We found 123896 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 123896 item(s)
    /page

Lot 363

E. Vittoz & Co Paris, a late 19th century French gilt brass mantle clock, with cast urn final and applied decoration raised on four splayed feet, the white dial with black painted Roman numerals, movement signed, 36cm high.Condition Report; The case is in good condition, however the base is missing. Enamel dial in good condition. There is no pendulum or bell, the movement is fully wound and not ticking. 

Lot 514

A Cascade wall mounted Allwin, by Bell Fruit Manufacturing Co., c.1970, penny drop case slot machine, stained wood cabinet, 48 x 15 x 77cm.Provenance; Watermouth Castle, Ilfracombe, North Devon.Key.

Lot 141

Richard Spare Spring Bullfinch (Detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Lot 142

Richard Spare Chat (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Lot 143

Richard Spare Honeysuckle (detail), 2023 Drypoint and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Richard Spare is a painter and printmaker. After studying painting at Maidstone College of Art in the 1970s, Richard embarked on a career that has seen him edition work for a number of leading contemporary artists including David Hockney, Robert Ryman and Jasper Johns among others. He has exhibited his own work internationally and has often displayed work in our own Summer Exhibition over the years. He first came to Hockney's attention in 1977 working as his assistant. During their time together, Spare took charge of setting up an etching studio for him and observed Hockney creating sets for a Glyndebourne production of The Magic Flute. A decade later, Spare was working with Jasper Johns in New York, proofing and editioning complex carborundum prints. Today, Spare focuses on producing his own work, drawing on themes of nature and travel. Based in Charlton, he works from a converted Victorian coach house. A homage to the art of printmaking, this specially designed studio is home to his lovingly restored antique etching presses. Education Maidstone College of Art 1971 - 1974 Select Exhibitions/Awards 2001-21 13 tours of Japan totalling over 200 solo exhibitions 2012 Guest International Artist, Melbourne, Australia Solo Exhibitions in: Australia, Japan, Korea, United Kingdom Selected Group Exhibitions RA Summer Exhibitions. 1973-2023 44 Artworks selected for 30 Summer Exhibitions at the Royal Academy of Arts, London Invited Artist at: 2016 The Original Print Show curated by Norman Ackroyd CBE RA, Zillah Bell Gallery, Thirsk, Yorkshire 2014-15 Painter Printmakers - The Six-Month Launch Exhibition of RA Art Sales, The Keeper's House, Royal Academy of Arts, London 2005 The Discerning Eye Exhibition, Mall Galleries, London 2003 The Winter Print Fair, The Friends Room, Royal Academy of Arts, London 1997 The Discerning Eye Exhibition, Mall Galleries, London Gallery Representation Public Collections Art in Healthcare Aston University Berlin Central and Regional Library British Library Cartwright Hall Art Gallery Chelmsford Museum Federation University Australia Hastings Museum and Art Gallery Horsham Regional Art Gallery, Victoria, Australia Hunterian Art Gallery Imperial Health Charity Leeds Art Gallery Maidstone Museum Museum of London Museum of the Home Penlee House Gallery and Museum Royal Cornwall Museum Trevelyan College, Durham University University College London Hospitals Trust Victoria and Albert Museum. Statement about AOAP Submitted Artwork 'Chat' detail, a glimpse into Richard's London Garden, where birds meet for a chat on the garden bench he renovated. Spring Bullfinch detail, a welcome spring visitor to the magnolia tree in Richard's London Garden. Honeysuckle detail, honeysuckle winds its way through the jasmine and clematis in Richard's front garden in London. A heavenly scent on a summer evening. All three are cropped from original drypoint and watercolour prints and are unique.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Lot 359

