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Lot 53

Mauchline Ware _ sewing _ seven pieces comprising a trefoil pincushion (Cuckfield Church), 5.5cm, a bell form tape measure (Southwell Cathedral) slightly reduced tape, 5cm, a fern ware cylinder tape measure, slightly reduced tape, 4cm, a large circular tape measure (Fourth Bridge, photographic) 4.5cm, a combination pincushion/waxer and tape measure (Fort Augustus And Loch Ness), tape commencing at 24ins, 7cm, and two disc form pincushions one in sea shells, the other ïA Happy ChristmasÍ, 3.7cm dia (7)

Lot 123

Four novelty celluloid tape measures comprising a radish, 6cm, a cello, 13cm, a bird with shagreen surface finish, 6.5cm, and a pair of bell form flowers, 5cm, first with defective tape (4)

Lot 605

A Victorian beadwork bell pull, the deep green ground with a repeating design in mixed colour of flowers and leaf scrolls, twisted steel end mounts, 134 x 22cm

Lot 329

Eight metal knitting needle gauges comprising The Cornucopia, soft metal/Mlle Reigos Bell Gauge by G Chambers and Co, plate over brass with leather case/four other brass bell shaped gauges Faudell Phillips and Sons/H Walker-Archer (x2)/H Walker of coat of arms/a brass heart shaped example _ The Fairfax/and a rectangular brass example - Crescent (8)

Lot 328

Nine metal knitting needle gauges comprising The Cornucopia, silver plate, with incorrect leather case/Mlle Reigos Bell Gauge by G Chambers and Co, brass, Patent 1847, in leather case/four other brass bell shaped gauges H Walker/G Chambers (x2)/H Walker-Archer/another heart shaped _ The Fairfax/another heart shaped _ Abel Morrall/and a rectangular bone example with numerals (9)

Lot 866

Murdoch (Iris). A collection of 65 1st UK and US edition novels, 1954-1995, including Under the Net, 1954, The Flight From the Enchanter, 1956, The Sandcastle, 1957, A Severed Head, 1961 (1st US editions), The Bell, 1958, A Severed Head, 1961, An Unofficial Rose, 1962, The Unicorn, 1963, The Italian Girl, 1964 (1st UK editions), and all from The Red and the Green (1st US edition, 1965) to Jackson's Dilemma, 1995, all original cloth in dust jackets, a few chips and tears, some fading to one or two spines, a few duplicates, five inscribed by the author (65)

Lot 582

*Farnell (John Kirby). Native doll night dress case, circa 1930s, stuffed doll, with velveteen head, hands and feet, black woollen hair, and large padded velvet skirt with opening at side, lined with satin, bodice with several small decorative studs missing, and one sleeve with tear, label on one foot 'Farnell's Alpha Toys', length 51cm (20ins), together with a stuffed mohair dog, early 20th century, with black ears and tail, red tongue, and glass eyes, small stitched repair to tummy, voice box not working, height 24cm (9.5ins), length 32cm (12.5ins), plus a stuffed lamb soft toy, early 20th century, with bell on pink neck ribbon, height 34cm (13.5ins), length 30.5cm (12ins), plus three early teddy bears, two requiring hospitalisation, and a defective small doll (7)

Lot 506

Davis (William C.A. Wiley, Bell I, editors). Photographic History of The Civil War, Fort Sumter to Gettysburg, Vicksburg to Appomattox, 2 volumes, New York, 1994, numerous black and white illustrations, both original blue boards in dust jackets, large 8vo, together with other modern historical reference and related, including America, Venice, military, mostly original cloth in dust jackets, some leather bindings, some paperback editions, G/VG, 8vo/folio (6 shelves)

Lot 358

Bell (Charles). On the Nerves: Giving an Account of Some Experiments on their Structure and Functions, which Lead to a New Arrangement of the System, Communicated by Sir Humphry Davy, [extracted from] Philosophical Transactions of the Royal Society of London, 1821, pp. 398-424, engraved plates, offset to text page facing, bound with On the Nerves of the Face; Being a Second Paper on that Subject, [extracted from] Philosophical Transactions, 1829, pp. 317-330, 2 engraved plates, slightly browned and offset to pages facing, journal title-page to both parts retained, small burn mark affecting lower margin with some small loss of blank areas, recent quarter cloth over boards, slim 4to The first description of Bell's palsy, both papers are cited in Garrison & Morton 4520. (1)

