engraved gilt hands, to a circular Brass movement with background count wheel and anchor escapement, strike on a bell, height 11 ½”
A late 19th Century gilt and patinated Brass Mantel Clock, the Gothic Revival case with foliate shaped pediments and arches, and castellated pediment, to stepped corners, on a plinth base and raised on scrolling foliate feet, to a Brass bezel enclosing a silvered Roman dial with outside minute track and blued steel moon hands, to a twin fuse movement with anchor escapement and strike on a bell, height 15 ½”
A late 19th Century French cast Brass and Marble mounted Mantel Clock, the lyre shaped frame set with foliate garlands, raised on an acanthus leaf oval mount, and further brown variegated Marble oval plinth, to a cast bezel with convex glass enclosing a 4 ½” Arabic enamel dial, signed EUG ne Baglies, Fab de Bronzes, Paris, with outside minute track, red Arabic quarters and further floral decoration on pierced and engraved gilt hands, to a circular Brass movement. Stamped LF, 34524, with platform escapement and strike on a bell, (bell lacking), height 19”
An early 20th Century English Brass Mantel Clock, modelled in the form of a lantern clock of typical form, with strap work mounted bell and pierced and engraved dolphin detail, over an oversized Roman chapter ring with inside minute track and further engraved centre, with pierced steel hands to a twin chain fuse movement, with plates united by four heavy knopped pillars, and with anchor escapement, and striking on the quarters with two hammers on a bell, height 15”
A late 19th Century Swiss Rosewood, Boxwood and Ebonised Music Box playing twelve airs, No 36494, the panelled and hinged cover and body to a black interior enclosing a tune sheet, including The Little Girls in Blue, The Mikado, All in a Row, Daisy Bell and The Milkmaids Gallop, to a glazed compartment, with ratchet would spring barrel to an 11” pin barrel, with tune selector and dampening pad, fitted with a change/repeat and stop/start levers, width 23 ¼”
A late 19th Century black Slate Mantel Clock, the plinth shaped case with gilt highlighted foliate detail, to a beaded cast bezel with bevelled glass enclosing a 4 ¾” Roman enamel dial, with outside minute track and blued steel moon hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 11”
A late 19th Century black and rouge Marble mounted Mantel Clock, Hry Marc – Paris, the plinth shaped case with overhanging cornice, to shaped sides and raised on a plinth base, with engraved gilt foliate highlights and rouge marble panels, to a spun Brass bezel with bevelled glass, enclosing a 5” Roman enamel chapter ring with outside minute track, to a visible “Brocot” escapement and blued steel moon hands, to a signed circular Brass movement with strike on a bell, height 11 ¾”
A late 19th Century French Gilt, Spelter and Porcelain mounted figural Mantel Clock, the breakfront base on scrolling and peg feet, and inset with panels depicting flowers and cherubs, with pale blue borders, to a neo-classical female figure flanking a drum shaped case, surmounted by a globe, and with other trophies of science, to a beaded bezel and similarly decorated 3” porcelain Roman dial, with pierced Brass hands, to a circular Brass movement with anchor escapement and strike on a bell, height 15 ½”
A late 19th Century French Gilt, Spelter and Porcelain mounted figural Mantel Clock, the breakfront base raised on scrolling supports and inset with cherub and floral panels, with light blue borders, to a drum shaped case, with rams mask and floral detail, flanked by a neo-classical female figure holding a hand mirror, and with an Oil Lamp, to a gilt highlighted 3” Porcelain dial, with outside minute track, Roman lozenges and further floral detail to gilt hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 15 ¾”
An early 20th Century French Patinated and Painted Spelter Clock Garniture, the green onyx plinth base on stylised oak scrolling bracket feet, to a naturalistic case decorated with a young girl in laced corset collecting apples accompanied by a small child, on a naturalistic ground bearing the nameplate “Cueillete de Pommes”, to a cast and beaded bezel enclosing a 3” Roman enamel chapter ring with blued steel hands, to a circular brass movement with anchor escapement and strike on a bell, height 29”; together with a pair of similar modelled and decorated five light candelabrum (3)
A late 19th Century Cast Iron and Brass Set of Grocers Scales, W & T Avery – Birmingham 46053, the splayed cast iron foot to a cylindrical brass column and further cast iron scrolling mount, with fitted cast and pierced balance arm with circular brass pan opposed by a brass arm with ceramic circular disc, and fitted with ten assorted weights (mostly bell-form)
A last quarter of the 18th Century Oak Cased 8 Day Long Case Clock, Page & Christian – Norwich, the arched hood with pierced and scrolling pediment to a moulded cornice and fluted freestanding columns, to an ogee throat and arched long truck door with reduced plinth base, to a 12” arched 1st period painted dial signed to the arch amidst floral spray spandrels enclosing a Roman and Arabic chapter ring with outside minute track and with subsidiary seconds and date aperture, with blued steel spade hands, to a movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 85”
A second quarter of the 19th Century Mahogany cased 8-day Long Cased Clock, Behr – Lynn, the case with arched hood with reverse swan neck pediment and three gilt wood globe and spiked finials, over free standing columns to a moulded throat and long arched trunk door, flanked by ¼ columns, to a panelled plinth base, to a 12” third period painted dial, decorated to the arch with a Biblical scene, and spandrels painted as thatched country cottages amongst landscape and enclosing a Roman dial with outside minute track and enclosing subsidiary seconds with pierced and stamped Brass hands, to a movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 8 ½”; (Lorenz Behr was murdered at Tittleshall on 18th Nov 1853 by William Thompson, who was also charged with theft from said person. Thompson aged 21 was executed at Norwich Castle on Saturday April 8th 1854 for the wilful murder of Lorenz Behr (this is said to be the last Public hanging in Norwich) – Norfolk and Norwich Clocks and Clockmakers, edited by Clifford & Yvonne Bird.