Takayuki Hara Ready For Bed Oil and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by AOAP About Born in Tokyo, Japan, UK-based artist Takayuki Hara's work evolves from the idea of an ephemeral composition of disjointed memories. It is a search for memories which have been buried and only fragments can be exhumed. Hara studied Japanese Literature: Creative Writing in Japan, the rich narrative elements of his work come from the background as a writer. His work has been exhibited widely in the Uk, and internationally including United States, Germany and Poland, and numerous Art Fairs across the globe. His work was shown in European Parliament in Brussels, and he was commissioned to have a solo show at Manggha Museum of Japanese Art and Technology in Krakow, Poland in 2015. Education MA Fine Art, City and Guilds of London Art School, 2010, BA (Hons) Fine Art: Painting, City and Guilds of London Art School, 2006, Hosei University, BA Japanese Literature: Creative Writing, 2002 Select Exhibitions/Awards Selected Exhibitions 2016 Before We Fall Again, Manggha Museum, Krakow, Poland 2015 The Ultimate Magic to Save Us is You, The Muse Gallery, London 2014 Projekt STS Art Space Whitechapel, London 2014 Hepatitis C Trust Art on a Postcard Exhibition, Whitfield Fine Art, London 2014 Derwent Art Prize Exhibition, The Mall Gallery, London 2014 RBSA Print Biennal, RBSA Gallery, Birmingham 2014 Print Exhibition, Zillar Bell Gallery, Thirsk, North Yorkshire 2014 Bainbridge Open Exhibition, Tea Embassy Gallery 2014 London Original Print Fair, Royal Academy, London 2014 Drawn, Manifest Gallery, Cincinnati, Ohio, USA 2014 Standing on the Frontier Vol.2, Unit24 Gallery, London 2014 Magic We Lost, European Parliament, Brussels 2013 Forbes Great Ball Charity Art Auction, Hilton Warsaw, Poland 2013 A Shapeshifting World, Unit24 Gallery, London 2013 The imaginative Lines, Each/One, New York 2012 Fancy Art Gifts, Hellada Art Centre, California 2012 Anschlussel London/Berlin, Centre for Recent Drawing, London Gallery Representation None at the moment, previous represented by Cynthia Corbett Gallery and Unit 24 Gallery Statement about AOAP Submitted Artwork These little pieces started from my obsession about jumpers. I love jumpers and would probably call myself a collector. I wanted to capture memories of this particular jumper I had when I was younger.   I was aiming to capture an ephemeral composition of disjointed memories in these pieces: a search for places which had been buried deep memories over time and only fragments can be exhumed. Akin to déjà vu: a fleeting moment in everyday life, I am interested in the places/items which conjure up memories, where borders of reality and fiction can be blurred and make myself yearn for the places/items that I am not able to locate anymore. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 360

Takayuki Hara Mountain Dew Oil and acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Born in Tokyo, Japan, UK-based artist Takayuki Hara's work evolves from the idea of an ephemeral composition of disjointed memories. It is a search for memories which have been buried and only fragments can be exhumed. Hara studied Japanese Literature: Creative Writing in Japan, the rich narrative elements of his work come from the background as a writer. His work has been exhibited widely in the Uk, and internationally including United States, Germany and Poland, and numerous Art Fairs across the globe. His work was shown in European Parliament in Brussels, and he was commissioned to have a solo show at Manggha Museum of Japanese Art and Technology in Krakow, Poland in 2015. Education MA Fine Art, City and Guilds of London Art School, 2010, BA (Hons) Fine Art: Painting, City and Guilds of London Art School, 2006, Hosei University, BA Japanese Literature: Creative Writing, 2002 Select Exhibitions/Awards Selected Exhibitions 2016 Before We Fall Again, Manggha Museum, Krakow, Poland 2015 The Ultimate Magic to Save Us is You, The Muse Gallery, London 2014 Projekt STS Art Space Whitechapel, London 2014 Hepatitis C Trust Art on a Postcard Exhibition, Whitfield Fine Art, London 2014 Derwent Art Prize Exhibition, The Mall Gallery, London 2014 RBSA Print Biennal, RBSA Gallery, Birmingham 2014 Print Exhibition, Zillar Bell Gallery, Thirsk, North Yorkshire 2014 Bainbridge Open Exhibition, Tea Embassy Gallery 2014 London Original Print Fair, Royal Academy, London 2014 Drawn, Manifest Gallery, Cincinnati, Ohio, USA 2014 Standing on the Frontier Vol.2, Unit24 Gallery, London 2014 Magic We Lost, European Parliament, Brussels 2013 Forbes Great Ball Charity Art Auction, Hilton Warsaw, Poland 2013 A Shapeshifting World, Unit24 Gallery, London 2013 The imaginative Lines, Each/One, New York 2012 Fancy Art Gifts, Hellada Art Centre, California 2012 Anschlussel London/Berlin, Centre for Recent Drawing, London Gallery Representation None at the moment, previous represented by Cynthia Corbett Gallery and Unit 24 Gallery Statement about AOAP Submitted Artwork These little pieces started from my obsession about jumpers. I love jumpers and would probably call myself a collector. I wanted to capture memories of this particular jumper I had when I was younger.   I was aiming to capture an ephemeral composition of disjointed memories in these pieces: a search for places which had been buried deep memories over time and only fragments can be exhumed. Akin to déjà vu: a fleeting moment in everyday life, I am interested in the places/items which conjure up memories, where borders of reality and fiction can be blurred and make myself yearn for the places/items that I am not able to locate anymore. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Lot 94