Lot 837

Greene (Graham). The Third Man, Eurographica, Helsinki, 1988, original cloth, dust jacket, 4to, signed limited edition 437/500, together with The New House, Eurographica, 1989, original cloth, dust jacket, 4to, signed limited edition 332/350, plus How Father Quixote Became a Monsignor, Sylvester & Orphanos, Los Angeles, 1980, original cloth, acetate wrapper, 8vo, signed limited edition 17/350, with six other signed limited editions: May We Borrow Your Husband, 1967 (438/500), The Return of A.J. Raffles, 1975 (182/250), Ways of Escape, 1980 (132/150), Yes and No and For Whom the Bell Tolls, 1983 (270/750), Reflections on Travels with My Aunt, 1989 (85/250) and Why the Epigraph? Nonesuch Press, 1989 (809/950) (9)

Lot 447

Woolf (Virginia). Recent Paintings by Vanessa Bell with a Foreword by Virginia Woolf, London Artists' Association, 92 New Bond Street, February 4th to March 8th 1930, 8 pages, some spotting, one leaf with marginal closed tear (without loss), stapled as issued, slim 8vo, together with Rhythm, Art Music Literature Quarterly, volume I, number II, Autumn 1911, woodcut illustrations by or after Dismorr, Fergusson, Thompson and others, original printed pale blue wrappers, stitched as issued, a little rubbed and faded to edges, slim large 8vo (2)

Lot 446

Williamson (George C.). The History of Portrait Miniatures, 2 volumes, George Bell and Sons, 1904, colour frontispiece to each, 28 colour plates, 104 monochrome plates, occasional light spotting, booklabels of Cuthbert A. Williamson, top edges gilt, contemporary red half morocco, some fading to covers, joints and edges rubbed, 4to Limited edition of 50, this special copy extra to the 50 for the author's son Cuthbert Williamson. Inscribed to volume I front endpaper "Cuthbert A. Williamson, with very much love from his affectionate father the author, Christmas 1904", additionally inscribed beneath "Special copy extra to the 50, only, which were printed & published; and made up for my boy, from the proof plates, advance sheets and overs. There is no other copy in existence beyond the 50 issued for sale." (2)

Lot 60

Aubrey (John, & Phillipps, Sir Thomas). Aubrey's Collections for Wilts, (Edited by Sir T. Phillipps), part 1 [& 2], London: Printed by J. Davy, 1821, closed tear to O1, bound with the second part entitled An Essay Towards the Description of the North Division of Wiltshire..., Typis Medio-Montanis [Middle Hill], 1838, both parts bound without plates (as often), late 19th century half calf gilt, 4to, (Fenwick 47), together with Aubrey (John & Jackson, John Edward), Wiltshire. The Topographical Collections of John Aubrey..., Corrected and Enlarged, Devizes: Wiltshire Archaeological and Natural History Society, 1862, engraved frontispiece, numerous lithograph plates at rear, folding pedigrees, some browning and spotting, bookplate of W. Heward Bell, Cleeve House, Seend, Wilts to upper pastedown, hinges crudely strengthened, edges rough trimmed, original cloth gilt, spine strengthened and slightly rubbed to extremities, large 4to, with Phillipps (Sir Thomas, Middle Hill Press), North Wiltshire Musters, Anno 30 Henry VIII, from the Original in the Chapter House, Westminster, London: Printed by T. Gardiner & Son [for Sir Thomas Phillipps], 1834, [2],33,[1]pp., bookplates of Leonard L. Hartley and Alfred Trego Butler, Portcullis, original boards, spine worn with loss, slim folio, (Fenwick 42), with [Wilts Subsidy Roll 7 Edw. III. 1334, Part 1, Middle Hill Pess, circa 1858], 45pp. lithograph facsimile of Phillipps' manuscript on blue paper, caption title, original boards, spine worn, slim folio, (this work was issued without a title-page, Fenwick 36), plus Cartularium Saxonicum Malmsburiense in Com. Wilts, Typis Medio-Montanis 18.., [Middle Hill: Edwyn Offer, 1829], title-page (printed later) and 25pp., sewing weak, original boards, spine deficient, slim folio, (one of 50 copies, Fenwick 37) (5)

