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Geo. mah. 8 day longcase clock with bell striking movement, brass break arch dial & calendar aperture and name plate marked J. Hopkins Foley Street Southwark on matted centre within applied silvered Roman numeral chapter ring in a pagoda top case with fret cut decoration. The case with brass stop-fluted columns flanking door to hood and trunk on plinth base ht approx. 252cm
1950s - three evening dresses by Laura Phillips, with beads and sequins, one is all-over purple lace with short bell sleeves, blue dress with satin trim by Jon Dor Couture, also Peggy French Couture evening suit, matching dress and coat in green silk with lurex thread embroidery, both fully lined (qty)
Victorian mantel clock with eight day spring-driven movement striking on a bell, gilded dial with black chapter ring and visible escapement, in a black slate case of classical architectural form with arched pediment, engraved gold coloured decoration and inset malachite panels, 18cm overall height
A 19th Century bronze mantle clock in the form of a Black Forest hunting scene by Jean Francois Theodore Gechter (1796-1844), depicting a huntsman blowing a horn with three dogs attacking a wild boar, his companion laying at the horses feet with a halberd, signed T Gechter, supported on an oval black plinth, embossed with side panels of classical figures, eight day movement striking on a bell signed Charpentier Ft De Bronzes 424 A Paris, 72cm high
A 19th Century mahogany longcase clock, the silvered dial with moon phase inscribed R Roberts Bromsgrove, eight day movement striking on a bell, subsidiary date and seconds dial enclosed by a broken swan neck pillared hood, over a lancet rosewood cross banded door, flanked by fluted gilt brass Corinthian column capitals, over a panelled plinth base and splayed feet. ILLUSTRATED
A GEORGE III OAK LONGCASE CLOCK, the hood with projecting cornice and plain frieze supported on four slender columns, the trunk with crossbanded door, the brass dial with scroll-cast spandrels and subsidiary dial, signed Redshaw, Newcastle (Under Lyme), eight day movement striking on a bell. 2.09m
Edwardian mahogany art nouveau open armchair with allover carved and pierced acorn, foliage and flowerhead roundel decoration, the inverted bell shaped back flanked by out swept serpentine arms, shield shaped seat upholstered in claret art nouveau floral decorated fabric raised on elongated cabriole supports terminating in pad feet
Late 19th century marquetry writing desk of the type associated with Holland and Sons and in a French manner, the shaped top inset with leather skiver surrounded by a band of flower head and foliage marquetry and brass edging, above a frieze set with marquetry and embellished with cast brass berry and leaf panels and central fitted drawer, all raised on cylindrical tapering fluted legs further enhanced by brass work capped by inverted bell shaped brass feet, 137cm long, 62cm wide, 72cm high
A REGENCY MAHOGANY AND BRASS-MOUNTED BRACKET CLOCK, the four pillar repeater movement striking on a bell, with circular white painted dial, Roman numerals, the rectangular section case decorated with cog bands, surmounted by a moulded and cushion fluted rectangular pediment with brass pineapple finial, twin brass ring handles with stamped backplates to the sides above pierced fabric backed rectangular fishscale panels, rectangular plinth, four ball feet, 51.5cm high. See illustration
A GEORGE III FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, the eight day movement striking on a bell, the painted square dial with calendar arch and phases of the moon secondary dial, signed Higginbotham, Macclesfield, the hood with a swan neck pediment, the glass door flanked by square section pilasters, over an inlaid frieze and shaped trunk door, on bracket feet, 226cm high. See illustration
A GEORGE III MAHOGANY LONGCASE CLOCK, BY DAVID PATERSON, Sunderland, the eight day movement striking on a bell, the brass dial with silvered chapter ring, Roman and Arabic numerals, centrally engraved and with secondary seconds dial and calendar aperture, further embellished with cast spandrels and with a painted phases of the the moon dial to the arch, the glazed hood surmounted by a swan neck pediment and flanked by brass capped pillars, the shaped trunk door flanked by a quadrant pillars and on a moulded box base, bracket feet, 247cm high. See illustration
A good pair of late 18th century brass saluting cannons by Thomas Pyke of Bridgwater, Somerset. (See centre pages for full description) Tapering multi-staged barrels with highly decorated astragals each ornamented with impressed semi-circles and dots. Similar decoration in the centre of the chase and around the swell of the muzzle. Also rings of decorative banding between the vent and first reinforce, around the chase and around the swell of the muzzle. Cascabel button slightly square in form with heavy moulding. Engraved across the top of the cannon between the first and second reinforce ring: "MADE BY T. PYKE B'WATER" Indistinct date engraving (heavily worn) of 178? between the vent and first reinforce ring. Total length: 44cm, at widest point across trunions: 14.7cm. Width of bore: 3cm. In excellent condition, unpolished, with a dull brown bronze patination and some small instances of verdigris in places. Thomas Pyke of Bridgwater (1740-1829) was a colourful individual. In addition to founding cannon, he was a brazier, bell founder, iron monger, clock & dial, chandelier and spinning jenny maker. There is a fine brass two-tier chandelier by Thomas Pyke of Bridgwater dated 1789 hanging in Exeter Guildhall. A staunch non-conformist, he played a leading role in the Unitarian church in Bridgwater. He was also actively involved in civic matters and was elected Mayor on two occasions. In 1791 he opened his own bank, which closed in 1813 prior to his bankruptcy in 1815. The accompanying newspaper advert is from the Sherborne & Yeovil Mercury, dated 8th January 1781 so it is evident he was very active in founding cannon at this time. Provenance: From a Cornish country estate, originally owned by one of their decorated Naval ancestors. Remaining in the same family to the present day. We would like to thank Nial and Deborah Woodford for kindly supplying us with biographical information regarding Thomas Pyke.
A cased set of six George V hallmarked silver liqueur/tot glasses with bell-shaped bodies raised on spreading circular feet and gilt interior, IM Hutchfield, Birmingham 1920, height 7.5cm, approx 3.57oz. CONDITION REPORT: Dents, otherwise appears good with no further obvious signs of faults, damage or restoration.
A George III hallmarked silver bell shaped cup embossed with later garland decoration, raised on spreading circular foot, Benjamin Cartwright I, London 1759, height 11cm, approx 7.58oz. CONDITION REPORT: This cup probably had a handle to one side originally and has an area of repair to the body.
A 19th century German silver Torah Shield (Tas), hallmarked "12 loth Silba" (750/1000), the arched backplate with embossed scrolls, chased with applied Tablets of the Ten Commandments under a crown supported by two lions rampant, flanked by a column topped with an eagle with spread wings (2nd column missing) above a window for portion plaques, 32 x 27cm, approx 24oz. CONDITION REPORT: Pendant bell and an original suspension chain missing.
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123939 item(s)/page