Mixed Lot Famous Whiskies 5 bottles Mixed Lot Famous Whiskies from 1960’s 70’s and 80’s comprising: 2 Original, unopened Wade Bell’s Whisky Bell Decanters from 1960’s (one complete in Original Presentation box – one has broken stopper but contents remain intact, together with 3 Haig Whisky ‘Dimple’ Decanters in Original Presentation Boxes (one each from 1960’s, 1970’s and 1980’s).

Lot 3

HERMES Paris, Année 2001. Sac 'Birkin' 35 cmMade in France.En vache naturel, attaches et fermoir en métal plaqué or, double poignée. Cadenas et clés sous clochette. (usures, traces)Condition d'état: C .35 x 28 x 18 cmFootnotes:HERMES Paris, Year 2001. 'Birkin' bag 35 cmMade in France.In natural cowhide, gold-plated metal fasteners and clasp, double handle. Padlock and keys under bell. (wear, marks)Condition grade: C.35 x 28 x 18 cmFor further information on this lot please visit Bonhams.com

Lot 74

HERMES Paris, année 2011. Sac 'Birkin' 40 cmMade in France.En veau Togo noir, attaches et fermoir en métal palladié, double poignée. Cadenas et clés sous clochette. Nous y joignons un twilly imprimé dans les tons noirs, violets, oranges.Condition d'état: A -.40 x 30 x 20 cm.Footnotes:HERMES Paris, year 2011. 'Birkin' bag 40 cmMade in France.In black Togo calfskin, palladium metal fasteners and clasp, double handle. Padlock and keys under bell. We add a twilly printed in black, purple and orange tones.Condition grade: A -.40 x 30 x 20 cm.For further information on this lot please visit Bonhams.com

Lot 52

HERMES Paris, année 2003. Sac 'Kelly Retourné' 40 cmMade in France.En veau Barenia vert militaire, attaches et fermoir en métal palladié, poignée. Cadenas et clés sous clochette. (traces)Condition d'état: B. 40 x 27 x 12,5 cmFootnotes:HERMES Paris, year 2003. 'Kelly Retourné' bag 40 cmMade in France.In military green Barenia calfskin, palladium metal fasteners and clasp, handle. Padlock and keys under bell. (light wear)Condition grade: B.40 x 27 x 12.5 cmFor further information on this lot please visit Bonhams.com

Lot 45

HERMES Paris, Année 1975. Sac 'Kelly Retourné' 28 cmMade in France.En cuir box bleu-marine et toile H chiné beige, attaches et fermoir en métal doré, poignée, cadenas et clefs sous clochette. Nous y joignons une bandoulière en toile et cuir marine signée 'Hermès Paris Made in France'.Touret remplacé par Hermès en 2012.Condition d'état: B +28 x 21 x 11 cmFootnotes:HERMES Paris, Year 1975. 'Kelly Retourné' bag 28 cmMade in France.In navy blue box leather and beige mottled H canvas, gold metal fasteners and clasp, handle, padlock and keys under bell. We include a shoulder strap in canvas and navy leather signed 'Hermès Paris Made in France'.Touret replaced by Hermès in 2012.Condition grade: B +For further information on this lot please visit Bonhams.com