Lot 124

Europe. A mixed collection of approximately 175 maps, mostly 19th century, engraved maps of the continent and various countries, with examples by Russell, Darton, Kelly, Findley, Bell, Gibson, Milton, Neele, Hall, Moll and Bowen, a few duplicates, various sizes and condition (approx.175)

Lot 288

Four Royal Doulton porcelain ladies, Wendy, Marie, Ivy, Tinkle Bell, Ivy

Lot 172

A Chinese silver stem cup, circa 1870, unrecorded maker MK, the bell-shaped bowl chased with flower panels above a taperin stem and domed foot, 9.5cm high, weight 3.2oz.

Lot 364

A silvered brass carriage clock, the 2.5 inch dial with ring of Roman numerals, retailed by Garrard and Co. London, WI, the eight day movement striking on a single bell, 17.5cm high overall, 13.5cm high

Lot 380

A collection of cased travelling cups, a bell shape cocktail shaker, a plated burner and spirit measure

Lot 240

A 19th Century ormolu and Sevres style porcelain mounted mantel clock, stamped to the reverse "Phillipe Mourey", the circular cherub decorated dial with Roman numerals supporting an 8 day movement striking on a bell, the case decorated with a central urn and garlands above ribbons and swags, 40cm high

Lot 1453

Bronze temple bell bearing legend Me-Tangit Ocean-Meam-A, H: 21 cm

Lot 1484

French gilt clock, chiming to a bell CONDITION REPORT: Appears to work, pendulum present but no key

Lot 115

Two Nao figures, girl with puppy and boy with flute and a further Lladro Parian ware bell

Lot 148

PAIR OF LATE VICTORIAN EMBOSSED AND WEIGHTED SILVER DRESSING TABLE CANDLESTICKS, of tapering form with square bases, embossed with ribbon tied bell flower swags and pendant between beaded borders, 4 3/4" (12.1cm) high, London 1897 (2)

Lot 304

SOUL 45s - Another stirrin' collection of around 150 x 7" cuts. Expect sides by the likes of Otis Redding (584199), Smokey Robinson & The Miracles, William Bell & Judy Clay, Sam & Dave, The Tams, Stevie Wonder, Jackie Wilson, Sylvester, Arthur Conley, Clarence Carter, Sly & The Family Stone, P F Sloan, Michael Jackson, Floyd Robinson, Dorothy Moore, The Velvelettes, Smokey Robinson and Syreeta. Condition is generally VG to Ex though some titles can vary. ( Vinyl Records )

Lot 188

PINK FLOYD - THE DIVISION BELL - An original UK/EU 1st pressing of the deleted 1994 LP (7243 8 28984 1 2, EMD 1055). The record is in Ex+ condition with very few markings of any nature. Complete with Ex+ printed lyric insert. The sleeve is in VG+ condition with a small seam split on the inside of the gatefold and a small old price sticker on the front. ( Vinyl Records )

Lot 270

CLASSIC ROCK/PROG - Well tuned collection of 53 x LPs. Artists/titles include Various - There Is Some Fun Going Forward (Dandelion/Polydor sampler), Ritchie Francis - Song Bird (Pegasus PEG 11), Bell + Arc (CAS 1053), Andy Davis, Kevin Ayers - The Confessions Of Dr. Dream... (UK pink rim), Yes inc. Yessongs, Relayer and Relayer, Audience, Cochise - Swallow Tales (black label Liberty LBG 83428 stereo), Ten Years After, Colosseum - Valentyne Suite (1st 'Philips Record Product' - G/VG starter copy), Dimension Of Miracles, John Entwistle's Ox, Heads And Tales (Transatlantic comp), Genesis and Man. Condition can vary. ( Vinyl Records )

