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A large collection of various mixed brass ware to include Victorian and later brass weights including bell weights, 1lb, two 2lb, 4lb, two 7lb, and two cylindrical weights to include a 7lb, a 4lb and a 2lb, two brass and steel handled jam pans, copper and brass warming jugs, a brass chestnut roaster, brass strainer, a brass paper knife, a Smiths plated open face pocket watch, the white dial set with Arabic numerals and subsidiary seconds dial, etc.
Various items of collectible pottery including a large terracotta mixing bowl with cream glazed interior, a large Bell Pottery blue and white transfer flower planter with two square carry handles, height 34cm, a Gaudy Welsh cider cup, a pink lustre cider cup, an Accrington commemorative pudding pot marked for the company 'W. T. Marriott Ltd Accrington', a large Spode fruit bowl with a naturalistic textured exterior, a The Friars of Aylesford studio pottery mug, a Noritake bowl of lobed form with painted and gilt interior, on three gilt feet, a Staffordshire figure of a boy with basket of shells, a hand painted Royal Worcester potpourri painted with white and red roses, unsigned (af), etc.
Royal Albert Old Country Roses part service, to include a teapot, plates, side plates, bowls, plates, bell, teacups, saucers, salt and pepper, etc. together with two Royal Kent side plates decorated with rabbits and squirrels, and a Royal Albert Moss Rose part tea service with four cups, milk jug, four side plates and four saucers (qty)
Collection of glassware, to include large glass dome/bell jar, h48cm, Art Deco style vase, h20cm, Art Deco mottled glass lamp shade, h14cm, glass dome, h22cm, red glass dome, h21cm, smaller glass dome, h20cm, two brown glass bottles, two glass vases, and two glass demijohn bottles, h33cm (13 in total)
Set of books, to include 'The Works of William Hogarth, reproduced from the original engravings' (London: Bell and Daldy, 1873, two volumes), Charles Halle, 'Beethoven's Sonatas' (London: Chappell), score for 'Lucrezia Borgia, A Lyric Tragedy' (London: T. Boosey and Co.), Ralph Gardiner, 'England's Grievance Discovered, In Relation To The Coal Trade; With The Map of the River of Tine, and Situation of the Town and Corporation of Newcastle' (Newcastle: The Exchange, 1796), 'Tracollo jntermede en deux acttes del signor pergolesi' (published 1753), among other, largely music-related volumes. (1 box)
Yorkshire inlaid mahogany longcase clock, the case with swan neck pediment and urn finial, turned columns, short door, bracket feet, 13" arched painted dial signed Plowman, Cawood, subsidiary seconds and date dials, eight-day movement striking on a bell, height 232cm, with pendulum, weights and winding key.
Welsh inlaid mahogany longcase clock, the case with swan neck pediment, turned and carved columns, short inlaid door flanked by turned and carbed columns, bracket feet, 14" arched painted dial, signed F. Jones, Mold, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 229cm, with pendulum, two weights, winding key and door key.
William Grandpre, London, a mahogany longcase clock: having an eight-day duration, weight-driven five-pillar movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised chapter ring engraved with black Roman hour numerals, with cast brass c-scroll spandrels to the four corners, the arch having a 'strike/silent' dial and engraved across the top with the maker's name William Grandpre, London, the dial centre with a subsidiary seconds dial and date aperture, the mahogany case having fluted quarter-columns to the trunk with cast-brass capitals and shaped moulding to the door, the hood with fretwork below the shallow arched top and fluted pillars with brass stops and cast-brass capitals, the base having a raised panel and double plinth standing on bracket feet, with brass bound weights and a flat-rod to the pendulum, height 233cm.* Biography William Grandpre is recorded as working in London circa 1773.
Garrard & Co., a contemporary carriage clock: the eight-day duration movement having a platform lever escapement and striking the hours and half-hours on a bell, the white enamel dial signed for the retailer Garrard & Co. London W1, Made in England, with moon hands, the gilded brass Corniche style case with folding handle, height 18cm handle up, 15cm handle down.