Lot 118

HERMES Paris, circa 1960. Sac 'Kelly Sellier' 35 cmEn Crocodile noir (Crocodilus Porosus Annexe II-B) chiffré 'R L O' sous couronne en or 750°/°°, attaches et fermoir en métal doré, poignée. Cadenas recouvert et clé. (clochette accidentée, manque tirette à l'intérieur, une couture à revoir, légères usures)Condition d'état: B -Ce lot est soumis aux restrictions d'exportation/importation de la CITES et ne peut être expédié qu'à des adresses situées dans l'UE ou retiré à notre bureau de Paris. Veuillez contacter le département pour plus de détails.35 x 26 x 11,5 cmFootnotes:HERMES Paris, circa 1960. 'Kelly Sellier' bag 35 cmIn black Crocodile leather, numbered 'R L O' in crowned gold, fasteners and clasp in gold metal, handle. Covered padlock and key. (damaged bell, missing zipper inside)Condition grade: B -35 x 26 x 11,5 cmThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

Lot 28

HERMES Paris, année 2004. Sac 'Kelly Retourné' 32 cmEn cuir Togo bourgogne, attaches et fermoir en métal plaqué or, poignée, bandoulière. Cadenas et clés sous clochette. (très légères traces)Condition d'état: A -.32 x 23 x 10 cmFootnotes:HERMES Paris, year 2004. 'Kelly Retourné' bag 32 cmIn burgundy Togo leather, gold-plated metal fasteners and clasp, handle, shoulder strap. Padlock and keys under bell. (very light marks)Condition grade: A -.32 x 23 x 10 cmFor further information on this lot please visit Bonhams.com

Lot 36

HERMES Paris, année 2003. Sac à dépêche à double soufflet 38 cmMade in France.En veau Togo rouge, fermoir en métal palladié, poignée. Clés sous clochette.Condition d'état: A.38 x 29 x 3 cm.Footnotes:HERMES Paris, year 2003. Double gusset dispatch bag 38 cmMade in France.In red Togo calfskin, palladium metal clasp, handle. Keys under bell.Condition grade: A.38 x 29 x 3 cm.For further information on this lot please visit Bonhams.com

Lot 6

HERMES Paris, année 1979. Sac 'Kelly Retourné' 32 cmMade in France.En cuir naturel, attaches et fermoir en métal doré, poignée. Cadenas et clés sous clochette. (usures)Condition d'état: B -.32 x 23 x 10 cmFootnotes:HERMES Paris, year 1979. 'Kelly Retourné' bag 32 cmMade in France.In natural leather, gold metal fasteners and clasp, handle. Padlock and keys under bell. (wear and tear)Condition grade: B -.32 x 23 x 10 cmFor further information on this lot please visit Bonhams.com

Lot 110

HERMES Paris, année 1983. Sac 'Kelly Retourné' 35 cmMade in France.En cuir Courchevel gold, attaches et fermoir en métal doré, poignée. Clés sous clochette. (manque cadenas, légères usures)Condition d'état: B -.35 x 25,5 x 11 cmFootnotes:HERMES Paris, year 1983. 'Kelly Retourné' bag 35 cmMade in France.In gold Courchevel leather, gold metal fasteners and clasp, handle. Keys under bell. (missing padlock, slight wear)Condition grade: B -.35 x 25.5 x 11 cmFor further information on this lot please visit Bonhams.com

Lot 1145

Levy, D. (Hrsg.) Computer Chess Compendium. London, Batsford, ca. 1988. 8°. Mit Diagrammen. 2 Bll., 440 Seiten. Orig. geheftet. (66) * Beiliegen: Bell, A. G. The machine plays chess? Oxford, Pergamon, 1978. 8°. Mit Abb. und Diagrammen. X, 114 Seiten. Orig. Pappband. / Dunne, A. 2010 chess oddities. Davenport, Thinkers‘ Press, 2003. 8°. Mit Diagrammen. VII, 215 Seiten. Orig. geheftet. Zustand für alle Teile: Innen etwas gebräunt.