Lot 211

STONE THE CROWS INTRODUCING MAGGIE BELL - Storming collection of 7 x original title LPs. Titles are S/T (original UK Polydor 2425 017 - VG+/VG+), Ode To John Law (Polydor Super 2425 042 - Ex/VG), Ontinuous Performance (2391 043 Super - very smart Ex/Ex), Teenage Licks (UK Polydor 2425 071 - very clean Ex/Ex), S/T (Polydor UK 2482 279 - Ex+/VG+) and Maggie Bell - Suicide Sal (2383 313 UK - Ex/VG+) and Queen Of The Night (2383 239 - lovely Ex/Ex). Great copies. ( Vinyl Records )

Lot 999

Mid-19th century French cast gilt brass cartel clock, the elaborate case surmounted by putto amongst stylised clouds over foliate C-scroll and fruiting vine detail with lattice work pierced panels to a cast brass bezel with bevelled and convex glass enclosing a 7 ins Roman and Arabic enamel dial with cobalt blue numerals (multiple hairlines) and with pierced and engraved brass hands to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell, height 28 ins

Lot 1027

Mid-19th century oak and mahogany cross-banded 8-day longcase clock, Garrat Peterboro, the hood with swan neck pediment over free standing columns to an arched door and moulded throat, to short and shaped trunk door, flanked by canted corners to a plinth base and raised on bracket feet, to a 12ins arched third-period painted dial, decorated to the arch with a seated figure reading verse over rose spandrels to a convex third-period painted Roman dial with outside minute track and enclosing subsidiary seconds and date sector with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 80ins

Lot 1023

Mid-19th century mahogany and boxwood line inlaid musical 8-day longcase clock, the arched hood with swan neck pediment with central carved detail and flanked by cast urn finials, to a plain frieze over freestanding girdled columns to a moulded throat and long Gothic arched door flanked by cluster columns on panelled plinth base with canted corners, to a 13 1/2 ins arched brass dial with silvered boss engraved Tempus Fugit enclosing by dolphin spandrels over further cast floral and foliate spandrels to a Roman and Arabic chapter ring with outside minute track and four bells/eight bells lever at 3, to an engraved centre with subsidiary seconds and blued steel pierced hands, to a triple weight-driven movement with plates united by four knopped pillars and with anchor escapement and strike on a single bell and further rack of eight graduated bells, height 95ins

Lot 1150

A good quality Edwardian period satinwood ladies desk, the top section with dentil pierced three sided brass gallery and line inlay, the cylinder front with marquetry and painted detail panel of foliate wreath, musical instruments and score opening to reveal a fitted interior above a pull out leather inset writing surface, the base section with two small drawers above a bell flower decorated frieze, further bell flower decoration to the uprights raised on four tapering legs with spade feet, minor defects throughout, 25 1/2 ins wide x 17 1/2 ins deep x 41 1/2 ins tall (maximums)

Lot 1009

Mid-19th century French porcelain cased mantel clock and stand, the waisted case decorated with cobalt blue background and gilt highlights with further panels of floral sprays and with similar decorated rectangular shaped base to a cast brass bezel enclosing a 2 3/4 ins Roman enamel dial (chip to winding square), with outside minute track and blued steel moon hands, to a circular brass movement with silk suspension and anchor escapement with back mounted count wheel and strike on a bell, height 13 3/4 ins, together with a clear glass dome (a/f) and ebonised stand

Lot 1003

Large late 19th century black and rouge marble mounted figural mantel clock with subsidiaries for calendar and weather, the plinth shaped case surmounted by a gilt bronze head and shoulders bust of a classical female figure to a scrolling pediment with fluted columns and scrolling capitals flanking a beaded bezel and further glazed panel to a visible twin pot mercury pendulum and flanked by calendar work for year, moon phases, day, month and date and opposed by an aneroid barometer with 4 1/2 ins enamel dial with scale of 28/31 over a demi-lune single scale thermometer to a break front plinth base on splayed feet to a 5ins Roman enamel two-part dial with outside minute track and visible Brocot escapement and blued steel hands to a circular brass movement with anchor escapement strike on a bell, height 29 1/2 ins

Lot 1025

Mid-19th century Scottish mahogany 8-day longcase clock, Alexr Kelt Dundee, the hood with swan neck pediment over free standing columns to a moulded throat with carved quarter-columns to a panelled short trunk door to a further panel and raised on a plinth base, to a 12 1/2 ins third-period painted dial, decorated to the arch with foil backed depiction of a Highland skirmish entitled Rob Roy over spandrels depicting the 4 continents to a Roman chapter ring enclosing subsidiary seconds and date, and with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement strike on a bell (associated), height 80ins