A second quarter of the 19th Century Oak Cased 30-hour long Case Clock, DJ Hoy – Mattishall, the case with overhanging cornice and swan neck pediment, over reeded and bluster freestanding columns, to a moulded throat and long arched trunk door, flanked by canted corners, to a plinth base, to a 12” square painted dial, spandrels painted as Country Cottages with streams to a third period painted Roman chapter ring with outside minute track and signed centre with further stylised bird details, and fitted with blued steel pierced hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 80”
An early 19th Century Oak cased 30-hour long Case Clock, Benjn Bell – Uttoxeter, the case with overhanging cornice and swan neck pediment, over freestanding columns, to a moulded throat and long trunk door with scalloped corners, on a plinth base with bun feet, to a 12” square third period painted dial, with spandrels painted as rural buildings, to a Roman chapter ring with outside minute tracks, signed centre, pierced and stamped Brass hands, to a movement with plates united by four knopped pillars with back mounted count wheel and anchor escapements and strike on a bell, height 84”
An early 19th Century 30 Hour Clock Movement with Alarm, Collcott – Cotton, the bespoke wall mounting oak case with overhanging cornice to a glazed door flanked by freestanding columns, to an 11” square 2nd period painted dial with gilt highlighted floral spandrels enclosing an Arabic chapter ring with further Arabic quarters and star markers, decorated to the centre with a pheasant over a date aperture, with pierced and stamped single brass hand with further alarm set hand, to a movement with plates united by four knopped pillars, with anchor escapement and side-mounted alarm mechanism with verge type crown wheel, with strike on a bell, height 24 ½”
Victorian bracket clock by F J Guild of Dundee with an eight inch painted dial and striking movement on a bell, in a walnut case with dome top and carved vine and scroll decoration, on a plinth base, 43.5cm high, 39cm wide Further images and condition reports are available at www.reemandansie.com
Late nineteenth century French gilded metal Sèvres-style clock garniture with eight day movement striking on a bell, brass drum stamped EM 68, circular porcelain dial and porcelain plaques painted with bridges and flora, classical urn-shaped garnitures mounted with decorated porcelain mounts decorated with village scenes and flora. Clock 35cm high, garnitures 32cm high overall in good condition - in fact gilded spelter Further images and condition reports are available at www.reemandansie.com
Late nineteenth century mantel clock with bell striking movement and alabaster dial in an alabaster case with urn surmount, ormolu scroll mounts with cloisonné enamel paterae and lion mask loop handles on gilt feet, 39.5cm high, 28.5cm wide Further images and condition reports are available at www.reemandansie.com
Late nineteenth century French white marble and ormolu mounted mantel clock with silvered dial and bell striking movement, case mounted with ormolu acorns, bead swags and pierced galleries on ring turned pillars, stepped base and gilt metal pad feet, 44cm high Further images and condition reports are available at www.reemandansie.com
Late nineteenth century French mantel clock with a circular porcelain dial, decorated with a band of painted flowers within a border of gilt and jewelled decoration with pink ground, bell striking movement in an ormolu case with floral garland mounts and lion mask loop handles, on a plinth base and five reeded block feet, 32cm high Further images and condition reports are available at www.reemandansie.com
Early twentieth century American mantel clock with arched painted dial and an eight day movement striking on a bell in a mahogany veneered case with arched top and turned finials, glazed door with a reverse printed glass panel - on a plinth base, 49cm high Further images and condition reports are available at www.reemandansie.com
Georgian square painted longcase clock dial with a thirty hour movement striking on a bell by Thomas William and William Hay of Shrewsbury, with painted floral decoration and subsidiary date aperture, 31cm Good original condition - movement appears complete but dirty Further images and condition reports are available at www.reemandansie.com
Selection of 18th & 19th Century Books: To consist of Collection of Discourses on the various duties of religion by Rev Appleton 1790 loose front cover, Letters of Plint the Consul by William Melmoth in two volumes 1770 rebound examples, Geography and History by ER 1794 rebound, Preparation for the Lords Supper printed by Edward Wicksteed 1752 rebound, Bell`s British Theatre 7th volume 1780 loose cover, Memoir of British India by Rev Claud Buchanan 1812 rebound, Universal Preceptor by D Blair 1823 rebound, History of the World by John Hoyland in 2 volumes 1814 plus 2 others (12)
A GEORGE III MAHOGANY TABLE CLOCK, the arched painted Roman dial signed Hatton & Harris, Cornhill, London, with strike/silent to the arch, the twin train fuseé movement with anchor escapement and bell strike, the back plate also signed and with engraved border and matching pendulum bob, the break arch case with pad top and swing handle over brass fish scale side frets and glazed door, raised on brass ball feet, 15 1/4" high
A 19TH CENTURY FRENCH POLISHED SLATE AND ORMOLU TABLE CLOCK by F. Barbedienne, Paris, the black dial with applied gilt Roman numerals and twin train movement with bell strike, the under-slung works beneath a flat top mounted with a classical lidded urn of fluted form with twin open handles and swag decoration, the whole raised on foliate decorated feet (the dial, ormolu and movement signed), 26" high
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