Lot 1158

Staunton. Knight, Bryan M. Howard Staunton. Uncrowned chess champion of the World. Montreal, Chess Nut Books, ca. 1974. 8°. Mit Abb. und Diagrammen. 240 Seiten. Orig. Leinenband. (45) * Lusis 1357. Nr. 30 von 300 Exemplaren, die von Hand im Hardcovereinband gebunden wurden. Zustand: Einband wenig bestoßen. Beiliegt: Staunton, H. The Chess - Player's Companion. Comprising a new treatise on odds, and a collection of games ... to which are added … Problems. London, Bell, 1887. 8°. Mit 1 farbigen Diagrammtafel und Diagrammen. XI, 510 Seiten, 1 Bl. weiß, 23 Seiten Anzeigen. Originaler goldverzierter Leinenband. Linde - N. 783; Betts 29 – 134. Zustand: Innen gebräunt und Buchschnitt etwas fleckig. Einband etwas bestoßen, angestaubt und teilweise verblichen.

Lot 1230

London 1851. Staunton, H. The chess tournament. A collection of the games played at this celebrated assemblage. Illustrated by copious diagrams, and notes, critical and explanatory. London, Bell & Daldy, 1873. 8°. Mit vielen Diagrammen. XCI, 377 Seiten, 1 Bl. weiß, 23 Seiten Anzeigen. Originaler roter Leinenband mit Vorderdeckel- und Rückenvergoldung. (66) * Linde - N. 5180; vergl. Betts 25 - 1. "Bohn's Scientific Library". Der Sieger des ersten internationalen Schachturniers der modernen Geschichte wurde Anderssen. Umfangreiche Darstellung zu diesem Turnier, die auch die vorbereitenden Verhandlungen und 70, mit kurzen Anmerkungen versehene Partien enthält. Zustand: Exlibris von Poul Hage auf Innendeckel. Name auf Vorsatz. Buchblock gelockert. Innen gebräunt. Einband angestaubt und wenig bestoßen. Rücken verblichen, etwas fleckig und mit Defekten.

Lot 1066

TIBETAN BUDDHIST PRAYER WHEEL, 20TH CENTURY in copper with applied chant characters and filigree scroll borders, hardwood handle, along with a pair of Tibetan cymbals, a vajra, and a Hindu bellthe prayer wheel 32cm highEach piece generally good. Light wear as per age, use and cleaning. More noticeably to the prayer wheel, as per construction, including a dent to cylinder. Additional images now available.

Lot 154

Post-plague survival.- Doolittle (Thomas) [Mah ashiv l'Yahweh], or, A serious enquiry for a suitable return, for continued life, in and after a time of great mortality, by a wasting plague (anno 1665.) answered in XIII. directions, E1 paper flaw at foot with loss of several letters recto and verso, final f. with some marginal chipping and fraying and detached, some worming to upper and lower inner gutters, water-stained, some spotting, lightly browned, contemporary sheep, covers all but detached, worn, [Wing D1895], 8vo, Printed by R.I. for J. Johnson, and are to be sold by A. Brewster, at the Threee Bibles at the west end of St. Pauls, and R. Boulter at the Turks-head in Cornhill, 1666. ⁂ Rare at auction. Doolittle (?1632-1707) was an English nonconformist minister, tutor and author. In defiance of the law he erected preaching-places to replace the churches lying in ruins after the Great Fire. Provenance: Elizabeth Bell (contemporary ink signature to front pastedown); Julia Campbell, 1833 (ink signature to head of title).

Lot 83

A Hallmarked Silver Bell, DF, Sheffield 1992, the gilt handle as entwined scroll fish, in original fitted case.

Lot 14

Two Cast-Iron Cannon Both Early 19th CenturyEach of multi-stage form with mouldings and turned bell-shaped muzzle, the first reinforce each with touch-hole on a raised integral block, knob-shaped cascabels, one with integral loop, and plain trunnions, one on a peg-mount with breech extension: on later wooden block, the other on a later stepped wooden block of naval type (both with old pitting)(2) The first 47 cm. barrel, 3 cm. bore; the second 50 cm. barrel, 4 cm. boreFor further information on this lot please visit Bonhams.com

Lot 142

A Vintage - Excellent and Heavy Sterling Silver Curb Bracelet - Loaded with 25 Large Sterling Silver Charms of Good Quality. Comprises Warship, Pistol, Holy Bible, Ornate Bell, Flower Basket, Lantern, Ford T-Car, Kettle, Large Building, Skates, Silver Enamel Kettle, Divers Helmet, Gypsy Caravan, Sailing Ship, Bucket and Many More. Silver Weight 167.2 grams. All In Good Condition and Marked for Silver.