Benjamin Anns, Highworth an oak longcase clock: the thirty-hour duration bird-cage movement striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring engraved with black Roman numerals and triple-ball half-hour markings and signed Benj. Anns, Highworth, with a single blued-steel hand, the oak flat-top case having three-inset panels to the door with turned pillars to the hood having cast brass capitals, height 196cm.* Biography Benjamin Anns is recorded as working in Highworth, Wiltshire from at least 1748 when his first son Thomas was born. An oak cased brass dialled longcase clock signed for Anns is in the Salisbury and South Wiltshire Museum. Benjamin died in March 1807. His son James, born in April 1750, was an eminent master watch and clockmaker as stated on his marriage certificate of 1777.* Notes Reference John Young Wiltshire Watch and Clockmakers Vol.1 Sedgehill Publishing 2004
John Telford, Wigton, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a fourteen-inch painted break-arch dial with black Roman numerals, subsidiary seconds and date dials, decorative gilt-brass hands and signed J. Telford, Wigton, the four corners painted with decorative scenes depicting ruined rural churches, the arch having a moonphase disc painted with further rural scenes, the mahogany case having decorative turned columns to the trunk and hood, with inset panel below, a swan-neck pediment to the hood and fluted flat-columns to the base, standing on bracket feet, height 223cm.* Biography John Telford, born 1793, is recorded as working in Wigton, Cumbria prior to 1820 and took over the business of John Ivison of Carlisle running both businesses until his death in 1847 when he was succeeded by his nephew also called John Telford, born 1821.* Notes Reference Brian Loomes Clockmakers of Northern England Pub. Mayfield Books 1997.
Watson, London, a mid-eighteenth century ebonised bell-top bracket clock: the eight-day duration, double-fusee movement with verge escapement and striking the hours on a bell with pull repeat at will, having a fully engraved backplate decorated with a vase to the centre, the seven-inch dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals and meeting arrow-head half-hour markings, the matted centre with a false-pendulum aperture, with cast-brass crown-and-cherub corner spandrels, the arch having a large silvered date ring and engraved scroll decoration and signed below Watson, London, the ebonised bell-top case having wooden fretwork above the dial, with glazed sides and surmounted by a cast handle, height 46cm handle up, 42cm handle down.The movement associated.
William Bickerton, Sleaford, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch break-arch silvered brass dial engraved with black Roman numerals, outer five-minute Arabic numerals and decorative floral decoration, the centre having a subsidiary seconds dial and date aperture with the arch engraved with the maker's name Willm. Bickerton, Sleaford, with blued-steel decorative hands, the mahogany case with barley twist columns and swan-neck pediment to the hood, the trunk with barley twist columns and decorative inlay to the trunk door depicting Britannia and further inlaid decoration to the base depicting a classical urn, all standing on bracket feet, with weights and pendulum, height 233cm.
*Quentin Bell (1910-1996)a painted paper lampshade, decorated in tones of blue, centred with a continuous band of text, signed to the interior and dated '9441cm diameter25cm high,together with a similar example (2)Provenance: The Sally Hunter and Ian Posgate Collection;purchased directly from the artist.*Artist's Resale Right may apply to this lot.Condition report: Some dirt and discolouration to the former. The second example is lacking the signature, with rubbing/ a water mark where it ought to be. General wear to both.
*Quentin Bell (1910-1996)A painted paper lampshade decorated with an abstract designsigned 'QB (E)' underneath36cm diameter23cm highProvenance: The Sally Hunter and Ian Posgate Collection;purchased directly from the artist.Condition report: a little surface dirt otherwise in good overall condition.
*Trevor Bell (1930-2017)Abstract compositionsigned and dated 'Bell 72' l.r., oil on canvas46 x 56cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Small tear to canvas, not on image, but where attached to stretcher (see image), otherwise, appears to be in good condition, no obvious retouching when viewed under UV light.
*Trevor Bell (1930-2017)'Abstract Forms'signed 'Bell' l.c., charcoal with metallic paint64 x 48cmProvenance: With Tony Saunders Gallery, Penzance, 1986.*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, dirt to the glass, housed in an acidic mount, light undulations to the paper.
An unmarked drinking horn, probably late 19th century, in the William Burges manner, the horn chased with medieval scenes of knights jousting and figures in landscape settings with a chased border with '67' and 'William', the base with frogs and scroll decoration, with two bird's claw feet, one attached with a bell, with traces of gilding, height 8cm, approx. weight 2.5oz.
A Chinese silver regimental table bell, The King's (Shropshire Light Infantry), by Wang Hing, circa 1893, inscribed 'Presented to the Officer's Mess 85th Light Infantry by Lt. Col Ravenhill, Augt. 1893', height 15.5cm, approx. weight 11oz. Provenance: a Private Collection of Regimental Silver. Edward Ravenhill was commissioned on 25 August 1865 into the 86th King's Light Infantry. He served in the 2nd Afghan war of 1879. He was promoted to Lt. Colonel in 1889. This bell was a farewell present to the Mess when he went on the half pay list.
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123896 item(s)/page