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A George III mahogany crossbanded oak longcase clock, 33.5cm arched painted dial inscribed Jno. Stubbs, Kegworth, Roman and subsidiary Arabic numerals to quarters, the arch painted with a cottage, the centre with an architectural folly, date aperture, 30 hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist, plinth base, 216cm high, c.1820
A George III oak and mahogany crossbanded longcase clock, 33cm square brass dial inscribed with Roman and subsidiary Arabic numerals, 30 hour movement striking on a bell, the case with swan neck pediment and brass capped reeded columns, canted rectangular door to waist, shaped apron, bracket feet, 208cm high, c.1810
A George III oak and mahogany longcase clock, 35.5cm arched painted dial inscribed William Kirk, Stockport, rolling moon phase to arch, painted with a battle and a pastoral idyll, Roman and subsidiary Arabic numerals, subsidiary calendar and date dial, painted with figures allegorical of the four seasons and antipodal globe-form maps of the world, twin winding holes, eight-day movement striking on a bell, the case with a japanned swan neck pediment, shaped rectangular door to waist flanked by brass mounted reeded quarter-columns, skirted base, bracket feet, 229.5cm high, 59.5cm wide, 29cm deep, c.1780
A 19th century French Belle Epoque ormolu Cartel wall clock, 15.5cm circular enamel dial with Roman and Arabic numerals, twin winding holes, 8-day movement numbered 13514, striking on a bell, the case cast with flaming urn finial with loose ring goats head handles suspending husk swags and pendants, fluted urn uprights and pierced grille panels, leafy bud under-finial, 70cm high
A 19th century French empire style bronze and gilt bronze portico clock, 11cm circular enamel dial with Arabic numerals, Breguet hands, twin winding holes, eight-day movement, striking on a bell, the case with rectangular tablet cast with lotus leaves above a deep frieze applied with stylised pierced anthemion's, four stop fluted columns with lotus capitals, the stepped rectangular base applied with a pair of stylised swans supporting a basket of flowers, lion paw feet, 37cm high (the panel to the top of the case missing)
A 19th century French gilt metal porcelain mounted mantel clock, 9.5cm circular porcelain dial with Roman numerals on a bleu royale ground, centred with a ring of garden flowers, twin winding holes, eight-day movement, striking on a bell, the tapered rectangular case with oversized two-handled urn finial and flanked by female demi figures, the panels decorated with classical figures playing instruments and Puce Camaieu scrolls, 48cm high
A 19th century French gilt-brass mantel clock, in the Renaissance Revival taste, 9.5cm ivorine chapter ring inscribed with Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the case crested by an urnular finial, oversailing top, projecting plinth base with apron cartouche, lion paw feet, 39cm high, c. 1890
A 19th century gilt brass carriage clock, by Jules, Paris, 7cm rectangular enamel dial signed and inscribed with Roman numerals, eight-day movement striking on a bell, numbered W686, the case engraved with flowers and scrolling foliage, the door to verso with sliding aperture covers, swan neck carrying handle, skirted base, 14cm high, c.1870
A George III ormolu mounted mahogany petite sonnerie table clock by Marriott, London, of small size, 9.5cm enamel dial with Roman and Arabic numerals and strike silent dial to arch, brass foliate spandrels, twin winding holes, the quarter striking 8 day movement with verge escapement striking on the hours on one bell and the quarters ting tang on two bells, the back plate engraved and chased with foliate scrolls and cartouche inscribed Marriott, London, the case with pagoda top, flame finial and pierced sides, acanths scroll feet, applied overall with ormolu leaves, scrolls and husks, 40cm high overall, c.1785John Marriott, clock maker of Fleet Street, London was apprenticed until 1755 and free of the clock makers company from 1768 until his death in 1824. He made clocks for the Turkish and Chinese export market including many musical. A fine musical and automaton clock by Marriott is now in the Palace Museum, Beijing.
A Clarkes patient Cricklite ormolu mounted clear glass seven light table candelabrum, each bell shaped shade supported on a scrolling wirework arm from a lotus cast tapered octagonal column, the socle with trumpet shaped specimen flower vases, spreading circular base, Lion paw feet, 79cm high, c.1890Samuel Clarke, one of several English designers of lighting devices, patented a glass cup covered with a dome on December 14th 1885. His company promoted the lamps as a way to sell there own candles. Clarkes original lamps feature a fairy embossed into the bottom as can be seen in these examples. They became so popular that all small candle-based lamps became know as fairy lamps. Queen Victoria reportedly purchase 1500 of his fairy lamps for her own use.Provenance: Christies sale, London, c.1995
A George III oak longcase clock, 31cm arched painted dial inscribed N Olding, Wincanton, Roman numerals, subsidiary seconds dial, date aperture, the arched with a vignette of a stately home, twin winding holes, eight-day movement striking on a bell, the case with swan neck pediment, bracket feet, 211cm high, c.1810
A Louis XVI gilt-metal and porcelain-mounted mantel clock, 8cm white enamel dial inscribed Rollin, A Paris, Roman numerals, twin-winding holes, 8-day movement striking on a bell, the allegorical case surmounted by the reclining figure of Calliope the muse, a framed portrait of Marie Antoinette rests beneath her arm, the base centred by a musical trophy, scroll feet, 33cm high, 38cm wide, c. 1870
A William IV/early Victorian walnut bracket clock, 20cm shaped rectangular silvered dial inscribed Bateman, 82. St. John St.t, London, Strike/Silent, Roman numerals, twin winding holes, eight-day movement striking on a bell, the case carved with a bountiful basket of fruit and flowers; 60.5cm high, 41.5cm wide, 26.5cm deep, 88cm high on bracket, c.1840
A William IV oak cased wall clock, 25.5cm square painted dial inscribed Whitehurst & Son, Derby, Roman numerals, the spandrels painted with a flower, chain-driven movement striking on a bell, the back-plate numbered 4776, the pointed-arch case quite plain, 212cm high, 34.5cm wide, 17cm wide, c.1835The illustrious John Whitehurst FRS founded his Derby firm in 1737 and on his death in 1788 the business passed to his nephew John Whitehurst II (1761-1834) who in 1809 took into partnership his own son, John Whitehurst III trading as John Whitehurst & Son until 1834. John Whitehurst III continued the firm until his own death in 1855 after which it was run by Roskell of Liverpool until closed in 1862. The numbered sequence runs from 1809 to 1862. Essentially this type of clock consists of a typical hook-and-spike wall clock (usually supplied to mills or servants? quarters of larger houses) mounted in a tall case so it could be positioned somewhere more prominent, see Craven, M. John Whitehurst, Innovator, Scientist, Geologist and Clockmaker (Stroud 2015) pp. 226-228.