Lot 1110

Mixed tokens to include tokens from Roundway Hospital, Devizes, Bath City Council token, Bell Fruit token and others. 48 tokens. *CR Mixed states, many very good.

Lot 1081

A 19th century bronze bell with a turned yew handle 11½in. (29.2cm.) high.

Lot 407

A collection of various Wedgwood blue & green Jasperware to include jar / pots, vases, bell etc, together with a Murano glass kissing couple, 6¼in. (16cm.) high. (13) *Some light rubbing etc, overall good.

Lot 427

A collection of twenty four 20th century wine glasses to include five red and clear wine glasses having bell shaped bowls with silvered rim and barley twist stems, along with eight smaller matching wine glasses, a pair of ruby and clear wine glasses tulip shaped bowls with cut decoration, four ruby and clear wine glasses with deep silver band depicting figures in a classical setting, along with five smaller matching wine glasses. (24) * One of the six large glasses broken, all remaining appear to be good, light wear to overlay in places.

Lot 429

An 18th century wine glass waisted bell shape bowl, slightly domed foot, pontil beneath, 6¼in. high. * No chips or carcks, light surface marks, good.

Lot 925

A French brass architectural mantel clock 19th century, the white Roman enamel dial fronting a two-train movement with outside countwheel strike on a bell, stamped 'H.L.F.' and with Japy Fils exhibition mark, numbered 1120, the case with flaming urn and vine fruit finials to the pagoda top, turned columns and flared plinth base, 15in. (38cm.) high. * Condition: Winds and runs. Strikes correctly. Hairlines to dial. Gilt to case worn throughout. Decorated scrollwork panel below dial heavily worn, with only a trace of design remaining.

Lot 926

A French red lacquered slate mantel clock early 20th century, the twin train movement signed 'O. Berger A Paris 101', with half hour outside countwheel strike on a bell, gilt, foliate chased dial, the slate case with gilt and red lacquered decoration, on a plinth base with baluster moulded angles, 8in. (20.25cm.) high. *Winds and runs. Some chips and wear to the lacquer to the edges and raised detail. Left side panel on the plinth base is a later wooden replacement and there is a small wooden repair piece to the back right corner of the top.

Lot 930

A mid 19th century tole painted wall clock in the form of a pocket watch white enamel dial with Roman numerals, gilt metal bezel, case made of tinware, brass movement and striker to steel bell, 14in. (35.6cm.) diameter, 19½in. ( 49.5cm.) high.

Lot 635

Victorian Newcastle type pillar moulded glass decanter and stopper, the hollow stopper with similar pillar moulding over the bell shape body, 12.5" high; together with an 18th century plain glass rummer, with shaped tapering bowl, 5" high (2)

Lot 190

* Flying Helmet. WWII RAF flying helmet, C-Type, brown leather stamped with war department arrow and numbered 22c/880 with AM earpieces numbered 10 A/13486, chamois lining stamped 'No 4 7 1/2 - 7 3/4 28241', wired with brown bakelite bell shape plug numbered 16601/H01, a good example in reasonable condition QTY: (1)

Lot 245

* Ship's Bell. WWII bronze ship's bell, dated 1945, cast in relief with large serif capitals 'Trinity House 1945', 28 cm high x 29.5 cm diameter, in good original condition but lacking clapperQTY: (1)NOTE:‘Trinity House’ [TH] is an organisation which is responsible for the provision, care and maintenance of all England’s lighthouses and lightships. Founded by Henry VIII, it is a highly regarded institution, even today when most lighthouses and lightships are unmanned.At the end of the Second World War (i.e. 1945), TH had, in theory, 43 lightships but some had been sunk and/or damaged during the War and only 17 were actually ‘on station’. Several new vessels were built in 1945 to replace wartime losses and it seems likely that this bell if off one of them.