Lot 1028

Mid-19th century mahogany cased 8-day longcase clock, Josh Roe Ipswich, the arched hood with shaped pediment over free standing reeded columns to a moulded throat and further brass capped and reeded quarter columns to a long trunk door and raised on a panelled and stepped plinth base, to an arched third-period painted dial, decorated to the arch and spandrels with country cottages, to a Roman chapter ring with outside minute track and enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement strike on a bell, height 86ins

Lot 1007

Mid-19th century French porcelain cased mantel clock, Hry Marc Paris, the elaborately decorated case with lime green background and gilt highlights with further floral detail and raised on a similarly decorated and detached base with further plaster gilt and velvet stand to a cast gilt brass bezel enclosing a 2 1/2 ins signed Roman enamel dial with outside minute track and steel moon hands to a circular brass movement with back mounted count wheel and anchor escapement with silk suspension and strike on a bell (losses and damage throughout), together with a clear glass dome (a/f), height of clock and stand 16 1/2 ins

Lot 1000

Late 19th century French gilt, brass and porcelain mounted mantel clock, the drum shaped case surmounted by a lidded urn over lions mask and ring handles on a scrolling support on a break front plinth base and decorated throughout with porcelain panels with pale pink backgrounds and detailed with floral garlands and cherubs throughout to a 4 1/2 ins Roman dial with outside minute track and gilt spade hands, to a circular brass movement stamped JBD with anchor escapement and strike on a bell, height 16 1/2 ins

Lot 1002

Mid-19th century French monumental marble and gilt brass figural mantel clock, the plinth shaped case flanked by a neo-classical female robed figure and raised on a further rectangular plinth with foliate mask detail with applied and spreading mounts on scrolling feet to a cast and beaded bezel enclosing a silvered 4 1/2 ins dial with Roman numerals and outside minute track with blued steel moon hands to a circular brass movement with back mounted count wheel and silk suspension with anchor escapement and strike on a bell, height 28ins, width 20 1/2 ins

Lot 1153

Late 19th/early 20th century satinwood circular occasional table, the top painted roundel and bell flower swag decoration to the centre and edge, having lower circular plant pot holder with brass gallery supported on four scrolled stretchers joining four turned tapering legs, 29 1/2 ins diameter

Lot 297

An impressive Lowestoft bell shaped tankard circa 1775 decorated in typical style by the Tulip painter with a large floral spray to the front and floral sprigs to the reverse below a line loop and dot border, height 6ins condition: restored,Ex Godden collection label to base

Lot 1006

Early 19th century French cast gilt brass figural mantel clock, the waisted case surmounted by and decorated throughout with floral and foliate detail over a small boy with a bird s nest on a plinth base with scrolling supports (losses) to a cast and gilt brass dial with cobalt blue enamelled Roman lozenges and blued steel trefoil hands to a circular brass movement with back mounted count wheel and silk suspension strike on a bell (bell lacking), height 12 1/4 ins

Lot 1026

Early 18th century marquetry inlaid 8-day longcase clock, Henry Harper London, the case with moulded overhanging cornice to a pierced gilt brass panel and further overhanging moulding over barley twist columns with further quarter-columns to the back and with brass lined and glazed side panels and dial to an ogee moulded throat and long trunk door with D moulded border and enclosing marquetry detail of a floral urn with birds over a further brass lined and glazed lenticle with further floral and bird detail beneath, all within marquetry borders to a similarly decorated plinth base with further moulding and with plain side panels to a 10 1/2 ins square brass dial with wheatear border to cast and applied cherub and crown spandrels, to a silvered Roman and Arabic chapter ring with outside minute track and inside quarters, with further half hour markers to a matted centre with silvered subsidiary seconds and date sector with ringed winding squares and fitted pierced and carved blued steel hands to a movement with plates united by 5 knopped and finned pillars with anchor escapement and strike on a bell and fitted with a steel rod pendulum and pair of flat topped brass cased weights, height 80ins  Condition:        Case: extensive repair and restoration throughout – see photos.  Dial: staining to top of chapter ring.  Movement: appears complete and is currently running.  