An oak longcase clock, 29cm arched brass dial inscribed Willm. North, Leckonfield (sic), the arch with date dial, silvered chapter ring, Roman and subsidiary Arabic Numerals, subsidiary seconds dial, twin winding holes, eight-day movement striking on a bell, the case carved in the 17th century taste, arched rectangular door to waist centred by a Green Man mask, bracket-form plinth base, 212cm high, 52.5cm wide, 27.5cm deep
A Sheraton Revival rosewood and marquetry writing desk, of bonheur du jour proportions, the superstructure with a bevelled rectangular mirror plate flanked by panel doors inlaid with ribbon-tied swags and trailing bell husks, each enclosing pigeonholes, the tooled writing surface above a pair of frieze drawers, tapered square legs, outlined throughout with boxwood stringing, ceramic casters, bears retailers plaque From W. Whiteley, London., 110cm high, 91cm wide, 45cm deep, c.1905
An Aesthetic Movement rosewood and marquetry Davenport desk, hinged rectangular superstructure above a slope top with inset tooled writing surface enclosing a small drawer and pigeonholes, four drawers to side, blind to verso, inlaid with an urn and ribbon-tied trailing bell husks, turned supports, casters, 89cm high, 56.5cm wide, 54cm deep, c.1900
An Art Nouveau satinwood, mahogany and marquetry display cabinet, rectangular caddy top above a pair of astragal bevelled glazed doors enclosing a shelf, the base with a further door enclosing a further shelf, inlaid with tulips on sinuous stems, scrolling leaves and trailing bell husks, open undertier, shaped plinth base, 200cm high, 99.5cm wide, 50cm deep, c.1910
An Edwardian satinwood banded mahogany, marquetry and painted centre table, hipped serpentine oval top inlaid with sinuous stems, each corner inlaid with a flowerhead, shaped apron, open undertier, serpentine legs painted to the knees with bell husks, pad feet, 71.5cm high, 81cm wide, 56.5cm deep, c.1910
A Worcester bowl, decorated with flowers, 16cm diam, crescent mark; a Worcester Pomegranate basket, printed and painted with firs cone, 16cm diam, crescent mark; a rare coffee can, decorated with fruit; a Worcester bell shaped coffee cup, workman?s mark, a Derby pickle leaf shaped dish; a Liverpool dolphin ewer (6)
A large collection of vintage 20th century Royal Doulton Bunnykins figurines. The figures to include Shopper Bunnykins, Judge Bunnykins, Cook Bunnykins, Father Bunnykins, Mary mary Quite Contrary Bunnykins, Liberty Bell Bunnykins, Tyrolean Dancer Bunnykins, Sundial Bunnykins, Little Miss Muffett Bunnykins and Sherriff of Nottingham Bunnykins. All boxed with the majority having certificates.
Camberwick Green – Robert Harrop – a collection of x5 statues / figurines. To include; Paddy Murphy CG19, Barney McGrew CG12, Mr Troop Town Clerk CG21, Windy Miller CG01, Jonathan Bell Farmer CG03. Highly detailed resin statues based on the classic children’s animated series.Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.
A large collection of Wegwood Kutani Krane pattern china to include: a miniature tea service with coffee pot, teapot, cup, saucer, plate, milk jug and sugar bowl; further Kutani Krane part dinner service (dinner plate, lunch and salad plates (7); boxed vases and bowl of various sizes; pair of trumpet shaped vase, bell, various vases and boxes and covers etc together with large china lamp base painted with flowers, with shade and another vase similar; miscellaneous earthenware plates, blue and white, figures, small characters vase, an octagonal wall mirror and a mirror plate (3 boxes) Q
Large late Victorian cuckoo / trumpeter- style clock with carved deer's head pediment with carved dogs and leaf to case. Many restorations and additions. Brass movement striking on a bell. 5.5 inch dial. Two train movement, 2 weights and pendulum (21 ins high x 16 ins wide x 7ins deep).Condition report: very poor. Many additions and not completely original. Door for cuckoo, or in this case a man on a horse, not original.
1960s mini black lace dress by Frank Usher, tiered lace frills, all over dress, shoe string straps, metal zip with Frank Usher and a 1970s black look Biba style, by Marielle, size 12 to 14, full length with bell sleeves, black metal zip and a black halter neck dress with long tie by Radley, size 8 (34) with a back metal zip, long length (3)
A 1960s black crepe evening dress with bell sleeves, high waist, size 10, applique decoration by Liberty in red / blue cream and yellow ditsy print; a 1970s tweed suit with red lining, the tweed is in grey / red and navy, four red buttons and on skirt, also size 12, by Capricorn; and a 1970s pink wool skirt suit by Dereta, all wool, candy pink (14 to 16), button through jacket, pencil skirt with zip by Dereta
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123896 item(s)/page