Lot 325

* Various Bowie knives, including a commemorative bowie knife, the 19.5 cm etched 'Remember the Alamo The Last Stand of Jim Bowie', brass crossguard and wooden grip with brass rivets, overall length 31.5 cm, in its brown leather sheath, another with 27 cm steel blade, overall length 41 cm, in its black leather scabbard stamped in gold 'Bell Bowie' and three other knives QTY: (5)

Lot 78

* Balloon Prints and Ephemera. A collection of fourteen items, 18th and 19th century, etchings and engravings of portraits, caricatures and engraved scenes of dirigibles, together with balloon-related broadsides and a short play relating to balloons and balloon flight, including examples by or after Darchery, 'Journal de Paris', Pilon, Bartolozzi, William Heath, Kirby, Bell, Thornton, Cruikshank, Marshall and Maguire, occasional duplicates, various sizes and conditionQTY: (14)

Lot 292

A MODERN CAST WALL MOUNTED METAL BELL IN THE FORM OF A SAIL SHIP

Lot 434

A VINTAGE BOXED CLOCKWORK TRICYCLE WITH BELL, TOGETHER WITH A VINTAGE BOXED JOHN BULL PRINTING OUTFIT NO 4

Lot 477

TWO VINTAGE ETCHED OIL LAMP SHADES TOGETHER WITH A BLOWN GLASS BELL CLOCHE

Lot 385

Bob Dylan, American b.1941-Drawn Blank Series: the complete set of six comprising Bell Tower in Stockholm, Iron Railing, Corner flat, Trailer, Carbondale motel and Backstage dressing room, 2013;each giclée print in colours on Hahnemühle 350gsm Museum Etching paper,  all editioned 295/295 and signed by the artist in pencil, printed by GTZ Fine art editions, New York, published by Washington Green in association with Black Buffalo artworks, each print sheet: 70 x 56 cm, (unframed) (6) Note: together with grey card folio case. This lot comes with a complete set of COAs issued by Washington Green fine art. 

Lot 93

Deborah Bell,South African b. 1957-Saskia, 1994;etching on wove, signed, dated, numbered '11/45', and titled in pencil,image: 50.5 x 56.7 cm, (framed)

Lot 263

Vintage brass wall mounting door bell, with no pull chain, possibly a monastery type bell, good condition, 36 cm length, 17 cm wide, 15 cm deep.

Lot 313

Vintage brass goat bell with leather strap, & a cow bell, t/w some vintage tools, band saw Buck 242 Tottenham Court Road, F Hardy, Onion hoe, herb chopper, meat cleaver etc.

Lot 369

Antique mahogany bow fronted chest of drawers with 2short drawers over 3 long drawers with fish bell detail terminating on bracket feet, 104cm wide x 53cm deep x 105cm high - has some small loses to veneer otherwise in overall good used condition

Lot 144

A George III twin handled mug by James Stamp, London 1779, half fluted body, chased with bell flower swags, engraved cartouche monogrammed JM, 10cm high, 6ozt

Lot 442

A 19th century bronze pestle and mortar, of bell form, 9cm high, the pestle 19cm long

Lot 45

Jep / Bub 0 Gauge Railway accessories consisting of 535 30 light signal, 62 bell signal, Electrical unit with contineltail plug and Bell signal in a box base, 6332-1 Lamp standard, 6335 pair of L/R Signal notices, Bub Tinplate station on a Black Base, Double story with Centre front entrance and lift off roof. The lot also includes a H0 Scale V2 Electric Signal and a Jep 1902-1964 Hard back book by Clive Lamming.  Excellent in Fair to Good boxes. (9)

Lot 54

Marklin Electrically Operated Signals & Trackside Accessories. To include 445 A Main Signal; 446/21 Track Blocking Signal; 446/41 Main Light Signal; 478 Light Signal; 438 Bell Sounder plus others. Conditions: Good to Excellent in Good boxes. (12)

Lot 433

A mid 20th century cast silver table bell, mark indecipherable, London 1960, of campana form with stepped rim and knopped handle, part marked clapper, 7cm at the rim, 12 cm high, 10.2ozt

Lot 311

The Following Four Lots Were The Former Property of Former Glasgow Rangers Kit Man Jimmy Bell. Glasgow Rangers Blue Adidas match shirt for The Tennents Scottish Cup Final 1994, size 44/46 numbered '12' to the back. Alexei Mikhailichenko wore the Number '12' shirt, replacing Gary Stevens after 23 minutes. Rangers lost 1-0 to Dundee United.