Lot 227

A 'PALAIS ROYALE' STYLE COUNTER BELL with mother-of-pearl and gilt metal mounts on alabaster base, 19th century, 4.5" high and two pewter moulds (3)

Lot 236

A BURMESE BRONZE ELEPHANT BELL with raised heart scrolled decoration

Lot 723

A mid 19th century French ormolu and white marble mantel clock, the 8-day two train drum movement signed Vincenti and striking the hours on a bell, the white enamelled convex dial indistinctly signed, the case surmounted by a flaming urn, 40 cm high o/a Condition Report in restored condition, assumed running

Lot 908

Raingo Fres Paris, a 19th century 8-day ormolu and black marble mantel clock, the circular white enamelled dial with visible escapement, striking the hours and half hours on a bell within a glazed panel dome top case on gilt foliate feet, 37 cm h o/a

Lot 663

Thomas Gaskell, Knutsford, a George III 8-day twin fusee bracket clock with verge escapement within an ebonised case, the five pillar movement with engraved and signed backplate, bob pendulum striking the hours on a bell, the silvered dial with subsidiary strike/silent, raised on cast brass ogee bracket feet, 42 cm high overall Condition Report Clock ticks, no keys available

Lot 820

Whitman, Alfred Charles Turner, mezzotints, London: George Bell & Sons 1907, green cloth

Lot 792

A ship's bell, stamped with crowned ER, 26 cm high

Lot 26

A French Ormolu and Ceramic Sevres Style French Second Empire Mantle Clock, The Movement Signed Henry Marc, Striking on a Bell. 31cm High

Lot 162

A Tray of Treen and Metal Ware to Include Cocktail Set, Tape measure, Drawing Models, Brass Bell Etc

Lot 637

A walnut and feather banded chest of drawers,in two parts, labelled 'Elizabeth Bell & Son at the White Swan against the South Gate in St Pauls Church Yard, London'95.5cm wide, 53.5cm deep, 115cm highHenry Bell set up a furniture business in 1736, which was continued by his widow, Elizabeth Bell, at White Swan, St Paul's Churchyard, London, with later assistance from her son, Philip. The label would indicate that the date of this piece would be 1745-58. Elizabeth Bell died in about 1758. Literature: Christopher Gilbert's 'Pictorial Dictionary of Marked London Furniture 1700-1840', p.17, and pl.75, p.89.

Lot 328

A large polychrome majolica ware centrepiece, in the form of Ruth holding a shell, together with a further majolica wine cooler and a cheese bell

Lot 236

Inlaid walnut wall clock, floral marquetry decoration, white enamelled dial signed W Gadsby, Lincoln, spring driven movement striking on a bell, 88cm.

Lot 198

Edwardian mahogany balloon shape mantel clock, front with oval fan inlay and boxwood stringing above moulded plinth, bun feet, circular painted porcelain dial, central topographical view, Roman numerals, French cylinder movement striking on a bell, signed Marti, height 20cm.

Lot 232

Victorian black painted mantel clock, gilt dial, spring driven movement striking on a bell and gong, 29cm.

Lot 1380

George III mahogany longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above a shaped panelled door with flanking quarter pilasters and a conforming plinth base with carved centre panel, the brass moon phase dial with a silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed Dodson Holbeck, the two train movement with anchor escapement striking on a bell

Lot 1352

Victorian mahogany bracket clock, the rectangular case with a recessed brass handle and applied carved floral decoration, the circular silvered dial with Roman numerals, signed John W. Carter, 61 Cornhill, London, with a single train fusée movement (bell removed), 12.5ins high

Lot 1368

George III oak longcase clock, the broken arch hood above an arched panelled door and conforming plinth, the painted dial with Roman numerals, subsidiary seconds dial, date aperture and strike / silent selector, signed Gudgeon Berry, the two train movement with anchor escapement striking on a bell

Lot 1351

19th Century mahogany bracket clock, the arched case with applied floral decoration, the circular painted dial with Roman numerals, signed Wagstaff, London, the two train fusée movement striking on a bell, 15.25ins high

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