Lot 509

Leeds United Autographs, including Cocker, Bremner, Bell, Cooper, Storrie, Charlton, and others, red ink signed (unverified) in the centre of a 1964 programme at Swansea, Don Revie to front.

Lot 548

A silver desk stand with central pierced inkwell, pen stand and pierced gallery on four-winged lion paw feet, Chester 1907, a silver mounted notepad holder with engine turned decoration, London 1958 and a silver bell, Birmingham 1970, 14.9ozt weighable silver. (3)

Lot 1323

A mixed collection of ceramics to include; two Royal Crown Derby fluted edged "Posies" patterned dinner plates, saucer, two Wade "Lady and The Tramp" pin dishes with Jock, two Sylvac Rabbits, Regal Ware blush ivory vase, Bells whisky bell, Beswick horses, along with a copper kettle, ruby glass jug, a small tin travelling case with carry handle to top. etc (2)

Lot 3519

A late 1960s / early 1970s 'Paul Nichols & Co. London' jumpsuit in a cream woven (in a square pattern design) crepe, elbow length sleeves edged in satin which have large ties, deep V neckline with a satin panel down front, a waist tie which ties at the back, nylon zip, very wide bell bottom trousers (small tear on one leg), size 10. (1)

Lot 125

A collection of jewellery including an ILaria silver bracelet, comprising blue bell motif links,  A Danish silver floral brooch by Herman Siersbol, together with a sterling silver stone set 'Tinta' a silver Dellapina lama pendant and square brooch, along with a silver ship charm pendant and chains, unmarked silver enamel fritillary  flower pendant and chain, an unmarked brooch possibly silver, a pewter B.M Norway cuff and metal Tenn Eden brooch (1 bag)

Lot 9

Doepfer A114 Ring Modulator Produces sum and difference of inputs. Generates metallic, bell-like tones. Two audio input channels. Unique harmonic content creation. (B) Module untested but assumed to be working. No guarantee or warranty implied. Operational status may change during shipping. See the main Buying Page for further important information.

Lot 9

Duncan Grant (British, 1885-1978)Still life with Apples and Decanter signed and dated 'Grant 48' (lower centre)oil on paper laid to canvas77 x 57.7 cm. (30 1/4 x 22 5/8 in.)Footnotes:ProvenanceQuentin Bell, from whom acquired by Elisabeth Grant, thence by descent to the present ownerPrivate Collection, U.K.Elisabeth Grant was daughter of J.P. Grant, Laird of Rothiemurchus, whose family seat, Doune House at Rothiemurchus, was Duncan Grant's birthplace.We are grateful to Richard Shone for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 8

Vanessa Bell (British, 1879-1961)The Turkish Box signed and dated 'V Bell 1934' (lower right)oil on canvas61 x 73.5 cm. (24 x 29 in.)Footnotes:ProvenanceWith The Adams Gallery, LondonSale; Bonhams, London, 16 November 2011, lot 108, where acquired by the present ownerPrivate Collection, U.K.ExhibitedLondon, The Adams Gallery, Vanessa Bell Memorial Exhibition, 6-27 October 1961 (catalogue untraced)The Turkish box in the present work is still at Charleston and is thought to have been a gift to Duncan Grant from his aunt Daisy McNeil, perhaps before the First World War. Bell had visited Turkey in 1911, traveling with Roger Fry, whose unexpected death in September of 1934 coincides with the execution of the present work. This late summer still life would have been painted at Charleston and shows some of the seasonal fruits grown in the garden. The glass on the left holds three zinnias, a flower Vanessa Bell regularly planted at the house.We are grateful to Richard Shone for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Loading...Loading...
  • 123896 item(s)
    /page

Recently Viewed Lots